Strange Tale of Panorama Island:
Edogawa Ranpo (1894-1965) was a great admirer of Edgar Allan Poe and like Poe drew on his penchant for the grotesque and the bizarre to explore the boundaries of conventional thought. Best known as the founder of the modern Japanese detective novel, Ranpo wrote for a youthful audience, and a taste f...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Honolulu
University of Hawaii Press
[2013]
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| Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UBG01 UPA01 Volltext |
| Zusammenfassung: | Edogawa Ranpo (1894-1965) was a great admirer of Edgar Allan Poe and like Poe drew on his penchant for the grotesque and the bizarre to explore the boundaries of conventional thought. Best known as the founder of the modern Japanese detective novel, Ranpo wrote for a youthful audience, and a taste for playacting and theatre animates his stories. His writing is often associated with the era of ero guro nansense (erotic grotesque nonsense), which accompanied the rise of mass culture and mass media in urban Japan in the 1920s. Characterized by an almost lurid fascination with simulacra and illusion, the era's sensibility permeates Ranpo's first major work and one of his finest achievements, Strange Tale of Panorama Island (Panoramato kidan), published in 1926. Ranpo's panorama island is filled with cleverly designed optical illusions: a staircase rises into the sky; white feathered "birds" speak in women's voices and offer to serve as vehicles; clusters of naked men and women romp on slopes carpeted with rainbow-colored flowers. His fantastical utopia is filled with entrancing music and strange sweet odors, and nothing is ordinary, predictable, or boring. The novella reflected the new culture of mechanically produced simulated realities (movies, photographs, advertisements, stereoscopic and panoramic images) and focused on themes of the doppelganger and appropriated identities: its main character steals the identity of an acquaintance. The novella's utopian vision, argues translator Elaine Gerbert, mirrors the expansionist dreams that fed Japan's colonization of the Asian continent, its ending an eerie harbinger of the collapse of those dreams.Today just as a new generation of technologies is transforming the way we think-and becoming ever more invasive and pervasive-Ranpo's work is attracting a new generation of readers. In the past few decades his writing has inspired films, anime, plays, and manga, and many translations of his stories, essays, and novels have appeared, but to date no English-language translation of Panoramato kidan has been available. This volume, which includes a critical introduction and notes, fills that gap and uncovers for English-language readers an important new dimension of an ever stimulating, provocative talent |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jul 2021) |
| Beschreibung: | 1 online resource (160 pages) |
| ISBN: | 9780824837273 |
| DOI: | 10.1515/9780824837273 |
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| 520 | |a Edogawa Ranpo (1894-1965) was a great admirer of Edgar Allan Poe and like Poe drew on his penchant for the grotesque and the bizarre to explore the boundaries of conventional thought. Best known as the founder of the modern Japanese detective novel, Ranpo wrote for a youthful audience, and a taste for playacting and theatre animates his stories. His writing is often associated with the era of ero guro nansense (erotic grotesque nonsense), which accompanied the rise of mass culture and mass media in urban Japan in the 1920s. Characterized by an almost lurid fascination with simulacra and illusion, the era's sensibility permeates Ranpo's first major work and one of his finest achievements, Strange Tale of Panorama Island (Panoramato kidan), published in 1926. | ||
| 520 | |a Ranpo's panorama island is filled with cleverly designed optical illusions: a staircase rises into the sky; white feathered "birds" speak in women's voices and offer to serve as vehicles; clusters of naked men and women romp on slopes carpeted with rainbow-colored flowers. His fantastical utopia is filled with entrancing music and strange sweet odors, and nothing is ordinary, predictable, or boring. The novella reflected the new culture of mechanically produced simulated realities (movies, photographs, advertisements, stereoscopic and panoramic images) and focused on themes of the doppelganger and appropriated identities: its main character steals the identity of an acquaintance. | ||
