On labour: sonsbeek 20->24 : force times distance - on labour and its sonic ecologies
"This reader is a culmination of direct and tangential deliberations on notions of labour, appreciated across geographies and mediums. Newly commissioned textual manifestations in a multilogue with historical positions. The reader could be perceived as a negotiation of positions, as the strive...
Gespeichert in:
| Weitere Verfasser: | , , , , , , |
|---|---|
| Format: | Tagungsbericht Buch |
| Sprache: | English |
| Veröffentlicht: |
Berlin ; Milano
Archive Books
2021
|
| Schlagworte: | |
| Zusammenfassung: | "This reader is a culmination of direct and tangential deliberations on notions of labour, appreciated across geographies and mediums. Newly commissioned textual manifestations in a multilogue with historical positions. The reader could be perceived as a negotiation of positions, as the strive towards utterances, towards becoming. Each text could be imagined as a stanza in a song. This is also a strive towards musicality. Or at least a wish for this reader to be a choir, in which we collectively sing, in which we all listen to each other to be able to sing, but most importantly, in which we afford ourselves the privilege of 'hearing the eloquence of silence', 'seeing the inner vision beneath the closed eyes' and 'listening to the chastity of inner music that defies betrayal by the wayward wind.' In the conception of Sonsbeek, we are not interested in producing evidences of any sort, and hardly are we interested in claiming the position of the presenter, the one who holds forth. In itself, this implies a structuring of subject and object, thus subjectification and objectification, which tends to be hierarchical. This comes along with: How can one move away from this God-like position of the sole creator to then present to those that just consume, and shift towards a collective experience of creating and perceiving together? It is not the curators that have the genius to come up with an idea that is then realised by artists to be later consumed by an audience, but it is a collective exchange of ideas in a kind of noosphere, or a collective body of people—artists, visitors of all walks of life, curators—that together form a collective brain. ..." " ... In all this, agency is by no way limited to the 'maker of ideas' or 'maker of artworks', but the primary agency lies with the idea itself and the art itself. So it might just as well be that it is the idea and the artwork that chooses the artist, the author and otherwise producer to bring it into the world. So rather than think of Sonsbeek as an exhibition or space in which evidences of sorts are presented, we imagine Sonsbeek to be a manifestation, maybe a collective apparition, and certainly a becoming. Decidedly, this becoming finds shape as works of art in public spaces, in museums, as educational pedagogic formats, as performative gestures, as mix tapes, as radio, and as books—readers and catalogues. This is the first of five readers that we will manifest within the framework of sonsbeek20→24. In each of the readers, we have invited and will continue to invite poets, essayists, fiction writers, visual artists, critical writers of all kinds to lend themselves as birth canals through which ideas of 'labour and its sonic ecologies' can be birthed, or at least become vessels to contain such deliberations. 'Force Times Distance—On Labour and its Sonic Ecologies' is a journey, to say the least, into the unknown. A journey marked by a plethora of uncertainties, which we have chosen to embrace rather than fend off or deflect. From a global pandemic, to financial precarity, to arduous labour conditions, we consider the becoming of Sonsbeek a wandering in wondering, trusting not only in our interlocutors—artists, curators, managers, audiences, producers etc—but more specifically trusting the agency of the project and what it wants to reveal through us." |
| Beschreibung: | "This is the first of five readers that we will manifest within the framework of sonsbeek20->24" (Editorial). - Ermittelt: "sonsbeek20→24, entitled force times distance - on labour and its sonic ecologies", will run in Arnhem, the Netherlands, from July 2 through August 29, 2021, celebrating the opening of its 12th edition |
| Beschreibung: | 344 Seiten |
| ISBN: | 9783948212520 |
