Eva Mirabal: three generations of tradition and modernity at Taos Pueblo
"Eva Mirabal (Eah-Ha-Wa, Fast Growing Corn, 1920-1968) studied for six years at the acclaimed Dorothy Dunn Studio art program in Santa Fe, where she was a favorite of the program's founder and served as an assistant to Dunn's successor, Geronima Montoya (P'Otsunu, 1915-2015, Ohka...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Weitere Verfasser: | , |
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Santa Fe, New Mexico
Museum of New Mexico Press
[2021]
|
| Schlagworte: | |
| Zusammenfassung: | "Eva Mirabal (Eah-Ha-Wa, Fast Growing Corn, 1920-1968) studied for six years at the acclaimed Dorothy Dunn Studio art program in Santa Fe, where she was a favorite of the program's founder and served as an assistant to Dunn's successor, Geronima Montoya (P'Otsunu, 1915-2015, Ohkay Owingeh Pueblo). By the time she was twenty years old, Mirabal was exhibiting in museums and galleries across the country. Her father, Pedro Mirabal, and her father-in-law, Geronimo Gomez, were popular models for members of the Taos Art Society and for the modern artists who came to Taos as part of the Mabel Dodge Luhan circle. Mirabal's first exposure to art was through her father Pedro, who sat for a bronze bust created by Maurice Sterne and for a portrait by Nicolai Fechin, Pietro, now in the collections of the Eiteljorg Museum of American Indians and Western Art. Gomez, one of the leaders of the Peyote religion at Taos Pueblo, is the non-traditional figure depicted in Ernest Blumenschein's controversial painting Star Road and White Sun. Eva was very likely the first Native American woman to publish a comic strip, during WWII. She created her feisty G. I. Gertie while she was enlisted in the Woman's Army Corp (WACs) (1943-46); at the same time she worked on two significant mural commissions, the only WAC engaged as a full-time artist. After the war, Eva served as a visiting professor of art at Southern Illinois Normal University (1946-47). After returning to Taos Pueblo, she studied at the Taos Valley Art School on the G. I. Bill (1949-51). Throughout her lifetime, her paintings and murals received national acclaim. After her death in 1968, Eva's teenage sons discovered a treasure trove of her life story. In a huge pine box that she had nailed shut, she placed scores of her drawings; family photographs; diary entries; newspaper clippings; and hundreds of letters related to her life and work that she received from curators, gallery owners, friends, and teachers over the years. Drawing on this rich and invaluable archive, as well as on interviews with family members, Rudnick tells the story of Eva's brilliant but brief and impactful career as a Taos Pueblo artist, along with the story of the artistic legacy carried on by her son Jonathan Warm Day Coming, a distinguished painter and children's book writer and illustrator"-- Provided by publisher |
| Beschreibung: | 159 Seiten Illustrationen 28 x 24 cm |
| ISBN: | 9780890136621 0890136629 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV047459405 | ||
| 003 | DE-604 | ||
| 005 | 20210920 | ||
| 007 | t | ||
| 008 | 210909s2021 a||| b||| 00||| eng d | ||
| 020 | |a 9780890136621 |9 978-0-89013-662-1 | ||
| 020 | |a 0890136629 |9 0-89013-662-9 | ||
| 035 | |a (OCoLC)1268192743 | ||
| 035 | |a (DE-599)BVBBV047459405 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-255 | ||
| 100 | 1 | |a Rudnick, Lois Palken |d 1944- |e Verfasser |0 (DE-588)140877703 |4 aut | |
| 245 | 1 | 0 | |a Eva Mirabal |b three generations of tradition and modernity at Taos Pueblo |c Lois P. Rudnick, with Jonathan Warm Day Coming |
| 264 | 1 | |a Santa Fe, New Mexico |b Museum of New Mexico Press |c [2021] | |
| 264 | 4 | |c © 2021 | |
| 300 | |a 159 Seiten |b Illustrationen |c 28 x 24 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 336 | |b sti |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 505 | 8 | |a Preface: how this book came to be / [Lois P. Rudnick, Jonathan Warm Day Coming] -- Acknowledgments / Lois P. Rudnick -- Three generations of the Mirabal/Gomez families at Taos Pueblo -- Eva Mirabal: growing up at Taos Pueblo and the Santa Fe Indian School (1920-1942) -- Eva Mirabal and World War II (1943-1946) -- Eva Mirabal in postwar Illinois and Taos (1946-1963) -- Eva Mirabal's last years (1963-1968) -- Epilogue: Jonathan Warm Day Coming -- Notes -- Bibliography -- Index | |
