Hors. Valdnieku dievs: = Horus the God of kingship
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | Latvian |
| Veröffentlicht: |
Rīga
LU Akadēmiskais apgāds
2017
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Abstract |
| Beschreibung: | 230 Seiten Illustrationen |
| ISBN: | 9789934182648 |
Internformat
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Datensatz im Suchindex
| _version_ | 1804182800072441856 |
|---|---|
| adam_text | Saturs Pirmā nodaļa ĪSS IESKATS SENĀS ĒĢIPTES VĒSTURES GALVENAJOS POSMOS Aizvēstures posms 12 Senās Ēģiptes valsts attīstības galvenie posmi 15 Otrā nodaļa PUTNI ĒĢIPTES DABĀ UN KULTŪRĀ Putni Ēģiptes dabā 22 Piekūni 23 Kultūrā, mākslā un ikonografija 26 Trešā nodaļa HORS SENĀS ĒĢIPTES MITOLOĢIJĀ Viens no tūkstošiem līdzīgu 34 Raksturīgākie mīti un nostāsti 35 Leģendas par Horu 39 Zināmākās kulta vietas 41 Ceturtā nodaļa VALDNIEKU UN VARAS DIEVIŠĶUMA DIEVS Viņa Majestāte Hors 48 Hors ֊ valdnieku dievs 54 Valsts vienotājs un aizstāvis 70 Hors valdnieka izcelsmes un varas apliecinājumos 77 Hora simbols, valdniekam stājoties amatā 83 7
Piektā nodaļa SAULES UN DZĪVĪBAS DIEVIŠĶĀS FORMAS Pasaules radīšanas mīti 90 Vēlās izpausmes formas 105 Sesta nodaļa HORS MIRUŠO KULTOS UN AIZKARA DZĪVĒ 8 Izcelsme un saiknes 114 Hora četri dēli 120 Kanopes 128 Mazāk zināmas nozīmes 130 Septītā nodaļa HORA IZPAUSMES FORMAS Viens vienīgais dažādībā 136 īpašas izpausmes formas un vārdi 138 Aizvietošana ar citiem dieviem 140 Reti zināmas Hora izpausmes 144 Astotā nodaļa HORS IZĪDAS KULTĀ Izīda - radīšanas arhetips 156 Divas jaunas Hora izpausmes formas 158
Devītā nodaļa HORA LOMAS MAIŅAS VISPĀRINĀJUMS Dievības izzināšanas posms 162 Lomu dažādošanas posms 162 Koncepcijas maiņa Jaunās valsts laikā 163 Noriets 169 Senie dievu tēli koptu baznīcā 171 Desmitā nodaļa NOZĪMĪGĀKIE AVOTI UN TEKSTI Leģenda par Horu, Izīdas un Ozīrisa dēlu 176 Leģenda par Rè un Izīdu 180 Ramzesa IV Abidosas stēla 183 Strīdi starp Horu un Setu 185 Leģenda par Horu no Behutetas un Spārnoto Disku 193 Sabakas akmens teksti 203 Grāmata par uzvaru pār Setu 206 Nobeigums 227 Summary 229
Horus the God of Kingship The goal of this monograph is to not only introduce the readers to one of the most important and well-known gods in the Ancient Egypt but explain how this character has formed and diversified along with the developments in society. This is the first time such point of view is offered, and it partly contradicts the traditional chrestomathie descriptions and characterisations of characters. Even in such a distant land and comparatively isolated multimillion civilisation, evolution of characters of gods and the related rituals over thousands of years is a valuable research subject allowing development of ancient culture research methodologies. While diversification and continuity of characteristics, fragmentation of information, and simplification of retold stories or adding new developments, characters, place names and unbelievable events to them is a general trend, it is also a constraint when it comes to studying the original characters. Luckily, it is still possible to distinguish a part of the original developments in which the ancient character of Horus appears completely different. The current study covers just a small part of all what occurred in Egypt many thousands of years ago. These are many events without direct proof and evidence in the available sources. Perhaps, this study approach could also be used in researches of other cultures that are mainly studied as linear and reflexive oral tradition. While it is not a regular practice and the romanticised ideas prevent distinguishing of ancient sources and the historical content from the
folklore of last centuries in most cases, it should be done even though researchers would not gain any quick recognition. In the Ancient Egypt, Horus the Great does not become such due to some revelation or happening — it is a single image unifying many distinct characteristics and deeds allowing him to become who he is over many centuries. Starting out as a successful game bird, deity of hunters and ferrymen, and a local god of heroism, fighting spirit and war, and ending up as the highest god ever present in Egypt and in the position of the gods messenger who incarnates in a full-fledged ruler of the Two Lands. Without any doubt, Horus is an evidence of gods and their power and abilities and proof of the divinity of rule of the Egyptian pharaoh and their ability to control the land in order to fulfil the tasks laid down by gods. This is the role which makes Horus one of the manifestations of the God of Sun. Along with the official duties, Horus the Great must take care of many people all over Egypt, where he has diverse manifestations that are worshiped and sacrificed to in local temples and sanctuaries. This is a peculiarity of religion in Ancient Egypt and pantheon of gods — although there are many manifestations and even various names of the highest gods, it underlines their importance instead of undermining it. This is a characteristic of the classical period in Ancient Egypt and can also be traced in the evolution of the Horus character during that time. No matter how safe and predictable the everyday routine and the divine order in Ancient Egypt is, times do
