How the word is passed: a reckoning with the history of slavery across America
"'How the Word is Passed' is Clint Smith's revealing, contemporary portrait of America as a slave owning nation. Beginning in his own hometown of New Orleans, Smith leads the reader through an unforgettable tour of monuments and landmarks - those that are honest about the past an...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York ; Boston ; London
Little, Brown and Company
June 2021
|
| Ausgabe: | First edition |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Zusammenfassung: | "'How the Word is Passed' is Clint Smith's revealing, contemporary portrait of America as a slave owning nation. Beginning in his own hometown of New Orleans, Smith leads the reader through an unforgettable tour of monuments and landmarks - those that are honest about the past and those that are not - that offer an intergenerational story of how slavery has been central in shaping our nations collective history, and ourselves." |
| Beschreibung: | xiii, 336 Seiten 25 cm |
| ISBN: | 9780349701189 9780316492935 |
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| 505 | 8 | |a "The whole city is a memorial to slavery:" Prologue -- "There's a difference between history and nostalgia:" Monticello Plantation -- "An open book, up under the sky:" The Whitney Plantation -- "I can't change what happened here:" Angola Prison -- "I don't know if it's true or not, but I like it:" Blandford Cemetery -- "Our Independence Day:" Galveston Island -- "We were the good guys, right?" New York City -- "One slave is too much:" Gorée Island -- "I lived it:" Epilogue -- About this project | |
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Datensatz im Suchindex
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| adam_text | CONTENTS Author’s Note xiii “The whole city is a memorial to slavery”— Prologue 3 “There’s a difference between history and nostalgia”— Monticello Plantation 8 “An open book, up under the sky”— The Whitney Plantation 52 “I can’t change what happened here”— Angola Prison 85 “I don’t know if it’s true or not, but I like it”— Blandford Cemetery 118 “Our Independence Day”— Galveston Island 173 xi
Contents “We were the good guys, right?”— New York City 207 “One slave is too much”— Gorée Island 239 ‘7 lived it”— Epilogue 270 About Thu Project 291 Acknowledgments 295 Notes 299 Index 321 XI!
eginning in his hometown of New Orleans, Clint Smith leads the reader on an unforget table tour of monuments and landmarks—those that are honest about the past and those that are not—that oifer an intergenerational story of how slavery has been central in shaping our nation’s collective history and memory. It is the story of the Monticello plantation in Virginia, the estate where Thomas Jefferson wrote letters espousing the urgent need for liberty while enslaving more than four hundred people. It is the story of the Whitney Plantation, one of the only former plantations devoted to preserving the experience of the enslaved people whose lives and work sustained it. It is the story of Angola, a former-plantation-turned-maximum-securityprison in Louisiana that is filled with Black men who work across the 18,000-acre land for virtually no pay. And it is the story of Blandford Cemetery, the final resting place of tens of thousands of Confederate soldiers. A deeply researched and transporting exploration of the legacy of slavery and its imprint on centuries of American history, How the Word Is Passed illustrates how some of our country’s most essential stories are hidden in plain view— whether in places we might drive by on our way to work, holidays such as Juneteenth, or entire neighborhoods like downtown Manhattan, where the brutal history of the trade in enslaved men, women, and children has been deeply imprinted. Informed by scholarship and brought to life by the stories of people living today, Smith’s debut work of nonfiction is a landmark of reflection and insight that
offers a new understanding of the hopeful role that memory and history can play in making sense of our country and how it has come tobe. B
|
| adam_txt |
CONTENTS Author’s Note xiii “The whole city is a memorial to slavery”— Prologue 3 “There’s a difference between history and nostalgia”— Monticello Plantation 8 “An open book, up under the sky”— The Whitney Plantation 52 “I can’t change what happened here”— Angola Prison 85 “I don’t know if it’s true or not, but I like it”— Blandford Cemetery 118 “Our Independence Day”— Galveston Island 173 xi
Contents “We were the good guys, right?”— New York City 207 “One slave is too much”— Gorée Island 239 ‘7 lived it”— Epilogue 270 About Thu Project 291 Acknowledgments 295 Notes 299 Index 321 XI!
