Renaissance religions: modes and meanings in history
"Renaissance Religions is a wide-ranging, comprehensive, multi-disciplinary volume, with contributions organized according to four themes: Negotiating Boundaries, Modelling Spirituality, Sense and Emotion, and Space and Form. Several decades of cultural and inter-disciplinary scholarship have y...
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| Format: | Buch |
| Sprache: | English |
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Turnhout, Belgium
Brepols
[2021]
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| Schriftenreihe: | Europa sacra
volume 26 |
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| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Renaissance Religions is a wide-ranging, comprehensive, multi-disciplinary volume, with contributions organized according to four themes: Negotiating Boundaries, Modelling Spirituality, Sense and Emotion, and Space and Form. Several decades of cultural and inter-disciplinary scholarship have yielded, and continue to yield, new insights into the diversity of religious experience in Europe from the fifteenth through the seventeenth centuries. Revisionist approaches to humanism and humanists have led to a re-evaluation of the framing of belief; the boundaries between Christianity, Judaism, and Islam are seen to be more fluid and porous; a keen interest in devotion and materiality has lent new voice to 'subaltern' elements in society; sermon studies has emerged as a distinct discipline and a preacher's omissions are now understood to be often more telling than what was said; under the influence of the 'spatial turn' art and architectural history is generating new understandings of how belief and devotion translated into material culture; the emphasis in defining early modern Catholic culture and identity has moved from emphasizing reactions to Protestantism towards exploring roots and forms in fifteenth century reform movements; globalization, mass migration and issues surrounding social inclusion have re-positioned our understanding of reform in the late medieval and early modern period. The essays in this volume reflect these historiographical and methodological developments and are organized according to four themes: Negotiating Boundaries, Modelling Spirituality, Sense and Emotion, and Space and Form. This organization underscores how analysis of religious life clarifies the questions that are at the core of Renaissance studies today." |
| Beschreibung: | 400 Seiten Illustrationen, Pläne |
| ISBN: | 9782503590691 |
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Datensatz im Suchindex
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| adam_text | Table of Contents List of Illustrations 7 Acknowledgements 11 Approaching Renaissance Religions Peter Howard 13 I. NEGOTIATING BOUNDARIES Urban Laity and the Construction of Religious Identities in Renaissance Italy Sabrina Corbellini 47 RethinkingJewish Conversion to Christianity in Renaissance Italy Tamar Herzig 63 Creating Early Modern Martyrs in the Venetian- Ottoman Encounter Nirit Ben-Aryeh Debby 81 II. MODELLING SPIRITUALITY Remembering Thomas Aquinas and the Saints of Dominican Renewal: Tommaso of Siena and the Cividale Legendary Constant J. Mews and Marika Räsänen 109 Architecture and Religion in Renaissance Palaces: Patronage, Humanism, and Reformation in Northern Italy Francesca Mattéi 127 Sacred Images in Carlo Borromeo’s Instructiones: Between Liturgy and the Antique Grace Harpster 155 Iconography and Visual Hagiography: Saint Carlo Borromeo’s Portrayal in Bolognese Churches (1611-1618) Daniel M. Unger 175