| 520 | 3 | |a "Eva Mirabal (Eah-Ha-Wa, Fast Growing Corn, 1920-1968) studied for six years at the acclaimed Dorothy Dunn Studio art program in Santa Fe, where she was a favorite of the program's founder and served as an assistant to Dunn's successor, Geronima Montoya (P'Otsunu, 1915-2015, Ohkay Owingeh Pueblo). By the time she was twenty years old, Mirabal was exhibiting in museums and galleries across the country. Her father, Pedro Mirabal, and her father-in-law, Geronimo Gomez, were popular models for members of the Taos Art Society and for the modern artists who came to Taos as part of the Mabel Dodge Luhan circle. Mirabal's first exposure to art was through her father Pedro, who sat for a bronze bust created by Maurice Sterne and for a portrait by Nicolai Fechin, Pietro, now in the collections of the Eiteljorg Museum of American Indians and Western Art. | |
| 520 | 3 | |a Gomez, one of the leaders of the Peyote religion at Taos Pueblo, is the non-traditional figure depicted in Ernest Blumenschein's controversial painting Star Road and White Sun. Eva was very likely the first Native American woman to publish a comic strip, during WWII. She created her feisty G. I. Gertie while she was enlisted in the Woman's Army Corp (WACs) (1943-46); at the same time she worked on two significant mural commissions, the only WAC engaged as a full-time artist. After the war, Eva served as a visiting professor of art at Southern Illinois Normal University (1946-47). After returning to Taos Pueblo, she studied at the Taos Valley Art School on the G. I. Bill (1949-51). Throughout her lifetime, her paintings and murals received national acclaim. After her death in 1968, Eva's teenage sons discovered a treasure trove of her life story. | |
| 520 | 3 | |a In a huge pine box that she had nailed shut, she placed scores of her drawings; family photographs; diary entries; newspaper clippings; and hundreds of letters related to her life and work that she received from curators, gallery owners, friends, and teachers over the years. Drawing on this rich and invaluable archive, as well as on interviews with family members, Rudnick tells the story of Eva's brilliant but brief and impactful career as a Taos Pueblo artist, along with the story of the artistic legacy carried on by her son Jonathan Warm Day Coming, a distinguished painter and children's book writer and illustrator"-- Provided by publisher | |
| 600 | 0 | 7 | |a Eah-Ha-Wa |d 1920-1968 |0 (DE-588)1241490864 |2 gnd |9 rswk-swf |
| 600 | 0 | 7 | |a Jonathan Warm Day Coming |d 1952- |0 (DE-588)1241493014 |2 gnd |9 rswk-swf |
| 648 | 7 | |a Geschichte 1920-1968 |2 gnd |9 rswk-swf | |
| 648 | 7 | |a Geschichte 1952-2021 |2 gnd |9 rswk-swf | |
| 650 | 0 | 7 | |a Illustration |0 (DE-588)4123412-1 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Malerei |0 (DE-588)4037220-0 |2 gnd |9 rswk-swf |
| 653 | 1 | |a Eah-Ha-Wa / 1920-1968 | |
| 653 | 0 | |a Indian painting / New Mexico / Taos Pueblo / History | |
| 653 | 0 | |a Taos art / 20th century | |
| 653 | 0 | |a Taos women / Biography | |
| 653 | 2 | |a Taos Pueblo (N.M.) | |
| 653 | 1 | |a Warm Day, Jonathan / 1952- | |
| 653 | 0 | |a Taos painting / 20th century | |
| 653 | 0 | |a Taos women artists / Biography | |
| 653 | 0 | |a Taos women | |
| 653 | 0 | |a Taos art | |
| 653 | 0 | |a Indian painting | |
| 653 | 2 | |a New Mexico / Taos Pueblo | |
| 653 | 4 | |a 1900-1999 | |
| 653 | 6 | |a History | |
| 653 | 6 | |a Biographies | |
| 689 | 0 | 0 | |a Eah-Ha-Wa |d 1920-1968 |0 (DE-588)1241490864 |D p |
| 689 | 0 | 1 | |a Malerei |0 (DE-588)4037220-0 |D s |
| 689 | 0 | 2 | |a Illustration |0 (DE-588)4123412-1 |D s |
| 689 | 0 | 3 | |a Geschichte 1920-1968 |A z |
| 689 | 0 | |5 DE-604 | |
| 689 | 1 | 0 | |a Jonathan Warm Day Coming |d 1952- |0 (DE-588)1241493014 |D p |
| 689 | 1 | 1 | |a Malerei |0 (DE-588)4037220-0 |D s |
