Sometimes you have to lie: the life and times of Louise Fitzhugh, renegade author of Harriet the spy
Louise Fitzhugh's books are full of resistance: to liars, to conformity, to authority, and even (radically, for a children's author) to make-believe. As a commercial children's author and lesbian, Fitzhugh often had to disguise the nature of her most intimate relationships. She lived...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
New York, NY
Seal Press
2020
|
Ausgabe: | First edition |
Schlagworte: | |
Zusammenfassung: | Louise Fitzhugh's books are full of resistance: to liars, to conformity, to authority, and even (radically, for a children's author) to make-believe. As a commercial children's author and lesbian, Fitzhugh often had to disguise the nature of her most intimate relationships. She lived her life as a dissenter--a friend to underdogs, outsiders, and artists--and her masterpiece remains long after her death to influence and provoke new generations of readers. Harriet is massively influential among girls and women in contemporary culture; she is the missing link between Jo March and Scout Finch, and it's not surprising that writers have thought of her as a kind of patron saint for misfit writers and unfeminine girls. This biography brings Harriet's creator into the frame, shedding new light on the author and her work "The protagonist and anti-heroine of Louise Fitzhugh's masterpiece Harriet the Spy, first published first in 1964, continues to mesmerize generation after generation of readers. Harriet is an erratic, unsentimental, and endearing prototype--someone very like the woman who dreamed her up, author and artist Louise Fitzhugh. Born in 1928, Fitzhugh was raised in a wealthy home in segregated Memphis, and she escaped her cloistered world and made a beeline for New York as soon as she could. Her expanded milieu stretched from the lesbian bars of Greenwich Village to the dance clubs of Harlem, on to the resurgent artist studios of post-war New York, France, and Italy. Her circle of friends included artists like Maurice Sendak and playwrights like Lorraine Hansberry. In the 1960s, Fitzhugh wrote Harriet the Spy, and in doing so she introduced "new realism" into children's books--she launched a genre of children's books that allowed characters to experience authentic feelings and acknowledged topics that were formerly considered taboo. Fitzhugh's books are full of resistance: to liars, to conformity, to authority, and even (radically, for a children's author) to make-believe. As a commercial children's author and lesbian, Fitzhugh often had to disguise the nature of her most intimate relationships. She lived her life as a dissenter--a friend to underdogs, outsiders, and artists--and her masterpiece remains long after her death to influence and provoke new generations of readers. Harriet is massively influential among girls and women in contemporary culture; she is the missing link between Jo March and Scout Finch, and it's not surprising that writers have thought of her as a kind of patron saint for misfit writers and unfeminine girls. This lively, rich biography brings Harriet's creator into the frame, shedding new light on an extraordinary author and her marvelous creation"-- |
Beschreibung: | viii, 335 Seiten, 7 Seiten Bildtafeln Illustrationen 24 cm |
ISBN: | 9781580057691 1580057691 |
Internformat
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245 | 1 | 0 | |a Sometimes you have to lie |b the life and times of Louise Fitzhugh, renegade author of Harriet the spy |c Leslie Brody |
246 | 1 | 3 | |a Life and times of Louise Fitzhugh, renegade author of Harriet the spy |
246 | 1 | 0 | |a Life and times of Louise Fitzhugh, renegade author of Harriet the spy |
250 | |a First edition | ||
264 | 1 | |a New York, NY |b Seal Press |c 2020 | |
300 | |a viii, 335 Seiten, 7 Seiten Bildtafeln |b Illustrationen |c 24 cm | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
