Cognition, emotion, and aesthetics in contemporary serial television:
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Routledge, Taylor & Francis Group
2022
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | x, 320 Seiten Illustrationen |
| ISBN: | 9781032037158 9781032037165 |
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1 Contributors vii Acknowledgments xi Introduction: Cognition, emotion, and aesthetics in contemporary serial television 1 TED NANNICELLI ANI? HÉCTOR J. PÉREZ PART I The nature of contemporary televisual seriality 25 2 Television’s temporality: Seriality and temporal prolongation 27 ALBERTO N. GARCIA AND TED NANNICELLI 3 Multi-plot structure in television serials 47 HÉCTORJ. PÉREZ ANI? MARIAJ. ORTIZ 4 “Oh my God, they didn’t kill Kenny”: Seriality and viewer engagement in contemporary animated television 68 OLIVER KROENER 5 Seriality and expressiveness in Mad Men 82 ELLIOTT LOGAN PART II Audiences 6 From shots to storyworlds: The cognitive processes supporting the comprehension of serialized television JEFFREY E. SAERYS-FOY AND JOSEPH P. MAGLIANO 95 97
vi Contents 7 Beliefs, desires, and emotions: A theory of emotions and some implications for the understanding of viewer reactions to TV serials 117 RAINER REISENZEIN PART III Poetics 8 Reaching through time: On seriality, temporality, and twofoldness 139 141 MURRAY SMITH 9 Five theses on the difficulty of ending Quality TV series 160 MARGRETHE BRUUN VAAGE 10 Pop music in television serials: Priming, authorial commentary, and musical memory 176 BIRGER LANGKJÆR 11 Twin Peaks and the performative poetics of complex television 193 AARON TAYLOR 12 Parallelism and complex storytelling in film and TV 214 MALCOLM TURVEY PART IV Value: Aesthetic and beyond 13 Audiovisual atmospheres, moods, and metaphoric spaces: Aesthetically rich spaces in complex TV series 235 237 KATHRIN FAHLENBRACH 14 Repetition, familiarity, and aesthetic pleasure: Formulaic generic television series 256 IRIS VIDMAR JOVANOVIČ 15 Ethics and bad protagonists in serial television drama 273 CARL PLANTINGA 16 A sense of moment: Appreciating television serials from aesthetic and cognitive perspectives 285 SARAH CARDWELL Index 309
Cognition, Emotion, and Aesthetics in Contemporary Serial Television This book posits an interconnection between the ways in which contemporarytelevision serials cue cognitive operations, solicit emotional responses, and elicit aesthetic appreciation. The chapters explore a number of questions, including: How do the particularities of form and style in contemporary serial television engage us cognitively, emotionally, and aesthetically? How do they foster cognitive and emotional effects such as feeling suspense, anticipation, surprise, satisfaction, and disappointment? Why and how do we value some serials while disliking others? What is it about the particularities of serial television form and style, in conjunction with our common cognitive, emotional, and aesthetic capacities, that accounts for serial television’s cognitive, socio-political, and aesthetic value and its current ubiquity in popular culture? This book will appeal to postgraduates and scholars working in television studies as well as film studies, cognitive media theory, media psychology, and the philosophy of art. Ted Nanniceili is Senior Lecturer in Film and Television Studies at The University of Queensland. He is editor of Projections: The Journal for Movies and Mind, co֊editor of Cognitive Media Theory (2014), and author ofAppreciating the Art of Television: A Philosophical Perspective. Héctor J. Pérez is Associate Professor of Audiovisual Narrative at the Universitat Politècnica de València. He has published widely in scientific journals such as Projections, Culture Psychology, Aisthesis, and ĽAtalante.
