Reuse, misuse, abuse: the ethics of audiovisual appropriation in the digital era
In contemporary culture, existing audiovisual recordings are constantly reused and repurposed for various ends, raising questions regarding the ethics of such appropriations, particularly when the recording depicts actual people and events. Every reuse of a preexisting recording is, on some level, a...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New Brunswick, NJ
Rutgers University Press
[2021]
|
| Schlagworte: | |
| Online-Zugang: | DE-12 DE-1046 DE-858 DE-859 DE-860 DE-473 DE-706 DE-739 URL des Erstveröffentlichers |
| Zusammenfassung: | In contemporary culture, existing audiovisual recordings are constantly reused and repurposed for various ends, raising questions regarding the ethics of such appropriations, particularly when the recording depicts actual people and events. Every reuse of a preexisting recording is, on some level, a misuse in that it was not intended or at least anticipated by the original maker, but not all misuses are necessarily unethical. In fact, there are many instances of productive misuse that seem justified. At the same time, there are other instances in which the misuse shades into abuse. Documentary scholars have long engaged with the question of the ethical responsibility of documentary makers in relation to their subjects. But what happens when this responsibility is set at a remove, when the recording already exists for the taking and repurposing? Reuse, Misuse and Abuse surveys a range of contemporary films and videos that appropriate preexisting footage and attempts to theorize their ethical implications |
| Beschreibung: | 1 Online-Ressource (218 Seiten) Illustrationen |
| ISBN: | 9780813599304 |
| DOI: | 10.36019/9780813599304 |
Internformat
MARC
| LEADER | 00000nam a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV047521131 | ||
| 003 | DE-604 | ||
| 005 | 20231208 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 211019s2021 xx a||| o|||| 00||| eng d | ||
| 020 | |a 9780813599304 |9 978-0-8135-9930-4 | ||
| 024 | 7 | |a 10.36019/9780813599304 |2 doi | |
| 035 | |a (ZDB-23-DGG)9780813599304 | ||
| 035 | |a (ZDB-23-DSL)9780813599304 | ||
| 035 | |a (OCoLC)1284785109 | ||
| 035 | |a (DE-599)BVBBV047521131 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-1046 |a DE-858 |a DE-859 |a DE-860 |a DE-473 |a DE-739 |a DE-12 |a DE-706 | ||
| 082 | 0 | |a 070.1/95 |2 23 | |
| 100 | 1 | |a Baron, Jaimie |e Verfasser |0 (DE-588)1048044661 |4 aut | |
| 245 | 1 | 0 | |a Reuse, misuse, abuse |b the ethics of audiovisual appropriation in the digital era |c Jaimie Baron |
| 264 | 1 | |a New Brunswick, NJ |b Rutgers University Press |c [2021] | |
| 264 | 4 | |c © 2021 | |
| 300 | |a 1 Online-Ressource (218 Seiten) |b Illustrationen | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 520 | |a In contemporary culture, existing audiovisual recordings are constantly reused and repurposed for various ends, raising questions regarding the ethics of such appropriations, particularly when the recording depicts actual people and events. Every reuse of a preexisting recording is, on some level, a misuse in that it was not intended or at least anticipated by the original maker, but not all misuses are necessarily unethical. In fact, there are many instances of productive misuse that seem justified. At the same time, there are other instances in which the misuse shades into abuse. Documentary scholars have long engaged with the question of the ethical responsibility of documentary makers in relation to their subjects. But what happens when this responsibility is set at a remove, when the recording already exists for the taking and repurposing? Reuse, Misuse and Abuse surveys a range of contemporary films and videos that appropriate preexisting footage and attempts to theorize their ethical implications | ||
| 650 | 7 | |a SOCIAL SCIENCE / General |2 bisacsh | |
| 650 | 4 | |a Actualities (Motion pictures) | |
| 650 | 4 | |a Actualities (Motion pictures) | |
| 650 | 4 | |a Documentary films |x Moral and ethical aspects | |
| 650 | 4 | |a Gaze in motion pictures | |
| 650 | 4 | |a Stock footage | |
| 650 | 4 | |a Video recordings |x Moral and ethical aspects | |
| 856 | 4 | 0 | |u https://doi.org/10.36019/9780813599304 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 912 | |a ZDB-23-DGG | ||
| 912 | |a ZDB-23-DSL | ||
| 940 | 1 | |q ZDB-23-DSL21 | |
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-032921858 | |
| 966 | e | |u https://doi.org/10.36019/9780813599304 |l DE-12 |p ZDB-23-DSL |q BSB_DSL_RutgersUniversityPress |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.36019/9780813599304 |l DE-1046 |p ZDB-23-DGG |q FAW_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.36019/9780813599304 |l DE-858 |p ZDB-23-DGG |q FCO_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.36019/9780813599304 |l DE-859 |p ZDB-23-DGG |q FKE_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.36019/9780813599304 |l DE-860 |p ZDB-23-DGG |q FLA_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.36019/9780813599304 |l DE-473 |p ZDB-23-DGG |q UBG_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.36019/9780813599304 |l DE-706 |p ZDB-23-DSL |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.36019/9780813599304 |l DE-739 |p ZDB-23-DGG |q UPA_PDA_DGG |x Verlag |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1824507855823175680 |
