Mexican Costumbrismo: Race, Society, and Identity in Nineteenth-Century Art
The years following Mexican independence in 1821 were critical to the development of social, racial, and national identities. The visual arts played a decisive role in this process of self-definition. Mexican Costumbrismo reorients current understanding of this key period in the history of Mexican a...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
University Park, PA
Penn State University Press
[2021]
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 URL des Erstveröffentlichers |
| Zusammenfassung: | The years following Mexican independence in 1821 were critical to the development of social, racial, and national identities. The visual arts played a decisive role in this process of self-definition. Mexican Costumbrismo reorients current understanding of this key period in the history of Mexican art by focusing on a distinctive genre of painting that emerged between 1821 and 1890: costumbrismo.In contrast to the neoclassical work favored by the Mexican academy, costumbrista artists portrayed the "idian lives of the lower to middle classes, their clothes, food, dwellings, and occupations. Based on observations of similitude and difference, costumbrista imagery constructed stereotypes of behavioral and biological traits associated with distinct racial and social classes. In doing so, Mey-Yen Moriuchi argues, these works engaged with notions of universality and difference, contributed to the documentation and reification of social and racial types, and transformed the way Mexicans saw themselves, as well as how other nations saw them, during a time of rapid change for all aspects of national identity.Carefully researched and featuring more than thirty full-color exemplary reproductions of period work, Moriuchi's study is a provocative art-historical examination of costumbrismo's lasting impact on Mexican identity and history.E-book editions have been made possible through support of the Art History Publication Initiative (AHPI), a collaborative grant from the Andrew W. Mellon Foundation |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Sep 2021) |
| Beschreibung: | 1 online resource (180 pages) 31 color/29 b&w illustrations |
| ISBN: | 9780271081540 |
| DOI: | 10.1515/9780271081540 |
Internformat
MARC
| LEADER | 00000nmm a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV047524590 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 211020s2021 |||| o||u| ||||||eng d | ||
| 020 | |a 9780271081540 |9 978-0-271-08154-0 | ||
| 024 | 7 | |a 10.1515/9780271081540 |2 doi | |
| 035 | |a (ZDB-23-DGG)9780271081540 | ||
| 035 | |a (OCoLC)1284799247 | ||
| 035 | |a (DE-599)BVBBV047524590 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-1046 |a DE-858 |a DE-Aug4 |a DE-859 |a DE-860 |a DE-473 |a DE-739 | ||
| 082 | 0 | |a 709.72/09034 |2 23 | |
| 100 | 1 | |a Moriuchi, Mey-Yen |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Mexican Costumbrismo |b Race, Society, and Identity in Nineteenth-Century Art |c Mey-Yen Moriuchi |
| 264 | 1 | |a University Park, PA |b Penn State University Press |c [2021] | |
| 264 | 4 | |c © 2018 | |
| 300 | |a 1 online resource (180 pages) |b 31 color/29 b&w illustrations | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 500 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Sep 2021) | ||
| 520 | |a The years following Mexican independence in 1821 were critical to the development of social, racial, and national identities. The visual arts played a decisive role in this process of self-definition. Mexican Costumbrismo reorients current understanding of this key period in the history of Mexican art by focusing on a distinctive genre of painting that emerged between 1821 and 1890: costumbrismo.In contrast to the neoclassical work favored by the Mexican academy, costumbrista artists portrayed the "idian lives of the lower to middle classes, their clothes, food, dwellings, and occupations. Based on observations of similitude and difference, costumbrista imagery constructed stereotypes of behavioral and biological traits associated with distinct racial and social classes. In doing so, Mey-Yen Moriuchi argues, these works engaged with notions of universality and difference, contributed to the documentation and reification of social and racial types, and transformed the way Mexicans saw themselves, as well as how other nations saw them, during a time of rapid change for all aspects of national identity.Carefully researched and featuring more than thirty full-color exemplary reproductions of period work, Moriuchi's study is a provocative art-historical examination of costumbrismo's lasting impact on Mexican identity and history.E-book editions have been made possible through support of the Art History Publication Initiative (AHPI), a collaborative grant from the Andrew W. Mellon Foundation | ||
| 546 | |a In English | ||
| 650 | 7 | |a ART / Caribbean & Latin American |2 bisacsh | |
| 650 | 4 | |a Art, Mexican |y 19th century | |
| 650 | 4 | |a Mexican literature |y 19th century |x History and criticism | |
| 650 | 4 | |a Mexicans in art |x History |y 19th century | |
| 650 | 4 | |a Mexicans in literature |x History |y 19th century | |
| 650 | 4 | |a National characteristics, Mexican, in art |x History |y 19th century | |
| 650 | 4 | |a National characteristics, Mexican, in literature |x History |y 19th century | |
| 856 | 4 | 0 | |u https://doi.org/10.1515/9780271081540 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 912 | |a ZDB-23-DGG | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-032925261 | ||
