The artist as inventor: investigating media technology through art
"This book opens new perspectives on cinema, arts, and the media. It provides a rereading of the past and explains the challenges facing artists today"--
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Weitere Verfasser: | |
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Lanham ; Boulder ; New York ; London
Rowman & Littlefield
[2021]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Zusammenfassung: | "This book opens new perspectives on cinema, arts, and the media. It provides a rereading of the past and explains the challenges facing artists today"-- |
| Beschreibung: | "First published in Italian as Media art prospettive delle arti verso nel XXI secolo. Storie, teorie, preservazione by Eterotopie (2016). |
| Beschreibung: | ix, 197 Seiten 24 cm |
| ISBN: | 9781786611321 1786611325 |
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Datensatz im Suchindex
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| adam_text | Contents Foreword by Ben Vickers vii “The Artist as Inventor”: An Introduction “The Artist as Inventor” between the Industrial Revolution and the New Media System “The Artist as Inventor” in the Post World War 1 1 4 1 Reinventing Innovation through Art Beyond Aesthetics Art vs Creativity? Art and Innovation Art and Archive: Beyond “Planned Obsolescence” The Practice of Archive The Artist as Inventor 9 9 13 15 18 21 24 2 The Dawn of a New Media Environment Toward A New Vision At the Intersection between Art, Cinema, and Media Personalized Media A Question of Calculus: Robotics and Artificial Intelligence 35 35 40 43 44 3 Avant-Gardes and Technology: Toward a New Notion of the Medium Inventing the Machine Posthumanism The Artist as Inventor in the Avant-Gardes v 57 57 59 64
Contents VI 4 Art and Innovation after the War: Post-War Italy. Fontana, Munari, Gallizio From Arte Programmata to Media Art The Image amidst Videos and Computers Expanded Cinema, Expanded Art E.A.T./LACMA/Bell Labs: The artist as inventor 73 76 80 84 88 5 New Languages of Art Installations Take Control: Video, Robotics, Interactivity The Art of Connectivity Nowadays Postcinema, Postmedia, and Media Art: Concepts and Theories Art and Artificial Intelligence 101 101 107 109 113 120 6 For a New Idea of Innovation: Beyond Anthropocene From Humanus to Antropos The Human Being amidst Gaia and Transhumanism Art for a New Mysticism Beyond the “Post” Toward a New Idea of Media Economy 131 132 135 138 141 145 7 “The Artist as Inventor”: Focus The Futurists: The Case of Fortunato Depero (1919-1925) Willi Baumeister’s Mecano (1921) Raoul Hausmann’s Optophone (1922-1934) El Lissitzky’s Electromechanic Vision (1923) Thomas Wilfred’s Clavilux: The Medium as Machine Medium as Map. Michael Naimark’s Aspen Movie Map Blind Medium: Art and Society in the Work of Antoni Abad Portable Media Max Bense’s Information Aesthetics TV Workshops: WGBH and TV Lab The Invention of the Synthesizer W. Bradford Paley, TextArc (2002) Device art Tenori On (2005) Joaquin Fargas, The Glaciator 153 153 154 155 157 160 162 164 167 169 170 170 172 172 173 174 Bibliography 179 Index 193 About the Author 199
The development of robotics, artificial intelligence, genetics, and other sectors is put ting a strain on our very idea of humanity. We look at technology development as a linear process that goes from technology to society, we think that it is technology that changes the world, and we are passive to the processes of innovation. The book aims to give a new approach to the study of media and technological development through the tools of art and media studies—an approach that sees in the practice of artists a new engine, creator of contents, and inventor of new technologi cal tools that have often been subsequently placed on the market, an approach that combines art, technology, and innovation. Artists working with technology can be an engine not only for the contemporary art world but for society in general. Artists today work in a team with technicians and engineers, inside scientific departments, companies operating in the technological sector, or in their own studio-company and, in some cases, limited companies. This kind of artist is by no means outside the world but, on the contrary, works within real processes of technological and scientific innovation. This attitude is not new. The intent of the book is to trace some fundamental moments in the history of the relationship between art, technology, and innovation—from the avant-garde to Michael Naimark s experience at MIT in the late 1970s until the latest experiments with artificial intelligence, robotics, and genetics. Valentino Coinè olà (PhD) is curator of SODA Gallery in Manchester and lec turer at Manchester
Metropolitan University. A scholar and contemporary art curator who specializes in analysis of the relationship of artists with new technologies and media, he is director of the Art Section of the Maker Faire—The European Edition, the biggest fair on creativity and innovation in Europe, as well as an art consul tant at Paris Sony CS Lab. He was previously artistic director of the Rome Media Art Festival (MAXXI Museum) and art project coordinator at Fondazione Mondo Digitale. Catricalà has curated exhibitions in museums and private galleries includ ing the Hermitage, Minnesota Street Project, New York Media Center, Stelline, MAXXI Museum, Palazzo delle Esposizioni, Ca Foscari, and the New Dheli Italian Cultural Institute. He is the author of several essays and books including Media Art: Prospettive delle arti verso il XXI secolo: Storie, teorie, preservazione and Art and Technology in the Third Millennium: Scenarios and Protagonists.