8 LIST OF ILLUSTRATIONS Figure 5.5. Giulio Bonasone (attr.); Project ofPalazzo Bocchi in Bologna, Firenze, GDSU, A 12232. 1555. 13 6 Figure 5.6. Camillo Mantovano, ‘Sala a fogliami’, Palazzo Grimani in Santa Maria Formosa, Venice. 1560s. 138 Figure 5.7. Inscription on ceiling, Chapel in Palazzo Grimani, Venice. 1560s. 140 Figure 5.8. Inscription over doorway, Chapel in Palazzo Grimani, Venice. 15ÓOS. 141 Facade of Palazzo Grimani, Venice. 1560s. 142 Figure 5.9. Figure 5.10. Courtyard of Palazzo Grimani, Venice. 1537. 143 Figure 5.11. Antiquarium in Palazzo Grimani, Venice. 1560s. 144 Figure 5.12. Fireplace in the Sala di Proserpina, Palazzo Thiene, Vicenza. 1540s. 145 Figure 5.13. Villa Trissino, Cricoli, Vicenza. 1530s. 14Ճ Grace Harpster Figure 6.1. Michelangelo, Last Judgement, Vatican City, Vatican Museums, Şistine Chapel.1534-1541. 15 6 Figure 6.2. Veronese, Feast in the House of Levi, Venice, Galleria dell’Accademia. 1573. 158 Figure 6.3. ‘Printed ruler from the Instructiones’, in Acta Ecclesiae Mediolanensis (1599 edition), p. 638.1582. 1Ճ2 Daniel M. Unger Figure 7.1. Lorenzo Garbieri, St Carlo Borromeo s Procession of the Holy Nail, Bologna, San PaoloMaggiore. 1611. 178 Figure 7.2. Lorenzo Garbieri, Carlo Borromeo Administers the Last Communion to the Plague-Stricken, Bologna, San Paolo Maggiore. 1611. 180 Figure 7.3. Lorenzo Garbieri, The Proclamation of the Barnabites Rule by Carlo Borromeo, Bologna, San Paolo Maggiore. 1611. 181 Figure 7.4. San Paolo Maggiore seen from the entrance with Garbieri’s Proclamation of the Barnabites’ Rule by Carlo Borromeo in the
first chapel. Bologna, San Paolo Maggiore. 1611. 182 Figure 7.5. Lorenzo Garbieri, St Carlo Borromeo s Procession of the Holy Nail (detail), Bologna, San Paolo Maggiore. 1611. 183 Alessandro Tiarini, Cappella San Carlo Borromeo, Bologna, San Michele in Bosco. 1614/15. 185 Alessandro Tiarini, Last Communion of St Carlo, Bologna, San Michele in Bosco. 1614/15. 186 Figure 7.6. Figure 7.7.
LIST OF ILLUSTRATIONS Figure 7.8. Alessandro Tiarini, The Angel Descendingfrom Heaven, Bologna, San Michele in Bosco. 1614/15. 188 Figure 7.9. Giovanni Francesco Gessi, St Carlo Borromeo s Procession of the Holy Nail, Bologna, Santa Maria Regina dei Cieli (also known as Santa Maria dei Poveri). 1612/14. 190 Figure 7.10. Giovanni Francesco Gessi, St Carlo Borromeo s Procession of the Holy Nail (detail), Bologna, Santa Maria Regina dei Cieli (also known as Santa Maria dei Poveri). 1612/14. 191 Figure 7.11. Guido Reni, Pietà dei Mendicanti, Bologna, Pinacoteca Nazionale. 1613-1616. 192 Figure 7.12. Lucio Massari, St Carlo Boromeo Adoring the Crucifix, Bologna, Santa Madonna del Baraccano. Early seventeenth century. 194 Figure 7.13. Ludovico Carracci, St Carlo Borromeo Praying in the Sacro Monte in Varallo, Bologna, Santi Bartolomeo e Gaetano. Early seventeenth century. 195 Figure 7.14. Francesco Brizio, San Carlo in Prayer, Bologna, San Petronio. 1615. 196 Figure 7.15. Alessandro Tiarini, Santi Alberto e Carlo, Bologna, San Martino. Early seventeenth century. 197 Figure 7.16. Ludovico Carracci, St Carlo Borromeo Adoring Baby Jesus with the Madonna, St Joseph and Angels, Forlì, Pinacoteca Civica. Early seventeenth century. 198 Steven F. H. Stowell Figure 8.1. Titian, Penitent Magdalen, Florence, Palazzo Pitti, Galleria Palatina, c. 1533-1535. 214 Titian, Penitent Mary Magdalen, Naples, Museo Nazionale di Capodimonte, c. 1550. 216 Figure 8.3. Guercino (Giovanni Francesco Barbieri), Susanna and the Elders, Parma, Galleria Nazionale. 1649-1650. 220 Figure 8.4. Anonymous Fiorentine