change. The dynamic years of the First Intermediate Period substantially change the meaning of Horus. His significance as the origin of power and divine rule gradually reduces as these are associated more with the manifestations of the God of Sun and important aspects of the cult of the dead. This is due to appropriate preconditions — religious services are now available to not only pharaoh and the closest relatives but also wide middle class. From the God of Kings Horus becomes accessible by all Egyptians. In the vast area, the image of Horus diversifies, as clear distinctions between the needs and wishes of prayers become more visible. Thus, there is a little trace of a single image of the God Horus since the end of the First Intermediate Period and during the following Middle Kingdom. Horus either has several manifestations which are often called differently or he is manifested by other gods. Nozīmīgākie avoti un teksti Summary 229
Desmita nodala 230 The character of Horus gains even more forms in the following periods. In some periods, it is rather poor defined and dispersed, until one of Horus manifestations — Horus, the son of Isis — becomes known as the littleknown deity Horus the Child at the end of the New Kingdom. Over a comparatively brief time, this form of manifestation becomes generally accepted and is worshiped as an independent god. This image of Horus is mainly worshiped as a part of the cult of Isis and remains such until the very end of Ancient Egypt civilisation. The given short chronological introduction to the evolution and transformation of the character of Horus is simple and does not allow revealing the content of the characteristic forms of Horus manifestations, for that reason this monograph underlines the most typical forms and abilities of god manifestations by illustrating them with quotes from historical sources. To depict the image, corresponding pictures from vaults, temples and museum artefacts have been used. To understand the character of Horus, the ancient myths and legends play a significant role. Since there are several hundreds of such myths and legends, only the most typical ones and those which reveal the God Horus and the context of the surrounding developments best have been chosen. It allows readers to not only get to know a particular god and the related events but also build the everyday scene of the corresponding historical period, which might be even more precise than those included in many chrestomathie works. It is true that Horus is an outstanding
symbol of the cultural history of Ancient Egypt and plays an extremely significant role in the history of the Nile River Valley civilisation and beyond. During various times, it has also been worshiped in wider area and has affected the perceptions of other nations about the higher power, afterlife, ancient religious rituals, and has also changed the notions about the ability of a god to manifest oneself in several forms and to accomplish the impossible. Associations with the many gods of Sun and providers of the afterlife do not undermine the importance of the image of Horus, they create the environment and prepares the society for the single god concept, instead. Without excluding hundreds of local gods and deities from the everyday routine of Ancient Egypt, Horus gains increasingly significant meaning as various forms of God s manifestation that are around always and everywhere. It never becomes one of the ancient gods that are buried in ancient myths and become part of the folklore, instead it turns into a widely accepted provider. However, miracles do happen. The ancient state is ruined by foreign reigns and pillaged for centuries, the culture is destroyed, faith in gods fades away. Also, the ancient knowledge is lost, fields are taken over by the desert. Faith in the miracle of resurrection and abilities to revive and return from the afterlife also disappears, and this will be the turning point for the remaining supporters of the ancient religion to adopt Christianity without reservation. The character of Horus gradually loses its importance in Ancient Egypt during
the decline of its ancient culture, and only reflections of some of its manifestations are developed and continue their symbolic life but without the ancient knowledge, traditions and rituals. In this regard, Horus as bird leaving this ancient place is rather symbolic and full of mysticism. Extraordinary shaped sculptures of birds are known in Ancient Egypt since the Middle Kingdom. They were first discovered during the 1898 excavation of the Pa-di-Imen tomb in Saqqara, where unusually shaped wooden sculpture (also named the Saqqara Bird) was found among traditional 2nd century BC burial attributes. Initially it was regarded a toy, although it could only be explained in the particular case with the deceased s wish to take some reminder of the childhood to the afterlife. When the collection of birds was studied repeatedly in 1969, Dr Khalil Messiha noticed a characteristic mark — none of the bird sculptures had legs. It gave birth to many new theories, assumptions, hypothesis and fantastical fiction that traced an ancient aircraft or even a spaceplane in these figures. It is possible that also other similarities and parallels will be noticed as the time goes, but one is clear — the bird has flown away. It is not known, however, where this manifestation of Horus has travelled to and where it can be found. It cannot be true that Horus the Great has left his duties in the Underground Kingdom, since the sun still dawns every day.
