Still mad: American women writers and the feminist imagination, 1950-2020
"A brilliant, sweeping history of the contemporary women's movement told through the lives and works of the literary women who shaped it. Forty years after their first groundbreaking work of feminist literary theory, The Madwoman in the Attic, award-winning collaborators Sandra M. Gilbert...
Saved in:
| Main Authors: | , |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
New York, N.Y.
W.W. Norton & Company, Inc.
[2021]
|
| Edition: | First edition |
| Subjects: | |
| Online Access: | Inhaltsverzeichnis |
| Summary: | "A brilliant, sweeping history of the contemporary women's movement told through the lives and works of the literary women who shaped it. Forty years after their first groundbreaking work of feminist literary theory, The Madwoman in the Attic, award-winning collaborators Sandra M. Gilbert and Susan Gubar map the literary history of feminism's second wave. In Still Mad, they offer lively readings of major works by such writers as Sylvia Plath, Lorraine Hansberry, Adrienne Rich, Ursula K. Le Guin, Maxine Hong Kingston, Gloria Anzaldúa, and Toni Morrison. To address shifting social attitudes over seven decades, they discuss polemics by thinkers from Kate Millett and Susan Sontag to Audre Lorde, Andrea Dworkin, and Judith Butler. As Gilbert and Gubar chart feminist gains-including creative new forms of protests and changing attitudes toward gender and sexuality-they show how the legacies of second wave feminists, and the misogynistic culture they fought, extend to the present. In doing so, they celebrate the diversity and urgency of women who have turned passionate rage into powerful writing"-- |
| Physical Description: | xiii, 441 Seiten 24 cm |
| ISBN: | 9780393651713 |
Staff View
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Record in the Search Index
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| adam_text | CONTENTS Introduction: The Possible and the Impossible Glass Ceilings and Broken Glass How the Seventies Changed Our Lives The Schooling of Hillary Rodham and Her Generation The Cultural Chaos We Face Keeping Things Going і 3 7 12 19 23 SECTION I: STIRRINGS IN THE FIFTIES 1. Midcentury Separate Spheres Sylvia Plath’s Paper Dolls HIS AND HER Time Anatomy and Destiny 2. Race, Rebellion, and Reaction Diane di Prima as a Feminist Beatnik Gwendolyn Brooks’s Bronzeville The Stages of Lorraine Hansberry’s Militancy Audre Lorde’s Lesbian Biomythography Joan Didion’s Vogue versus Betty Friedan’s Problem That Has No Name 29 31 36 41 48 49 51 54 62 33 SECTION II: ERUPTIONS IN THE SIXTIES 3. Three Angry Voices Plath Despairs While Ariel Takes Wing Adrienne Rich as a Cultural Daughter-in-Law Nina Simone, Diva 73 76 85 92
CONTENTS xii 4. The Sexual Revolution and the Vietnam War 102 Sex in New York City: Gloria Steinem versus Helen Gurley Brown Susan Sontag, Joan Didion, and San Francisco Women Strike for Peace Valerie Solanas and the Rise of the Second Wave 110 125 SECTION III: AWAKENINGS IN THE SEVENTIES 5. Protesting Patriarchy Kate Millett’s Touchstone Book Susan Sontag as Feminist Philosopher Best Sellers in the Womanhouse: From Toni Morrison to Marilyn French Plath’s Electric Take on the Fifties 6. Speculative Poetry, Speculative Fiction The Metamorphoses of Adrienne Rich Dystopias and Utopias Alice Sheldon/James Tiptree, Jr. Joanna Russ’s Misandry Ursula Le Guin’s Androgyny 7. Bonded and Bruised Sisters Gloria Steinem and Alice Walker at Ms. Audre Lorde Dismantles the Master’s House Maxine Hong Kingston’s Ghosts and Warriors The Dinner Party i35 139 146 152 164 173 175 I87 188 197 199 204 205 215 220 227 SECTION IV։ REVISIONS IN THE EIGHTIES AND NINETIES 8. Identity Politics Andrea Dworkin and the Sex Wars Gloria Anzaldúa’s Mestiza Consciousness Adrienne Rich’s Judaism The Intersectionality of Toni Morrison 235 238 244 249 256