|---|---|
| adam_text | |
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Baron, Jaimie |
| author_GND | (DE-588)1048044661 |
| author_facet | Baron, Jaimie |
| author_role | aut |
| author_sort | Baron, Jaimie |
| author_variant | j b jb |
| building | Verbundindex |
| bvnumber | BV047521131 |
| collection | ZDB-23-DGG ZDB-23-DSL |
| ctrlnum | (ZDB-23-DGG)9780813599304 (ZDB-23-DSL)9780813599304 (OCoLC)1284785109 (DE-599)BVBBV047521131 |
| dewey-full | 070.1/95 |
| dewey-hundreds | 000 - Computer science, information, general works |
| dewey-ones | 070 - Documentary, educational, news media; journalism |
| dewey-raw | 070.1/95 |
| dewey-search | 070.1/95 |
| dewey-sort | 270.1 295 |
| dewey-tens | 070 - Documentary, educational, news media; journalism |
| discipline | Allgemeines |
| discipline_str_mv | Allgemeines |
| doi_str_mv | 10.36019/9780813599304 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000zc 4500</leader><controlfield tag="001">BV047521131</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20231208</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">211019s2021 xx a||| o|||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780813599304</subfield><subfield code="9">978-0-8135-9930-4</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.36019/9780813599304</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-23-DGG)9780813599304</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-23-DSL)9780813599304</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1284785109</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV047521131</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-1046</subfield><subfield code="a">DE-858</subfield><subfield code="a">DE-859</subfield><subfield code="a">DE-860</subfield><subfield code="a">DE-473</subfield><subfield code="a">DE-739</subfield><subfield code="a">DE-12</subfield><subfield code="a">DE-706</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">070.1/95</subfield><subfield code="2">23</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Baron, Jaimie</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1048044661</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Reuse, misuse, abuse</subfield><subfield code="b">the ethics of audiovisual appropriation in the digital era</subfield><subfield code="c">Jaimie Baron</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New Brunswick, NJ</subfield><subfield code="b">Rutgers University Press</subfield><subfield code="c">[2021]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2021</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (218 Seiten)</subfield><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">In contemporary culture, existing audiovisual recordings are constantly reused and repurposed for various ends, raising questions regarding the ethics of such appropriations, particularly when the recording depicts actual people and events. Every reuse of a preexisting recording is, on some level, a misuse in that it was not intended or at least anticipated by the original maker, but not all misuses are necessarily unethical. In fact, there are many instances of productive misuse that seem justified. At the same time, there are other instances in which the misuse shades into abuse. Documentary scholars have long engaged with the question of the ethical responsibility of documentary makers in relation to their subjects. But what happens when this responsibility is set at a remove, when the recording already exists for the taking and repurposing? Reuse, Misuse and Abuse surveys a range of contemporary films and videos that appropriate preexisting footage and attempts to theorize their ethical implications</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">SOCIAL SCIENCE / General</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Actualities (Motion pictures)</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Actualities (Motion pictures)</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Documentary films</subfield><subfield code="x">Moral and ethical aspects</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Gaze in motion pictures</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Stock footage</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Video recordings</subfield><subfield code="x">Moral and ethical aspects</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.36019/9780813599304</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-DGG</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-DSL</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">ZDB-23-DSL21</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032921858</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.36019/9780813599304</subfield><subfield code="l">DE-12</subfield><subfield code="p">ZDB-23-DSL</subfield><subfield code="q">BSB_DSL_RutgersUniversityPress</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.36019/9780813599304</subfield><subfield code="l">DE-1046</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAW_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.36019/9780813599304</subfield><subfield