|
| adam_txt |
Saturs Pirmā nodaļa ĪSS IESKATS SENĀS ĒĢIPTES VĒSTURES GALVENAJOS POSMOS Aizvēstures posms 12 Senās Ēģiptes valsts attīstības galvenie posmi 15 Otrā nodaļa PUTNI ĒĢIPTES DABĀ UN KULTŪRĀ Putni Ēģiptes dabā 22 Piekūni 23 Kultūrā, mākslā un ikonografija 26 Trešā nodaļa HORS SENĀS ĒĢIPTES MITOLOĢIJĀ Viens no tūkstošiem līdzīgu 34 Raksturīgākie mīti un nostāsti 35 Leģendas par Horu 39 Zināmākās kulta vietas 41 Ceturtā nodaļa VALDNIEKU UN VARAS DIEVIŠĶUMA DIEVS Viņa Majestāte Hors 48 Hors ֊ valdnieku dievs 54 Valsts vienotājs un aizstāvis 70 Hors valdnieka izcelsmes un varas apliecinājumos 77 Hora simbols, valdniekam stājoties amatā 83 7
Piektā nodaļa SAULES UN DZĪVĪBAS DIEVIŠĶĀS FORMAS Pasaules radīšanas mīti 90 Vēlās izpausmes formas 105 Sesta nodaļa HORS MIRUŠO KULTOS UN AIZKARA DZĪVĒ 8 Izcelsme un saiknes 114 Hora četri dēli 120 Kanopes 128 Mazāk zināmas nozīmes 130 Septītā nodaļa HORA IZPAUSMES FORMAS Viens vienīgais dažādībā 136 īpašas izpausmes formas un vārdi 138 Aizvietošana ar citiem dieviem 140 Reti zināmas Hora izpausmes 144 Astotā nodaļa HORS IZĪDAS KULTĀ Izīda - radīšanas arhetips 156 Divas jaunas Hora izpausmes formas 158
Devītā nodaļa HORA LOMAS MAIŅAS VISPĀRINĀJUMS Dievības izzināšanas posms 162 Lomu dažādošanas posms 162 Koncepcijas maiņa Jaunās valsts laikā 163 Noriets 169 Senie dievu tēli koptu baznīcā 171 Desmitā nodaļa NOZĪMĪGĀKIE AVOTI UN TEKSTI Leģenda par Horu, Izīdas un Ozīrisa dēlu 176 Leģenda par Rè un Izīdu 180 Ramzesa IV Abidosas stēla 183 Strīdi starp Horu un Setu 185 Leģenda par Horu no Behutetas un Spārnoto Disku 193 Sabakas akmens teksti 203 Grāmata par uzvaru pār Setu 206 Nobeigums 227 Summary 229
Horus the God of Kingship The goal of this monograph is to not only introduce the readers to one of the most important and well-known gods in the Ancient Egypt but explain how this character has formed and diversified along with the developments in society. This is the first time such point of view is offered, and it partly contradicts the traditional chrestomathie descriptions and characterisations of characters. Even in such a distant land and comparatively isolated multimillion civilisation, evolution of characters of gods and the related rituals over thousands of years is a valuable research subject allowing development of ancient culture research methodologies. While diversification and continuity of characteristics, fragmentation of information, and simplification of retold stories or adding new developments, characters, place names and unbelievable events to them is a general trend, it is also a constraint when it comes to studying the original characters. Luckily, it is still possible to distinguish a part of the original developments in which the ancient character of Horus appears completely different. The current study covers just a small part of all what occurred in Egypt many thousands of years ago. These are many events without direct proof and evidence in the available sources. Perhaps, this study approach could also be used in researches of other cultures that are mainly studied as linear and reflexive oral tradition. While it is not a regular practice and the romanticised ideas prevent distinguishing of ancient sources and the historical content from the
folklore of last centuries in most cases, it should be done even though researchers would not gain any quick recognition. In the Ancient Egypt, Horus the Great does not become such due to some revelation or happening — it is a single image unifying many distinct characteristics and deeds allowing him to become who he is over many centuries. Starting out as a successful game bird, deity of hunters and ferrymen, and a local god of heroism, fighting spirit and war, and ending up as the highest god ever present in Egypt and in the position of the gods' messenger who incarnates in a full-fledged ruler of the Two Lands. Without any doubt, Horus is an evidence of gods and their power and abilities and proof of the divinity of rule of the Egyptian pharaoh and their ability to control the land in order to fulfil the tasks laid down by gods. This is the role which makes Horus one of the manifestations of the God of Sun. Along with the official duties, Horus the Great must take care of many people all over Egypt, where he has diverse manifestations that are worshiped and sacrificed to in local temples and sanctuaries. This is a peculiarity of religion in Ancient Egypt and pantheon of gods — although there are many manifestations and even various names of the highest gods, it underlines their importance instead of undermining it. This is a characteristic of the classical period in Ancient Egypt and can also be traced in the evolution of the Horus' character during that time. No matter how safe and predictable the everyday routine and the divine order in Ancient Egypt is, times do
