The comic turn in contemporary English fiction: who's laughing now?
Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
London ; New York ; Oxford ; New Delhi ; Sydney
Bloomsbury Academic
2022
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| Edition: | Paperback edition |
| Subjects: | |
| Online Access: | Inhaltsverzeichnis |
| Physical Description: | x, 247 Seiten |
| ISBN: | 9781350249387 |
Staff View
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| 505 | 8 | |a Acknowledgements -- Introduction: A comic turn in contemporary English fiction? The comic turn Contemporary English fiction Who's laughing now? -- 1. 'Sinking giggling into the sea'?: Jonathan Coe and the politics of comedy Jokes and/as innovative action From satire to comedy Metacomedy -- 2. 'A grave disquisition': Style, class and comedy in the novels of Martin Amis The ethics of style High and low: Hierarchies of comic style Comedy, class and style from The Information to Lionel Asbo -- 3. 'Talking about things we didn't want to talk about': Zadie Smith and laughter What's so hysterical about hysterical realism? Mixed emotions: Laughter and tears 'Talking about things we didn't want to talk about': Comedy and community -- 4. 'Like a monkey with a miniature cymbal': Magnus Mills and the comedy of repetition Comedy, surprise and repetition Magnus Mills Deadpan; dead bodies: The Restraint of Beasts Working to rule, ruling the workplace: The Scheme for Full Employment and The Maintenance of Headway Funny as hell: Beckett, O'Brien, Mills -- 5. 'Simple high jinks'?: Nicola Barker and the comedy of paradox Pooterism, pedantry and the logic of the absurd: Incongruity as comic practice 'Is the fucking carnival in town or what?': Satire, the grotesque and the carnivalesque Laughter and redemption: From comedy to humour Rabbit-duck/Duck-rabbit -- 6. 'No drawing of lines': Howard Jacobson and the boundaries of the comic Lancing the boil: Zoo Time, Coming from Behind and the necessity of offence 'Jew know why'?: The Finkler Question , Jewish Jokes and the politics of joke-telling communities 'Not only funny': Kalooki Nights and Holocaust comedy Comedy Trumped? Pussy and the challenge for contemporary satire Conclusion: The comic turn in contemporary English fiction Selling the past as the future: Nationhood, work and performance in Julian Barnes's England, England -- Bibliography. - Mode of access: World Wide Web | |
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| adam_text | Contents Acknowledgements ix Introduction: A comic turn in contemporary English fiction? The comic turn Contemporary English fiction Who’s laughing now? 1 3 8 19 1 ‘Sinking giggling into the sea’?: Jonathan Coe and the politics of comedy Jokes and/as innovative action From satire to comedy Metacomedy 2 3 4 Ά grave disquisition : Style, class and comedy in the novels of Martin Amis The ethics of style High and low: Hierarchies of comic style Comedy, class and style from The Information to Lionel Asbo ‘Talking about things we didn’t want to talk about’: Zadie Smith and laughter What’s so hysterical about hysterical realism? Mixed emotions: Laughter and tears Comedy and community ‘Like a monkey with a miniature cymbal’: Magnus Mills and the comedy of repetition Comedy, surprise and repetition Magnus Mills Deadpan; dead bodies: The Restraint of Beasts Working to rule, ruling the workplace: The Scheme for Full Employment and The Maintenance of Headway Funny as hell: Beckett, O’Brien, Mills 21 29 40 45 53 53 57 62 77 79 86 94 101 101 104 106 112 121
Contents viii 5 6 ‘Simple high jinks’?: Nicola Barker and the comedy of paradox Pooterism, pedantry and the logic of the absurd: Incongruity as comic practice ‘Is the fucking carnival in town or what?’: Satire, the grotesque and the carnivalesque Laughter and redemption: From comedy to humour Rabbit-duck/Duck-rabbit ‘No drawing of lines’: Howard Jacobson and the boundaries of the comic Lancing the boil: Zoo Time, Comingfrom Behind and the necessity of offence ‘Jew know why’?: The Finkler Question, Jewish jokes and the politics of joke-telling communities ‘Not only funny’: Kalooki Nights and Holocaust comedy Comedy Trumped? Pussy and the challenge for contemporary satire 131 132 140 153 164 167 170 180 186 196 Conclusion: The comic turn in contemporary English fiction Selling the past as the future: Nationhood, work and performance in Julian Barnes’s England, England 204 Bibliography Index 211 238 201
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| adam_txt |