505 | 8 | |a Introduction: A nasty girl and horrid example -- Part one. Prologue ; Classified ; Clear and present danger ; Interrogation ; Intelligence ; Best assets ; Master of disguise ; Private investigator -- Part two. Clues ; Rout ; Snoop ; Detect ; Agency ; Agent Harrie ; Divided loyalties -- Part three. Luck, speculation, windfalls ; Tradecraft ; Survey the locality ; Witness -- Afterword | |
520 | 3 | |a Louise Fitzhugh's books are full of resistance: to liars, to conformity, to authority, and even (radically, for a children's author) to make-believe. As a commercial children's author and lesbian, Fitzhugh often had to disguise the nature of her most intimate relationships. She lived her life as a dissenter--a friend to underdogs, outsiders, and artists--and her masterpiece remains long after her death to influence and provoke new generations of readers. Harriet is massively influential among girls and women in contemporary culture; she is the missing link between Jo March and Scout Finch, and it's not surprising that writers have thought of her as a kind of patron saint for misfit writers and unfeminine girls. This biography brings Harriet's creator into the frame, shedding new light on the author and her work | |
520 | 3 | |a "The protagonist and anti-heroine of Louise Fitzhugh's masterpiece Harriet the Spy, first published first in 1964, continues to mesmerize generation after generation of readers. Harriet is an erratic, unsentimental, and endearing prototype--someone very like the woman who dreamed her up, author and artist Louise Fitzhugh. Born in 1928, Fitzhugh was raised in a wealthy home in segregated Memphis, and she escaped her cloistered world and made a beeline for New York as soon as she could. Her expanded milieu stretched from the lesbian bars of Greenwich Village to the dance clubs of Harlem, on to the resurgent artist studios of post-war New York, France, and Italy. Her circle of friends included artists like Maurice Sendak and playwrights like Lorraine Hansberry. In the 1960s, Fitzhugh wrote Harriet the Spy, and in doing so she introduced "new realism" into children's books--she launched a genre of children's books that allowed characters to experience authentic feelings and acknowledged topics that were formerly considered taboo. Fitzhugh's books are full of resistance: to liars, to conformity, to authority, and even (radically, for a children's author) to make-believe. As a commercial children's author and lesbian, Fitzhugh often had to disguise the nature of her most intimate relationships. She lived her life as a dissenter--a friend to underdogs, outsiders, and artists--and her masterpiece remains long after her death to influence and provoke new generations of readers. Harriet is massively influential among girls and women in contemporary culture; she is the missing link between Jo March and Scout Finch, and it's not surprising that writers have thought of her as a kind of patron saint for misfit writers and unfeminine girls. This lively, rich biography brings Harriet's creator into the frame, shedding new light on an extraordinary author and her marvelous creation"-- | |
653 | 1 | |a Fitzhugh, Louise | |
653 | 1 | |a Fitzhugh, Louise / Harriet the spy | |
653 | 1 | |a Fitzhugh, Louise / Criticism and interpretation | |
653 | 0 | |a Authors, American / 20th century / Biography | |
653 | 0 | |a Lesbian authors / United States / Biography | |
653 | 0 | |a Artists / United States / Biography | |
653 | 0 | |a Illustrators / United States / Biography | |
653 | 0 | |a BIOGRAPHY & AUTOBIOGRAPHY / Literary Figures | |
653 | 0 | |a BIOGRAPHY & AUTOBIOGRAPHY / Women | |
653 | 0 | |a BIOGRAPHY & AUTOBIOGRAPHY / Historical | |
653 | 1 | |a Fitzhugh, Louise | |
653 | 0 | |a Lesbian authors | |
653 | 0 | |a Artists | |
653 | 0 | |a Authors, American | |
653 | 0 | |a Illustrators | |
653 | 2 | |a United States | |
653 | 0 | |a American authors / Biography | |
653 | 0 | |a Illustrators / United States / Biography | |
653 | 4 | |a 1900-1999 | |
653 | 6 | |a Literary criticism | |
653 | 6 | |a Criticism, interpretation, etc | |
653 | 6 | |a Biographies | |
