Jardins-spectacles: spaces and traces of embodiment
"During the French Revolution, resourceful entrepreneurs seized properties on the outskirts of Paris to create jardins-spectacles, urban pleasure grounds that merged the former aristocratic practices of picturesque strolling with popular entertainments. Visitors paid entrance fees to explore th...
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| Format: | Article |
| Language: | English |
| Published: |
[2021]
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| Subjects: | |
| Summary: | "During the French Revolution, resourceful entrepreneurs seized properties on the outskirts of Paris to create jardins-spectacles, urban pleasure grounds that merged the former aristocratic practices of picturesque strolling with popular entertainments. Visitors paid entrance fees to explore the artfully contrived sensorium and watch astonishing performances, including fireworks displays and hot-air balloon launchings, while strolling. Simon Charles Boutin’s development of Tivoli, one of the most popular of the approximately twenty jardins-spectacles built from 1795 until 1820, reveals how these venues became places to perform embodied spectatorship. The ephemerality of the jardins-spectacles has marginalized their contribution to the history of visuality in the long eighteenth century. " |
| Physical Description: | Illustration, Karten |
| ISBN: | 978-94-6372-090-8 |
Staff View
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Record in the Search Index
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| spelling | Taylor-Leduc, Susan Verfasser aut Jardins-spectacles spaces and traces of embodiment Susan Taylor-Leduc [2021] Illustration, Karten txt rdacontent n rdamedia nc rdacarrier "During the French Revolution, resourceful entrepreneurs seized properties on the outskirts of Paris to create jardins-spectacles, urban pleasure grounds that merged the former aristocratic practices of picturesque strolling with popular entertainments. Visitors paid entrance fees to explore the artfully contrived sensorium and watch astonishing performances, including fireworks displays and hot-air balloon launchings, while strolling. Simon Charles Boutin’s development of Tivoli, one of the most popular of the approximately twenty jardins-spectacles built from 1795 until 1820, reveals how these venues became places to perform embodied spectatorship. The ephemerality of the jardins-spectacles has marginalized their contribution to the history of visuality in the long eighteenth century. " Geschichte 1795-1820 gnd rswk-swf Freizeitpark (DE-588)4199476-0 gnd rswk-swf Paris (DE-588)4044660-8 gnd rswk-swf Paris (DE-588)4044660-8 g Freizeitpark (DE-588)4199476-0 s Geschichte 1795-1820 z DE-604 pages:81-105 Ephemeral spectacles, exhibition spaces and museums / edited by Dominique Bauer and Camilla Murgia Amsterdam, 2021 Seite 81-105 Spatial imageries in historical perspective ; 2 (DE-604)BV047275443 978-94-6372-090-8 |
| spellingShingle | Taylor-Leduc, Susan Jardins-spectacles spaces and traces of embodiment Freizeitpark (DE-588)4199476-0 gnd |
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| title | Jardins-spectacles spaces and traces of embodiment |
| title_auth | Jardins-spectacles spaces and traces of embodiment |
| title_exact_search | Jardins-spectacles spaces and traces of embodiment |
| title_exact_search_txtP | Jardins-spectacles spaces and traces of embodiment |
| title_full | Jardins-spectacles spaces and traces of embodiment Susan Taylor-Leduc |
| title_fullStr | Jardins-spectacles spaces and traces of embodiment Susan Taylor-Leduc |
| title_full_unstemmed | Jardins-spectacles spaces and traces of embodiment Susan Taylor-Leduc |
| title_short | Jardins-spectacles |
| title_sort | jardins spectacles spaces and traces of embodiment |
| title_sub | spaces and traces of embodiment |
| topic | Freizeitpark (DE-588)4199476-0 gnd |
| topic_facet | Freizeitpark Paris |
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