(Jacopo di Cione?), The Annunciation of the Virgin, Florence, Santissima Annunziata. Traditionally dated to 1252, now believed to be from the fourteenth century. 226 Figure 8.2. Xavier Torres Map юл. Itinerary of the procession of the Seven Churches in Bologna. 2.61 Rebecca M. Gill Figure uu. Galeazzo Alessi, ‘Santa Maria Assunta di Carignano’, Genoa. 1549. 278 9
10 LIST OF ILLUSTRATIONS Figure 11.2. ‘Plan of Santa Maria di Carignano de Signori Sauli’, London, RIBA Library Drawings and Archives Collections. 1607. 279 Figure 11.3. Galeazzo Alessi, ‘Interior, Santa Maria Assunta di Carignano’, Genoa. 1549. 280 Figure 11.4. Desiderio da Settignano, ‘Ciborium for the Sacrament’, Washington, National Gallery of Art. Fifteenth century. Figure 11.5. Pierre Puget, ‘Project for an altar and baldachin for Santa Maria di Carignano, Genoa’, Marseille, Musée des BeauxArts, drawing inv. 264. Mid-seventeenth century. Figure 11.6. Michele Sanmicheli, ‘Tornacoro Screen’, Verona, Cathedral, c. 1534. 287 290 293 Sally J. Cornelison Figure 12.1. Area of St Donato, Arezzo, Cathedral. Mid-uőos - c. 1374. 304 Figure 12.2. Cristofano Donato Conti, Plan, Pieve, Arezzo, Archivio Storico Diocesano Arezzo, Archivio della Pieve. Before 1799. 305 Figure 12.3. Pietro Lorenzetti, ‘Pieve Polyptych’, Arezzo, Pieve di Santa Maria. 1320-1324. Photo courtesy of Marco Botti. 307 Figure 12.4. Giorgio Vasari, ‘Albergotti Altarpiece (Coronation of the Virgin)’, Arezzo, Badia of Sts Flora and Lucilla, c. 1566-1570. 308 Figure 12.5. Giorgio Vasari, ‘Pieve Altar’, Arezzo, Badia of Sts Flora and LuciUa. 1560-1564. 309 Figure 12.6. ‘Sts Donato and Stephen’, detail of Giorgio Vasari, ‘Pieve Altar’, Arezzo, Badia of Sts Flora and Lucilla. 1560-1564. 311 Figure 12.7. ‘Sts Paul and George’, detail of Giorgio Vasari, ‘Pieve Altar’, Arezzo, Badia of Sts Flora and Lucilla. 1560-1564. 312 Figure 12.8. ‘Sts Donato and Peter’, Arezzo, Cathedral, Altar of St Donato. After the late
thirteenthcentury. 315 Figure 12.9. ‘Blessed Pope Gregory X and St Paul’, Arezzo, Cathedral, Altar of St Donato. After the late thirteenth century. 316 Figure 12.10. Plan, Arezzo Cathedral. 318 Serena Quagliaroli Figure 14.1. Ercole Procaccini the Elder, Saint Cecilia, Parma, Cathedral. 1560/62. 348 Figure 14.2. Camillo Boccaccino, Isaiah and David,Piacenza, Musei Civici di Palazzo Farnese. 1530. 351 Figure 14.3. Cosmè Tura, Annunciation, Ferrara, Museo della Cattedrale. 1469. 353 Figure 14.4. Alessandro Bonvicino, cailed Moretto, Saints Peter and Paul Sustain the Church, Brescia, San Pietro in Oliveto. c. 1550. 359
|
| adam_txt |
Table of Contents List of Illustrations 7 Acknowledgements 11 Approaching Renaissance Religions Peter Howard 13 I. NEGOTIATING BOUNDARIES Urban Laity and the Construction of Religious Identities in Renaissance Italy Sabrina Corbellini 47 RethinkingJewish Conversion to Christianity in Renaissance Italy Tamar Herzig 63 Creating Early Modern Martyrs in the Venetian- Ottoman Encounter Nirit Ben-Aryeh Debby 81 II. MODELLING SPIRITUALITY Remembering Thomas Aquinas and the Saints of Dominican Renewal: Tommaso of Siena and the Cividale Legendary Constant J. Mews and Marika Räsänen 109 Architecture and Religion in Renaissance Palaces: Patronage, Humanism, and Reformation in Northern Italy Francesca Mattéi 127 Sacred Images in Carlo Borromeo’s Instructiones: Between Liturgy and the Antique Grace Harpster 155 Iconography and Visual Hagiography: Saint Carlo Borromeo’s Portrayal in Bolognese Churches (1611-1618) Daniel M. Unger 175
