Heightened genre and women's filmmaking in Hollywood: the rise of the cine-fille
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cham, Switzerland
Palgrave Macmillan
[2021]
|
| Schlagworte: | |
| Beschreibung: | 1. Introduction: Little Women and cine-filles: works cited -- 2. Genre as pastiche in women's filmmaking: gendering film authorship, genre and affective address, heightened genericity and the female director, works cited -- 3. Pastiching the popular: remaking romantic and family comedy, timelessness and transience in amy Heckerling's Teen-Worlds: From Clueless (1995) to I could never be your woman (2007) and Vamps (2012), Twilight (Catherine Hardwicke, 2008) as Teen Gothic cycles of war: Stop-Loss (Kimberly Peirce, 2008), works cited -- 4. Art imitating life imitating art: The war on Terror as procedural thriller in Zero Dark Thirty (Kathryn Bigelow, 2013), Embodying history in Detroit (Bigelow, 2017), Historical biography and heritage: Marie Antoinette (Sofia Coppola, 2006) -- The sports movie as docudrama in Lords of Dogtown (Hardwicke, 2005), works cited -- 5. Conclusion: communal autofiction and public subjectivity in The bling ring (Coppola, 2013), works cited |
| Beschreibung: | xiv, 304 Seiten Illustrationen |
| ISBN: | 9783030709938 9783030709969 |
Internformat
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| 500 | |a 1. Introduction: Little Women and cine-filles: works cited -- 2. Genre as pastiche in women's filmmaking: gendering film authorship, genre and affective address, heightened genericity and the female director, works cited -- 3. Pastiching the popular: remaking romantic and family comedy, timelessness and transience in amy Heckerling's Teen-Worlds: From Clueless (1995) to I could never be your woman (2007) and Vamps (2012), Twilight (Catherine Hardwicke, 2008) as Teen Gothic cycles of war: Stop-Loss (Kimberly Peirce, 2008), works cited -- 4. Art imitating life imitating art: The war on Terror as procedural thriller in Zero Dark Thirty (Kathryn Bigelow, 2013), Embodying history in Detroit (Bigelow, 2017), Historical biography and heritage: Marie Antoinette (Sofia Coppola, 2006) -- The sports movie as docudrama in Lords of Dogtown (Hardwicke, 2005), works cited -- 5. Conclusion: communal autofiction and public subjectivity in The bling ring (Coppola, 2013), works cited | ||
| 648 | 7 | |a Geschichte 1990-2021 |2 gnd |9 rswk-swf | |
| 650 | 4 | |a Directing | |
| 650 | 4 | |a Culture and Gender | |
| 650 | 4 | |a American Cinema and TV. | |
| 650 | 4 | |a Genre | |
| 650 | 4 | |a Film/TV Industry | |
| 650 | 4 | |a Motion pictures—Production and direction | |
| 650 | 4 | |a Culture | |
| 650 | 4 | |a Gender | |
| 650 | 4 | |a Motion pictures—United States | |
| 650 | 4 | |a Film genres | |
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| dewey-full | 791.4 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.4 |
| dewey-search | 791.4 |
| dewey-sort | 3791.4 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| discipline_str_mv | Allgemeines |
| era | Geschichte 1990-2021 gnd |
| era_facet | Geschichte 1990-2021 |
| format | Book |
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| spelling | Harrod, Mary Verfasser (DE-588)1066922535 aut Heightened genre and women's filmmaking in Hollywood the rise of the cine-fille Mary Harrod Cham, Switzerland Palgrave Macmillan [2021] © 2021 xiv, 304 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier 1. Introduction: Little Women and cine-filles: works cited -- 2. Genre as pastiche in women's filmmaking: gendering film authorship, genre and affective address, heightened genericity and the female director, works cited -- 3. Pastiching the popular: remaking romantic and family comedy, timelessness and transience in amy Heckerling's Teen-Worlds: From Clueless (1995) to I could never be your woman (2007) and Vamps (2012), Twilight (Catherine Hardwicke, 2008) as Teen Gothic cycles of war: Stop-Loss (Kimberly Peirce, 2008), works cited -- 4. Art imitating life imitating art: The war on Terror as procedural thriller in Zero Dark Thirty (Kathryn Bigelow, 2013), Embodying history in Detroit (Bigelow, 2017), Historical biography and heritage: Marie Antoinette (Sofia Coppola, 2006) -- The sports movie as docudrama in Lords of Dogtown (Hardwicke, 2005), works cited -- 5. Conclusion: communal autofiction and public subjectivity in The bling ring (Coppola, 2013), works cited Geschichte 1990-2021 gnd rswk-swf Directing Culture and Gender American Cinema and TV. Genre Film/TV Industry Motion pictures—Production and direction Culture Gender Motion pictures—United States Film genres Motion pictures Regisseurin (DE-588)4281949-0 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Film (DE-588)4017102-4 s Regisseurin (DE-588)4281949-0 s Geschichte 1990-2021 z DE-604 Erscheint auch als Online-Ausgabe 978-3-030-70994-5 |
| spellingShingle | Harrod, Mary Heightened genre and women's filmmaking in Hollywood the rise of the cine-fille Directing Culture and Gender American Cinema and TV. Genre Film/TV Industry Motion pictures—Production and direction Culture Gender Motion pictures—United States Film genres Motion pictures Regisseurin (DE-588)4281949-0 gnd Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)4281949-0 (DE-588)4017102-4 (DE-588)4078704-7 |
| title | Heightened genre and women's filmmaking in Hollywood the rise of the cine-fille |
| title_auth | Heightened genre and women's filmmaking in Hollywood the rise of the cine-fille |
| title_exact_search | Heightened genre and women's filmmaking in Hollywood the rise of the cine-fille |
| title_exact_search_txtP | Heightened genre and women's filmmaking in Hollywood the rise of the cine-fille |
| title_full | Heightened genre and women's filmmaking in Hollywood the rise of the cine-fille Mary Harrod |
| title_fullStr | Heightened genre and women's filmmaking in Hollywood the rise of the cine-fille Mary Harrod |
| title_full_unstemmed | Heightened genre and women's filmmaking in Hollywood the rise of the cine-fille Mary Harrod |
| title_short | Heightened genre and women's filmmaking in Hollywood |
| title_sort | heightened genre and women s filmmaking in hollywood the rise of the cine fille |
| title_sub | the rise of the cine-fille |
| topic | Directing Culture and Gender American Cinema and TV. Genre Film/TV Industry Motion pictures—Production and direction Culture Gender Motion pictures—United States Film genres Motion pictures Regisseurin (DE-588)4281949-0 gnd Film (DE-588)4017102-4 gnd |
| topic_facet | Directing Culture and Gender American Cinema and TV. Genre Film/TV Industry Motion pictures—Production and direction Culture Gender Motion pictures—United States Film genres Motion pictures Regisseurin Film USA |
| work_keys_str_mv | AT harrodmary heightenedgenreandwomensfilmmakinginhollywoodtheriseofthecinefille |