| 689 | 1 | 2 | |a Illustration |0 (DE-588)4123412-1 |D s |
| 689 | 1 | 3 | |a Geschichte 1952-2021 |A z |
| 689 | 1 | |5 DE-604 | |
| 700 | 0 | |a Jonathan Warm Day Coming |d 1952- |0 (DE-588)1241493014 |4 ctb | |
| 700 | 0 | |a Eah-Ha-Wa |d 1920-1968 |0 (DE-588)1241490864 |4 ill | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-032861198 | ||
Datensatz im Suchindex
| _version_ | 1804182763934318592 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Rudnick, Lois Palken 1944- |
| author2 | Jonathan Warm Day Coming 1952- Eah-Ha-Wa 1920-1968 |
| author2_role | ctb ill |
| author2_variant | j w d c jwdc e h eh |
| author_GND | (DE-588)140877703 (DE-588)1241493014 (DE-588)1241490864 |
| author_facet | Rudnick, Lois Palken 1944- Jonathan Warm Day Coming 1952- Eah-Ha-Wa 1920-1968 |
| author_role | aut |
| author_sort | Rudnick, Lois Palken 1944- |
| author_variant | l p r lp lpr |
| building | Verbundindex |
| bvnumber | BV047459405 |
| contents | Preface: how this book came to be / [Lois P. Rudnick, Jonathan Warm Day Coming] -- Acknowledgments / Lois P. Rudnick -- Three generations of the Mirabal/Gomez families at Taos Pueblo -- Eva Mirabal: growing up at Taos Pueblo and the Santa Fe Indian School (1920-1942) -- Eva Mirabal and World War II (1943-1946) -- Eva Mirabal in postwar Illinois and Taos (1946-1963) -- Eva Mirabal's last years (1963-1968) -- Epilogue: Jonathan Warm Day Coming -- Notes -- Bibliography -- Index |
| ctrlnum | (OCoLC)1268192743 (DE-599)BVBBV047459405 |
| era | Geschichte 1920-1968 gnd Geschichte 1952-2021 gnd |
| era_facet | Geschichte 1920-1968 Geschichte 1952-2021 |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>05382nam a2200733 c 4500</leader><controlfield tag="001">BV047459405</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20210920 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">210909s2021 a||| b||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780890136621</subfield><subfield code="9">978-0-89013-662-1</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0890136629</subfield><subfield code="9">0-89013-662-9</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1268192743</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV047459405</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-255</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Rudnick, Lois Palken</subfield><subfield code="d">1944-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)140877703</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Eva Mirabal</subfield><subfield code="b">three generations of tradition and modernity at Taos Pueblo</subfield><subfield code="c">Lois P. Rudnick, with Jonathan Warm Day Coming</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Santa Fe, New Mexico</subfield><subfield code="b">Museum of New Mexico Press</subfield><subfield code="c">[2021]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2021</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">159 Seiten</subfield><subfield code="b">Illustrationen</subfield><subfield code="c">28 x 24 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">sti</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Preface: how this book came to be / [Lois P. Rudnick, Jonathan Warm Day Coming] -- Acknowledgments / Lois P. Rudnick -- Three generations of the Mirabal/Gomez families at Taos Pueblo -- Eva Mirabal: growing up at Taos Pueblo and the Santa Fe Indian School (1920-1942) -- Eva Mirabal and World War II (1943-1946) -- Eva Mirabal in postwar Illinois and Taos (1946-1963) -- Eva Mirabal's last years (1963-1968) -- Epilogue: Jonathan Warm Day Coming -- Notes -- Bibliography -- Index</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"Eva Mirabal (Eah-Ha-Wa, Fast Growing Corn, 1920-1968) studied for six years at the acclaimed Dorothy Dunn Studio art program in Santa Fe, where she was a favorite of the program's founder and served as an assistant to Dunn's successor, Geronima Montoya (P'Otsunu, 1915-2015, Ohkay Owingeh Pueblo). By the time she was twenty years old, Mirabal was exhibiting in museums and galleries across the country. Her father, Pedro Mirabal, and her father-in-law, Geronimo Gomez, were popular models for members of the Taos Art Society and for the modern artists who came to Taos as part of the Mabel Dodge Luhan circle. Mirabal's first exposure to art was through her father Pedro, who sat for a bronze bust created by Maurice Sterne and for a portrait by Nicolai Fechin, Pietro, now in the collections of the Eiteljorg Museum of American Indians and Western Art.