code="l">DE-858</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FCO_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.36019/9780813599304</subfield><subfield code="l">DE-859</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FKE_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.36019/9780813599304</subfield><subfield code="l">DE-860</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FLA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.36019/9780813599304</subfield><subfield code="l">DE-473</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UBG_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.36019/9780813599304</subfield><subfield code="l">DE-706</subfield><subfield code="p">ZDB-23-DSL</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.36019/9780813599304</subfield><subfield code="l">DE-739</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UPA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| id | DE-604.BV047521131 |
| illustrated | Illustrated |
| index_date | 2024-07-03T18:23:37Z |
| indexdate | 2025-02-19T17:31:22Z |
| institution | BVB |
| isbn | 9780813599304 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032921858 |
| oclc_num | 1284785109 |
| open_access_boolean | |
| owner | DE-1046 DE-858 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 DE-12 DE-706 |
| owner_facet | DE-1046 DE-858 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 DE-12 DE-706 |
| physical | 1 Online-Ressource (218 Seiten) Illustrationen |
| psigel | ZDB-23-DGG ZDB-23-DSL ZDB-23-DSL21 ZDB-23-DSL BSB_DSL_RutgersUniversityPress ZDB-23-DGG FAW_PDA_DGG ZDB-23-DGG FCO_PDA_DGG ZDB-23-DGG FKE_PDA_DGG ZDB-23-DGG FLA_PDA_DGG ZDB-23-DGG UBG_PDA_DGG ZDB-23-DGG UPA_PDA_DGG |
| publishDate | 2021 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | Rutgers University Press |
| record_format | marc |
| spelling | Baron, Jaimie Verfasser (DE-588)1048044661 aut Reuse, misuse, abuse the ethics of audiovisual appropriation in the digital era Jaimie Baron New Brunswick, NJ Rutgers University Press [2021] © 2021 1 Online-Ressource (218 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier In contemporary culture, existing audiovisual recordings are constantly reused and repurposed for various ends, raising questions regarding the ethics of such appropriations, particularly when the recording depicts actual people and events. Every reuse of a preexisting recording is, on some level, a misuse in that it was not intended or at least anticipated by the original maker, but not all misuses are necessarily unethical. In fact, there are many instances of productive misuse that seem justified. At the same time, there are other instances in which the misuse shades into abuse. Documentary scholars have long engaged with the question of the ethical responsibility of documentary makers in relation to their subjects. But what happens when this responsibility is set at a remove, when the recording already exists for the taking and repurposing? Reuse, Misuse and Abuse surveys a range of contemporary films and videos that appropriate preexisting footage and attempts to theorize their ethical implications SOCIAL SCIENCE / General bisacsh Actualities (Motion pictures) Documentary films Moral and ethical aspects Gaze in motion pictures Stock footage Video recordings Moral and ethical aspects https://doi.org/10.36019/9780813599304 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Baron, Jaimie Reuse, misuse, abuse the ethics of audiovisual appropriation in the digital era SOCIAL SCIENCE / General bisacsh Actualities (Motion pictures) Documentary films Moral and ethical aspects Gaze in motion pictures Stock footage Video recordings Moral and ethical aspects |
| title | Reuse, misuse, abuse the ethics of audiovisual appropriation in the digital era |
| title_auth | Reuse, misuse, abuse the ethics of audiovisual appropriation in the digital era |
| title_exact_search | Reuse, misuse, abuse the ethics of audiovisual appropriation in the digital era |
| title_exact_search_txtP | Reuse, misuse, abuse the ethics of audiovisual appropriation in the digital era |
| title_full | Reuse, misuse, abuse the ethics of audiovisual appropriation in the digital era Jaimie Baron |
| title_fullStr | Reuse, misuse, abuse the ethics of audiovisual appropriation in the digital era Jaimie Baron |
| title_full_unstemmed | Reuse, misuse, abuse the ethics of audiovisual appropriation in the digital era Jaimie Baron |
| title_short | Reuse, misuse, abuse |
| title_sort | reuse misuse abuse the ethics of audiovisual appropriation in the digital era |
| title_sub | the ethics of audiovisual appropriation in the digital era |
| topic | SOCIAL SCIENCE / General bisacsh Actualities (Motion pictures) Documentary films Moral and ethical aspects Gaze in motion pictures Stock footage Video recordings Moral and ethical aspects |
| topic_facet | SOCIAL SCIENCE / General Actualities (Motion pictures) Documentary films Moral and ethical aspects Gaze in motion pictures Stock footage Video recordings Moral and ethical aspects |
| url | https://doi.org/10.36019/9780813599304 |
| work_keys_str_mv | AT baronjaimie reusemisuseabusetheethicsofaudiovisualappropriationinthedigitalera |