Genre and extravagance in the novel: lower frequencies
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Oxford, United Kingdom
Oxford University Press
2021
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| Ausgabe: | First edition |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | Literaturverzeichnis: Seite 215-230 |
| Beschreibung: | xi, 235 Seiten Illustrationen 24 cm |
| ISBN: | 9780192897763 |
Internformat
MARC
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Datensatz im Suchindex
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| adam_text | Contents Figures 1. Genre and Extravagance xvii 1 2. When the Exception Is the Rule 23 3. Textual Indigence in the Archive 47 4. Fairy Tale Epic 73 5. Vessels of Consciousness 101 6. Armed with Madness 131 7. Ruminant Curiosity 160 8. Nietzsche in the Nursery 181 Coda: “IS THIS A NOVEL?” Bibliography Index 209 215 231
This book addresses an anomaly in the novel as genre: the generic promise to readers—that “reading a novel” is a familiar and repeatable experience—is challenged by the extravagant exceptions to this rule. Furthermore, these exceptions (such as Moby-Dick, Ulysses, or To the Lighthouse) are sui generis, hybrid concoctions that cannot be said to be typical novels. The novel, then, as literary form, succeeds by extravagantly disregarding or even disavowing the protocols of its own genre. Examining a number of famous examples from Don Quixote to Nostromo, this book offers an anatomy of exceptions that illustrate the structural role of their exceptionality for the prestige of the novel as literary form.
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| adam_txt |
Contents Figures 1. Genre and Extravagance xvii 1 2. When the Exception Is the Rule 23 3. Textual Indigence in the Archive 47 4. Fairy Tale Epic 73 5. Vessels of Consciousness 101 6. Armed with Madness 131 7. Ruminant Curiosity 160 8. Nietzsche in the Nursery 181 Coda: “IS THIS A NOVEL?” Bibliography Index 209 215 231
This book addresses an anomaly in the novel as genre: the generic promise to readers—that “reading a novel” is a familiar and repeatable experience—is challenged by the extravagant exceptions to this rule. Furthermore, these exceptions (such as Moby-Dick, Ulysses, or To the Lighthouse) are sui generis, hybrid concoctions that cannot be said to be typical novels. The novel, then, as literary form, succeeds by extravagantly disregarding or even disavowing the protocols of its own genre. Examining a number of famous examples from Don Quixote to Nostromo, this book offers an anatomy of exceptions that illustrate the structural role of their exceptionality for the prestige of the novel as literary form. |
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| author | Rasula, Jed 1952- |
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| building | Verbundindex |
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| ctrlnum | (OCoLC)1268189111 (DE-599)KXP1762786222 |
| dewey-full | 809.3 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 809 - History, description & criticism |
| dewey-raw | 809.3 |
| dewey-search | 809.3 |
| dewey-sort | 3809.3 |
| dewey-tens | 800 - Literature (Belles-lettres) and rhetoric |
| discipline | Literaturwissenschaft |
| discipline_str_mv | Literaturwissenschaft |
| edition | First edition |
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