Fenomeny kulʹtury sovremennych staroobrjadcev-časovennych Enisejskich Sibiri:
Феномены культуры современных старообрядцев-часовенных Енисейских Сибири
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | Russian |
Veröffentlicht: |
Krasnojarsk
OOO Tipografija "KASS"
2021
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Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis Abstract |
Beschreibung: | 411 Seiten Illustrationen (teils farbig) |
ISBN: | 9785604571965 |
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880 | 1 | 0 | |6 245-02/(N |a Феномены культуры современных старообрядцев-часовенных Енисейских Сибири |c А.В. Костров |
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Datensatz im Suchindex
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adam_text | Оглавление Введение.................................................................................................... 5 1. История, структура и особенности культуры часовенного согласия старообрядчества ....................... .................................... 11 1.1. Древлеправославие, раскол
и старообрядчество ...............11 1.2. История, структура и система связей часовенного согласия........................................................................35 1.3. Особенности культуры часовенного согласия.....................75 2. Феномены современной культуры и искусства часовенных:
от традиции к новации...................................................................... 120 2.1. Лестовка: традиционные функции и феноменология современного бытования................................................................120 2.2. Новопечатные книги: игра традиции и
новации...............137 2.3. Визуально-текстовая агиография в современном искусстве часовенных.................................................................... 163 2.4. Картина маслом: религиозный пейзаж как новый жанр .179 3. Новый лубок как зеркало культуры и мировоззрения ... 193 3.1.
Бытование нового лубка (настенного листа) у часовенных старообрядцев........................................................193 3.2. Социокультурный автопортрет согласия в отдельно взятом настенном листе................................................... 229 3.3. История, современность и будущее в
новом лубке часовенных..............................................................244
Заключение............................................................................................272 Библиография..................................................................................... 275 Приложения и иллюстрации......................................................... 296 -4
Summary The author of the present monograph undertakes a detailed analysis of the phenomenology of culture and art of the modem Old Believers belonging to «Chasovennoe soglasiye (hierarchy)» living in the space of Yenisei Siberia and beyond. Along with an excursion into the history and description of the current state of this unique group, the author invites readers to consider the creative components of this group»s religious life from the point of cultural and visual anthropology. The present research is based on the outcomes of numerous expeditions to the areas where taiga old-believers «Chasovennoe soglasiye» are concentrated. During the expeditions, Old Believers villages in remote areas, as well as sketes, which are one of the spiritual centers of modem Old Believers, were examined. Unlike most other Old Believers communities that are integrated into the modem society and its culture, the relative isolation concept remains relevant among the Old Believers «Chasovennoe soglasiye». They aim to save and develop their church as a group of the Christians (both laymen and monks) separated from the sinful world. In addition to the doctrine of the group, there are other important factors to facilitate this: settlements remoteness and «invisibility»; a network structure based on family, clan, community and confessional communications; the presence of an evolving center as a set of taiga monasteries; connection with the communities abroad that escaped the Soviet secularization influence, etc. The first chapter is an introduction to the history and culture of the Old Believers
as an archetypal phenomenon of the Russian public conscience. It is based on developments of well-known predecessors and the author»s theory of transition periods grounded on the historical and geopolitical methodology. Most of the chapter is focused on the history, structure and cultural features of the «Chasovennoe soglasiye». The first chapter serves as a starting point and context to trace the development of the phenomena being considered in the monograph. The structure of the second chapter reveals the progress from the traditional phenomenon in a form of «lestovka» (Old Believers» rosary) to the new published books as well as to even more innovative one - religious portrait and landscape. Thus, both a wide range of cultural phenomena and different degrees of traditionalism and innovation in them are represented. The third chapter is devoted to the most versatile visual and textual phenomenon of culture and art of «Chasovennoe soglasiye» in the form of a modem folk poster («Novy Lubok»). Through its creation, content and existence, many key issues of the game of tradition and innovation, the view of man and society, their history, modernity and the future are manifested. The author comes to the conclusion that the group being studied is distinguished by both a unique level of traditions maintenance and actively developed innovations manifested in their confessional art. 411
|
adam_txt |
Оглавление Введение. 5 1. История, структура и особенности культуры часовенного согласия старообрядчества . . 11 1.1. Древлеправославие, раскол
и старообрядчество .11 1.2. История, структура и система связей часовенного согласия.35 1.3. Особенности культуры часовенного согласия.75 2. Феномены современной культуры и искусства часовенных:
от традиции к новации. 120 2.1. Лестовка: традиционные функции и феноменология современного бытования.120 2.2. Новопечатные книги: игра традиции и
новации.137 2.3. Визуально-текстовая агиография в современном искусстве часовенных. 163 2.4. Картина маслом: религиозный пейзаж как новый жанр .179 3. Новый лубок как зеркало культуры и мировоззрения . 193 3.1.
