Literary theory and criticism: an introduction
"Literary Theory and Criticism: An Introduction provides an accessible overview of major figures and movements in literary theory and criticism from antiquity to the twenty-first century. It is designed for students at the undergraduate level or for others needing a broad synthesis of the long...
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Peterborough, Ontario
Broadview Press
[2021]
|
Ausgabe: | second edition |
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis Klappentext |
Zusammenfassung: | "Literary Theory and Criticism: An Introduction provides an accessible overview of major figures and movements in literary theory and criticism from antiquity to the twenty-first century. It is designed for students at the undergraduate level or for others needing a broad synthesis of the long history of literary theory. An introductory chapter provides an overview of some of the major issues within literary theory and criticism; further chapters survey theory and criticism in antiquity, the Middle Ages and Renaissance, the Enlightenment, and the nineteenth century. For twentieth- and twenty-first-century theory, the discussion is subdivided into separate chapters on formalist, historicist, political, and psychoanalytic approaches. The second edition has been updated throughout and includes more coverage of Marxist theory, disability studies, critical race theory, and affect theory."-- |
Beschreibung: | 316 Seiten Illustrationen |
ISBN: | 9781554815371 1554815371 |
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adam_text | Contents List of Tables and Illustrations · io Acknowledgements · n Chapter i: Introduction · 13 Theory vs. Criticism · 16 Close Reading and Literary Studies · 19 Criticism through the Ages · 20 Literary Studies Comes to the University · 21 The “Theory” Revolution · 23 Theory and Criticism Today · 26 Literary Form · 28 Literary Characters · 30 The Importance of Context »32 The Identity of the Author · 33 The Role of the Reader · 34 Reading as Education, Reading as Entertainment · 35 Diversity · 37 The Uses of Theory and Criticism »38 Getting Started *42 Chapter 2: The Ancient World · 49 Plato: The First Literary Theorist · 50 Plato’s Republic · 51 Plato’s Theory of Forms · 53 The Allegory of the Cave · 54 Speech vs. Writing · 56 Aristotle · 57 Classification · 59 Narrative Form · 60
LITERARY THEORY AND CRITICISM Mimesis · 64 Rhetoric · 65 Horace’s Poetic Art · 66 Quintilian’s Figures of Speech »68 Longinus’s Sublime Aesthetics · 69 Chapters: The Middle Ages and the Renaissance · 73 Religion and Biblical Interpretation · 75 Establishing a Canon · 76 Medieval Scholasticism · 78 The Four Levels of Interpretation · 78 Maimonides and the Jewish Tradition · 81 The Secularization of Interpretation · 82 Boccaccio’s Mythological Studies · 84 Humanism »86 The Printing Press · 87 Protestantism »90 The Growth of the Vernacular »91 New Forms *93 New Rules for Writing · 94 Chapter 4: The Enlightenment · 97 Print Culture «98 Addison and Steele and the Birth of Modern Reviewing · 102 Johnson and His Dictionary · 104 The French Encyclopedia · 105 Skepticism · 106 Political Revolutions · 108 Abolitionism · 109 Early Feminism · no Aesthetic Innovations · in Idealism · 113 Kant’s Idealist Philosophy · 114 Hegel’s Ideas of History · 117 Chapter 5: The Nineteenth Century · 121 Romanticism and Nineteenth-Century Poetry · 122 Realism, Nationalism, and the Nineteenth-Century Novel · 127 Varieties of Realism · 129 Arnold, Taine, and Literary Studies · 133 6