CONTENTS 9. Inside and Outside the Ivory Closet The Culture Wars The Queer Theories of Eve Kosofsky Sedgwick and Judith Butler Anne Carson’s Poetics of Love and Loss Postmodernism/Transsexualism Who Owns Feminism? 265 267 269 276 281 285 SECTION V: RECESSIONS/REVIVALS IN THE TWENTY-FIRST CENTURY 10. Older and Younger Generations 293 The New Millennium Alison Bechdel’s Literary Genealogy 293 298 Are You My Mother? 304 ՅՕ8 Eve Ensler’s V-Days Transgender Visibility: From Susan Stryker to Maggie Nelson 11. Resurgence Claudia Rankine Makes Black Lives Matter The Broken Earth of N. K. Jemisin Patricia Lockwood Sends Up the Church and the Family Romance Headlining Feminism: From Rebecca Soinit to Beyoncé Keeping Things Stirring ЗП 318 320 326 329 332 335 Epilogue: White Suits, Shattered Glass 345 ACKNOWLEDGMENTS 355 NOTES 359 CREDITS 413 INDEX 417
|
| adam_txt |
CONTENTS Introduction: The Possible and the Impossible Glass Ceilings and Broken Glass How the Seventies Changed Our Lives The Schooling of Hillary Rodham and Her Generation The Cultural Chaos We Face Keeping Things Going і 3 7 12 19 23 SECTION I: STIRRINGS IN THE FIFTIES 1. Midcentury Separate Spheres Sylvia Plath’s Paper Dolls HIS AND HER Time Anatomy and Destiny 2. Race, Rebellion, and Reaction Diane di Prima as a Feminist Beatnik Gwendolyn Brooks’s Bronzeville The Stages of Lorraine Hansberry’s Militancy Audre Lorde’s Lesbian Biomythography Joan Didion’s Vogue versus Betty Friedan’s Problem That Has No Name 29 31 36 41 48 49 51 54 62 33 SECTION II: ERUPTIONS IN THE SIXTIES 3. Three Angry Voices Plath Despairs While Ariel Takes Wing Adrienne Rich as a Cultural Daughter-in-Law Nina Simone, Diva ' 73 76 85 92
CONTENTS xii 4. The Sexual Revolution and the Vietnam War 102 Sex in New York City: Gloria Steinem versus Helen Gurley Brown Susan Sontag, Joan Didion, and San Francisco Women Strike for Peace Valerie Solanas and the Rise of the Second Wave 110 125 SECTION III: AWAKENINGS IN THE SEVENTIES 5. Protesting Patriarchy Kate Millett’s Touchstone Book Susan Sontag as Feminist Philosopher Best Sellers in the Womanhouse: From Toni Morrison to Marilyn French Plath’s Electric Take on the Fifties 6. Speculative Poetry, Speculative Fiction The Metamorphoses of Adrienne Rich Dystopias and Utopias Alice Sheldon/James Tiptree, Jr. Joanna Russ’s Misandry Ursula Le Guin’s Androgyny 7. Bonded and Bruised Sisters Gloria Steinem and Alice Walker at Ms. Audre Lorde Dismantles the Master’s House Maxine Hong Kingston’s Ghosts and Warriors The Dinner Party i35 139 146 152 164 173 175 I87 188 197 199 204 205 215 220 227 SECTION IV։ REVISIONS IN THE EIGHTIES AND NINETIES 8. Identity Politics Andrea Dworkin and the Sex Wars Gloria Anzaldúa’s Mestiza Consciousness Adrienne Rich’s Judaism The Intersectionality of Toni Morrison 235 238 244 249 256
CONTENTS 9. Inside and Outside the Ivory Closet The Culture Wars The Queer Theories of Eve Kosofsky Sedgwick and Judith Butler Anne Carson’s Poetics of Love and Loss Postmodernism/Transsexualism Who Owns Feminism? 265 267 269 276 281 285 SECTION V: RECESSIONS/REVIVALS IN THE TWENTY-FIRST CENTURY 10. Older and Younger Generations 293 The New Millennium Alison Bechdel’s Literary Genealogy 293 298 Are You My Mother? 304 ՅՕ8 Eve Ensler’s V-Days Transgender Visibility: From Susan Stryker to Maggie Nelson 11. Resurgence Claudia Rankine Makes Black Lives Matter The Broken Earth of N. K. Jemisin Patricia Lockwood Sends Up the Church and the Family Romance Headlining Feminism: From Rebecca Soinit to Beyoncé Keeping Things Stirring ЗП 318 320 326 329 332 335 Epilogue: White Suits, Shattered Glass 345 ACKNOWLEDGMENTS 355 NOTES 359 CREDITS 413 INDEX 417 |
