The Routledge companion to photography theory:
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Routledge, Taylor & Francis Group
2021
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| Ausgabe: | First issued in paperback 2021 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | xv, 441 Seiten Illustrationen |
| ISBN: | 9781032085364 9781138845770 |
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Datensatz im Suchindex
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| adam_text | Contents List offigures List ofplates List of contributors Introduction Mark Durden and fane Tormey viii x xii 1 PARTI Aesthetics 19 1 Feeling in photography, the affective turn, and the history ofemotions Thy Phu, Elspeth H. Brown, and Andrea Noble 21 2 Jacques Rancière: aesthetics and photography David Bate 37 3 Ambiguity, accident, audience: Minor White’s photographic theory Todd Cronan 52 4 Testing humanism: the transactions of contemporary documentary photography Mark Durden 69 5 Jeff Wall speaks with David Сатрапу Jeff Wall and David Сатрапу 85 6 Deleuze and the simulacrum: simulation and semblance inPublic Order Sandra Plummer 97 7 Five versions of the photographic act: archival logic in the work of Andrea Robbins and Max Becher Shep Steiner 113 v
Contents 8 Jean Baudrillard’s photography—a vision of his own strange world Gerry Coulter 9 Visual episodic memory and the neurophenomenology of digital photography Jill Bennett 128 140 PART II Politics 155 10 Seeing the public image anew: photography exhibitions and civic spectatorship Robert Hariman and John Louis Lucaites 157 11 Still images on the move: theoretical challenges and future possibilities Marta Zarzycka 176 12 Interview with Ariella Azoulay Ariella Azoulay andJustin Calville 188 13 Human rights practice and visual violations Ruthie Ginsburg 197 14 Love the bomb: picturing nuclear explosion Paula Rabinowitz 211 15 Twice captured: the work of atrocity photography Molly Rogers 228 16 Presenting the unrepresentable: confrontation and circumvention Jane Tormey 243 17 The eco-anarchist potential of environmental photography: Richard Misrach and Kate Orff s Petrochemical America Conohar Scott 18 Counter-forensics and photography Thomas Keenan 260 276 PART III Theories 293 19 Derrida and photography theory Malcolm Barnard 295 vi
Contents 20 Image, affect, and autobiography: Roland Barthes’ photographic theory in light of his posthumous publications Kathrin Yacavone 309 21 Ideation and photography: a critique of Francois Laruelle’s concept of abstraction John Roberts 323 22 Fractal photography and the politics of invisibility Daniel Rubinstein 337 23 Photographic apparatus in the era of tagshot culture Mika Elo 356 24 Artistic representation and politics: an exchange between Victor Bürgin and Hilde Van Gelder Victor Bürgin and Hilde Van Gelder 371 25 Decentering the photographer: authorship and digital photography Daniel Palmer 385 26 Out of language: photographing as translating Nancy Ann Roth 398 27 Habitual photography: time, rhythm, and temporalization in contemporary personal photography Martin Hand and Ashley Scarlett 410 Index 426 vii
With newly commissioned essays by some of the leading writers on photography today, this companion tackles some of the most pressing questions about photography theory’s direction, relevance, and purpose. This book shows how digital technologies and global dissemination have radically advanced the pluralism of photographic meaning and fundamentally transformed photography theory. Having assimilated the histories of semiotic analysis and poststructural theory, critiques of representation continue to move away from the notion of original and copy and towards materiality, process, and the interdisciplinary. The implications of what it means to ‘see’ an image is now understood to encompass, not only the optical, but the conceptual, ethical, and haptic experience of encountering an image. The ‘fractal’ is now used to theorize the new condition of photography as an algorithmic medium and leads us to reposition our relationship to photographs and lend nuances to what essentially underlies any photography theory—that is, the relationship of the image to the real world and how we conceive what that means. Diverse in its scope and themes, The Routledge Companion to Photography Theory is an indispensable collection of essays and interviews for students, researchers, and teachers. The volume also features extensive images, including beautiful colour plates of key photographs.