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| 520 | 3 | |a " ... In all this, agency is by no way limited to the 'maker of ideas' or 'maker of artworks', but the primary agency lies with the idea itself and the art itself. So it might just as well be that it is the idea and the artwork that chooses the artist, the author and otherwise producer to bring it into the world. So rather than think of Sonsbeek as an exhibition or space in which evidences of sorts are presented, we imagine Sonsbeek to be a manifestation, maybe a collective apparition, and certainly a becoming. Decidedly, this becoming finds shape as works of art in public spaces, in museums, as educational pedagogic formats, as performative gestures, as mix tapes, as radio, and as books—readers and catalogues. This is the first of five readers that we will manifest within the framework of sonsbeek20→24. In each of the readers, we have invited and will continue to invite poets, essayists, fiction writers, visual artists, critical writers of all kinds to lend themselves as birth canals through which ideas of 'labour and its sonic ecologies' can be birthed, or at least become vessels to contain such deliberations. 'Force Times Distance—On Labour and its Sonic Ecologies' is a journey, to say the least, into the unknown. A journey marked by a plethora of uncertainties, which we have chosen to embrace rather than fend off or deflect. From a global pandemic, to financial precarity, to arduous labour conditions, we consider the becoming of Sonsbeek a wandering in wondering, trusting not only in our interlocutors—artists, curators, managers, audiences, producers etc—but more specifically trusting the agency of the project and what it wants to reveal through us." | |
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Datensatz im Suchindex
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| author2 | Alampi, Antonia Alhaag, Amal 1983- Elders, Zippora Jantowski, Krista Mgba, Aude Christel Cissé, Ibrahim Ndikung, Bonaventure Soh Bejeng 1977- |
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| author_facet | Alampi, Antonia Alhaag, Amal 1983- Elders, Zippora Jantowski, Krista Mgba, Aude Christel Cissé, Ibrahim Ndikung, Bonaventure Soh Bejeng 1977- |
| building | Verbundindex |
| bvnumber | BV047564021 |
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| format | Conference Proceeding Book |
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| spelling | On labour sonsbeek 20->24 : force times distance - on labour and its sonic ecologies Antonia Alampi, Amal Alhaag, Zippora Elders, Krista Jantowski, Aude Christel Mgba, Ibrahim Cissé, Bonaventure Soh Bejeng Ndikung (eds.) Sonsbeek 20-24 Berlin ; Milano Archive Books 2021 344 Seiten txt rdacontent n rdamedia nc rdacarrier "This is the first of five readers that we will manifest within the framework of sonsbeek20->24" (Editorial). - Ermittelt: "sonsbeek20→24, entitled force times distance - on labour and its sonic ecologies", will run in Arnhem, the Netherlands, from July 2 through August 29, 2021, celebrating the opening of its 12th edition "This reader is a culmination of direct and tangential deliberations on notions of labour, appreciated across geographies and mediums. Newly commissioned textual manifestations in a multilogue with historical positions. The reader could be perceived as a negotiation of positions, as the strive towards utterances, towards becoming. Each text could be imagined as a stanza in a song. This is also a strive towards musicality. Or at least a wish for this reader to be a choir, in which we collectively sing, in which we all listen to each other to be able to sing, but most importantly, in which we afford ourselves the privilege of 'hearing the eloquence of silence', 'seeing the inner vision beneath the closed eyes' and 'listening to the chastity of inner music that defies betrayal by the wayward wind.' In the conception of Sonsbeek, we are not interested in producing evidences of any sort, and hardly are we interested in claiming the position of the presenter, the one who holds forth. In itself, this implies a structuring of subject and object, thus subjectification and objectification, which tends to be hierarchical. This comes along with: How can one move away from this God-like position of the sole creator to then present to those that just consume, and shift