</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">Gomez, one of the leaders of the Peyote religion at Taos Pueblo, is the non-traditional figure depicted in Ernest Blumenschein's controversial painting Star Road and White Sun. Eva was very likely the first Native American woman to publish a comic strip, during WWII. She created her feisty G. I. Gertie while she was enlisted in the Woman's Army Corp (WACs) (1943-46); at the same time she worked on two significant mural commissions, the only WAC engaged as a full-time artist. After the war, Eva served as a visiting professor of art at Southern Illinois Normal University (1946-47). After returning to Taos Pueblo, she studied at the Taos Valley Art School on the G. I. Bill (1949-51). Throughout her lifetime, her paintings and murals received national acclaim. After her death in 1968, Eva's teenage sons discovered a treasure trove of her life story.</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">In a huge pine box that she had nailed shut, she placed scores of her drawings; family photographs; diary entries; newspaper clippings; and hundreds of letters related to her life and work that she received from curators, gallery owners, friends, and teachers over the years. Drawing on this rich and invaluable archive, as well as on interviews with family members, Rudnick tells the story of Eva's brilliant but brief and impactful career as a Taos Pueblo artist, along with the story of the artistic legacy carried on by her son Jonathan Warm Day Coming, a distinguished painter and children's book writer and illustrator"-- Provided by publisher</subfield></datafield><datafield tag="600" ind1="0" ind2="7"><subfield code="a">Eah-Ha-Wa</subfield><subfield code="d">1920-1968</subfield><subfield code="0">(DE-588)1241490864</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="600" ind1="0" ind2="7"><subfield code="a">Jonathan Warm Day Coming</subfield><subfield code="d">1952-</subfield><subfield code="0">(DE-588)1241493014</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1920-1968</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1952-2021</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Illustration</subfield><subfield code="0">(DE-588)4123412-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Malerei</subfield><subfield code="0">(DE-588)4037220-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="1"><subfield code="a">Eah-Ha-Wa / 1920-1968</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Indian painting / New Mexico / Taos Pueblo / History</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Taos art / 20th century</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Taos women / Biography</subfield></datafield><datafield tag="653" ind1=" " ind2="2"><subfield code="a">Taos Pueblo (N.M.)</subfield></datafield><datafield tag="653" ind1=" " ind2="1"><subfield code="a">Warm Day, Jonathan / 1952-</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Taos painting / 20th century</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Taos women artists / Biography</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Taos women</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Taos art</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Indian painting</subfield></datafield><datafield tag="653" ind1=" " ind2="2"><subfield code="a">New Mexico / Taos Pueblo</subfield></datafield><datafield tag="653" ind1=" " ind2="4"><subfield code="a">1900-1999</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">History</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">Biographies</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Eah-Ha-Wa</subfield><subfield code="d">1920-1968</subfield><subfield