Music and sentimentalism in the nineteenth and twentieth centuries:
In a wide-ranging study of sentimentalism's significance for styles, practices and meanings of music in the nineteenth and twentieth centuries, a series of interpretations scrutinizes musical expressions of sympathetic responses to suffering and the longing to belong. The book challenges hierar...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Routledge, Taylor & Francis Group
2021
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | In a wide-ranging study of sentimentalism's significance for styles, practices and meanings of music in the nineteenth and twentieth centuries, a series of interpretations scrutinizes musical expressions of sympathetic responses to suffering and the longing to belong. The book challenges hierarchies of artistic value and the associated denigration of sentimental feeling in gendered discourses. Fresh insights are thereby developed into sentimentalism's place in musical constructions of emotion, taste, genre, gender, desire, and authenticity. The contexts encompass diverse musical communities, performing spaces, and listening practices, including the nineteenth-century salon and concert hall, the cinema, the intimate stage persona of the singer-songwriter, and the homely ambiguities of 'easy' listening. Interdisciplinary insights inform discussions of musical form, affect, appropriation, nationalisms, psychologies, eco-sentimentalism, humanitarianism, consumerism, and subject positions, with a particular emphasis on masculine sentimentalities. Music is drawn from violin repertory associated with Joseph Joachim, the piano music of Chopin, Schumann, and Liszt, sentimental waltzes from Schubert to Ravel, concert music by Bartok, Szymanowski and Gorecki, the Merchant-Ivory adaptation of The Remains of the Day, Antonio Carlos Jobim's bossa nova, and songs by Duke Ellington, Burt Bacharach, Carole King, Barry Manilow and Jimmy Webb. The book will attract readers interested in both the role of music in the history of emotion and the persistence and diversity of sentimental arts after their flowering in the eighteenth-century age of sensibility. |
| Beschreibung: | xiii, 310 Seiten Illustrationen, Notenbeispiele |
| ISBN: | 9781032007427 9781138322998 |
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| 520 | 3 | |a In a wide-ranging study of sentimentalism's significance for styles, practices and meanings of music in the nineteenth and twentieth centuries, a series of interpretations scrutinizes musical expressions of sympathetic responses to suffering and the longing to belong. The book challenges hierarchies of artistic value and the associated denigration of sentimental feeling in gendered discourses. Fresh insights are thereby developed into sentimentalism's place in musical constructions of emotion, taste, genre, gender, desire, and authenticity. The contexts encompass diverse musical communities, performing spaces, and listening practices, including the nineteenth-century salon and concert hall, the cinema, the intimate stage persona of the singer-songwriter, and the homely ambiguities of 'easy' listening. Interdisciplinary insights inform discussions of musical form, affect, appropriation, nationalisms, psychologies, eco-sentimentalism, humanitarianism, consumerism, and subject positions, with a particular emphasis on masculine sentimentalities. Music is drawn from violin repertory associated with Joseph Joachim, the piano music of Chopin, Schumann, and Liszt, sentimental waltzes from Schubert to Ravel, concert music by Bartok, Szymanowski and Gorecki, the Merchant-Ivory adaptation of The Remains of the Day, Antonio Carlos Jobim's bossa nova, and songs by Duke Ellington, Burt Bacharach, Carole King, Barry Manilow and Jimmy Webb. The book will attract readers interested in both the role of music in the history of emotion and the persistence and diversity of sentimental arts after their flowering in the eighteenth-century age of sensibility. | |
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents List of music examples List offigures Acknowledgements 1 Introduction: Getting sentimental ix xi xii 1 PART I Spaces 2 Sentimental virtues in the Victorian salon: Joseph Joachim on the lawn and in the lounge 31 3 Feeling and design magnified: The place and status of sentimental music in the nineteenth-century concert hall 59 PART II Genres 4 Sentimental waltzes: Tender steps from Goethe to Ravel 5 Longing to belong: Nationalism, sentimentalism, and the Second Violin Concertos of Bartók and Szymanowski 85 107 PARTIU Psychologies 6 Masochism and sentimentality: Barthes’s Schumann and Schumann’s Chopin 139