8 LIST OF ILLUSTRATIONS Figure 5.5. Giulio Bonasone (attr.); Project ofPalazzo Bocchi in Bologna, Firenze, GDSU, A 12232. 1555. 13 6 Figure 5.6. Camillo Mantovano, ‘Sala a fogliami’, Palazzo Grimani in Santa Maria Formosa, Venice. 1560s. 138 Figure 5.7. Inscription on ceiling, Chapel in Palazzo Grimani, Venice. 1560s. 140 Figure 5.8. Inscription over doorway, Chapel in Palazzo Grimani, Venice. 15ÓOS. 141 Facade of Palazzo Grimani, Venice. 1560s. 142 Figure 5.9. Figure 5.10. Courtyard of Palazzo Grimani, Venice. 1537. 143 Figure 5.11. Antiquarium in Palazzo Grimani, Venice. 1560s. 144 Figure 5.12. Fireplace in the Sala di Proserpina, Palazzo Thiene, Vicenza. 1540s. 145 Figure 5.13. Villa Trissino, Cricoli, Vicenza. 1530s. 14Ճ Grace Harpster Figure 6.1. Michelangelo, Last Judgement, Vatican City, Vatican Museums, Şistine Chapel.1534-1541. 15 6 Figure 6.2. Veronese, Feast in the House of Levi, Venice, Galleria dell’Accademia. 1573. 158 Figure 6.3. ‘Printed ruler from the Instructiones’, in Acta Ecclesiae Mediolanensis (1599 edition), p. 638.1582. 1Ճ2 Daniel M. Unger Figure 7.1. Lorenzo Garbieri, St Carlo Borromeo's Procession of the Holy Nail, Bologna, San PaoloMaggiore. 1611. 178 Figure 7.2. Lorenzo Garbieri, Carlo Borromeo Administers the Last Communion to the Plague-Stricken, Bologna, San Paolo Maggiore. 1611. 180 Figure 7.3. Lorenzo Garbieri, The Proclamation of the Barnabites' Rule by Carlo Borromeo, Bologna, San Paolo Maggiore. 1611. 181 Figure 7.4. San Paolo Maggiore seen from the entrance with Garbieri’s Proclamation of the Barnabites’ Rule by Carlo Borromeo in the
first chapel. Bologna, San Paolo Maggiore. 1611. 182 Figure 7.5. Lorenzo Garbieri, St Carlo Borromeo's Procession of the Holy Nail (detail), Bologna, San Paolo Maggiore. 1611. 183 Alessandro Tiarini, Cappella San Carlo Borromeo, Bologna, San Michele in Bosco. 1614/15. 185 Alessandro Tiarini, Last Communion of St Carlo, Bologna, San Michele in Bosco. 1614/15. 186 Figure 7.6. Figure 7.7.
LIST OF ILLUSTRATIONS Figure 7.8. Alessandro Tiarini, The Angel Descendingfrom Heaven, Bologna, San Michele in Bosco. 1614/15. 188 Figure 7.9. Giovanni Francesco Gessi, St Carlo Borromeo's Procession of the Holy Nail, Bologna, Santa Maria Regina dei Cieli (also known as Santa Maria dei Poveri). 1612/14. 190 Figure 7.10. Giovanni Francesco Gessi, St Carlo Borromeo's Procession of the Holy Nail (detail), Bologna, Santa Maria Regina dei Cieli (also known as Santa Maria dei Poveri). 1612/14. 191 Figure 7.11. Guido Reni, Pietà dei Mendicanti, Bologna, Pinacoteca Nazionale. 1613-1616. 192 Figure 7.12. Lucio Massari, St Carlo Boromeo Adoring the Crucifix, Bologna, Santa Madonna del Baraccano. Early seventeenth century. 194 Figure 7.13. Ludovico Carracci, St Carlo Borromeo Praying in the Sacro Monte in Varallo, Bologna, Santi Bartolomeo e Gaetano. Early seventeenth century. 195 Figure 7.14. Francesco Brizio, San Carlo in Prayer, Bologna, San Petronio. 1615. 196 Figure 7.15. Alessandro Tiarini, Santi Alberto e Carlo, Bologna, San Martino. Early seventeenth century. 197 Figure 7.16. Ludovico Carracci, St Carlo Borromeo Adoring Baby Jesus with the Madonna, St Joseph and Angels, Forlì, Pinacoteca Civica. Early seventeenth century. 198 Steven F. H. Stowell Figure 8.1. Titian, Penitent Magdalen, Florence, Palazzo Pitti, Galleria Palatina, c. 1533-1535. 214 Titian, Penitent Mary Magdalen, Naples, Museo Nazionale di Capodimonte, c. 1550. 216 Figure 8.3. Guercino (Giovanni Francesco Barbieri), Susanna and the Elders, Parma, Galleria Nazionale. 1649-1650. 220 Figure 8.4. Anonymous Fiorentine
(Jacopo di Cione?), The Annunciation of the Virgin, Florence, Santissima Annunziata. Traditionally dated to 1252, now believed to be from the fourteenth century. 226 Figure 8.2. Xavier Torres Map юл. Itinerary of the procession of the Seven Churches in Bologna. 2.61 Rebecca M. Gill Figure uu. Galeazzo Alessi, ‘Santa Maria Assunta di Carignano’, Genoa. 1549. 278 9