653 | 6 | |a Biographies | |
653 | 6 | |a Literary criticism | |
655 | 7 | |0 (DE-588)4006804-3 |a Biografie |2 gnd-content | |
776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 978-1-58005-770-7 |
999 | |a oai:aleph.bib-bvb.de:BVB01-032900952 |
Datensatz im Suchindex
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---|---|
adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
author | Brody, Leslie 1952- |
author_GND | (DE-588)1245491903 |
author_facet | Brody, Leslie 1952- |
author_role | aut |
author_sort | Brody, Leslie 1952- |
author_variant | l b lb |
building | Verbundindex |
bvnumber | BV047499883 |
classification_rvk | HU 9800 |
contents | Introduction: A nasty girl and horrid example -- Part one. Prologue ; Classified ; Clear and present danger ; Interrogation ; Intelligence ; Best assets ; Master of disguise ; Private investigator -- Part two. Clues ; Rout ; Snoop ; Detect ; Agency ; Agent Harrie ; Divided loyalties -- Part three. Luck, speculation, windfalls ; Tradecraft ; Survey the locality ; Witness -- Afterword |
ctrlnum | (OCoLC)1256670124 (DE-599)BVBBV047499883 |
dewey-full | 813.54 |
dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
dewey-ones | 813 - American fiction in English |
dewey-raw | 813.54 |
dewey-search | 813.54 |
dewey-sort | 3813.54 |
dewey-tens | 810 - American literature in English |
discipline | Anglistik / Amerikanistik |
discipline_str_mv | Anglistik / Amerikanistik |
edition | First edition |
format | Book |
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genre | (DE-588)4006804-3 Biografie gnd-content |
genre_facet | Biografie |
id | DE-604.BV047499883 |
illustrated | Illustrated |
index_date | 2024-07-03T18:18:31Z |
indexdate | 2024-07-10T09:13:48Z |
institution | BVB |
isbn | 9781580057691 1580057691 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032900952 |
oclc_num | 1256670124 |
open_access_boolean | |
owner | DE-11 DE-188 |
owner_facet | DE-11 DE-188 |
physical | viii, 335 Seiten, 7 Seiten Bildtafeln Illustrationen 24 cm |
publishDate | 2020 |
publishDateSearch | 2020 |
publishDateSort | 2020 |
publisher | Seal Press |
record_format | marc |
spelling | Brody, Leslie 1952- Verfasser (DE-588)1245491903 aut Sometimes you have to lie the life and times of Louise Fitzhugh, renegade author of Harriet the spy Leslie Brody Life and times of Louise Fitzhugh, renegade author of Harriet the spy First edition New York, NY Seal Press 2020 viii, 335 Seiten, 7 Seiten Bildtafeln Illustrationen 24 cm txt rdacontent n rdamedia nc rdacarrier Introduction: A nasty girl and horrid example -- Part one. Prologue ; Classified ; Clear and present danger ; Interrogation ; Intelligence ; Best assets ; Master of disguise ; Private investigator -- Part two. Clues ; Rout ; Snoop ; Detect ; Agency ; Agent Harrie ; Divided loyalties -- Part three. Luck, speculation, windfalls ; Tradecraft ; Survey the locality ; Witness -- Afterword Louise Fitzhugh's books are full of resistance: to liars, to conformity, to authority, and even (radically, for a children's author) to make-believe. As a commercial children's author and lesbian, Fitzhugh often had to disguise the nature of her most intimate relationships. She lived her life as a dissenter--a friend to underdogs, outsiders, and artists--and her masterpiece remains long after her death to influence and provoke new generations of readers. Harriet is massively influential among girls and women in contemporary culture; she is the missing link between Jo March and Scout Finch, and it's not surprising that writers have thought of her as a kind of patron saint for misfit writers and unfeminine girls. This biography brings Harriet's creator into the frame, shedding new light on the author and her work "The protagonist and anti-heroine of Louise Fitzhugh's masterpiece Harriet the Spy, first published first in 1964, continues to mesmerize generation after generation of readers. Harriet is an erratic, unsentimental, and endearing prototype--someone very like the woman who dreamed her up, author and artist Louise Fitzhugh. Born