| 966 | e | |u https://doi.org/10.1515/9780271081540 |l FAW01 |p ZDB-23-DGG |q FAW_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9780271081540 |l FCO01 |p ZDB-23-DGG |q FCO_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9780271081540 |l FHA01 |p ZDB-23-DGG |q FHA_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9780271081540 |l FKE01 |p ZDB-23-DGG |q FKE_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9780271081540 |l FLA01 |p ZDB-23-DGG |q FLA_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9780271081540 |l UPA01 |p ZDB-23-DGG |q UPA_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9780271081540 |l UBG01 |p ZDB-23-DGG |q UBG_PDA_DGG |x Verlag |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1804182867995000832 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Moriuchi, Mey-Yen |
| author_facet | Moriuchi, Mey-Yen |
| author_role | aut |
| author_sort | Moriuchi, Mey-Yen |
| author_variant | m y m mym |
| building | Verbundindex |
| bvnumber | BV047524590 |
| collection | ZDB-23-DGG |
| ctrlnum | (ZDB-23-DGG)9780271081540 (OCoLC)1284799247 (DE-599)BVBBV047524590 |
| dewey-full | 709.72/09034 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 709 - History, geographic treatment, biography |
| dewey-raw | 709.72/09034 |
| dewey-search | 709.72/09034 |
| dewey-sort | 3709.72 49034 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte |
| discipline_str_mv | Kunstgeschichte |
| doi_str_mv | 10.1515/9780271081540 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04017nmm a2200529zc 4500</leader><controlfield tag="001">BV047524590</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">211020s2021 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780271081540</subfield><subfield code="9">978-0-271-08154-0</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1515/9780271081540</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-23-DGG)9780271081540</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1284799247</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV047524590</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-1046</subfield><subfield code="a">DE-858</subfield><subfield code="a">DE-Aug4</subfield><subfield code="a">DE-859</subfield><subfield code="a">DE-860</subfield><subfield code="a">DE-473</subfield><subfield code="a">DE-739</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">709.72/09034</subfield><subfield code="2">23</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Moriuchi, Mey-Yen</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Mexican Costumbrismo</subfield><subfield code="b">Race, Society, and Identity in Nineteenth-Century Art</subfield><subfield code="c">Mey-Yen Moriuchi</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">University Park, PA</subfield><subfield code="b">Penn State University Press</subfield><subfield code="c">[2021]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2018</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (180 pages)</subfield><subfield code="b">31 color/29 b&w illustrations</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Sep 2021)</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">The years following Mexican independence in 1821 were critical to the development of social, racial, and national identities. The visual arts played a decisive role in this process of self-definition. Mexican Costumbrismo reorients current understanding of this key period in the history of Mexican art by focusing on a distinctive genre of painting that emerged between 1821 and 1890: costumbrismo.In contrast to the neoclassical work favored by the Mexican academy, costumbrista artists portrayed the "idian lives of the lower to middle classes, their clothes, food, dwellings, and occupations. Based on observations of similitude and difference, costumbrista imagery constructed stereotypes of behavioral and biological traits associated with distinct racial and social classes. In doing so, Mey-Yen Moriuchi argues, these works engaged with notions of universality and difference, contributed to the documentation and reification of social and racial types, and transformed the way Mexicans saw themselves, as well as how other nations saw them, during a time of rapid change for all aspects of national identity.Carefully researched and featuring more than thirty full-color exemplary reproductions of period work, Moriuchi's study is a provocative art-historical examination of costumbrismo's lasting impact on Mexican identity and history.E-book editions have been made possible through support of the Art History Publication Initiative (AHPI), a collaborative grant from the Andrew W. Mellon Foundation</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">ART / Caribbean & Latin American</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Art, Mexican</subfield><subfield code="y">19th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Mexican literature</subfield><subfield code="y">19th century</subfield><subfield code="x">History and criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Mexicans in art</subfield><subfield code="x">History</subfield><subfield code="y">19th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Mexicans in literature</subfield><subfield code="x">History</subfield><subfield code="y">19th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">National characteristics, Mexican, in art</subfield><subfield code="x">History</subfield><subfield code="y">19th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">National characteristics, Mexican, in literature</subfield><subfield code="x">History</subfield><subfield code="y">19th century</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1515/9780271081540</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-DGG</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032925261</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780271081540</subfield><subfield code="l">FAW01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAW_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780271081540</subfield><subfield code="l">FCO01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FCO_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780271081540</subfield><subfield code="l">FHA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FHA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780271081540</subfield><subfield code="l">FKE01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FKE_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780271081540</subfield><subfield code="l">FLA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FLA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780271081540</subfield><subfield code="l">UPA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UPA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780271081540</subfield><subfield code="l">UBG01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UBG_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| id | DE-604.BV047524590 |
