Street monuments and the idea of national "improvement" through tolerant coexistence in Post-Restoration Britain (1660-1770):
"This chapter explains how, in the century or so after the Restoration of the Monarchy in 1660, the various urban political communities of Great Britain expressed their political loyalties through street monuments. As David Spadafora has argued, the main indication that an Enlightenment happene...
Gespeichert in:
1. Verfasser: | |
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Format: | Artikel |
Sprache: | English |
Veröffentlicht: |
2021
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Schlagworte: | |
Zusammenfassung: | "This chapter explains how, in the century or so after the Restoration of the Monarchy in 1660, the various urban political communities of Great Britain expressed their political loyalties through street monuments. As David Spadafora has argued, the main indication that an Enlightenment happened in the eighteenth century is the many clear signs of widespread attachment to the idea of progress. These quasi-classical statues of monarchs were, upon such terms, icons of the British Enlightenment. Cumberland’s last years were ones of protracted humiliation, as his plans to follow up his successes in the suppression of the Jacobite Rebellion by assuming control of the state were foiled. The concept of a Pax Romana underscored these street monuments, and this was imperialistic by implication, even if the works themselves do not seem overtly impe rialistic. The idea of such a Pax determined that those who resisted colonisation, or were deemed beneath integration into its civilising process, were characterised barbarous." |
Beschreibung: | Illustrationen |
ISBN: | 978-0-367-41638-6 |
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520 | 3 | |a "This chapter explains how, in the century or so after the Restoration of the Monarchy in 1660, the various urban political communities of Great Britain expressed their political loyalties through street monuments. As David Spadafora has argued, the main indication that an Enlightenment happened in the eighteenth century is the many clear signs of widespread attachment to the idea of progress. These quasi-classical statues of monarchs were, upon such terms, icons of the British Enlightenment. Cumberland’s last years were ones of protracted humiliation, as his plans to follow up his successes in the suppression of the Jacobite Rebellion by assuming control of the state were foiled. The concept of a Pax Romana underscored these street monuments, and this was imperialistic by implication, even if the works themselves do not seem overtly impe rialistic. The idea of such a Pax determined that those who resisted colonisation, or were deemed beneath integration into its civilising process, were characterised barbarous." | |
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Datensatz im Suchindex
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adam_text | |
adam_txt | |
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article_link | (DE-604)BV047522908 |
author | Craske, Matthew |
author_GND | (DE-588)188458646 |
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author_sort | Craske, Matthew |
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spelling | Craske, Matthew Verfasser (DE-588)188458646 aut Street monuments and the idea of national "improvement" through tolerant coexistence in Post-Restoration Britain (1660-1770) Matthew Craske 2021 Illustrationen txt rdacontent n rdamedia nc rdacarrier "This chapter explains how, in the century or so after the Restoration of the Monarchy in 1660, the various urban political communities of Great Britain expressed their political loyalties through street monuments. As David Spadafora has argued, the main indication that an Enlightenment happened in the eighteenth century is the many clear signs of widespread attachment to the idea of progress. These quasi-classical statues of monarchs were, upon such terms, icons of the British Enlightenment. Cumberland’s last years were ones of protracted humiliation, as his