The making of visual news: a history of photography in the press
Introduction The invention of the magazine (1843-1918)From a photographThe halftone agePress photographersThe role of the art directorReflections of the warGeneral news magazines: European know-how (1919-1936)Berliner Illustrirte Zeitung before the warThe postwar German press: a competitive marketPr...
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| Main Author: | |
|---|---|
| Other Authors: | , |
| Format: | Electronic eBook |
| Language: | English |
| Published: |
London ; New York
Routledge, Taylor & Francis Group
2020
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| Subjects: | |
| Online Access: | UBT01 Volltext |
| Summary: | Introduction The invention of the magazine (1843-1918)From a photographThe halftone agePress photographersThe role of the art directorReflections of the warGeneral news magazines: European know-how (1919-1936)Berliner Illustrirte Zeitung before the warThe postwar German press: a competitive marketPropagandist visual strategies A style for news magazinesAn aesthetics of transparencyVU: a photographic workshopNarrating the newsThe Life model and the standardization of news magazines (1936-1976)From idea to actuality: the beginnings of LifeDramatizing the newsFrom the photographic essay to the pictorial essayChallenges to authorityTowards diversificationConclusion The Making of Visual News sets out to show how photography has changed the way we read, report and sell the news. It investigates how photographs first became news images at the end of the nineteenth century and how magazines in the USA, the UK, France and Germany have put them to use ever since. Drawing on a wide selection of images, author Thierry Gervais (in collaboration with Gaëlle Morel) analyses news photographs in the context of their original presentation in print. Highly illustrated, the book contains 85 full colour magazine layouts and spreads, offering the reader a view of how photographs were and are used in print publications, including Life, Picture Post, the Berliner Illustrirte Zeitung and VU. It examines how photographs were employed to attract new readers throughout the twentieth century, arguing that photography was the main tool by which news editors sought to communicate the news and attract a broader readership. Looking beyond the roles of photographer and journalist, this study also highlights the contributions of picture editors and artistic directors; by commissioning photographs and incorporating images into magazine layouts, these figures played critical but often overlooked roles in the construction of visual news, even as they crafted unique styles for their publications. Charting changes in technology and reportage, as well as broader social and political histories, The Making of Visual News offers new insight into the history of photojournalism, making this an essential resource for students and scholars of photojournalism and the history of photography, media and culture |
| Physical Description: | 1 Online-Ressource (xii, 228 Seiten) |
| ISBN: | 9781003103981 9781474295239 9781474295215 |
| DOI: | 10.4324/9781003103981 |
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| 520 | 3 | |a Introduction The invention of the magazine (1843-1918)From a photographThe halftone agePress photographersThe role of the art directorReflections of the warGeneral news magazines: European know-how (1919-1936)Berliner Illustrirte Zeitung before the warThe postwar German press: a competitive marketPropagandist visual strategies A style for news magazinesAn aesthetics of transparencyVU: a photographic workshopNarrating the newsThe Life model and the standardization of news magazines (1936-1976)From idea to actuality: the beginnings of LifeDramatizing the newsFrom the photographic essay to the pictorial essayChallenges to authorityTowards diversificationConclusion | |
| 520 | 3 | |a The Making of Visual News sets out to show how photography has changed the way we read, report and sell the news. It investigates how photographs first became news images at the end of the nineteenth century and how magazines in the USA, the UK, France and Germany have put them to use ever since. Drawing on a wide selection of images, author Thierry Gervais (in collaboration with Gaëlle Morel) analyses news photographs in the context of their original presentation in print. Highly illustrated, the book contains 85 full colour magazine layouts and spreads, offering the reader a view of how photographs were and are used in print publications, including Life, Picture Post, the Berliner Illustrirte Zeitung and VU. It examines how photographs were employed to attract new readers throughout the twentieth century, arguing that photography was the main tool by which news editors sought to communicate the news and attract a broader readership. Looking beyond the roles of photographer and journalist, this study also highlights the contributions of picture editors and artistic directors; by commissioning photographs and incorporating images into magazine layouts, these figures played critical but often overlooked roles in the construction of visual news, even as they crafted unique styles for their publications. Charting changes in technology and reportage, as well as broader social and political histories, The Making of Visual News offers new insight into the history of photojournalism, making this an essential resource for students and scholars of photojournalism and the history of photography, media and culture | |