|
| adam_txt |
Contents Foreword by Ben Vickers vii “The Artist as Inventor”: An Introduction “The Artist as Inventor” between the Industrial Revolution and the New Media System “The Artist as Inventor” in the Post World War 1 1 4 1 Reinventing Innovation through Art Beyond Aesthetics Art vs Creativity? Art and Innovation Art and Archive: Beyond “Planned Obsolescence” The Practice of Archive The Artist as Inventor 9 9 13 15 18 21 24 2 The Dawn of a New Media Environment Toward A New Vision At the Intersection between Art, Cinema, and Media Personalized Media A Question of Calculus: Robotics and Artificial Intelligence 35 35 40 43 44 3 Avant-Gardes and Technology: Toward a New Notion of the Medium Inventing the Machine Posthumanism The Artist as Inventor in the Avant-Gardes v 57 57 59 64
Contents VI 4 Art and Innovation after the War: Post-War Italy. Fontana, Munari, Gallizio From Arte Programmata to Media Art The Image amidst Videos and Computers Expanded Cinema, Expanded Art E.A.T./LACMA/Bell Labs: The artist as inventor 73 76 80 84 88 5 New Languages of Art Installations Take Control: Video, Robotics, Interactivity The Art of Connectivity Nowadays Postcinema, Postmedia, and Media Art: Concepts and Theories Art and Artificial Intelligence 101 101 107 109 113 120 6 For a New Idea of Innovation: Beyond Anthropocene From Humanus to Antropos The Human Being amidst Gaia and Transhumanism Art for a New Mysticism Beyond the “Post” Toward a New Idea of Media Economy 131 132 135 138 141 145 7 “The Artist as Inventor”: Focus The Futurists: The Case of Fortunato Depero (1919-1925) Willi Baumeister’s Mecano (1921) Raoul Hausmann’s Optophone (1922-1934) El Lissitzky’s Electromechanic Vision (1923) Thomas Wilfred’s Clavilux: The Medium as Machine Medium as Map. Michael Naimark’s Aspen Movie Map Blind Medium: Art and Society in the Work of Antoni Abad Portable Media Max Bense’s Information Aesthetics TV Workshops: WGBH and TV Lab The Invention of the Synthesizer W. Bradford Paley, TextArc (2002) Device art Tenori On (2005) Joaquin Fargas, The Glaciator 153 153 154 155 157 160 162 164 167 169 170 170 172 172 173 174 Bibliography 179 Index 193 About the Author 199
The development of robotics, artificial intelligence, genetics, and other sectors is put ting a strain on our very idea of humanity. We look at technology development as a linear process that goes from technology to society, we think that it is technology that changes the world, and we are passive to the processes of innovation. The book aims to give a new approach to the study of media and technological development through the tools of art and media studies—an approach that sees in the practice of artists a new engine, creator of contents, and inventor of new technologi cal tools that have often been subsequently placed on the market, an approach that combines art, technology, and innovation. Artists working with technology can be an engine not only for the contemporary art world but for society in general. Artists today work in a team with technicians and engineers, inside scientific departments, companies operating in the technological sector, or in their own studio-company and, in some cases, limited companies. This kind of artist is by no means outside the world but, on the contrary, works within real processes of technological and scientific innovation. This attitude is not new. The intent of the book is to trace some fundamental moments in the history of the relationship between art, technology, and innovation—from the avant-garde to Michael Naimark's experience at MIT in the late 1970s until the latest experiments with artificial intelligence, robotics, and genetics. Valentino Coinè olà (PhD) is curator of SODA Gallery in Manchester and lec turer at Manchester
Metropolitan University. A scholar and contemporary art curator who specializes in analysis of the relationship of artists with new technologies and media, he is director of the Art Section of the Maker Faire—The European Edition, the biggest fair on creativity and innovation in Europe, as well as an art consul tant at Paris Sony CS Lab. He was previously artistic director of the Rome Media Art Festival (MAXXI Museum) and art project coordinator at Fondazione Mondo Digitale. Catricalà has curated exhibitions in museums and private galleries includ ing the Hermitage, Minnesota Street Project, New York Media Center, Stelline, MAXXI Museum, Palazzo delle Esposizioni, Ca' Foscari, and the New Dheli Italian Cultural Institute. He is the author of several essays and books including Media Art: Prospettive delle arti verso il XXI secolo: Storie, teorie, preservazione and Art and Technology in the Third Millennium: Scenarios and Protagonists. |
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| title_exact_search | The artist as inventor investigating media technology through art |
| title_exact_search_txtP | The artist as inventor investigating media technology through art |
| title_full | The artist as inventor investigating media technology through art Valentino Catricalà ; translated by Arabella Ciampi |
| title_fullStr | The artist as inventor investigating media technology through art Valentino Catricalà ; translated by Arabella Ciampi |
| title_full_unstemmed | The artist as inventor investigating media technology through art Valentino Catricalà ; translated by Arabella Ciampi |
| title_short | The artist as inventor |
| title_sort | the artist as inventor investigating media technology through art |
| title_sub | investigating media technology through art |
| topic | Ästhetik (DE-588)4000626-8 gnd Medien (DE-588)4169187-8 gnd Künstler (DE-588)4033423-5 gnd Künste (DE-588)4033422-3 gnd Digitalisierung (DE-588)4123065-6 gnd |
| topic_facet | Ästhetik Medien Künstler Künste Digitalisierung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032885986&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032885986&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT catricalavalentino mediaartprospettivedelleartiversonelxxisecolo AT ciampiarabella mediaartprospettivedelleartiversonelxxisecolo AT catricalavalentino theartistasinventorinvestigatingmediatechnologythroughart AT ciampiarabella theartistasinventorinvestigatingmediatechnologythroughart |