code="0">(DE-588)1241490864</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Malerei</subfield><subfield code="0">(DE-588)4037220-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Illustration</subfield><subfield code="0">(DE-588)4123412-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Geschichte 1920-1968</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Jonathan Warm Day Coming</subfield><subfield code="d">1952-</subfield><subfield code="0">(DE-588)1241493014</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="1" ind2="1"><subfield code="a">Malerei</subfield><subfield code="0">(DE-588)4037220-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="2"><subfield code="a">Illustration</subfield><subfield code="0">(DE-588)4123412-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="3"><subfield code="a">Geschichte 1952-2021</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="0" ind2=" "><subfield code="a">Jonathan Warm Day Coming</subfield><subfield code="d">1952-</subfield><subfield code="0">(DE-588)1241493014</subfield><subfield code="4">ctb</subfield></datafield><datafield tag="700" ind1="0" ind2=" "><subfield code="a">Eah-Ha-Wa</subfield><subfield code="d">1920-1968</subfield><subfield code="0">(DE-588)1241490864</subfield><subfield code="4">ill</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032861198</subfield></datafield></record></collection> |
| id | DE-604.BV047459405 |
| illustrated | Illustrated |
| index_date | 2024-07-03T18:05:49Z |
| indexdate | 2024-07-10T09:12:44Z |
| institution | BVB |
| isbn | 9780890136621 0890136629 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032861198 |
| oclc_num | 1268192743 |
| open_access_boolean | |
| owner | DE-255 |
| owner_facet | DE-255 |
| physical | 159 Seiten Illustrationen 28 x 24 cm |
| publishDate | 2021 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | Museum of New Mexico Press |
| record_format | marc |
| spelling | Rudnick, Lois Palken 1944- Verfasser (DE-588)140877703 aut Eva Mirabal three generations of tradition and modernity at Taos Pueblo Lois P. Rudnick, with Jonathan Warm Day Coming Santa Fe, New Mexico Museum of New Mexico Press [2021] © 2021 159 Seiten Illustrationen 28 x 24 cm txt rdacontent sti rdacontent n rdamedia nc rdacarrier Preface: how this book came to be / [Lois P. Rudnick, Jonathan Warm Day Coming] -- Acknowledgments / Lois P. Rudnick -- Three generations of the Mirabal/Gomez families at Taos Pueblo -- Eva Mirabal: growing up at Taos Pueblo and the Santa Fe Indian School (1920-1942) -- Eva Mirabal and World War II (1943-1946) -- Eva Mirabal in postwar Illinois and Taos (1946-1963) -- Eva Mirabal's last years (1963-1968) -- Epilogue: Jonathan Warm Day Coming -- Notes -- Bibliography -- Index "Eva Mirabal (Eah-Ha-Wa, Fast Growing Corn, 1920-1968) studied for six years at the acclaimed Dorothy Dunn Studio art program in Santa Fe, where she was a favorite of the program's founder and served as an assistant to Dunn's successor, Geronima Montoya (P'Otsunu, 1915-2015, Ohkay Owingeh Pueblo). By the time she was twenty years old, Mirabal was exhibiting in museums and galleries across the country. Her father, Pedro Mirabal, and her father-in-law, Geronimo Gomez, were popular models for members of the Taos Art Society and for the modern artists who came to Taos as part of the Mabel Dodge Luhan circle. Mirabal's first exposure to art was through her father Pedro, who sat for a bronze bust created by Maurice Sterne and for a portrait by Nicolai Fechin, Pietro, now in the collections of the Eiteljorg Museum of American Indians and Western Art. Gomez, one of the leaders of the Peyote religion at Taos Pueblo, is the non-traditional figure depicted in Ernest Blumenschein's controversial painting Star Road and White Sun. Eva was very likely the first Native American woman to publish a comic strip, during WWII. She created her feisty G. I. Gertie while she was enlisted in the Woman's Army Corp (WACs) (1943-46); at the same time she worked on two significant mural commissions, the only WAC engaged as a full-time artist. After the war, Eva served as a visiting professor of art at Southern Illinois Normal University (1946-47). After returning