viii Contents 7 Two sentimental English gentlemen: ‘Screen memories’, a Schubert Lied and the voice of Gracie Fields in Merchant-Ivory’s The Remains of the Day 157 PARTIV Appropriations 8 Ellington, Liszt, and Chopin’s death bed 177 9 Chopin on the beach: Bossa nova, Tom Jobim’s ‘Insensatez’, and sentimental ecology 193 10 Chopin and the power ballad: Barry Manilow’s ‘Could it be Magic’ 210 PART V Sympathies 11 Make it ‘easy’?: Sentimental subject positions in songs of Burt Bacharach and Hal David 227 12 Homes and roads: The song-writing of Carole King and Jimmy Webb 254 CODA Compassion, mediation, and the consumer 13 Górecki’s tears/our tears Index 277 301
|
| adam_txt |
Contents List of music examples List offigures Acknowledgements 1 Introduction: Getting sentimental ix xi xii 1 PART I Spaces 2 Sentimental virtues in the Victorian salon: Joseph Joachim on the lawn and in the lounge 31 3 Feeling and design magnified: The place and status of sentimental music in the nineteenth-century concert hall 59 PART II Genres 4 Sentimental waltzes: Tender steps from Goethe to Ravel 5 Longing to belong: Nationalism, sentimentalism, and the Second Violin Concertos of Bartók and Szymanowski 85 107 PARTIU Psychologies 6 Masochism and sentimentality: Barthes’s Schumann and Schumann’s Chopin 139
viii Contents 7 Two sentimental English gentlemen: ‘Screen memories’, a Schubert Lied and the voice of Gracie Fields in Merchant-Ivory’s The Remains of the Day 157 PARTIV Appropriations 8 Ellington, Liszt, and Chopin’s death bed 177 9 Chopin on the beach: Bossa nova, Tom Jobim’s ‘Insensatez’, and sentimental ecology 193 10 Chopin and the power ballad: Barry Manilow’s ‘Could it be Magic’ 210 PART V Sympathies 11 Make it ‘easy’?: Sentimental subject positions in songs of Burt Bacharach and Hal David 227 12 Homes and roads: The song-writing of Carole King and Jimmy Webb 254 CODA Compassion, mediation, and the consumer 13 Górecki’s tears/our tears Index 277 301 |
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| spelling | Downes, Stephen C. 1962- Verfasser (DE-588)141582995 aut Music and sentimentalism in the nineteenth and twentieth centuries Stephen Downes Music and sentimentalism in the 19th and 20th centuries London ; New York Routledge, Taylor & Francis Group 2021 xiii, 310 Seiten Illustrationen, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier In a wide-ranging study of sentimentalism's significance for styles, practices and meanings of music in the nineteenth and twentieth centuries, a series of interpretations scrutinizes musical expressions of sympathetic responses to suffering and the longing to belong. The book challenges hierarchies of artistic value and the associated denigration of sentimental feeling in gendered discourses. Fresh insights are thereby developed into sentimentalism's place in musical constructions of emotion, taste, genre, gender, desire, and authenticity. The contexts encompass diverse musical communities, performing spaces, and listening practices, including the nineteenth-century salon and concert hall, the cinema, the intimate stage persona of the singer-songwriter, and the homely ambiguities of 'easy' listening. Interdisciplinary insights inform discussions of musical form, affect, appropriation, nationalisms, psychologies, eco-sentimentalism, humanitarianism, consumerism, and subject positions, with a particular emphasis on masculine sentimentalities. Music is drawn from violin repertory associated with Joseph Joachim, the piano music of Chopin, Schumann, and Liszt, sentimental waltzes from Schubert to Ravel, concert music by Bartok, Szymanowski and Gorecki, the Merchant-Ivory adaptation of The Remains of the Day, Antonio Carlos Jobim's bossa nova, and songs by Duke Ellington, Burt Bacharach, Carole King, Barry Manilow and Jimmy Webb. The book will attract readers interested in both the role of music in the history of emotion and the persistence and diversity of sentimental arts after their flowering in the eighteenth-century age of sensibility. Geschichte 1800-1950 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Empfindsamkeit (DE-588)4152096-8 gnd rswk-swf Music / 19th century / History and criticism Music / 20th century / History and criticism Sentimentalism in music Music 1800-1999 Criticism, interpretation, etc Empfindsamkeit (DE-588)4152096-8 s Musik (DE-588)4040802-4 s Geschichte 1800-1950 z DE-604 Erscheint auch als Online-Ausgabe, ebk. 978-0-429-83740-1 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032842454&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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| title | Music and sentimentalism in the nineteenth and twentieth centuries |
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