Looking up in judgement: how to see the early modern statue through the late medieval crucifix in Italy
"In the 1320s, the sculptor Paolo di Giovanni was commissioned to furnish his home town of Florence with statues of the Virgin and saints for two of the city’s new gates, the Porta Romana and the Porta San Gallo. Such gates were important public assertions of civic identity for the self-governi...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Artikel |
| Sprache: | English |
| Veröffentlicht: |
2021
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| Schlagworte: | |
| Zusammenfassung: | "In the 1320s, the sculptor Paolo di Giovanni was commissioned to furnish his home town of Florence with statues of the Virgin and saints for two of the city’s new gates, the Porta Romana and the Porta San Gallo. Such gates were important public assertions of civic identity for the self-governing communes of central Italy in the late medieval period. Where the function of the medieval crucifix was to lead the viewer towards Christ, Benvenuto Cellini's work leads us just as surely back to his own hand. For Giacomo, this experience of looking up at Christ’s face and at the side wound is fundamentally tied to the question of judgement. This chapter focuses on the issues of public sculpture, viewer location and judgements about truth, as they play out in the transition from the middle ages to the early modern period. Medieval sculptors certainly had to anticipate viewers situated well below the planned location of their work." |
| Beschreibung: | Illustrationen |
| ISBN: | 978-0-367-41638-6 |
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| 520 | 3 | |a "In the 1320s, the sculptor Paolo di Giovanni was commissioned to furnish his home town of Florence with statues of the Virgin and saints for two of the city’s new gates, the Porta Romana and the Porta San Gallo. Such gates were important public assertions of civic identity for the self-governing communes of central Italy in the late medieval period. Where the function of the medieval crucifix was to lead the viewer towards Christ, Benvenuto Cellini's work leads us just as surely back to his own hand. For Giacomo, this experience of looking up at Christ’s face and at the side wound is fundamentally tied to the question of judgement. This chapter focuses on the issues of public sculpture, viewer location and judgements about truth, as they play out in the transition from the middle ages to the early modern period. Medieval sculptors certainly had to anticipate viewers situated well below the planned location of their work." | |
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| id | DE-604.BV047550197 |
| illustrated | Illustrated |
| index_date | 2024-07-03T18:24:23Z |
| indexdate | 2025-01-02T21:10:37Z |
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| spelling | Dent, Peter 1975- Verfasser (DE-588)102808904X aut Looking up in judgement how to see the early modern statue through the late medieval crucifix in Italy Peter Dent 2021 Illustrationen txt rdacontent n rdamedia nc rdacarrier "In the 1320s, the sculptor Paolo di Giovanni was commissioned to furnish his home town of Florence with statues of the Virgin and saints for two of the city’s new gates, the Porta Romana and the Porta San Gallo. Such gates were important public assertions of civic identity for the self-governing communes of central Italy in the late medieval period. Where the function of the medieval crucifix was to lead the viewer towards Christ, Benvenuto Cellini's work leads us just as surely back to his own hand. For Giacomo, this experience of looking up at Christ’s face and at the side wound is fundamentally tied to the question of judgement. This chapter focuses on the issues of public sculpture, viewer location and judgements about truth, as they play