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| spelling | Gervais, Thierry 1973- Verfasser (DE-588)188354425 aut La fabrique de l'information visuelle The making of visual news a history of photography in the press Thierry Gervais ; in collaboration with Gaëlle Morel ; translated by John Tittensor London ; New York Routledge, Taylor & Francis Group 2020 1 Online-Ressource (xii, 228 Seiten) txt rdacontent c rdamedia cr rdacarrier Introduction The invention of the magazine (1843-1918)From a photographThe halftone agePress photographersThe role of the art directorReflections of the warGeneral news magazines: European know-how (1919-1936)Berliner Illustrirte Zeitung before the warThe postwar German press: a competitive marketPropagandist visual strategies A style for news magazinesAn aesthetics of transparencyVU: a photographic workshopNarrating the newsThe Life model and the standardization of news magazines (1936-1976)From idea to actuality: the beginnings of LifeDramatizing the newsFrom the photographic essay to the pictorial essayChallenges to authorityTowards diversificationConclusion The Making of Visual News sets out to show how photography has changed the way we read, report and sell the news. It investigates how photographs first became news images at the end of the nineteenth century and how magazines in the USA, the UK, France and Germany have put them to use ever since. Drawing on a wide selection of images, author Thierry Gervais (in collaboration with Gaëlle Morel) analyses news photographs in the context of their original presentation in print. Highly illustrated, the book contains 85 full colour magazine layouts and spreads, offering the reader a view of how photographs were and are used in print publications, including Life, Picture Post, the Berliner Illustrirte Zeitung and VU. It examines how photographs were employed to attract new readers throughout the twentieth century, arguing that photography was the main tool by which news editors sought to communicate the news and attract a broader readership. Looking beyond the roles of photographer and journalist, this study also highlights the contributions of picture editors and artistic directors; by commissioning photographs and incorporating images into magazine layouts, these figures played critical but often overlooked roles in the construction of visual news, even as they crafted unique styles for their publications. Charting changes in technology and reportage, as well as broader social and political histories, The Making of Visual News offers new insight into the history of photojournalism, making this an essential resource for students and scholars of photojournalism and the history of photography, media and culture Geschichte gnd rswk-swf Bildpublizistik (DE-588)4212482-7 gnd rswk-swf Illustrated periodicals / History Photojournalism / History Photography / Social aspects / History Press and propaganda / History PHOTOGRAPHY / General PHOTOGRAPHY / Criticism PHOTOGRAPHY / History PHOTOGRAPHY ; Criticism ; bisacsh PHOTOGRAPHY ; History ; bisacsh PHOTOGRAPHY ; Photojournalism ; bisacsh (DE-588)4002214-6 Anthologie gnd-content Bildpublizistik (DE-588)4212482-7 s Geschichte z DE-604 Morel, Gaëlle 1976- (DE-588)132160382 ctb Tittensor, John 1941- (DE-588)1150653086 trl Erscheint auch als Druck-Ausgabe, Hardcover 978-1-4742-9520-8 Erscheint auch als Druck-Ausgabe, Paperback 978-1-4742-9519-2 https://doi.org/10.4324/9781003103981 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Gervais, Thierry 1973- The making of visual news a history of photography in the press Bildpublizistik (DE-588)4212482-7 gnd |
| subject_GND | (DE-588)4212482-7 (DE-588)4002214-6 |
| title | The making of visual news a history of photography in the press |
| title_alt | La fabrique de l'information visuelle |
| title_auth | The making of visual news a history of photography in the press |
| title_exact_search | The making of visual news a history of photography in the press |
| title_exact_search_txtP | The making of visual news a history of photography in the press |
| title_full | The making of visual news a history of photography in the press Thierry Gervais ; in collaboration with Gaëlle Morel ; translated by John Tittensor |
| title_fullStr | The making of visual news a history of photography in the press Thierry Gervais ; in collaboration with Gaëlle Morel ; translated by John Tittensor |
| title_full_unstemmed | The making of visual news a history of photography in the press Thierry Gervais ; in collaboration with Gaëlle Morel ; translated by John Tittensor |
| title_short | The making of visual news |
| title_sort | the making of visual news a history of photography in the press |
| title_sub | a history of photography in the press |
| topic | Bildpublizistik (DE-588)4212482-7 gnd |
| topic_facet | Bildpublizistik Anthologie |
| url | https://doi.org/10.4324/9781003103981 |
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