British children's cinema: from The Thief of Bagdad to Wallace and Gromit
Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
London ; New York ; Oxford ; New Delhi ; Sydney
Bloomsbury Academic
2021
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| Edition: | Paperback edition |
| Series: | Cinema and society series
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| Subjects: | |
| Online Access: | Inhaltsverzeichnis Klappentext |
| Physical Description: | xiv, 306 Seiten Illustrationen 23 cm |
| ISBN: | 9781350242876 |
Staff View
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Record in the Search Index
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| adam_text | Contents Illustrations Acknowledgements General Editor’s Introduction Introduction ix xi xiii 1 1 In the Beginning: Children and British Cinema in the Silent Era 10 2 The Childrens Adventure Movie, 1930-60 32 3 Family Entertainers: Formby, Hay, Lucan, Wisdom 57 4 J. Arthur Rank, Saturday Morning Cinema and the Children’s Film Foundation 80 5 Happiest Days: British Cinema and the Family Audience in the Fifties 106 6 Disney in Britain 137 7 Summers of Love and Winters of Discontent: The Sixties and Seventies 164 8 From Thatcher to Blair: The Eighties and Nineties 204 9 Exporting Englishness 230 Conclusion 257 Notes Select Filmography Select Bibliography Index 268 290 293 296 vii
British children’s films have played a part in the childhoods of generations of young people around the world for over a century. Until now, however, their cherished status has remained largely unexplored. In this book, Noel Brown relates the history of children’s cinema in Britain from the early years of commercial cinema to the present day, to reveal the reasons behind its acclaim in international popular culture. Drawing on multiple sources, Brown provides in-depth analysis of a range of icorjic films, including The Railway Children, The Thief of Bagdad, Bugsy Malone, the Harry Potter films, Mary Poppins, Nanny McPhee, Paddington, Oliver!, and Aardman’s Wallace and Gromit series. Futhermore, he investigates industrial and commercial contexts, such as the role of the , , Children’s Film Foundation, and includes revealing insights on changing social and cultural norms, such as the once-sacred tradition of Saturday morning cinema. ( Brown challenges common prejudices that children’s films are inherently shallow or simplistic, revealing the often complex strategies that underpin their enduring appeal to audiences of all ages and backgrounds. In doing so, Brown firmly establishes children’s cinema as an important genre not only for students and scholars of film studies but also for those interested in socio cultural history, the production and reception of popular entertainment and anyone looking for entertainment, escapism and nostalgia.
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| adam_txt |
Contents Illustrations Acknowledgements General Editor’s Introduction Introduction ix xi xiii 1 1 In the Beginning: Children and British Cinema in the Silent Era 10 2 The Childrens Adventure Movie, 1930-60 32 3 Family Entertainers: Formby, Hay, Lucan, Wisdom 57 4 J. Arthur Rank, Saturday Morning Cinema and the Children’s Film Foundation 80 5 Happiest Days: British Cinema and the Family Audience in the Fifties 106 6 Disney in Britain 137 7 Summers of Love and Winters of Discontent: The Sixties and Seventies 164 8 From Thatcher to Blair: The Eighties and Nineties 204 9 Exporting Englishness 230 Conclusion 257 Notes Select Filmography Select Bibliography Index 268 290 293 296 vii
British children’s films have played a part in the childhoods of generations of young people around the world for over a century. Until now, however, their cherished status has remained largely unexplored. In this book, Noel Brown relates the history of children’s cinema in Britain from the early years of commercial cinema to the present day, to reveal the reasons behind its acclaim in international popular culture. ' Drawing on multiple sources, Brown provides in-depth analysis of a range of icorjic films, including The Railway Children, The Thief of Bagdad, Bugsy Malone, the Harry Potter films, Mary Poppins, Nanny McPhee, Paddington, Oliver!, and Aardman’s Wallace and Gromit series. Futhermore, he investigates industrial and commercial contexts, such as the role of the , , Children’s Film Foundation, and includes revealing insights on changing social and cultural norms, such as the once-sacred tradition of Saturday morning cinema. ( Brown challenges common prejudices that children’s films are inherently shallow or simplistic, revealing the often complex strategies that underpin their enduring appeal to audiences of all ages and backgrounds. In doing so, Brown firmly establishes children’s cinema as an important genre not only for students and scholars of film studies but also for those interested in socio cultural history, the production and reception of popular entertainment and anyone looking for entertainment, escapism and nostalgia. |
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| author | Brown, Noel ca. 20./21. Jh |
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| discipline | Allgemeines |
| discipline_str_mv | Allgemeines |
| edition | Paperback edition |
| era | Geschichte gnd |
| era_facet | Geschichte |
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| illustrated | Illustrated |
| index_date | 2024-07-03T18:27:48Z |
| indexdate | 2024-07-10T09:14:44Z |
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| isbn | 9781350242876 |
| language | English |
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| physical | xiv, 306 Seiten Illustrationen 23 cm |
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| publishDate | 2021 |
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| spelling | Brown, Noel ca. 20./21. Jh. Verfasser (DE-588)1032140585 aut British children's cinema from The Thief of Bagdad to Wallace and Gromit Noel Brown Paperback edition London ; New York ; Oxford ; New Delhi ; Sydney Bloomsbury Academic 2021 xiv, 306 Seiten Illustrationen 23 cm txt rdacontent n rdamedia nc rdacarrier Cinema and society series Geschichte gnd rswk-swf Kinderfilm (DE-588)4163815-3 gnd rswk-swf Großbritannien (DE-588)4022153-2 gnd rswk-swf Children's films / Great Britain / History and criticism Children's films Great Britain Criticism, interpretation, etc Großbritannien (DE-588)4022153-2 g Kinderfilm (DE-588)4163815-3 s Geschichte z DE-604 Äquivalent Druck-Ausgabe, Hardcover 978-1-78453-400-4 Erscheint auch als Online-Ausgabe, ePDF 978-1-78673-101-2 Erscheint auch als Online-Ausgabe, eBook 978-1-78672-101-3 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032937842&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032937842&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Brown, Noel ca. 20./21. Jh British children's cinema from The Thief of Bagdad to Wallace and Gromit Kinderfilm (DE-588)4163815-3 gnd |
| subject_GND | (DE-588)4163815-3 (DE-588)4022153-2 |
| title | British children's cinema from The Thief of Bagdad to Wallace and Gromit |
| title_auth | British children's cinema from The Thief of Bagdad to Wallace and Gromit |
| title_exact_search | British children's cinema from The Thief of Bagdad to Wallace and Gromit |
| title_exact_search_txtP | British children's cinema from The Thief of Bagdad to Wallace and Gromit |
| title_full | British children's cinema from The Thief of Bagdad to Wallace and Gromit Noel Brown |
| title_fullStr | British children's cinema from The Thief of Bagdad to Wallace and Gromit Noel Brown |
| title_full_unstemmed | British children's cinema from The Thief of Bagdad to Wallace and Gromit Noel Brown |
| title_short | British children's cinema |
| title_sort | british children s cinema from the thief of bagdad to wallace and gromit |
| title_sub | from The Thief of Bagdad to Wallace and Gromit |
| topic | Kinderfilm (DE-588)4163815-3 gnd |
| topic_facet | Kinderfilm Großbritannien |
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