He is editor of SERIES, International Journal of TV Serial Narratives. |
| adam_txt |
1 Contributors vii Acknowledgments xi Introduction: Cognition, emotion, and aesthetics in contemporary serial television 1 TED NANNICELLI ANI? HÉCTOR J. PÉREZ PART I The nature of contemporary televisual seriality 25 2 Television’s temporality: Seriality and temporal prolongation 27 ALBERTO N. GARCIA AND TED NANNICELLI 3 Multi-plot structure in television serials 47 HÉCTORJ. PÉREZ ANI? MARIAJ. ORTIZ 4 “Oh my God, they didn’t kill Kenny”: Seriality and viewer engagement in contemporary animated television 68 OLIVER KROENER 5 Seriality and expressiveness in Mad Men 82 ELLIOTT LOGAN PART II Audiences 6 From shots to storyworlds: The cognitive processes supporting the comprehension of serialized television JEFFREY E. SAERYS-FOY AND JOSEPH P. MAGLIANO 95 97
vi Contents 7 Beliefs, desires, and emotions: A theory of emotions and some implications for the understanding of viewer reactions to TV serials 117 RAINER REISENZEIN PART III Poetics 8 Reaching through time: On seriality, temporality, and twofoldness 139 141 MURRAY SMITH 9 Five theses on the difficulty of ending Quality TV series 160 MARGRETHE BRUUN VAAGE 10 Pop music in television serials: Priming, authorial commentary, and musical memory 176 BIRGER LANGKJÆR 11 Twin Peaks and the performative poetics of complex television 193 AARON TAYLOR 12 Parallelism and complex storytelling in film and TV 214 MALCOLM TURVEY PART IV Value: Aesthetic and beyond 13 Audiovisual atmospheres, moods, and metaphoric spaces: Aesthetically rich spaces in complex TV series 235 237 KATHRIN FAHLENBRACH 14 Repetition, familiarity, and aesthetic pleasure: Formulaic generic television series 256 IRIS VIDMAR JOVANOVIČ 15 Ethics and bad protagonists in serial television drama 273 CARL PLANTINGA 16 A sense of moment: Appreciating television serials from aesthetic and cognitive perspectives 285 SARAH CARDWELL Index 309
Cognition, Emotion, and Aesthetics in Contemporary Serial Television This book posits an interconnection between the ways in which contemporarytelevision serials cue cognitive operations, solicit emotional responses, and elicit aesthetic appreciation. The chapters explore a number of questions, including: How do the particularities of form and style in contemporary serial television engage us cognitively, emotionally, and aesthetically? How do they foster cognitive and emotional effects such as feeling suspense, anticipation, surprise, satisfaction, and disappointment? Why and how do we value some serials while disliking others? What is it about the particularities of serial television form and style, in conjunction with our common cognitive, emotional, and aesthetic capacities, that accounts for serial television’s cognitive, socio-political, and aesthetic value and its current ubiquity in popular culture? This book will appeal to postgraduates and scholars working in television studies as well as film studies, cognitive media theory, media psychology, and the philosophy of art. Ted Nanniceili is Senior Lecturer in Film and Television Studies at The University of Queensland. He is editor of Projections: The Journal for Movies and Mind, co֊editor of Cognitive Media Theory (2014), and author ofAppreciating the Art of Television: A Philosophical Perspective. Héctor J. Pérez is Associate Professor of Audiovisual Narrative at the Universitat Politècnica de València. He has published widely in scientific journals such as Projections, Culture Psychology, Aisthesis, and ĽAtalante.
He is editor of SERIES, International Journal of TV Serial Narratives. |
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| title | Cognition, emotion, and aesthetics in contemporary serial television |
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| title_full | Cognition, emotion, and aesthetics in contemporary serial television edited by Ted Nannicelli and Héctor J. Pérez |
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| title_full_unstemmed | Cognition, emotion, and aesthetics in contemporary serial television edited by Ted Nannicelli and Héctor J. Pérez |
| title_short | Cognition, emotion, and aesthetics in contemporary serial television |
| title_sort | cognition emotion and aesthetics in contemporary serial television |
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