10 LIST OF ILLUSTRATIONS Figure 11.2. ‘Plan of Santa Maria di Carignano de Signori Sauli’, London, RIBA Library Drawings and Archives Collections. 1607. 279 Figure 11.3. Galeazzo Alessi, ‘Interior, Santa Maria Assunta di Carignano’, Genoa. 1549. 280 Figure 11.4. Desiderio da Settignano, ‘Ciborium for the Sacrament’, Washington, National Gallery of Art. Fifteenth century. Figure 11.5. Pierre Puget, ‘Project for an altar and baldachin for Santa Maria di Carignano, Genoa’, Marseille, Musée des BeauxArts, drawing inv. 264. Mid-seventeenth century. Figure 11.6. Michele Sanmicheli, ‘Tornacoro Screen’, Verona, Cathedral, c. 1534. 287 290 293 Sally J. Cornelison Figure 12.1. Area of St Donato, Arezzo, Cathedral. Mid-uőos - c. 1374. 304 Figure 12.2. Cristofano Donato Conti, Plan, Pieve, Arezzo, Archivio Storico Diocesano Arezzo, Archivio della Pieve. Before 1799. 305 Figure 12.3. Pietro Lorenzetti, ‘Pieve Polyptych’, Arezzo, Pieve di Santa Maria. 1320-1324. Photo courtesy of Marco Botti. 307 Figure 12.4. Giorgio Vasari, ‘Albergotti Altarpiece (Coronation of the Virgin)’, Arezzo, Badia of Sts Flora and Lucilla, c. 1566-1570. 308 Figure 12.5. Giorgio Vasari, ‘Pieve Altar’, Arezzo, Badia of Sts Flora and LuciUa. 1560-1564. 309 Figure 12.6. ‘Sts Donato and Stephen’, detail of Giorgio Vasari, ‘Pieve Altar’, Arezzo, Badia of Sts Flora and Lucilla. 1560-1564. 311 Figure 12.7. ‘Sts Paul and George’, detail of Giorgio Vasari, ‘Pieve Altar’, Arezzo, Badia of Sts Flora and Lucilla. 1560-1564. 312 Figure 12.8. ‘Sts Donato and Peter’, Arezzo, Cathedral, Altar of St Donato. After the late
thirteenthcentury. 315 Figure 12.9. ‘Blessed Pope Gregory X and St Paul’, Arezzo, Cathedral, Altar of St Donato. After the late thirteenth century. 316 Figure 12.10. Plan, Arezzo Cathedral. 318 Serena Quagliaroli Figure 14.1. Ercole Procaccini the Elder, Saint Cecilia, Parma, Cathedral. 1560/62. 348 Figure 14.2. Camillo Boccaccino, Isaiah and David,Piacenza, Musei Civici di Palazzo Farnese. 1530. 351 Figure 14.3. Cosmè Tura, Annunciation, Ferrara, Museo della Cattedrale. 1469. 353 Figure 14.4. Alessandro Bonvicino, cailed Moretto, Saints Peter and Paul Sustain the Church, Brescia, San Pietro in Oliveto. c. 1550. 359 |
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| genre_facet | Konferenzschrift Aufsatzsammlung |
| geographic | Europa (DE-588)4015701-5 gnd |
| geographic_facet | Europa |
| id | DE-604.BV047406711 |
| illustrated | Illustrated |
| index_date | 2024-07-03T17:54:16Z |
| indexdate | 2024-07-10T09:11:15Z |
| institution | BVB |
| isbn | 9782503590691 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032807671 |
| oclc_num | 1289772586 |
| open_access_boolean | |
| owner | DE-19 DE-BY-UBM DE-12 DE-Y3 DE-11 DE-Y2 DE-70 |
| owner_facet | DE-19 DE-BY-UBM DE-12 DE-Y3 DE-11 DE-Y2 DE-70 |
| physical | 400 Seiten Illustrationen, Pläne |
| psigel | BSB_NED_20210831 |
| publishDate | 2021 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | Brepols |
| record_format | marc |
| series | Europa sacra |
| series2 | Europa sacra |
