World's fairs Italian style: the great exhibitions in Turin and their narratives, 1860-1915
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Toronto
University of Toronto Press
[2016]
|
| Ausgabe: | reprinted in paperback |
| Schriftenreihe: | Toronto Italian studies
|
| Schlagworte: | |
| Beschreibung: | x, 351 Seiten Illustrationen |
| ISBN: | 9780802091154 9781487520564 |
Internformat
MARC
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| 020 | |a 9780802091154 |c hbk |9 978-0-8020-9115-4 | ||
| 020 | |a 9781487520564 |c pbk |9 978-1-4875-2056-4 | ||
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| 245 | 1 | 0 | |a World's fairs Italian style |b the great exhibitions in Turin and their narratives, 1860-1915 |c Cristina Della Coletta |
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| 490 | 0 | |a Toronto Italian studies | |
| 505 | 8 | |a According to conventional wisdom, Italy was not an influential participant in the nationalistic and imperialistic discourses that world's fairs produced in countries such as Great Britain, France, and the United States. In the late nineteenth and early twentieth centuries, however, Italy hosted numerous national and international exhibitions expounding notions of national identity, imperial expansion, technological progress, and capitalist growth.World's Fairs Italian-Style explores world's fairs in Italy at the turn of the twentieth century in comparison to their more famous counterparts in France, England, and the United States. Cristina Della Coletta demonstrates that, because of its social fragmentation and hybrid history, Italy was a site of both hegemony and subordination - an aspiring imperial power whose colonization started from within. She focuses on two best-selling authors, Emilio Salgari and Guido Gozzano, and illustrates how these authors interpreted their age's 'exposition mentality.' Salgari and Gozzano's exposition narratives, Della Coletta argues, reveal Italy's uncertainties about own sense of national identity, and its belated commitment to Western imperialism.Of interest to students and scholars of literature, cultural history, and Italian, World's Fairs Italian-Style provides a fascinating glimpse into a hitherto unexplored area of study, and brings to light a cultural phenomenon that played a significant role in shaping Italy's national identity | |
| 648 | 4 | |a Geschichte 1900-2000 | |
| 648 | 4 | |a Geschichte 1800-1900 | |
| 648 | 7 | |a Geschichte 1860-1915 |2 gnd |9 rswk-swf | |
| 650 | 4 | |a Geschichte | |
| 650 | 4 | |a Nationalismus | |
| 650 | 4 | |a Exhibitions |z Italy |z Turin |x History |y 19th century | |
| 650 | 4 | |a Literature and society |z Italy |x History |y 19th century | |
| 650 | 4 | |a Nationalism |z Italy |x History |y 19th century | |
| 650 | 4 | |a Nationalism |z Italy |x History |y 20th century | |
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| 689 | 0 | 2 | |a Geschichte 1860-1915 |A z |
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| 999 | |a oai:aleph.bib-bvb.de:BVB01-032837070 | ||
Datensatz im Suchindex
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| any_adam_object_boolean | |
| author | Della Coletta, Cristina 1962- |
| author_GND | (DE-588)152945962 |
| author_facet | Della Coletta, Cristina 1962- |
| author_role | aut |
| author_sort | Della Coletta, Cristina 1962- |
| author_variant | c c d cc ccd |
| building | Verbundindex |
| bvnumber | BV047434756 |
| contents | According to conventional wisdom, Italy was not an influential participant in the nationalistic and imperialistic discourses that world's fairs produced in countries such as Great Britain, France, and the United States. In the late nineteenth and early twentieth centuries, however, Italy hosted numerous national and international exhibitions expounding notions of national identity, imperial expansion, technological progress, and capitalist growth.World's Fairs Italian-Style explores world's fairs in Italy at the turn of the twentieth century in comparison to their more famous counterparts in France, England, and the United States. Cristina Della Coletta demonstrates that, because of its social fragmentation and hybrid history, Italy was a site of both hegemony and subordination - an aspiring imperial power whose colonization started from within. She focuses on two best-selling authors, Emilio Salgari and Guido Gozzano, and illustrates how these authors interpreted their age's 'exposition mentality.' Salgari and Gozzano's exposition narratives, Della Coletta argues, reveal Italy's uncertainties about own sense of national identity, and its belated commitment to Western imperialism.Of interest to students and scholars of literature, cultural history, and Italian, World's Fairs Italian-Style provides a fascinating glimpse into a hitherto unexplored area of study, and brings to light a cultural phenomenon that played a significant role in shaping Italy's national identity |
| ctrlnum | (OCoLC)1074989535 (DE-599)BVBBV047434756 |
| dewey-full | 907.4/4512 |
| dewey-hundreds | 900 - History & geography |
| dewey-ones | 907 - Education, research & related topics |
| dewey-raw | 907.4/4512 |
| dewey-search | 907.4/4512 |
| dewey-sort | 3907.4 44512 |
| dewey-tens | 900 - History & geography |
| discipline | Geschichte |
| discipline_str_mv | Geschichte |
| edition | reprinted in paperback |
| era | Geschichte 1900-2000 Geschichte 1800-1900 Geschichte 1860-1915 gnd |
| era_facet | Geschichte 1900-2000 Geschichte 1800-1900 Geschichte 1860-1915 |
| format | Book |
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| id | DE-604.BV047434756 |
| illustrated | Illustrated |
| index_date | 2024-07-03T17:59:20Z |
| indexdate | 2024-07-10T09:12:04Z |
| institution | BVB |
| isbn | 9780802091154 9781487520564 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032837070 |
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| physical | x, 351 Seiten Illustrationen |
| publishDate | 2016 |
| publishDateSearch | 2016 |