to Taos Pueblo, she studied at the Taos Valley Art School on the G. I. Bill (1949-51). Throughout her lifetime, her paintings and murals received national acclaim. After her death in 1968, Eva's teenage sons discovered a treasure trove of her life story. In a huge pine box that she had nailed shut, she placed scores of her drawings; family photographs; diary entries; newspaper clippings; and hundreds of letters related to her life and work that she received from curators, gallery owners, friends, and teachers over the years. Drawing on this rich and invaluable archive, as well as on interviews with family members, Rudnick tells the story of Eva's brilliant but brief and impactful career as a Taos Pueblo artist, along with the story of the artistic legacy carried on by her son Jonathan Warm Day Coming, a distinguished painter and children's book writer and illustrator"-- Provided by publisher Eah-Ha-Wa 1920-1968 (DE-588)1241490864 gnd rswk-swf Jonathan Warm Day Coming 1952- (DE-588)1241493014 gnd rswk-swf Geschichte 1920-1968 gnd rswk-swf Geschichte 1952-2021 gnd rswk-swf Illustration (DE-588)4123412-1 gnd rswk-swf Malerei (DE-588)4037220-0 gnd rswk-swf Eah-Ha-Wa / 1920-1968 Indian painting / New Mexico / Taos Pueblo / History Taos art / 20th century Taos women / Biography Taos Pueblo (N.M.) Warm Day, Jonathan / 1952- Taos painting / 20th century Taos women artists / Biography Taos women Taos art Indian painting New Mexico / Taos Pueblo 1900-1999 History Biographies Eah-Ha-Wa 1920-1968 (DE-588)1241490864 p Malerei (DE-588)4037220-0 s Illustration (DE-588)4123412-1 s Geschichte 1920-1968 z DE-604 Jonathan Warm Day Coming 1952- (DE-588)1241493014 p Geschichte 1952-2021 z Jonathan Warm Day Coming 1952- (DE-588)1241493014 ctb Eah-Ha-Wa 1920-1968 (DE-588)1241490864 ill |
| spellingShingle | Rudnick, Lois Palken 1944- Eva Mirabal three generations of tradition and modernity at Taos Pueblo Preface: how this book came to be / [Lois P. Rudnick, Jonathan Warm Day Coming] -- Acknowledgments / Lois P. Rudnick -- Three generations of the Mirabal/Gomez families at Taos Pueblo -- Eva Mirabal: growing up at Taos Pueblo and the Santa Fe Indian School (1920-1942) -- Eva Mirabal and World War II (1943-1946) -- Eva Mirabal in postwar Illinois and Taos (1946-1963) -- Eva Mirabal's last years (1963-1968) -- Epilogue: Jonathan Warm Day Coming -- Notes -- Bibliography -- Index Eah-Ha-Wa 1920-1968 (DE-588)1241490864 gnd Jonathan Warm Day Coming 1952- (DE-588)1241493014 gnd Illustration (DE-588)4123412-1 gnd Malerei (DE-588)4037220-0 gnd |
| subject_GND | (DE-588)1241490864 (DE-588)1241493014 (DE-588)4123412-1 (DE-588)4037220-0 |
| title | Eva Mirabal three generations of tradition and modernity at Taos Pueblo |
| title_auth | Eva Mirabal three generations of tradition and modernity at Taos Pueblo |
| title_exact_search | Eva Mirabal three generations of tradition and modernity at Taos Pueblo |
| title_exact_search_txtP | Eva Mirabal three generations of tradition and modernity at Taos Pueblo |
| title_full | Eva Mirabal three generations of tradition and modernity at Taos Pueblo Lois P. Rudnick, with Jonathan Warm Day Coming |
| title_fullStr | Eva Mirabal three generations of tradition and modernity at Taos Pueblo Lois P. Rudnick, with Jonathan Warm Day Coming |
| title_full_unstemmed | Eva Mirabal three generations of tradition and modernity at Taos Pueblo Lois P. Rudnick, with Jonathan Warm Day Coming |
| title_short | Eva Mirabal |
| title_sort | eva mirabal three generations of tradition and modernity at taos pueblo |
| title_sub | three generations of tradition and modernity at Taos Pueblo |
| topic | Eah-Ha-Wa 1920-1968 (DE-588)1241490864 gnd Jonathan Warm Day Coming 1952- (DE-588)1241493014 gnd Illustration (DE-588)4123412-1 gnd Malerei (DE-588)4037220-0 gnd |
| topic_facet | Eah-Ha-Wa 1920-1968 Jonathan Warm Day Coming 1952- Illustration Malerei |
| work_keys_str_mv | AT rudnickloispalken evamirabalthreegenerationsoftraditionandmodernityattaospueblo AT jonathanwarmdaycoming evamirabalthreegenerationsoftraditionandmodernityattaospueblo AT eahhawa evamirabalthreegenerationsoftraditionandmodernityattaospueblo |