| spelling | Renaissance religions modes and meanings in history edited by Peter Howard, Nicholas Terpstra, and Riccardo Saccenti Turnhout, Belgium Brepols [2021] © 2021 400 Seiten Illustrationen, Pläne txt rdacontent n rdamedia nc rdacarrier Europa sacra volume 26 "Renaissance Religions is a wide-ranging, comprehensive, multi-disciplinary volume, with contributions organized according to four themes: Negotiating Boundaries, Modelling Spirituality, Sense and Emotion, and Space and Form. Several decades of cultural and inter-disciplinary scholarship have yielded, and continue to yield, new insights into the diversity of religious experience in Europe from the fifteenth through the seventeenth centuries. Revisionist approaches to humanism and humanists have led to a re-evaluation of the framing of belief; the boundaries between Christianity, Judaism, and Islam are seen to be more fluid and porous; a keen interest in devotion and materiality has lent new voice to 'subaltern' elements in society; sermon studies has emerged as a distinct discipline and a preacher's omissions are now understood to be often more telling than what was said; under the influence of the 'spatial turn' art and architectural history is generating new understandings of how belief and devotion translated into material culture; the emphasis in defining early modern Catholic culture and identity has moved from emphasizing reactions to Protestantism towards exploring roots and forms in fifteenth century reform movements; globalization, mass migration and issues surrounding social inclusion have re-positioned our understanding of reform in the late medieval and early modern period. The essays in this volume reflect these historiographical and methodological developments and are organized according to four themes: Negotiating Boundaries, Modelling Spirituality, Sense and Emotion, and Space and Form. This organization underscores how analysis of religious life clarifies the questions that are at the core of Renaissance studies today." Geschichte 1400-1700 gnd rswk-swf Religion (DE-588)4049396-9 gnd rswk-swf Europa (DE-588)4015701-5 gnd rswk-swf Religion / History / To 1500 Religion / History / 16th century Renaissance (DE-588)1071861417 Konferenzschrift gnd-content (DE-588)4143413-4 Aufsatzsammlung gnd-content Europa (DE-588)4015701-5 g Religion (DE-588)4049396-9 s Geschichte 1400-1700 z DE-604 Howard, Peter 1953- (DE-588)1121924891 edt Terpstra, Nicholas 1956- (DE-588)132124505 edt Saccenti, Riccardo 1981- (DE-588)1042975434 edt Erscheint auch als Online-Ausgabe 978-2-503-59070-7 Europa sacra volume 26 (DE-604)BV022536917 26 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032807671&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Renaissance religions modes and meanings in history Europa sacra Religion (DE-588)4049396-9 gnd |
| subject_GND | (DE-588)4049396-9 (DE-588)4015701-5 (DE-588)1071861417 (DE-588)4143413-4 |
| title | Renaissance religions modes and meanings in history |
| title_auth | Renaissance religions modes and meanings in history |
| title_exact_search | Renaissance religions modes and meanings in history |
| title_exact_search_txtP | Renaissance religions modes and meanings in history |
| title_full | Renaissance religions modes and meanings in history edited by Peter Howard, Nicholas Terpstra, and Riccardo Saccenti |
| title_fullStr | Renaissance religions modes and meanings in history edited by Peter Howard, Nicholas Terpstra, and Riccardo Saccenti |
| title_full_unstemmed | Renaissance religions modes and meanings in history edited by Peter Howard, Nicholas Terpstra, and Riccardo Saccenti |
| title_short | Renaissance religions |
| title_sort | renaissance religions modes and meanings in history |
| title_sub | modes and meanings in history |
| topic | Religion (DE-588)4049396-9 gnd |
| topic_facet | Religion Europa Konferenzschrift Aufsatzsammlung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032807671&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV022536917 |
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