eginning in his hometown of New Orleans, Clint Smith leads the reader on an unforget table tour of monuments and landmarks—those that are honest about the past and those that are not—that oifer an intergenerational story of how slavery has been central in shaping our nation’s collective history and memory. It is the story of the Monticello plantation in Virginia, the estate where Thomas Jefferson wrote letters espousing the urgent need for liberty while enslaving more than four hundred people. It is the story of the Whitney Plantation, one of the only former plantations devoted to preserving the experience of the enslaved people whose lives and work sustained it. It is the story of Angola, a former-plantation-turned-maximum-securityprison in Louisiana that is filled with Black men who work across the 18,000-acre land for virtually no pay. And it is the story of Blandford Cemetery, the final resting place of tens of thousands of Confederate soldiers. A deeply researched and transporting exploration of the legacy of slavery and its imprint on centuries of American history, How the Word Is Passed illustrates how some of our country’s most essential stories are hidden in plain view— whether in places we might drive by on our way to work, holidays such as Juneteenth, or entire neighborhoods like downtown Manhattan, where the brutal history of the trade in enslaved men, women, and children has been deeply imprinted. Informed by scholarship and brought to life by the stories of people living today, Smith’s debut work of nonfiction is a landmark of reflection and insight that
offers a new understanding of the hopeful role that memory and history can play in making sense of our country and how it has come tobe. \ B |
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| contents | "The whole city is a memorial to slavery:" Prologue -- "There's a difference between history and nostalgia:" Monticello Plantation -- "An open book, up under the sky:" The Whitney Plantation -- "I can't change what happened here:" Angola Prison -- "I don't know if it's true or not, but I like it:" Blandford Cemetery -- "Our Independence Day:" Galveston Island -- "We were the good guys, right?" New York City -- "One slave is too much:" Gorée Island -- "I lived it:" Epilogue -- About this project |
| ctrlnum | (OCoLC)1259331815 (DE-599)BVBBV047407432 |
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| discipline | Soziologie Geschichte |
| discipline_str_mv | Soziologie Geschichte |
| edition | First edition |
| era | Geschichte gnd |
| era_facet | Geschichte |
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| spelling | Smith, Clint III. 1988- Verfasser (DE-588)1238602274 aut How the word is passed a reckoning with the history of slavery across America Clint Smith First edition New York ; Boston ; London Little, Brown and Company June 2021 xiii, 336 Seiten 25 cm txt rdacontent sti rdacontent n rdamedia nc rdacarrier "The whole city is a memorial to slavery:" Prologue -- "There's a difference between history and nostalgia:" Monticello Plantation -- "An open book, up under the sky:" The Whitney Plantation -- "I can't change what happened here:" Angola Prison -- "I don't know if it's true or not, but I like it:" Blandford Cemetery -- "Our Independence Day:" Galveston Island -- "We were the good guys, right?" New York City -- "One slave is too much:" Gorée Island -- "I lived it:" Epilogue -- About this project "'How the Word is Passed' is Clint Smith's revealing, contemporary portrait of America as a slave owning nation. Beginning in his own hometown of New Orleans, Smith leads the reader through an unforgettable tour of monuments and landmarks - those that are honest about the past and those that are not - that offer an intergenerational story of how slavery has been central in shaping our nations collective history, and ourselves." Geschichte gnd rswk-swf Sklaverei (DE-588)4055260-3 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf Slavery / United States / History Slaveholders / United States / History African Americans / Social conditions / History Historic sites / United States Plantations / United States Racism / United States / History Discrimination / United States / History Ethnology / Study and teaching Minorities / Study and teaching African Americans / Study and teaching HISTORY / African American HISTORY / United States / General SOCIAL SCIENCE / Black Studies (Global) SOCIAL SCIENCE / Discrimination SOCIAL SCIENCE / Ethnic Studies / American / African American Studies African Americans African Americans / Social conditions Discrimination Historic sites Plantations Racism Slaveholders Slavery United States History / African American History Instructional and educational works USA (DE-588)4078704-7 g Sklaverei (DE-588)4055260-3 s Geschichte z DE-604 Erscheint auch als Online-Ausgabe 978-0-316-62858-7 Digitalisierung UB Passau - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032808375&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Passau - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032808375&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Smith, Clint III. 1988- How the word is passed a reckoning with the history of slavery across America "The whole city is a memorial to slavery:" Prologue -- "There's a difference between history and nostalgia:" Monticello Plantation -- "An open book, up under the sky:" The Whitney Plantation -- "I can't change what happened here:" Angola Prison -- "I don't know if it's true or not, but I like it:" Blandford Cemetery -- "Our Independence Day:" Galveston Island -- "We were the good guys, right?" New York City -- "One slave is too much:" Gorée Island -- "I lived it:" Epilogue -- About this project Sklaverei (DE-588)4055260-3 gnd |
| subject_GND | (DE-588)4055260-3 (DE-588)4078704-7 |
| title | How the word is passed a reckoning with the history of slavery across America |
| title_auth | How the word is passed a reckoning with the history of slavery across America |
| title_exact_search | How the word is passed a reckoning with the history of slavery across America |
| title_exact_search_txtP | How the word is passed a reckoning with the history of slavery across America |
| title_full | How the word is passed a reckoning with the history of slavery across America Clint Smith |
| title_fullStr | How the word is passed a reckoning with the history of slavery across America Clint Smith |
| title_full_unstemmed | How the word is passed a reckoning with the history of slavery across America Clint Smith |
| title_short | How the word is passed |
| title_sort | how the word is passed a reckoning with the history of slavery across america |
| title_sub | a reckoning with the history of slavery across America |
| topic | Sklaverei (DE-588)4055260-3 gnd |
| topic_facet | Sklaverei USA |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032808375&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032808375&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
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