| 520 | |a The novella's utopian vision, argues translator Elaine Gerbert, mirrors the expansionist dreams that fed Japan's colonization of the Asian continent, its ending an eerie harbinger of the collapse of those dreams.Today just as a new generation of technologies is transforming the way we think-and becoming ever more invasive and pervasive-Ranpo's work is attracting a new generation of readers. In the past few decades his writing has inspired films, anime, plays, and manga, and many translations of his stories, essays, and novels have appeared, but to date no English-language translation of Panoramato kidan has been available. This volume, which includes a critical introduction and notes, fills that gap and uncovers for English-language readers an important new dimension of an ever stimulating, provocative talent | ||
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Datensatz im Suchindex
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| illustrated | Not Illustrated |
| index_date | 2024-07-03T17:55:38Z |
| indexdate | 2024-07-10T09:11:31Z |
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| isbn | 9780824837273 |
| language | English |
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| spelling | Edogawa, Ranpo 1894-1965 Verfasser (DE-588)120811332 aut Strange Tale of Panorama Island Edogawa Ranpo Honolulu University of Hawaii Press [2013] © 2013 1 online resource (160 pages) txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jul 2021) Edogawa Ranpo (1894-1965) was a great admirer of Edgar Allan Poe and like Poe drew on his penchant for the grotesque and the bizarre to explore the boundaries of conventional thought. Best known as the founder of the modern Japanese detective novel, Ranpo wrote for a youthful audience, and a taste for playacting and theatre animates his stories. His writing is often associated with the era of ero guro nansense (erotic grotesque nonsense), which accompanied the rise of mass culture and mass media in urban Japan in the 1920s. Characterized by an almost lurid fascination with simulacra and illusion, the era's sensibility permeates Ranpo's first major work and one of his finest achievements, Strange Tale of Panorama Island (Panoramato kidan), published in 1926. Ranpo's panorama island is filled with cleverly designed optical illusions: a staircase rises into the sky; white feathered "birds" speak in women's voices and offer to serve as vehicles; clusters of naked men and women romp on slopes carpeted with rainbow-colored flowers. His fantastical utopia is filled with entrancing music and strange sweet odors, and nothing is ordinary, predictable, or boring. The novella reflected the new culture of mechanically produced simulated realities (movies, photographs, advertisements, stereoscopic and panoramic images) and focused on themes of the doppelganger and appropriated identities: its main character steals the identity of an acquaintance. The novella's utopian vision, argues translator Elaine Gerbert, mirrors the expansionist dreams that fed Japan's colonization of the Asian continent, its ending an eerie harbinger of the collapse of those dreams.Today just as a new generation of technologies is transforming the way we think-and becoming ever more invasive and pervasive-Ranpo's work is attracting a new generation of readers. In the past few decades his writing has inspired films, anime, plays, and manga, and many translations of his stories, essays, and novels have appeared, but to date no English-language translation of Panoramato kidan has been available. This volume, which includes a critical introduction and notes, fills that gap and uncovers for English-language readers an important new dimension of an ever stimulating, provocative talent In English LITERARY CRITICISM / General bisacsh Detective and mystery stories, Japanese Gerbert, Elaine Kazu Sonstige oth https://doi.org/10.1515/9780824837273 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Edogawa, Ranpo 1894-1965 Strange Tale of Panorama Island LITERARY CRITICISM / General bisacsh Detective and mystery stories, Japanese |
| title | Strange Tale of Panorama Island |
| title_auth | Strange Tale of Panorama Island |
| title_exact_search | Strange Tale of Panorama Island |
| title_exact_search_txtP | Strange Tale of Panorama Island |
| title_full | Strange Tale of Panorama Island Edogawa Ranpo |
| title_fullStr | Strange Tale of Panorama Island Edogawa Ranpo |
| title_full_unstemmed | Strange Tale of Panorama Island Edogawa Ranpo |
| title_short | Strange Tale of Panorama Island |
| title_sort | strange tale of panorama island |
| topic | LITERARY CRITICISM / General bisacsh Detective and mystery stories, Japanese |
| topic_facet | LITERARY CRITICISM / General Detective and mystery stories, Japanese |
| url | https://doi.org/10.1515/9780824837273 |
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