in 1928, Fitzhugh was raised in a wealthy home in segregated Memphis, and she escaped her cloistered world and made a beeline for New York as soon as she could. Her expanded milieu stretched from the lesbian bars of Greenwich Village to the dance clubs of Harlem, on to the resurgent artist studios of post-war New York, France, and Italy. Her circle of friends included artists like Maurice Sendak and playwrights like Lorraine Hansberry. In the 1960s, Fitzhugh wrote Harriet the Spy, and in doing so she introduced "new realism" into children's books--she launched a genre of children's books that allowed characters to experience authentic feelings and acknowledged topics that were formerly considered taboo. Fitzhugh's books are full of resistance: to liars, to conformity, to authority, and even (radically, for a children's author) to make-believe. As a commercial children's author and lesbian, Fitzhugh often had to disguise the nature of her most intimate relationships. She lived her life as a dissenter--a friend to underdogs, outsiders, and artists--and her masterpiece remains long after her death to influence and provoke new generations of readers. Harriet is massively influential among girls and women in contemporary culture; she is the missing link between Jo March and Scout Finch, and it's not surprising that writers have thought of her as a kind of patron saint for misfit writers and unfeminine girls. This lively, rich biography brings Harriet's creator into the frame, shedding new light on an extraordinary author and her marvelous creation"-- Fitzhugh, Louise Fitzhugh, Louise / Harriet the spy Fitzhugh, Louise / Criticism and interpretation Authors, American / 20th century / Biography Lesbian authors / United States / Biography Artists / United States / Biography Illustrators / United States / Biography BIOGRAPHY & AUTOBIOGRAPHY / Literary Figures BIOGRAPHY & AUTOBIOGRAPHY / Women BIOGRAPHY & AUTOBIOGRAPHY / Historical Lesbian authors Artists Authors, American Illustrators United States American authors / Biography 1900-1999 Literary criticism Criticism, interpretation, etc Biographies (DE-588)4006804-3 Biografie gnd-content Erscheint auch als Online-Ausgabe 978-1-58005-770-7 |
spellingShingle | Brody, Leslie 1952- Sometimes you have to lie the life and times of Louise Fitzhugh, renegade author of Harriet the spy Introduction: A nasty girl and horrid example -- Part one. Prologue ; Classified ; Clear and present danger ; Interrogation ; Intelligence ; Best assets ; Master of disguise ; Private investigator -- Part two. Clues ; Rout ; Snoop ; Detect ; Agency ; Agent Harrie ; Divided loyalties -- Part three. Luck, speculation, windfalls ; Tradecraft ; Survey the locality ; Witness -- Afterword |
subject_GND | (DE-588)4006804-3 |
title | Sometimes you have to lie the life and times of Louise Fitzhugh, renegade author of Harriet the spy |
title_alt | Life and times of Louise Fitzhugh, renegade author of Harriet the spy |
title_auth | Sometimes you have to lie the life and times of Louise Fitzhugh, renegade author of Harriet the spy |
title_exact_search | Sometimes you have to lie the life and times of Louise Fitzhugh, renegade author of Harriet the spy |
title_exact_search_txtP | Sometimes you have to lie the life and times of Louise Fitzhugh, renegade author of Harriet the spy |
title_full | Sometimes you have to lie the life and times of Louise Fitzhugh, renegade author of Harriet the spy Leslie Brody |
title_fullStr | Sometimes you have to lie the life and times of Louise Fitzhugh, renegade author of Harriet the spy Leslie Brody |
title_full_unstemmed | Sometimes you have to lie the life and times of Louise Fitzhugh, renegade author of Harriet the spy Leslie Brody |
title_short | Sometimes you have to lie |
title_sort | sometimes you have to lie the life and times of louise fitzhugh renegade author of harriet the spy |
title_sub | the life and times of Louise Fitzhugh, renegade author of Harriet the spy |
topic_facet | Biografie |
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