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| adam_txt |
Contents List offigures List ofplates List of contributors Introduction Mark Durden and fane Tormey viii x xii 1 PARTI Aesthetics 19 1 Feeling in photography, the affective turn, and the history ofemotions Thy Phu, Elspeth H. Brown, and Andrea Noble 21 2 Jacques Rancière: aesthetics and photography David Bate 37 3 Ambiguity, accident, audience: Minor White’s photographic theory Todd Cronan 52 4 Testing humanism: the transactions of contemporary documentary photography Mark Durden 69 5 Jeff Wall speaks with David Сатрапу Jeff Wall and David Сатрапу 85 6 Deleuze and the simulacrum: simulation and semblance inPublic Order Sandra Plummer 97 7 Five versions of the photographic act: archival logic in the work of Andrea Robbins and Max Becher Shep Steiner 113 v
Contents 8 Jean Baudrillard’s photography—a vision of his own strange world Gerry Coulter 9 Visual episodic memory and the neurophenomenology of digital photography Jill Bennett 128 140 PART II Politics 155 10 Seeing the public image anew: photography exhibitions and civic spectatorship Robert Hariman and John Louis Lucaites 157 11 Still images on the move: theoretical challenges and future possibilities Marta Zarzycka 176 12 Interview with Ariella Azoulay Ariella Azoulay andJustin Calville 188 13 Human rights practice and visual violations Ruthie Ginsburg 197 14 Love the bomb: picturing nuclear explosion Paula Rabinowitz 211 15 Twice captured: the work of atrocity photography Molly Rogers 228 16 Presenting the unrepresentable: confrontation and circumvention Jane Tormey 243 17 The eco-anarchist potential of environmental photography: Richard Misrach and Kate Orff s Petrochemical America Conohar Scott 18 Counter-forensics and photography Thomas Keenan 260 276 PART III Theories 293 19 Derrida and photography theory Malcolm Barnard 295 vi
Contents 20 Image, affect, and autobiography: Roland Barthes’ photographic theory in light of his posthumous publications Kathrin Yacavone 309 21 Ideation and photography: a critique of Francois Laruelle’s concept of abstraction John Roberts 323 22 Fractal photography and the politics of invisibility Daniel Rubinstein 337 23 Photographic apparatus in the era of tagshot culture Mika Elo 356 24 Artistic representation and politics: an exchange between Victor Bürgin and Hilde Van Gelder Victor Bürgin and Hilde Van Gelder 371 25 Decentering the photographer: authorship and digital photography Daniel Palmer 385 26 Out of language: photographing as translating Nancy Ann Roth 398 27 Habitual photography: time, rhythm, and temporalization in contemporary personal photography Martin Hand and Ashley Scarlett 410 Index 426 vii
With newly commissioned essays by some of the leading writers on photography today, this companion tackles some of the most pressing questions about photography theory’s direction, relevance, and purpose. This book shows how digital technologies and global dissemination have radically advanced the pluralism of photographic meaning and fundamentally transformed photography theory. Having assimilated the histories of semiotic analysis and poststructural theory, critiques of representation continue to move away from the notion of original and copy and towards materiality, process, and the interdisciplinary. The implications of what it means to ‘see’ an image is now understood to encompass, not only the optical, but the conceptual, ethical, and haptic experience of encountering an image. The ‘fractal’ is now used to theorize the new condition of photography as an algorithmic medium and leads us to reposition our relationship to photographs and lend nuances to what essentially underlies any photography theory—that is, the relationship of the image to the real world and how we conceive what that means. Diverse in its scope and themes, The Routledge Companion to Photography Theory is an indispensable collection of essays and interviews for students, researchers, and teachers. The volume also features extensive images, including beautiful colour plates of key photographs. |
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| spelling | The Routledge companion to photography theory edited by Mark Durden and Jane Tormey Companion to photography theory First issued in paperback 2021 London ; New York Routledge, Taylor & Francis Group 2021 xv, 441 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Fotografie (DE-588)4045895-7 gnd rswk-swf Theorie (DE-588)4059787-8 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Fotografie (DE-588)4045895-7 s Theorie (DE-588)4059787-8 s DE-604 Durden, Mark (DE-588)1059123126 edt Tormey, Jane (DE-588)1211596001 edt Erscheint auch als Online-Ausgabe, ebk. 978-1-315-72799-8 BV046343023 Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032915881&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032915881&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
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