change. The dynamic years of the First Intermediate Period substantially change the meaning of Horus. His significance as the origin of power and divine rule gradually reduces as these are associated more with the manifestations of the God of Sun and important aspects of the cult of the dead. This is due to appropriate preconditions — religious services are now available to not only pharaoh and the closest relatives but also wide middle class. From the God of Kings Horus becomes accessible by all Egyptians. In the vast area, the image of Horus diversifies, as clear distinctions between the needs and wishes of prayers become more visible. Thus, there is a little trace of a single image of the God Horus since the end of the First Intermediate Period and during the following Middle Kingdom. Horus either has several manifestations which are often called differently or he is manifested by other gods. Nozīmīgākie avoti un teksti Summary 229
Desmita nodala 230 The character of Horus gains even more forms in the following periods. In some periods, it is rather poor defined and dispersed, until one of Horus' manifestations — Horus, the son of Isis — becomes known as the littleknown deity Horus the Child at the end of the New Kingdom. Over a comparatively brief time, this form of manifestation becomes generally accepted and is worshiped as an independent god. This image of Horus is mainly worshiped as a part of the cult of Isis and remains such until the very end of Ancient Egypt civilisation. The given short chronological introduction to the evolution and transformation of the character of Horus is simple and does not allow revealing the content of the characteristic forms of Horus' manifestations, for that reason this monograph underlines the most typical forms and abilities of god manifestations by illustrating them with quotes from historical sources. To depict the image, corresponding pictures from vaults, temples and museum artefacts have been used. To understand the character of Horus, the ancient myths and legends play a significant role. Since there are several hundreds of such myths and legends, only the most typical ones and those which reveal the God Horus and the context of the surrounding developments best have been chosen. It allows readers to not only get to know a particular god and the related events but also build the everyday scene of the corresponding historical period, which might be even more precise than those included in many chrestomathie works. It is true that Horus is an outstanding
symbol of the cultural history of Ancient Egypt and plays an extremely significant role in the history of the Nile River Valley civilisation and beyond. During various times, it has also been worshiped in wider area and has affected the perceptions of other nations about the higher power, afterlife, ancient religious rituals, and has also changed the notions about the ability of a god to manifest oneself in several forms and to accomplish the impossible. Associations with the many gods of Sun and providers of the afterlife do not undermine the importance of the image of Horus, they create the environment and prepares the society for the single god concept, instead. Without excluding hundreds of local gods and deities from the everyday routine of Ancient Egypt, Horus gains increasingly significant meaning as various forms of God's manifestation that are around always and everywhere. It never becomes one of the ancient gods that are buried in ancient myths and become part of the folklore, instead it turns into a widely accepted provider. However, miracles do happen. The ancient state is ruined by foreign reigns and pillaged for centuries, the culture is destroyed, faith in gods fades away. Also, the ancient knowledge is lost, fields are taken over by the desert. Faith in the miracle of resurrection and abilities to revive and return from the afterlife also disappears, and this will be the turning point for the remaining supporters of the ancient religion to adopt Christianity without reservation. The character of Horus gradually loses its importance in Ancient Egypt during
