Contemporary curating, artistic reference and public reception: reconsidering inclusion, transparency and mediation in exhibition making practice
Contemporary Curating, Artistic Reference and Public Reception' undertakes a unique critical survey and analysis of prevailing group exhibition-making practices in Europe, the UK and North America. Drawing on curatorial literature and two in-depth case studies of group exhibitions, Bertrand adv...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Abschlussarbeit Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Routledge, Taylor & Francis Group
2022
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| Schriftenreihe: | Routledge research in art museums and exhibitions
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Contemporary Curating, Artistic Reference and Public Reception' undertakes a unique critical survey and analysis of prevailing group exhibition-making practices in Europe, the UK and North America. Drawing on curatorial literature and two in-depth case studies of group exhibitions, Bertrand advocates for a mode of curatorial practice that secures the content of artworks, in contrast to prevailing open-ended, indeterminate approaches. Proposing a third exhibition type beyond the current binary exhibition ontology that opposes art historical narratives to curatorial installations or Gesamtkunstwerk, the book directly tackles the enduring critique of curating as a mediating activity that produces sameness in group-exhibition contexts by establishing artistic equivalences. The book relies on the principles of analytical philosophy to assess how different exhibition-making approaches fix reference and determine artistic reception, reintroducing a standard to evaluate exhibitions beyond personal taste and thematic coherence. Bertrand ultimately proposes an alternative conception of practice that affirms the renewed relevance of the institutional group show in the present context.0Contemporary Curating, Artistic Reference and Public Reception will be of interest to academics, researchers and students working in museum and curatorial studies, visual cultures, art theory and art history programmes. Art theorists and critics, as well as curators of contemporary art with a research-based practice, should also find much to interest them within the pages of the book |
| Beschreibung: | "This book originates in the doctoral thesis that I completed at the School of Architecture of Aristotle University in Thessaloniki (...)" (acknowledgements) |
| Beschreibung: | xii, 171 Seiten Illustrationen 24 cm |
| ISBN: | 9780367536350 9780367536367 |
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| spelling | Bertrand, Stéphanie Verfasser (DE-588)1240773005 aut Curating content: inclusion, transparency and mediation in contemporary curatorial practice Contemporary curating, artistic reference and public reception reconsidering inclusion, transparency and mediation in exhibition making practice Stéphanie Bertrand London ; New York Routledge, Taylor & Francis Group 2022 xii, 171 Seiten Illustrationen 24 cm txt rdacontent n rdamedia nc rdacarrier Routledge research in art museums and exhibitions "This book originates in the doctoral thesis that I completed at the School of Architecture of Aristotle University in Thessaloniki (...)" (acknowledgements) Dissertation Aristotle University of Thessaloniki 2019 Contemporary Curating, Artistic Reference and Public Reception' undertakes a unique critical survey and analysis of prevailing group exhibition-making practices in Europe, the UK and North America. Drawing on curatorial literature and two in-depth case studies of group exhibitions, Bertrand advocates for a mode of curatorial practice that secures the content of artworks, in contrast to prevailing open-ended, indeterminate approaches. Proposing a third exhibition type beyond the current binary exhibition ontology that opposes art historical narratives to curatorial installations or Gesamtkunstwerk, the book directly tackles the enduring critique of curating as a mediating activity that produces sameness in group-exhibition contexts by establishing artistic equivalences. The book relies on the principles of analytical philosophy to assess how different exhibition-making approaches fix reference and determine artistic reception, reintroducing a standard to evaluate exhibitions beyond personal taste and thematic coherence. Bertrand ultimately proposes an alternative conception of practice that affirms the renewed relevance of the institutional group show in the present context.0Contemporary Curating, Artistic Reference and Public Reception will be of interest to academics, researchers and students working in museum and curatorial studies, visual cultures, art theory and art history programmes. Art theorists and critics, as well as curators of contemporary art with a research-based practice, should also find much to interest them within the pages of the book Kunstausstellung (DE-588)4033628-1 gnd rswk-swf Kurator Museumskunde (DE-588)4688848-2 gnd rswk-swf Art museums / Curatorship Art / Exhibitions Art Exhibition catalogs (DE-588)4113937-9 Hochschulschrift gnd-content Kunstausstellung (DE-588)4033628-1 s Kurator Museumskunde (DE-588)4688848-2 s DE-604 Erscheint auch als Online-Ausgabe 978-1-003-08268-2 V:DE-576;B:DE-14 application/pdf http://swbplus.bsz-bw.de/bsz1773535773inh.htm 20211015193330 Inhaltsverzeichnis |
| spellingShingle | Bertrand, Stéphanie Contemporary curating, artistic reference and public reception reconsidering inclusion, transparency and mediation in exhibition making practice Kunstausstellung (DE-588)4033628-1 gnd Kurator Museumskunde (DE-588)4688848-2 gnd |
| subject_GND | (DE-588)4033628-1 (DE-588)4688848-2 (DE-588)4113937-9 |
| title | Contemporary curating, artistic reference and public reception reconsidering inclusion, transparency and mediation in exhibition making practice |
| title_alt | Curating content: inclusion, transparency and mediation in contemporary curatorial practice |
| title_auth | Contemporary curating, artistic reference and public reception reconsidering inclusion, transparency and mediation in exhibition making practice |
| title_exact_search | Contemporary curating, artistic reference and public reception reconsidering inclusion, transparency and mediation in exhibition making practice |
| title_exact_search_txtP | Contemporary curating, artistic reference and public reception reconsidering inclusion, transparency and mediation in exhibition making practice |
| title_full | Contemporary curating, artistic reference and public reception reconsidering inclusion, transparency and mediation in exhibition making practice Stéphanie Bertrand |
| title_fullStr | Contemporary curating, artistic reference and public reception reconsidering inclusion, transparency and mediation in exhibition making practice Stéphanie Bertrand |
| title_full_unstemmed | Contemporary curating, artistic reference and public reception reconsidering inclusion, transparency and mediation in exhibition making practice Stéphanie Bertrand |
| title_short | Contemporary curating, artistic reference and public reception |
| title_sort | contemporary curating artistic reference and public reception reconsidering inclusion transparency and mediation in exhibition making practice |
| title_sub | reconsidering inclusion, transparency and mediation in exhibition making practice |
| topic | Kunstausstellung (DE-588)4033628-1 gnd Kurator Museumskunde (DE-588)4688848-2 gnd |
| topic_facet | Kunstausstellung Kurator Museumskunde Hochschulschrift |
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