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| spelling | Gilbert, Sandra M. 1936- Verfasser (DE-588)119162822 aut Still mad American women writers and the feminist imagination, 1950-2020 Sandra M. Gilbert and Susan Gubar First edition New York, N.Y. W.W. Norton & Company, Inc. [2021] xiii, 441 Seiten 24 cm txt rdacontent n rdamedia nc rdacarrier "A brilliant, sweeping history of the contemporary women's movement told through the lives and works of the literary women who shaped it. Forty years after their first groundbreaking work of feminist literary theory, The Madwoman in the Attic, award-winning collaborators Sandra M. Gilbert and Susan Gubar map the literary history of feminism's second wave. In Still Mad, they offer lively readings of major works by such writers as Sylvia Plath, Lorraine Hansberry, Adrienne Rich, Ursula K. Le Guin, Maxine Hong Kingston, Gloria Anzaldúa, and Toni Morrison. To address shifting social attitudes over seven decades, they discuss polemics by thinkers from Kate Millett and Susan Sontag to Audre Lorde, Andrea Dworkin, and Judith Butler. As Gilbert and Gubar chart feminist gains-including creative new forms of protests and changing attitudes toward gender and sexuality-they show how the legacies of second wave feminists, and the misogynistic culture they fought, extend to the present. In doing so, they celebrate the diversity and urgency of women who have turned passionate rage into powerful writing"-- Geschichte 1950-2020 gnd rswk-swf Feminismus (DE-588)4222126-2 gnd rswk-swf Frauenliteratur (DE-588)4113622-6 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf American literature / Women authors / History and criticism Feminism and literature / United States / History / 20th century Feminism and literature / United States / History / 21st century Women and literature / United States / History / 20th century Women and literature / United States / History / 21st century American literature / 20th century / History and criticism American literature / 21st century / History and criticism American literature American literature / Women authors Feminism and literature Women and literature United States 1900-2099 Criticism, interpretation, etc History USA (DE-588)4078704-7 g Frauenliteratur (DE-588)4113622-6 s Feminismus (DE-588)4222126-2 s Geschichte 1950-2020 z DE-604 Gubar, Susan 1944- Verfasser (DE-588)119162830 aut Erscheint auch als Online-Ausgabe 978-0-393-65172-0 Digitalisierung UB Bamberg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032875417&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Gilbert, Sandra M. 1936- Gubar, Susan 1944- Still mad American women writers and the feminist imagination, 1950-2020 Feminismus (DE-588)4222126-2 gnd Frauenliteratur (DE-588)4113622-6 gnd |
| subject_GND | (DE-588)4222126-2 (DE-588)4113622-6 (DE-588)4078704-7 |
| title | Still mad American women writers and the feminist imagination, 1950-2020 |
| title_auth | Still mad American women writers and the feminist imagination, 1950-2020 |
| title_exact_search | Still mad American women writers and the feminist imagination, 1950-2020 |
| title_exact_search_txtP | Still mad American women writers and the feminist imagination, 1950-2020 |
| title_full | Still mad American women writers and the feminist imagination, 1950-2020 Sandra M. Gilbert and Susan Gubar |
| title_fullStr | Still mad American women writers and the feminist imagination, 1950-2020 Sandra M. Gilbert and Susan Gubar |
| title_full_unstemmed | Still mad American women writers and the feminist imagination, 1950-2020 Sandra M. Gilbert and Susan Gubar |
| title_short | Still mad |
| title_sort | still mad american women writers and the feminist imagination 1950 2020 |
| title_sub | American women writers and the feminist imagination, 1950-2020 |
| topic | Feminismus (DE-588)4222126-2 gnd Frauenliteratur (DE-588)4113622-6 gnd |
| topic_facet | Feminismus Frauenliteratur USA |
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