towards a collective experience of creating and perceiving together? It is not the curators that have the genius to come up with an idea that is then realised by artists to be later consumed by an audience, but it is a collective exchange of ideas in a kind of noosphere, or a collective body of people—artists, visitors of all walks of life, curators—that together form a collective brain. ..." " ... In all this, agency is by no way limited to the 'maker of ideas' or 'maker of artworks', but the primary agency lies with the idea itself and the art itself. So it might just as well be that it is the idea and the artwork that chooses the artist, the author and otherwise producer to bring it into the world. So rather than think of Sonsbeek as an exhibition or space in which evidences of sorts are presented, we imagine Sonsbeek to be a manifestation, maybe a collective apparition, and certainly a becoming. Decidedly, this becoming finds shape as works of art in public spaces, in museums, as educational pedagogic formats, as performative gestures, as mix tapes, as radio, and as books—readers and catalogues. This is the first of five readers that we will manifest within the framework of sonsbeek20→24. In each of the readers, we have invited and will continue to invite poets, essayists, fiction writers, visual artists, critical writers of all kinds to lend themselves as birth canals through which ideas of 'labour and its sonic ecologies' can be birthed, or at least become vessels to contain such deliberations. 'Force Times Distance—On Labour and its Sonic Ecologies' is a journey, to say the least, into the unknown. A journey marked by a plethora of uncertainties, which we have chosen to embrace rather than fend off or deflect. From a global pandemic, to financial precarity, to arduous labour conditions, we consider the becoming of Sonsbeek a wandering in wondering, trusting not only in our interlocutors—artists, curators, managers, audiences, producers etc—but more specifically trusting the agency of the project and what it wants to reveal through us." Arbeit (DE-588)4002567-6 gnd rswk-swf Künste (DE-588)4033422-3 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Künste (DE-588)4033422-3 s Arbeit (DE-588)4002567-6 s DE-604 Alampi, Antonia (DE-588)1014297303 edt Alhaag, Amal 1983- (DE-588)1200677366 edt Elders, Zippora (DE-588)1230438564 edt Jantowski, Krista edt Mgba, Aude Christel edt Cissé, Ibrahim edt Ndikung, Bonaventure Soh Bejeng 1977- (DE-588)132571447 edt Sonsbeek20-24 (Veranstaltung) 2021 Arnhem (DE-588)1244400661 oth |
| spellingShingle | On labour sonsbeek 20->24 : force times distance - on labour and its sonic ecologies Arbeit (DE-588)4002567-6 gnd Künste (DE-588)4033422-3 gnd |
| subject_GND | (DE-588)4002567-6 (DE-588)4033422-3 (DE-588)4143413-4 |
| title | On labour sonsbeek 20->24 : force times distance - on labour and its sonic ecologies |
| title_alt | Sonsbeek 20-24 |
| title_auth | On labour sonsbeek 20->24 : force times distance - on labour and its sonic ecologies |
| title_exact_search | On labour sonsbeek 20->24 : force times distance - on labour and its sonic ecologies |
| title_exact_search_txtP | On labour sonsbeek 20->24 : force times distance - on labour and its sonic ecologies |
| title_full | On labour sonsbeek 20->24 : force times distance - on labour and its sonic ecologies Antonia Alampi, Amal Alhaag, Zippora Elders, Krista Jantowski, Aude Christel Mgba, Ibrahim Cissé, Bonaventure Soh Bejeng Ndikung (eds.) |
| title_fullStr | On labour sonsbeek 20->24 : force times distance - on labour and its sonic ecologies Antonia Alampi, Amal Alhaag, Zippora Elders, Krista Jantowski, Aude Christel Mgba, Ibrahim Cissé, Bonaventure Soh Bejeng Ndikung (eds.) |
| title_full_unstemmed | On labour sonsbeek 20->24 : force times distance - on labour and its sonic ecologies Antonia Alampi, Amal Alhaag, Zippora Elders, Krista Jantowski, Aude Christel Mgba, Ibrahim Cissé, Bonaventure Soh Bejeng Ndikung (eds.) |
| title_short | On labour |
| title_sort | on labour sonsbeek 20 24 force times distance on labour and its sonic ecologies |
| title_sub | sonsbeek 20->24 : force times distance - on labour and its sonic ecologies |
| topic | Arbeit (DE-588)4002567-6 gnd Künste (DE-588)4033422-3 gnd |
| topic_facet | Arbeit Künste Aufsatzsammlung |
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