plans to follow up his successes in the suppression of the Jacobite Rebellion by assuming control of the state were foiled. The concept of a Pax Romana underscored these street monuments, and this was imperialistic by implication, even if the works themselves do not seem overtly impe rialistic. The idea of such a Pax determined that those who resisted colonisation, or were deemed beneath integration into its civilising process, were characterised barbarous." Cumberland, William Augustus of 1721-1765 (DE-588)120911167 gnd rswk-swf Karl II. England, König 1630-1685 (DE-588)118560042 gnd rswk-swf Wilhelm III. England, König 1650-1702 (DE-588)118643355 gnd rswk-swf Geschichte 1660-1770 gnd rswk-swf Denkmal (DE-588)4011453-3 gnd rswk-swf Herrscherbildnis (DE-588)4123373-6 gnd rswk-swf Statue (DE-588)4129665-5 gnd rswk-swf Öffentlicher Raum (DE-588)4172385-5 gnd rswk-swf Großbritannien (DE-588)4022153-2 gnd rswk-swf Großbritannien (DE-588)4022153-2 g Herrscherbildnis (DE-588)4123373-6 s Denkmal (DE-588)4011453-3 s Statue (DE-588)4129665-5 s Öffentlicher Raum (DE-588)4172385-5 s Geschichte 1660-1770 z DE-604 Cumberland, William Augustus of 1721-1765 (DE-588)120911167 p Wilhelm III. England, König 1650-1702 (DE-588)118643355 p Karl II. England, König 1630-1685 (DE-588)118560042 p pages:194-225 Public statues across time and cultures / edited by Christopher P. Dickenson New York ; London, 2021 Seite 194-225 Routledge research in art history (DE-604)BV047522908 978-0-367-41638-6 |
spellingShingle | Craske, Matthew Street monuments and the idea of national "improvement" through tolerant coexistence in Post-Restoration Britain (1660-1770) Cumberland, William Augustus of 1721-1765 (DE-588)120911167 gnd Karl II. England, König 1630-1685 (DE-588)118560042 gnd Wilhelm III. England, König 1650-1702 (DE-588)118643355 gnd Denkmal (DE-588)4011453-3 gnd Herrscherbildnis (DE-588)4123373-6 gnd Statue (DE-588)4129665-5 gnd Öffentlicher Raum (DE-588)4172385-5 gnd |
subject_GND | (DE-588)120911167 (DE-588)118560042 (DE-588)118643355 (DE-588)4011453-3 (DE-588)4123373-6 (DE-588)4129665-5 (DE-588)4172385-5 (DE-588)4022153-2 |
title | Street monuments and the idea of national "improvement" through tolerant coexistence in Post-Restoration Britain (1660-1770) |
title_auth | Street monuments and the idea of national "improvement" through tolerant coexistence in Post-Restoration Britain (1660-1770) |
title_exact_search | Street monuments and the idea of national "improvement" through tolerant coexistence in Post-Restoration Britain (1660-1770) |
title_exact_search_txtP | Street monuments and the idea of national "improvement" through tolerant coexistence in Post-Restoration Britain (1660-1770) |
title_full | Street monuments and the idea of national "improvement" through tolerant coexistence in Post-Restoration Britain (1660-1770) Matthew Craske |
title_fullStr | Street monuments and the idea of national "improvement" through tolerant coexistence in Post-Restoration Britain (1660-1770) Matthew Craske |
title_full_unstemmed | Street monuments and the idea of national "improvement" through tolerant coexistence in Post-Restoration Britain (1660-1770) Matthew Craske |
title_short | Street monuments and the idea of national "improvement" through tolerant coexistence in Post-Restoration Britain (1660-1770) |
title_sort | street monuments and the idea of national improvement through tolerant coexistence in post restoration britain 1660 1770 |
topic | Cumberland, William Augustus of 1721-1765 (DE-588)120911167 gnd Karl II. England, König 1630-1685 (DE-588)118560042 gnd Wilhelm III. England, König 1650-1702 (DE-588)118643355 gnd Denkmal (DE-588)4011453-3 gnd Herrscherbildnis (DE-588)4123373-6 gnd Statue (DE-588)4129665-5 gnd Öffentlicher Raum (DE-588)4172385-5 gnd |
topic_facet | Cumberland, William Augustus of 1721-1765 Karl II. England, König 1630-1685 Wilhelm III. England, König 1650-1702 Denkmal Herrscherbildnis Statue Öffentlicher Raum Großbritannien |
work_keys_str_mv | AT craskematthew streetmonumentsandtheideaofnationalimprovementthroughtolerantcoexistenceinpostrestorationbritain16601770 |