Contents Acknowledgements ix Introduction: A comic turn in contemporary English fiction? The comic turn Contemporary English fiction Who’s laughing now? 1 3 8 19 1 ‘Sinking giggling into the sea’?: Jonathan Coe and the politics of comedy Jokes and/as innovative action From satire to comedy Metacomedy 2 3 4 Ά grave disquisition : Style, class and comedy in the novels of Martin Amis The ethics of style High and low: Hierarchies of comic style Comedy, class and style from The Information to Lionel Asbo ‘Talking about things we didn’t want to talk about’: Zadie Smith and laughter What’s so hysterical about hysterical realism? Mixed emotions: Laughter and tears Comedy and community ‘Like a monkey with a miniature cymbal’: Magnus Mills and the comedy of repetition Comedy, surprise and repetition Magnus Mills Deadpan; dead bodies: The Restraint of Beasts Working to rule, ruling the workplace: The Scheme for Full Employment and The Maintenance of Headway Funny as hell: Beckett, O’Brien, Mills 21 29 40 45 53 53 57 62 77 79 86 94 101 101 104 106 112 121
Contents viii 5 6 ‘Simple high jinks’?: Nicola Barker and the comedy of paradox Pooterism, pedantry and the logic of the absurd: Incongruity as comic practice ‘Is the fucking carnival in town or what?’: Satire, the grotesque and the carnivalesque Laughter and redemption: From comedy to humour Rabbit-duck/Duck-rabbit ‘No drawing of lines’: Howard Jacobson and the boundaries of the comic Lancing the boil: Zoo Time, Comingfrom Behind and the necessity of offence ‘Jew know why’?: The Finkler Question, Jewish jokes and the politics of joke-telling communities ‘Not only funny’: Kalooki Nights and Holocaust comedy Comedy Trumped? Pussy and the challenge for contemporary satire 131 132 140 153 164 167 170 180 186 196 Conclusion: The comic turn in contemporary English fiction Selling the past as the future: Nationhood, work and performance in Julian Barnes’s England, England 204 Bibliography Index 211 238 201 |
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| contents | Acknowledgements -- Introduction: A comic turn in contemporary English fiction? The comic turn Contemporary English fiction Who's laughing now? -- 1. 'Sinking giggling into the sea'?: Jonathan Coe and the politics of comedy Jokes and/as innovative action From satire to comedy Metacomedy -- 2. 'A grave disquisition': Style, class and comedy in the novels of Martin Amis The ethics of style High and low: Hierarchies of comic style Comedy, class and style from The Information to Lionel Asbo -- 3. 'Talking about things we didn't want to talk about': Zadie Smith and laughter What's so hysterical about hysterical realism? Mixed emotions: Laughter and tears 'Talking about things we didn't want to talk about': Comedy and community -- 4. 'Like a monkey with a miniature cymbal': Magnus Mills and the comedy of repetition Comedy, surprise and repetition Magnus Mills Deadpan; dead bodies: The Restraint of Beasts Working to rule, ruling the workplace: The Scheme for Full Employment and The Maintenance of Headway Funny as hell: Beckett, O'Brien, Mills -- 5. 'Simple high jinks'?: Nicola Barker and the comedy of paradox Pooterism, pedantry and the logic of the absurd: Incongruity as comic practice 'Is the fucking carnival in town or what?': Satire, the grotesque and the carnivalesque Laughter and redemption: From comedy to humour Rabbit-duck/Duck-rabbit -- 6. 'No drawing of lines': Howard Jacobson and the boundaries of the comic Lancing the boil: Zoo Time, Coming from Behind and the necessity of offence 'Jew know why'?: The Finkler Question , Jewish Jokes and the politics of joke-telling communities 'Not only funny': Kalooki Nights and Holocaust comedy Comedy Trumped? Pussy and the challenge for contemporary satire Conclusion: The comic turn in contemporary English fiction Selling the past as the future: Nationhood, work and performance in Julian Barnes's England, England -- Bibliography. - Mode of access: World Wide Web |