CONTENTS Karl Marx · 136 Decadent Aesthetics · 141 Poe’s Philosophy of Composition · 142 Art for Art’s Sake · 143 Nietzsche’s Radical Philosophy · 145 Fin-de-siècle Fictions · 146 Chapter 6: Twentieth- and Twenty-First-Century Formalist Approaches · 149 The Philological Tradition · 151 Saussure and Structuralist Linguistics · 152 Russian Formalism · 155 Anglo-American Formalisms · 157 Practical and New Criticisms · 158 Neo-Aristotelianism · 161 Lévi-Strauss and Structuralist Anthropology · 164 Barthes and Structuralist Semiotics · 165 Narratology · 167 Derrida and Deconstruction · 169 Deconstruction in America · 172 Formalism Today · 174 Chapter 7: Twentieth- and Twenty-First-Century Historicist Approaches · 176 Historicist Criticism in the Eighteenth and Nineteenth Centuries · 177 Historicism to the 1970S · 180 The “New Historicism” · 183 New Approaches to History and Culture »183 Foucault and Discourse · 186 Greenblatt and the New Historicism · 189 Bourdieu and the Sociology of Culture · 191 From Bibliography to Book History · 194 Digital Humanities · 195 Chapter 8: Twentieth- and Twenty-First-Century Political Approaches · 198 Early Marxist Theory and Criticism · 199 The Frankfurt School · 202 French Marxism · 204 British Cultural Studies · 206 7
LITERARY THEORY AND CRITICISM Later Marxist Theory and Criticism · 208 Postcolonial and Ethnic Studies · 209 Said and Orientalism · 212 Later Postcolonial Theory · 213 Gates and the African American Tradition · 215 Critical Race Theory · 217 The Diversity of Literary Traditions · 219 Feminist Theory and Criticism · 220 Founding Figures »221 Later Feminist Theorists · 223 Sexuality and Queer Theory · 225 Sedgwick and Butler · 226 DisabiUty Studies · 228 Environmental Studies · 229 Chapter 9: Twentieth- and Twenty-First-Century Psychoanalytic Approaches *232 Freud and Freudian Criticism »232 Jungian Criticism · 239 Jacques Lacan · 240 Julia Kristeva · 242 Heirs to Lacan · 243 Phenomenology · 245 Hermeneutics · 246 Reader-Response Criticism 248 Cognitive Approaches · 250 Affect Theory »251 Chapter 10: From Theory to Practice · 254 The Example of Hamlet · 255 Hamlet’s Organic Unity · 256 Hamlet’s Theatricality · 260 Hamlet in Literary History · 262 Hamlet and Class · 264 Hamlet and Gender · 265 Hamlet’s Melancholy · 266 The Example of Frankenstein · 268 Frankenstein and Narratology · 269 Frankenstein and History · 272 Frankenstein and Political Approaches · 274 8
CONTENTS Frankenstein and Homosociality · 275 The Sublime, the Abject, the Uncanny · 277 Moving Forward · 279 Glossary · 283 Index · 295 9
Literary Theory and Criticism: An Introduction provides an accessible overview of major figures and movements in literary theory and criticism from antiquity to the twenty-first century. It is designed for students at the undergraduate level or for others needing a broad synthesis of the long history of literary theory. An introductory chapter provides an overview of some of the major issues within literary theory and criticism; further chapters survey theory and criticism in antiquity, the Middle Ages and Renaissance, the Enlightenment, and the nineteenth century. For twentieth- and twenty-first-century theory, the discussion is subdivided into separate chapters on formalist, historicist, political, and psychoanalytic approaches. The final chapter applies a variety of theoretical concepts and approaches to two famous works of literature: William Shakespeare’s Hamlet and Mary Shelley’s Frankenstein. The new edition has been updated throughout, including new or expanded coverage of Marxist theory, disability studies, affect theory, and Critical Race Theory.
