Contemporary curating, artistic reference and public reception: reconsidering inclusion, transparency and mediation in exhibition making practice
Contemporary Curating, Artistic Reference and Public Reception' undertakes a unique critical survey and analysis of prevailing group exhibition-making practices in Europe, the UK and North America.0Drawing on curatorial literature and two in-depth case studies of group exhibitions, Bertrand adv...
Saved in:
| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
London ; New York
Routledge, Taylor & Francis Group
2022
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| Series: | Routledge research in art museums and exhibitions
|
| Subjects: | |
| Online Access: | UBW01 Volltext |
| Summary: | Contemporary Curating, Artistic Reference and Public Reception' undertakes a unique critical survey and analysis of prevailing group exhibition-making practices in Europe, the UK and North America.0Drawing on curatorial literature and two in-depth case studies of group exhibitions, Bertrand advocates for a mode of curatorial practice that secures the content of artworks, in contrast to prevailing open-ended, indeterminate approaches. Proposing a third exhibition type beyond the current binary exhibition ontology that opposes art historical narratives to curatorial installations or Gesamtkunstwerk, the book directly tackles the enduring critique of curating as a mediating activity that produces sameness in group-exhibition contexts by establishing artistic equivalences. The book relies on the principles of analytical philosophy to assess how different exhibition-making approaches fix reference and determine artistic reception, reintroducing a standard to evaluate exhibitions beyond personal taste and thematic coherence. Bertrand ultimately proposes an alternative conception of practice that affirms the renewed relevance of the institutional group show in the present context.0Contemporary Curating, Artistic Reference and Public Reception will be of interest to academics, researchers and students working in museum and curatorial studies, visual cultures, art theory and art history programmes. Art theorists and critics, as well as curators of contemporary art with a research-based practice, should also find much to interest them within the pages of the book |
| Physical Description: | 1 Online-Ressource (xii, 171 Seiten) Illustrationen |
| ISBN: | 9781003082682 9781000426175 |
| DOI: | 10.4324/9781003082682 |
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| spelling | Bertrand, Stéphanie Verfasser (DE-588)1240773005 aut Curating content: inclusion, transparency and mediation in contemporary curatorial practice Contemporary curating, artistic reference and public reception reconsidering inclusion, transparency and mediation in exhibition making practice Stéphanie Bertrand London ; New York Routledge, Taylor & Francis Group 2022 1 Online-Ressource (xii, 171 Seiten) Illustrationen txt rdacontent sti rdacontent c rdamedia cr rdacarrier Routledge research in art museums and exhibitions Contemporary Curating, Artistic Reference and Public Reception' undertakes a unique critical survey and analysis of prevailing group exhibition-making practices in Europe, the UK and North America.0Drawing on curatorial literature and two in-depth case studies of group exhibitions, Bertrand advocates for a mode of curatorial practice that secures the content of artworks, in contrast to prevailing open-ended, indeterminate approaches. Proposing a third exhibition type beyond the current binary exhibition ontology that opposes art historical narratives to curatorial installations or Gesamtkunstwerk, the book directly tackles the enduring critique of curating as a mediating activity that produces sameness in group-exhibition contexts by establishing artistic equivalences. The book relies on the principles of analytical philosophy to assess how different exhibition-making approaches fix reference and determine artistic reception, reintroducing a standard to evaluate exhibitions beyond personal taste and thematic coherence. Bertrand ultimately proposes an alternative conception of practice that affirms the renewed relevance of the institutional group show in the present context.0Contemporary Curating, Artistic Reference and Public Reception will be of interest to academics, researchers and students working in museum and curatorial studies, visual cultures, art theory and art history programmes. Art theorists and critics, as well as curators of contemporary art with a research-based practice, should also find much to interest them within the pages of the book Kurator Museumskunde (DE-588)4688848-2 gnd rswk-swf Kunstausstellung (DE-588)4033628-1 gnd rswk-swf Art museums / Curatorship Art / Exhibitions Art Exhibition catalogs (DE-588)4113937-9 Hochschulschrift gnd-content Kunstausstellung (DE-588)4033628-1 s Kurator Museumskunde (DE-588)4688848-2 s DE-604 Erscheint auch als Druck-Ausgabe, Hardcover 978-0-367-53635-0 (DE-604)BV047479485 Erscheint auch als Druck-Ausgabe, Paperback 978-0-367-53636-7 https://doi.org/10.4324/9781003082682 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Bertrand, Stéphanie Contemporary curating, artistic reference and public reception reconsidering inclusion, transparency and mediation in exhibition making practice Kurator Museumskunde (DE-588)4688848-2 gnd Kunstausstellung (DE-588)4033628-1 gnd |
| subject_GND | (DE-588)4688848-2 (DE-588)4033628-1 (DE-588)4113937-9 |
| title | Contemporary curating, artistic reference and public reception reconsidering inclusion, transparency and mediation in exhibition making practice |
| title_alt | Curating content: inclusion, transparency and mediation in contemporary curatorial practice |
| title_auth | Contemporary curating, artistic reference and public reception reconsidering inclusion, transparency and mediation in exhibition making practice |
| title_exact_search | Contemporary curating, artistic reference and public reception reconsidering inclusion, transparency and mediation in exhibition making practice |
| title_exact_search_txtP | Contemporary curating, artistic reference and public reception reconsidering inclusion, transparency and mediation in exhibition making practice |
| title_full | Contemporary curating, artistic reference and public reception reconsidering inclusion, transparency and mediation in exhibition making practice Stéphanie Bertrand |
| title_fullStr | Contemporary curating, artistic reference and public reception reconsidering inclusion, transparency and mediation in exhibition making practice Stéphanie Bertrand |
| title_full_unstemmed | Contemporary curating, artistic reference and public reception reconsidering inclusion, transparency and mediation in exhibition making practice Stéphanie Bertrand |
| title_short | Contemporary curating, artistic reference and public reception |
| title_sort | contemporary curating artistic reference and public reception reconsidering inclusion transparency and mediation in exhibition making practice |
| title_sub | reconsidering inclusion, transparency and mediation in exhibition making practice |
| topic | Kurator Museumskunde (DE-588)4688848-2 gnd Kunstausstellung (DE-588)4033628-1 gnd |
| topic_facet | Kurator Museumskunde Kunstausstellung Hochschulschrift |
| url | https://doi.org/10.4324/9781003082682 |
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