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| spelling | Marsh, Huw ca. 20./21. Jh. Verfasser (DE-588)1060681560 aut The comic turn in contemporary English fiction who's laughing now? Huw Marsh Paperback edition London ; New York ; Oxford ; New Delhi ; Sydney Bloomsbury Academic 2022 © 2020 x, 247 Seiten txt rdacontent n rdamedia nc rdacarrier Acknowledgements -- Introduction: A comic turn in contemporary English fiction? The comic turn Contemporary English fiction Who's laughing now? -- 1. 'Sinking giggling into the sea'?: Jonathan Coe and the politics of comedy Jokes and/as innovative action From satire to comedy Metacomedy -- 2. 'A grave disquisition': Style, class and comedy in the novels of Martin Amis The ethics of style High and low: Hierarchies of comic style Comedy, class and style from The Information to Lionel Asbo -- 3. 'Talking about things we didn't want to talk about': Zadie Smith and laughter What's so hysterical about hysterical realism? Mixed emotions: Laughter and tears 'Talking about things we didn't want to talk about': Comedy and community -- 4. 'Like a monkey with a miniature cymbal': Magnus Mills and the comedy of repetition Comedy, surprise and repetition Magnus Mills Deadpan; dead bodies: The Restraint of Beasts Working to rule, ruling the workplace: The Scheme for Full Employment and The Maintenance of Headway Funny as hell: Beckett, O'Brien, Mills -- 5. 'Simple high jinks'?: Nicola Barker and the comedy of paradox Pooterism, pedantry and the logic of the absurd: Incongruity as comic practice 'Is the fucking carnival in town or what?': Satire, the grotesque and the carnivalesque Laughter and redemption: From comedy to humour Rabbit-duck/Duck-rabbit -- 6. 'No drawing of lines': Howard Jacobson and the boundaries of the comic Lancing the boil: Zoo Time, Coming from Behind and the necessity of offence 'Jew know why'?: The Finkler Question , Jewish Jokes and the politics of joke-telling communities 'Not only funny': Kalooki Nights and Holocaust comedy Comedy Trumped? Pussy and the challenge for contemporary satire Conclusion: The comic turn in contemporary English fiction Selling the past as the future: Nationhood, work and performance in Julian Barnes's England, England -- Bibliography. - Mode of access: World Wide Web Geschichte 1980-2015 gnd rswk-swf Englisch (DE-588)4014777-0 gnd rswk-swf Komischer Roman (DE-588)4201412-8 gnd rswk-swf Englisch (DE-588)4014777-0 s Komischer Roman (DE-588)4201412-8 s Geschichte 1980-2015 z DE-604 Äquivalent Druck-Ausgabe, Hardcover 978-1-4742-9303-7 Erscheint auch als Online-Ausgabe, PDF 978-1-4742-9305-1 Erscheint auch als Online-Ausgabe 978-1-4742-9304-4 Digitalisierung UB Passau - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032936879&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Marsh, Huw ca. 20./21. Jh The comic turn in contemporary English fiction who's laughing now? Acknowledgements -- Introduction: A comic turn in contemporary English fiction? The comic turn Contemporary English fiction Who's laughing now? -- 1. 'Sinking giggling into the sea'?: Jonathan Coe and the politics of comedy Jokes and/as innovative action From satire to comedy Metacomedy -- 2. 'A grave disquisition': Style, class and comedy in the novels of Martin Amis The ethics of style High and low: Hierarchies of comic style Comedy, class and style from The Information to Lionel Asbo -- 3. 'Talking about things we didn't want to talk about': Zadie Smith and laughter What's so hysterical about hysterical realism? Mixed emotions: Laughter and tears 'Talking about things we didn't want to talk about': Comedy and community -- 4. 'Like a monkey with a miniature cymbal': Magnus Mills and the comedy of repetition Comedy, surprise and repetition Magnus Mills Deadpan; dead bodies: The Restraint of Beasts Working to rule, ruling the workplace: The Scheme for Full Employment and The Maintenance of Headway Funny as hell: Beckett, O'Brien, Mills -- 5. 'Simple high jinks'?: Nicola Barker and the comedy of paradox Pooterism, pedantry and the logic of the absurd: Incongruity as comic practice 'Is the fucking carnival in town or what?': Satire, the grotesque and the carnivalesque Laughter and redemption: From comedy to humour Rabbit-duck/Duck-rabbit -- 6. 'No drawing of lines': Howard Jacobson and the boundaries of the comic Lancing the boil: Zoo Time, Coming from Behind and the necessity of offence 'Jew know why'?: The Finkler Question , Jewish Jokes and the politics of joke-telling communities 'Not only funny': Kalooki Nights and Holocaust comedy Comedy Trumped? Pussy and the challenge for contemporary satire Conclusion: The comic turn in contemporary English fiction Selling the past as the future: Nationhood, work and performance in Julian Barnes's England, England -- Bibliography. - Mode of access: World Wide Web Englisch (DE-588)4014777-0 gnd Komischer Roman (DE-588)4201412-8 gnd |
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| title | The comic turn in contemporary English fiction who's laughing now? |
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| title_full | The comic turn in contemporary English fiction who's laughing now? Huw Marsh |
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