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adam_txt |
Contents List of Tables and Illustrations · io Acknowledgements · n Chapter i: Introduction · 13 Theory vs. Criticism · 16 Close Reading and Literary Studies · 19 Criticism through the Ages · 20 Literary Studies Comes to the University · 21 The “Theory” Revolution · 23 Theory and Criticism Today · 26 Literary Form · 28 Literary Characters · 30 The Importance of Context »32 The Identity of the Author · 33 The Role of the Reader · 34 Reading as Education, Reading as Entertainment · 35 Diversity · 37 The Uses of Theory and Criticism »38 Getting Started *42 Chapter 2: The Ancient World · 49 Plato: The First Literary Theorist · 50 Plato’s Republic · 51 Plato’s Theory of Forms · 53 The Allegory of the Cave · 54 Speech vs. Writing · 56 Aristotle · 57 Classification · 59 Narrative Form · 60
LITERARY THEORY AND CRITICISM Mimesis · 64 Rhetoric · 65 Horace’s Poetic Art · 66 Quintilian’s Figures of Speech »68 Longinus’s Sublime Aesthetics · 69 Chapters: The Middle Ages and the Renaissance · 73 Religion and Biblical Interpretation · 75 Establishing a Canon · 76 Medieval Scholasticism · 78 The Four Levels of Interpretation · 78 Maimonides and the Jewish Tradition · 81 The Secularization of Interpretation · 82 Boccaccio’s Mythological Studies · 84 Humanism »86 The Printing Press · 87 Protestantism »90 The Growth of the Vernacular »91 New Forms *93 New Rules for Writing · 94 Chapter 4: The Enlightenment · 97 Print Culture «98 Addison and Steele and the Birth of Modern Reviewing · 102 Johnson and His Dictionary · 104 The French Encyclopedia · 105 Skepticism · 106 Political Revolutions · 108 Abolitionism · 109 Early Feminism · no Aesthetic Innovations · in Idealism · 113 Kant’s Idealist Philosophy · 114 Hegel’s Ideas of History · 117 Chapter 5: The Nineteenth Century · 121 Romanticism and Nineteenth-Century Poetry · 122 Realism, Nationalism, and the Nineteenth-Century Novel · 127 Varieties of Realism · 129 Arnold, Taine, and Literary Studies · 133 6
CONTENTS Karl Marx · 136 Decadent Aesthetics · 141 Poe’s Philosophy of Composition · 142 Art for Art’s Sake · 143 Nietzsche’s Radical Philosophy · 145 Fin-de-siècle Fictions · 146 Chapter 6: Twentieth- and Twenty-First-Century Formalist Approaches · 149 The Philological Tradition · 151 Saussure and Structuralist Linguistics · 152 Russian Formalism · 155 Anglo-American Formalisms · 157 Practical and New Criticisms · 158 Neo-Aristotelianism · 161 Lévi-Strauss and Structuralist Anthropology · 164 Barthes and Structuralist Semiotics · 165 Narratology · 167 Derrida and Deconstruction · 169 Deconstruction in America · 172 Formalism Today · 174 Chapter 7: Twentieth- and Twenty-First-Century Historicist Approaches · 176 Historicist Criticism in the Eighteenth and Nineteenth Centuries · 177 Historicism to the 1970S · 180 The “New Historicism” · 183 New Approaches to History and Culture »183 Foucault and Discourse · 186 Greenblatt and the New Historicism · 189 Bourdieu and the Sociology of Culture · 191 From Bibliography to Book History · 194 Digital Humanities · 195 Chapter 8: Twentieth- and Twenty-First-Century Political Approaches · 198 Early Marxist Theory and Criticism · 199 The Frankfurt School · 202 French Marxism · 204 British Cultural Studies · 206 7
LITERARY THEORY AND CRITICISM Later Marxist Theory and Criticism · 208 Postcolonial and Ethnic Studies · 209 Said and Orientalism · 212 Later Postcolonial Theory · 213 Gates and the African American Tradition · 215 Critical Race Theory · 217 The Diversity of Literary Traditions · 219 Feminist Theory and Criticism · 220 Founding Figures »221 Later Feminist Theorists · 223 Sexuality and Queer Theory · 225 Sedgwick and Butler · 226 DisabiUty Studies · 228 Environmental Studies · 229 Chapter 9: Twentieth- and Twenty-First-Century Psychoanalytic Approaches *232 Freud and Freudian Criticism »232 Jungian Criticism · 239 Jacques Lacan · 240 Julia Kristeva · 242 Heirs to Lacan · 243 Phenomenology · 245 Hermeneutics · 246 Reader-Response Criticism 248 Cognitive Approaches · 250 Affect Theory »251 Chapter 10: From Theory to Practice · 254 The Example of Hamlet · 255 Hamlet’s Organic Unity · 256 Hamlet’s Theatricality · 260 Hamlet in Literary History · 262 Hamlet and Class · 264 Hamlet and Gender · 265 Hamlet’s Melancholy · 266 The Example of Frankenstein · 268 Frankenstein and Narratology · 269 Frankenstein and History · 272 Frankenstein and Political Approaches · 274 8
