Scream:
Wes Craven's "Scream" (1996) emerged at the point where the early eighties American slasher cycle had effectively morphed into the post-"Fatal Attraction" (1987) trend for Hollywood thrillers constructed around slasher movie tropes. It was a spiritual successor to Craven...
Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
Leighton Buzzard
Auteur
2019
|
| Series: | Devil's advocates
|
| Subjects: | |
| Summary: | Wes Craven's "Scream" (1996) emerged at the point where the early eighties American slasher cycle had effectively morphed into the post-"Fatal Attraction" (1987) trend for Hollywood thrillers constructed around slasher movie tropes. It was a spiritual successor to Craven's unpopular but critically praised Wes Craven's "New Nightmare" (1994), a revisionist sequel reviving his most lucrative creation in a postmodern story about the filmmaker's own loss of creative control over the "Elm Street" franchise. "Scream" appropriates the multiple layers and extensive genre referencing of "New Nightmare," albeit in a much more commercial form carefully crafted to avoid alienating teen audiences who were not around for the original slasher cycle. its deconstruction of a seemingly moribund sub-genre was hailed as original, despite echoing the approaches of several fin-de-siècle eighties horror films. This book offers a detailed exploration of the "Scream" phenomenon, including its position in Craven's filmography, the script's prominent use of earlier genre films (particularly "Halloween" [1978]), the studio marketing campaign and the film's place in late twentieth-century horror cinema |
| Physical Description: | 129 Seiten Illustrationen, Portraits (schwarz-weiß) 20 cm |
| ISBN: | 9781911325277 |
Staff View
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| 505 | 8 | |a Flashback face: "Do you like scary movies?": Scream and revitilisation -- First blood: the opening of Scream -- Craven images: the road to Scream -- Horror, Happy Meals and hybridisation: Scream and the 1990s -- Characters, conventions and "the rules": creating Scream's thieving whoring ensemble -- Watch a few movies, make a few notes: Scream's layer cake of references -- Reception and marketing: the selling of Scream -- Scream and Scream again: the legacy of Scream -- Bibliography | |
| 520 | 3 | |a Wes Craven's "Scream" (1996) emerged at the point where the early eighties American slasher cycle had effectively morphed into the post-"Fatal Attraction" (1987) trend for Hollywood thrillers constructed around slasher movie tropes. It was a spiritual successor to Craven's unpopular but critically praised Wes Craven's "New Nightmare" (1994), a revisionist sequel reviving his most lucrative creation in a postmodern story about the filmmaker's own loss of creative control over the "Elm Street" franchise. "Scream" appropriates the multiple layers and extensive genre referencing of "New Nightmare," albeit in a much more commercial form carefully crafted to avoid alienating teen audiences who were not around for the original slasher cycle. its deconstruction of a seemingly moribund sub-genre was hailed as original, despite echoing the approaches of several fin-de-siècle eighties horror films. This book offers a detailed exploration of the "Scream" phenomenon, including its position in Craven's filmography, the script's prominent use of earlier genre films (particularly "Halloween" [1978]), the studio marketing campaign and the film's place in late twentieth-century horror cinema | |
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| contents | Flashback face: "Do you like scary movies?": Scream and revitilisation -- First blood: the opening of Scream -- Craven images: the road to Scream -- Horror, Happy Meals and hybridisation: Scream and the 1990s -- Characters, conventions and "the rules": creating Scream's thieving whoring ensemble -- Watch a few movies, make a few notes: Scream's layer cake of references -- Reception and marketing: the selling of Scream -- Scream and Scream again: the legacy of Scream -- Bibliography |
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| illustrated | Illustrated |
| index_date | 2024-07-03T18:24:05Z |
| indexdate | 2024-07-10T09:14:21Z |
| institution | BVB |
| isbn | 9781911325277 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032924220 |
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| owner | DE-12 |
| owner_facet | DE-12 |
| physical | 129 Seiten Illustrationen, Portraits (schwarz-weiß) 20 cm |
| publishDate | 2019 |
| publishDateSearch | 2019 |
| publishDateSort | 2019 |
| publisher | Auteur |
| record_format | marc |
| series2 | Devil's advocates |
| spelling | West, Steven Verfasser (DE-588)1249770750 aut Scream Steven West Leighton Buzzard Auteur 2019 129 Seiten Illustrationen, Portraits (schwarz-weiß) 20 cm txt rdacontent n rdamedia nc rdacarrier Devil's advocates Flashback face: "Do you like scary movies?": Scream and revitilisation -- First blood: the opening of Scream -- Craven images: the road to Scream -- Horror, Happy Meals and hybridisation: Scream and the 1990s -- Characters, conventions and "the rules": creating Scream's thieving whoring ensemble -- Watch a few movies, make a few notes: Scream's layer cake of references -- Reception and marketing: the selling of Scream -- Scream and Scream again: the legacy of Scream -- Bibliography Wes Craven's "Scream" (1996) emerged at the point where the early eighties American slasher cycle had effectively morphed into the post-"Fatal Attraction" (1987) trend for Hollywood thrillers constructed around slasher movie tropes. It was a spiritual successor to Craven's unpopular but critically praised Wes Craven's "New Nightmare" (1994), a revisionist sequel reviving his most lucrative creation in a postmodern story about the filmmaker's own loss of creative control over the "Elm Street" franchise. "Scream" appropriates the multiple layers and extensive genre referencing of "New Nightmare," albeit in a much more commercial form carefully crafted to avoid alienating teen audiences who were not around for the original slasher cycle. its deconstruction of a seemingly moribund sub-genre was hailed as original, despite echoing the approaches of several fin-de-siècle eighties horror films. This book offers a detailed exploration of the "Scream" phenomenon, including its position in Craven's filmography, the script's prominent use of earlier genre films (particularly "Halloween" [1978]), the studio marketing campaign and the film's place in late twentieth-century horror cinema Scream (DE-588)1072801256 gnd rswk-swf Craven, Wes / Criticism and interpretation Scream (Motion picture) Craven, Wes Horror films / History and criticism Slasher films / History and criticism Thrillers (Motion pictures) / History and criticism Horror films Slasher films Thrillers (Motion pictures) Criticism, interpretation, etc Scream (DE-588)1072801256 u DE-604 |
| spellingShingle | West, Steven Scream Flashback face: "Do you like scary movies?": Scream and revitilisation -- First blood: the opening of Scream -- Craven images: the road to Scream -- Horror, Happy Meals and hybridisation: Scream and the 1990s -- Characters, conventions and "the rules": creating Scream's thieving whoring ensemble -- Watch a few movies, make a few notes: Scream's layer cake of references -- Reception and marketing: the selling of Scream -- Scream and Scream again: the legacy of Scream -- Bibliography Scream (DE-588)1072801256 gnd |
| subject_GND | (DE-588)1072801256 |
| title | Scream |
| title_auth | Scream |
| title_exact_search | Scream |
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| title_full | Scream Steven West |
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| title_short | Scream |
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| topic | Scream (DE-588)1072801256 gnd |
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