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| publisher | University of Toronto Press |
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| series2 | Toronto Italian studies |
| spelling | Della Coletta, Cristina 1962- Verfasser (DE-588)152945962 aut World's fairs Italian style the great exhibitions in Turin and their narratives, 1860-1915 Cristina Della Coletta reprinted in paperback Toronto University of Toronto Press [2016] © 2006 x, 351 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Toronto Italian studies According to conventional wisdom, Italy was not an influential participant in the nationalistic and imperialistic discourses that world's fairs produced in countries such as Great Britain, France, and the United States. In the late nineteenth and early twentieth centuries, however, Italy hosted numerous national and international exhibitions expounding notions of national identity, imperial expansion, technological progress, and capitalist growth.World's Fairs Italian-Style explores world's fairs in Italy at the turn of the twentieth century in comparison to their more famous counterparts in France, England, and the United States. Cristina Della Coletta demonstrates that, because of its social fragmentation and hybrid history, Italy was a site of both hegemony and subordination - an aspiring imperial power whose colonization started from within. She focuses on two best-selling authors, Emilio Salgari and Guido Gozzano, and illustrates how these authors interpreted their age's 'exposition mentality.' Salgari and Gozzano's exposition narratives, Della Coletta argues, reveal Italy's uncertainties about own sense of national identity, and its belated commitment to Western imperialism.Of interest to students and scholars of literature, cultural history, and Italian, World's Fairs Italian-Style provides a fascinating glimpse into a hitherto unexplored area of study, and brings to light a cultural phenomenon that played a significant role in shaping Italy's national identity Geschichte 1900-2000 Geschichte 1800-1900 Geschichte 1860-1915 gnd rswk-swf Geschichte Nationalismus Exhibitions Italy Turin History 19th century Literature and society Italy History 19th century Nationalism Italy History 19th century Nationalism Italy History 20th century Internationale Ausstellung (DE-588)7729177-3 gnd rswk-swf Italien Turin (DE-588)4061245-4 gnd rswk-swf Turin (DE-588)4061245-4 g Internationale Ausstellung (DE-588)7729177-3 s Geschichte 1860-1915 z DE-604 |
| spellingShingle | Della Coletta, Cristina 1962- World's fairs Italian style the great exhibitions in Turin and their narratives, 1860-1915 According to conventional wisdom, Italy was not an influential participant in the nationalistic and imperialistic discourses that world's fairs produced in countries such as Great Britain, France, and the United States. In the late nineteenth and early twentieth centuries, however, Italy hosted numerous national and international exhibitions expounding notions of national identity, imperial expansion, technological progress, and capitalist growth.World's Fairs Italian-Style explores world's fairs in Italy at the turn of the twentieth century in comparison to their more famous counterparts in France, England, and the United States. Cristina Della Coletta demonstrates that, because of its social fragmentation and hybrid history, Italy was a site of both hegemony and subordination - an aspiring imperial power whose colonization started from within. She focuses on two best-selling authors, Emilio Salgari and Guido Gozzano, and illustrates how these authors interpreted their age's 'exposition mentality.' Salgari and Gozzano's exposition narratives, Della Coletta argues, reveal Italy's uncertainties about own sense of national identity, and its belated commitment to Western imperialism.Of interest to students and scholars of literature, cultural history, and Italian, World's Fairs Italian-Style provides a fascinating glimpse into a hitherto unexplored area of study, and brings to light a cultural phenomenon that played a significant role in shaping Italy's national identity Geschichte Nationalismus Exhibitions Italy Turin History 19th century Literature and society Italy History 19th century Nationalism Italy History 19th century Nationalism Italy History 20th century Internationale Ausstellung (DE-588)7729177-3 gnd |
| subject_GND | (DE-588)7729177-3 (DE-588)4061245-4 |
| title | World's fairs Italian style the great exhibitions in Turin and their narratives, 1860-1915 |
| title_auth | World's fairs Italian style the great exhibitions in Turin and their narratives, 1860-1915 |
| title_exact_search | World's fairs Italian style the great exhibitions in Turin and their narratives, 1860-1915 |
| title_exact_search_txtP | World's fairs Italian style the great exhibitions in Turin and their narratives, 1860-1915 |
| title_full | World's fairs Italian style the great exhibitions in Turin and their narratives, 1860-1915 Cristina Della Coletta |
| title_fullStr | World's fairs Italian style the great exhibitions in Turin and their narratives, 1860-1915 Cristina Della Coletta |
| title_full_unstemmed | World's fairs Italian style the great exhibitions in Turin and their narratives, 1860-1915 Cristina Della Coletta |
| title_short | World's fairs Italian style |
| title_sort | world s fairs italian style the great exhibitions in turin and their narratives 1860 1915 |
| title_sub | the great exhibitions in Turin and their narratives, 1860-1915 |
| topic | Geschichte Nationalismus Exhibitions Italy Turin History 19th century Literature and society Italy History 19th century Nationalism Italy History 19th century Nationalism Italy History 20th century Internationale Ausstellung (DE-588)7729177-3 gnd |
| topic_facet | Geschichte Nationalismus Exhibitions Italy Turin History 19th century Literature and society Italy History 19th century Nationalism Italy History 19th century Nationalism Italy History 20th century Internationale Ausstellung Italien Turin |
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