CONTENTS Frankenstein and Homosociality · 275 The Sublime, the Abject, the Uncanny · 277 Moving Forward · 279 Glossary · 283 Index · 295 9
Literary Theory and Criticism: An Introduction provides an accessible overview of major figures and movements in literary theory and criticism from antiquity to the twenty-first century. It is designed for students at the undergraduate level or for others needing a broad synthesis of the long history of literary theory. An introductory chapter provides an overview of some of the major issues within literary theory and criticism; further chapters survey theory and criticism in antiquity, the Middle Ages and Renaissance, the Enlightenment, and the nineteenth century. For twentieth- and twenty-first-century theory, the discussion is subdivided into separate chapters on formalist, historicist, political, and psychoanalytic approaches. The final chapter applies a variety of theoretical concepts and approaches to two famous works of literature: William Shakespeare’s Hamlet and Mary Shelley’s Frankenstein. The new edition has been updated throughout, including new or expanded coverage of Marxist theory, disability studies, affect theory, and Critical Race Theory. |
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spelling | Stevens, Anne H. 1971- Verfasser (DE-588)141619724 aut Literary theory and criticism an introduction Anne H. Stevens second edition Peterborough, Ontario Broadview Press [2021] 316 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier "Literary Theory and Criticism: An Introduction provides an accessible overview of major figures and movements in literary theory and criticism from antiquity to the twenty-first century. It is designed for students at the undergraduate level or for others needing a broad synthesis of the long history of literary theory. An introductory chapter provides an overview of some of the major issues within literary theory and criticism; further chapters survey theory and criticism in antiquity, the Middle Ages and Renaissance, the Enlightenment, and the nineteenth century. For twentieth- and twenty-first-century theory, the discussion is subdivided into separate chapters on formalist, historicist, political, and psychoanalytic approaches. The second edition has been updated throughout and includes more coverage of Marxist theory, disability studies, critical race theory, and affect theory."-- Literaturtheorie (DE-588)4036031-3 gnd rswk-swf Criticism Criticism / History Literature / History and criticism / Theory, etc Literature / Theory, etc Criticism, interpretation, etc History (DE-588)4151278-9 Einführung gnd-content Literaturtheorie (DE-588)4036031-3 s DE-604 Erscheint auch als Online-Ausgabe, EPUB 9781460407660 Erscheint auch als Online-Ausgabe, PDF 9781770488175 Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032898467&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032898467&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
spellingShingle | Stevens, Anne H. 1971- Literary theory and criticism an introduction Literaturtheorie (DE-588)4036031-3 gnd |
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title | Literary theory and criticism an introduction |
title_auth | Literary theory and criticism an introduction |
title_exact_search | Literary theory and criticism an introduction |
title_exact_search_txtP | Literary theory and criticism an introduction |
title_full | Literary theory and criticism an introduction Anne H. Stevens |
title_fullStr | Literary theory and criticism an introduction Anne H. Stevens |
title_full_unstemmed | Literary theory and criticism an introduction Anne H. Stevens |
title_short | Literary theory and criticism |
title_sort | literary theory and criticism an introduction |
title_sub | an introduction |
topic | Literaturtheorie (DE-588)4036031-3 gnd |
topic_facet | Literaturtheorie Einführung |
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