| illustrated | Illustrated |
| index_date | 2024-07-03T18:24:19Z |
| indexdate | 2024-07-10T09:14:23Z |
| institution | BVB |
| isbn | 9780271081540 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032925261 |
| oclc_num | 1284799247 |
| open_access_boolean | |
| owner | DE-1046 DE-858 DE-Aug4 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 |
| owner_facet | DE-1046 DE-858 DE-Aug4 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 |
| physical | 1 online resource (180 pages) 31 color/29 b&w illustrations |
| psigel | ZDB-23-DGG ZDB-23-DGG FAW_PDA_DGG ZDB-23-DGG FCO_PDA_DGG ZDB-23-DGG FHA_PDA_DGG ZDB-23-DGG FKE_PDA_DGG ZDB-23-DGG FLA_PDA_DGG ZDB-23-DGG UPA_PDA_DGG ZDB-23-DGG UBG_PDA_DGG |
| publishDate | 2021 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | Penn State University Press |
| record_format | marc |
| spelling | Moriuchi, Mey-Yen Verfasser aut Mexican Costumbrismo Race, Society, and Identity in Nineteenth-Century Art Mey-Yen Moriuchi University Park, PA Penn State University Press [2021] © 2018 1 online resource (180 pages) 31 color/29 b&w illustrations txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Sep 2021) The years following Mexican independence in 1821 were critical to the development of social, racial, and national identities. The visual arts played a decisive role in this process of self-definition. Mexican Costumbrismo reorients current understanding of this key period in the history of Mexican art by focusing on a distinctive genre of painting that emerged between 1821 and 1890: costumbrismo.In contrast to the neoclassical work favored by the Mexican academy, costumbrista artists portrayed the "idian lives of the lower to middle classes, their clothes, food, dwellings, and occupations. Based on observations of similitude and difference, costumbrista imagery constructed stereotypes of behavioral and biological traits associated with distinct racial and social classes. In doing so, Mey-Yen Moriuchi argues, these works engaged with notions of universality and difference, contributed to the documentation and reification of social and racial types, and transformed the way Mexicans saw themselves, as well as how other nations saw them, during a time of rapid change for all aspects of national identity.Carefully researched and featuring more than thirty full-color exemplary reproductions of period work, Moriuchi's study is a provocative art-historical examination of costumbrismo's lasting impact on Mexican identity and history.E-book editions have been made possible through support of the Art History Publication Initiative (AHPI), a collaborative grant from the Andrew W. Mellon Foundation In English ART / Caribbean & Latin American bisacsh Art, Mexican 19th century Mexican literature 19th century History and criticism Mexicans in art History 19th century Mexicans in literature History 19th century National characteristics, Mexican, in art History 19th century National characteristics, Mexican, in literature History 19th century https://doi.org/10.1515/9780271081540 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Moriuchi, Mey-Yen Mexican Costumbrismo Race, Society, and Identity in Nineteenth-Century Art ART / Caribbean & Latin American bisacsh Art, Mexican 19th century Mexican literature 19th century History and criticism Mexicans in art History 19th century Mexicans in literature History 19th century National characteristics, Mexican, in art History 19th century National characteristics, Mexican, in literature History 19th century |
| title | Mexican Costumbrismo Race, Society, and Identity in Nineteenth-Century Art |
| title_auth | Mexican Costumbrismo Race, Society, and Identity in Nineteenth-Century Art |
| title_exact_search | Mexican Costumbrismo Race, Society, and Identity in Nineteenth-Century Art |
| title_exact_search_txtP | Mexican Costumbrismo Race, Society, and Identity in Nineteenth-Century Art |
| title_full | Mexican Costumbrismo Race, Society, and Identity in Nineteenth-Century Art Mey-Yen Moriuchi |
| title_fullStr | Mexican Costumbrismo Race, Society, and Identity in Nineteenth-Century Art Mey-Yen Moriuchi |
| title_full_unstemmed | Mexican Costumbrismo Race, Society, and Identity in Nineteenth-Century Art Mey-Yen Moriuchi |
| title_short | Mexican Costumbrismo |
| title_sort | mexican costumbrismo race society and identity in nineteenth century art |
| title_sub | Race, Society, and Identity in Nineteenth-Century Art |
| topic | ART / Caribbean & Latin American bisacsh Art, Mexican 19th century Mexican literature 19th century History and criticism Mexicans in art History 19th century Mexicans in literature History 19th century National characteristics, Mexican, in art History 19th century National characteristics, Mexican, in literature History 19th century |
| topic_facet | ART / Caribbean & Latin American Art, Mexican 19th century Mexican literature 19th century History and criticism Mexicans in art History 19th century Mexicans in literature History 19th century National characteristics, Mexican, in art History 19th century National characteristics, Mexican, in literature History 19th century |
| url | https://doi.org/10.1515/9780271081540 |
| work_keys_str_mv | AT moriuchimeyyen mexicancostumbrismoracesocietyandidentityinnineteenthcenturyart |