the decline of its ancient culture, and only reflections of some of its manifestations are developed and continue their symbolic life but without the ancient knowledge, traditions and rituals. In this regard, Horus as bird leaving this ancient place is rather symbolic and full of mysticism. Extraordinary shaped sculptures of birds are known in Ancient Egypt since the Middle Kingdom. They were first discovered during the 1898 excavation of the Pa-di-Imen tomb in Saqqara, where unusually shaped wooden sculpture (also named the Saqqara Bird) was found among traditional 2nd century BC burial attributes. Initially it was regarded a toy, although it could only be explained in the particular case with the deceased's wish to take some reminder of the childhood to the afterlife. When the collection of birds was studied repeatedly in 1969, Dr Khalil Messiha noticed a characteristic mark — none of the bird sculptures had legs. It gave birth to many new theories, assumptions, hypothesis and fantastical fiction that traced an ancient aircraft or even a spaceplane in these figures. It is possible that also other similarities and parallels will be noticed as the time goes, but one is clear — the bird has flown away. It is not known, however, where this manifestation of Horus has travelled to and where it can be found. It cannot be true that Horus the Great has left his duties in the Underground Kingdom, since the sun still dawns every day. |
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| illustrated | Illustrated |
| index_date | 2024-07-03T18:12:36Z |
| indexdate | 2024-07-10T09:13:18Z |
| institution | BVB |
| isbn | 9789934182648 |
| language | Latvian |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032882713 |
| oclc_num | 1294773893 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | 230 Seiten Illustrationen |
| psigel | BSB_NED_20220920 |
| publishDate | 2017 |
| publishDateSearch | 2017 |
| publishDateSort | 2017 |
| publisher | LU Akadēmiskais apgāds |
| record_format | marc |
| spelling | Segliņš, Valdis 1958- Verfasser (DE-588)1098570634 aut Hors. Valdnieku dievs = Horus the God of kingship Valdis Segliņš Horus the God of kingship Rīga LU Akadēmiskais apgāds 2017 230 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Englische Zusammenfassung Horus Gott (DE-588)118707205 gnd rswk-swf Ägypten Altertum (DE-588)4068430-1 gnd rswk-swf Horus Gott (DE-588)118707205 p Ägypten Altertum (DE-588)4068430-1 g DE-604 Digitalisierung BSB München 19 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032882713&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB München 19 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032882713&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Abstract |
| spellingShingle | Segliņš, Valdis 1958- Hors. Valdnieku dievs = Horus the God of kingship Englische Zusammenfassung Horus Gott (DE-588)118707205 gnd |
| subject_GND | (DE-588)118707205 (DE-588)4068430-1 |
| title | Hors. Valdnieku dievs = Horus the God of kingship |
| title_alt | Horus the God of kingship |
| title_auth | Hors. Valdnieku dievs = Horus the God of kingship |
| title_exact_search | Hors. Valdnieku dievs = Horus the God of kingship |
| title_exact_search_txtP | Hors. Valdnieku dievs = Horus the God of kingship |
| title_full | Hors. Valdnieku dievs = Horus the God of kingship Valdis Segliņš |
| title_fullStr | Hors. Valdnieku dievs = Horus the God of kingship Valdis Segliņš |
| title_full_unstemmed | Hors. Valdnieku dievs = Horus the God of kingship Valdis Segliņš |
| title_short | Hors. Valdnieku dievs |
| title_sort | hors valdnieku dievs horus the god of kingship |
| title_sub | = Horus the God of kingship |
| topic | Horus Gott (DE-588)118707205 gnd |
| topic_facet | Horus Gott Ägypten Altertum |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032882713&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032882713&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT seglinsvaldis horsvaldniekudievshorusthegodofkingship AT seglinsvaldis horusthegodofkingship |