Бытование нового лубка (настенного листа) у часовенных старообрядцев.193 3.2. Социокультурный автопортрет согласия в отдельно взятом настенном листе. 229 3.3. История, современность и будущее в
новом лубке часовенных.244
Заключение.272 Библиография. 275 Приложения и иллюстрации. 296 -4
Summary The author of the present monograph undertakes a detailed analysis of the phenomenology of culture and art of the modem Old Believers belonging to «Chasovennoe soglasiye (hierarchy)» living in the space of Yenisei Siberia and beyond. Along with an excursion into the history and description of the current state of this unique group, the author invites readers to consider the creative components of this group»s religious life from the point of cultural and visual anthropology. The present research is based on the outcomes of numerous expeditions to the areas where taiga old-believers «Chasovennoe soglasiye» are concentrated. During the expeditions, Old Believers villages in remote areas, as well as sketes, which are one of the spiritual centers of modem Old Believers, were examined. Unlike most other Old Believers communities that are integrated into the modem society and its culture, the relative isolation concept remains relevant among the Old Believers «Chasovennoe soglasiye». They aim to save and develop their church as a group of the Christians (both laymen and monks) separated from the sinful world. In addition to the doctrine of the group, there are other important factors to facilitate this: settlements remoteness and «invisibility»; a network structure based on family, clan, community and confessional communications; the presence of an evolving center as a set of taiga monasteries; connection with the communities abroad that escaped the Soviet secularization influence, etc. The first chapter is an introduction to the history and culture of the Old Believers
as an archetypal phenomenon of the Russian public conscience. It is based on developments of well-known predecessors and the author»s theory of transition periods grounded on the historical and geopolitical methodology. Most of the chapter is focused on the history, structure and cultural features of the «Chasovennoe soglasiye». The first chapter serves as a starting point and context to trace the development of the phenomena being considered in the monograph. The structure of the second chapter reveals the progress from the traditional phenomenon in a form of «lestovka» (Old Believers» rosary) to the new published books as well as to even more innovative one - religious portrait and landscape. Thus, both a wide range of cultural phenomena and different degrees of traditionalism and innovation in them are represented. The third chapter is devoted to the most versatile visual and textual phenomenon of culture and art of «Chasovennoe soglasiye» in the form of a modem folk poster («Novy Lubok»). Through its creation, content and existence, many key issues of the game of tradition and innovation, the view of man and society, their history, modernity and the future are manifested. The author comes to the conclusion that the group being studied is distinguished by both a unique level of traditions maintenance and actively developed innovations manifested in their confessional art. 411 |
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spellingShingle | Kostrov, Aleksandr Valerʹevič ca. 20./21. Jh Fenomeny kulʹtury sovremennych staroobrjadcev-časovennych Enisejskich Sibiri Kultur (DE-588)4125698-0 gnd Raskolniki (DE-588)4176972-7 gnd |
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title | Fenomeny kulʹtury sovremennych staroobrjadcev-časovennych Enisejskich Sibiri |
title_auth | Fenomeny kulʹtury sovremennych staroobrjadcev-časovennych Enisejskich Sibiri |
title_exact_search | Fenomeny kulʹtury sovremennych staroobrjadcev-časovennych Enisejskich Sibiri |
title_exact_search_txtP | Fenomeny kulʹtury sovremennych staroobrjadcev-časovennych Enisejskich Sibiri |
title_full | Fenomeny kulʹtury sovremennych staroobrjadcev-časovennych Enisejskich Sibiri A.V. Kostrov |
title_fullStr | Fenomeny kulʹtury sovremennych staroobrjadcev-časovennych Enisejskich Sibiri A.V. Kostrov |
title_full_unstemmed | Fenomeny kulʹtury sovremennych staroobrjadcev-časovennych Enisejskich Sibiri A.V. Kostrov |
title_short | Fenomeny kulʹtury sovremennych staroobrjadcev-časovennych Enisejskich Sibiri |
title_sort | fenomeny kulʹtury sovremennych staroobrjadcev casovennych enisejskich sibiri |
topic | Kultur (DE-588)4125698-0 gnd Raskolniki (DE-588)4176972-7 gnd |
topic_facet | Kultur Raskolniki Jenissei-Gebiet Sibirien |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032805690&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032805690&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
work_keys_str_mv | AT kostrovaleksandrvalerʹevic fenomenykulʹturysovremennychstaroobrjadcevcasovennychenisejskichsibiri |