out in the transition from the middle ages to the early modern period. Medieval sculptors certainly had to anticipate viewers situated well below the planned location of their work." Cellini, Benvenuto 1500-1571 Perseus (DE-588)4285876-8 gnd rswk-swf Paolo di Giovanni (DE-588)1051450225 gnd rswk-swf Geschichte 1300-1600 gnd rswk-swf Geschichte 1320-1330 gnd rswk-swf Kruzifix (DE-588)4033320-6 gnd rswk-swf Bürgertum (DE-588)4069722-8 gnd rswk-swf Identität (DE-588)4026482-8 gnd rswk-swf Rezeption (DE-588)4049716-1 gnd rswk-swf Öffentlicher Raum (DE-588)4172385-5 gnd rswk-swf Plastik (DE-588)4046277-8 gnd rswk-swf Italien (DE-588)4027833-5 gnd rswk-swf Porta San Gallo Florenz (DE-588)7622938-5 gnd rswk-swf Porta Romana Florenz (DE-588)4576744-0 gnd rswk-swf Paolo di Giovanni (DE-588)1051450225 p Porta Romana Florenz (DE-588)4576744-0 g Porta San Gallo Florenz (DE-588)7622938-5 g Plastik (DE-588)4046277-8 s Öffentlicher Raum (DE-588)4172385-5 s Bürgertum (DE-588)4069722-8 s Identität (DE-588)4026482-8 s Geschichte 1320-1330 z DE-604 Italien (DE-588)4027833-5 g Kruzifix (DE-588)4033320-6 s Rezeption (DE-588)4049716-1 s Geschichte 1300-1600 z Cellini, Benvenuto 1500-1571 Perseus (DE-588)4285876-8 u pages:121-146 Public statues across time and cultures / edited by Christopher P. Dickenson New York ; London, 2021 Seite 121-146 Routledge research in art history (DE-604)BV047522908 978-0-367-41638-6 |
| spellingShingle | Dent, Peter 1975- Looking up in judgement how to see the early modern statue through the late medieval crucifix in Italy Cellini, Benvenuto 1500-1571 Perseus (DE-588)4285876-8 gnd Paolo di Giovanni (DE-588)1051450225 gnd Kruzifix (DE-588)4033320-6 gnd Bürgertum (DE-588)4069722-8 gnd Identität (DE-588)4026482-8 gnd Rezeption (DE-588)4049716-1 gnd Öffentlicher Raum (DE-588)4172385-5 gnd Plastik (DE-588)4046277-8 gnd |
| subject_GND | (DE-588)4285876-8 (DE-588)1051450225 (DE-588)4033320-6 (DE-588)4069722-8 (DE-588)4026482-8 (DE-588)4049716-1 (DE-588)4172385-5 (DE-588)4046277-8 (DE-588)4027833-5 (DE-588)7622938-5 (DE-588)4576744-0 |
| title | Looking up in judgement how to see the early modern statue through the late medieval crucifix in Italy |
| title_auth | Looking up in judgement how to see the early modern statue through the late medieval crucifix in Italy |
| title_exact_search | Looking up in judgement how to see the early modern statue through the late medieval crucifix in Italy |
| title_exact_search_txtP | Looking up in judgement how to see the early modern statue through the late medieval crucifix in Italy |
| title_full | Looking up in judgement how to see the early modern statue through the late medieval crucifix in Italy Peter Dent |
| title_fullStr | Looking up in judgement how to see the early modern statue through the late medieval crucifix in Italy Peter Dent |
| title_full_unstemmed | Looking up in judgement how to see the early modern statue through the late medieval crucifix in Italy Peter Dent |
| title_short | Looking up in judgement |
| title_sort | looking up in judgement how to see the early modern statue through the late medieval crucifix in italy |
| title_sub | how to see the early modern statue through the late medieval crucifix in Italy |
| topic | Cellini, Benvenuto 1500-1571 Perseus (DE-588)4285876-8 gnd Paolo di Giovanni (DE-588)1051450225 gnd Kruzifix (DE-588)4033320-6 gnd Bürgertum (DE-588)4069722-8 gnd Identität (DE-588)4026482-8 gnd Rezeption (DE-588)4049716-1 gnd Öffentlicher Raum (DE-588)4172385-5 gnd Plastik (DE-588)4046277-8 gnd |
| topic_facet | Cellini, Benvenuto 1500-1571 Perseus Paolo di Giovanni Kruzifix Bürgertum Identität Rezeption Öffentlicher Raum Plastik Italien Porta San Gallo Florenz Porta Romana Florenz |
| work_keys_str_mv | AT dentpeter lookingupinjudgementhowtoseetheearlymodernstatuethroughthelatemedievalcrucifixinitaly |