Biennials: the exhibitions we love to hate
Biennials: The Exhibitions we Love to Hate examines one of the most significant recent transitions in the contemporary art world: the proliferation of large-scale international recurrent survey shows of contemporary art, commonly referred to as contemporary biennials. Since the mid-1980s biennials h...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London
Lund Humphries
2021
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| Schriftenreihe: | New directions in contemporary art
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Biennials: The Exhibitions we Love to Hate examines one of the most significant recent transitions in the contemporary art world: the proliferation of large-scale international recurrent survey shows of contemporary art, commonly referred to as contemporary biennials. Since the mid-1980s biennials have been instrumental in shaping curating as an autonomous practice. These exhibitions are also said to have provided increased visibility for certain types of new art practices, notably those that are socially and politically committed, research-based and site-specific, and to have undermined0some of the more traditional art media, such as painting, drawing or sculpture. They have been responsible for substantially reshaping the contemporary art world and disrupting the existing value chain of the art market, which now relies on biennials as much as it does on major museums' acquisitions and exhibitions.00Rafal Niemojewski, Director of the Biennial Foundation, deftly unpicks the critical discussion and controversy surrounding contemporary biennials. Branded by some critics as showcases of neo-liberalism run amok, in which culture has become synonymous with the dollar-generating leisure industry, biennials have also been associated with the production of monumental artworks which are both highly consumable and photogenic (Instagrammable). The exhibitions we love to hate? This engaging publication makes an essential contribution to a fascinating cultural debate |
| Beschreibung: | 144 Seiten Illustrationen 23 cm |
| ISBN: | 9781848223882 1848223889 |
Internformat
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| illustrated | Illustrated |
| index_date | 2024-07-03T17:41:42Z |
| indexdate | 2024-07-10T09:10:02Z |
| institution | BVB |
| isbn | 9781848223882 1848223889 |
| language | English |
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| physical | 144 Seiten Illustrationen 23 cm |
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| spelling | Niemojewski, Rafal Verfasser aut Biennials the exhibitions we love to hate Rafal Niemojewski London Lund Humphries 2021 144 Seiten Illustrationen 23 cm txt rdacontent n rdamedia nc rdacarrier New directions in contemporary art Biennials: The Exhibitions we Love to Hate examines one of the most significant recent transitions in the contemporary art world: the proliferation of large-scale international recurrent survey shows of contemporary art, commonly referred to as contemporary biennials. Since the mid-1980s biennials have been instrumental in shaping curating as an autonomous practice. These exhibitions are also said to have provided increased visibility for certain types of new art practices, notably those that are socially and politically committed, research-based and site-specific, and to have undermined0some of the more traditional art media, such as painting, drawing or sculpture. They have been responsible for substantially reshaping the contemporary art world and disrupting the existing value chain of the art market, which now relies on biennials as much as it does on major museums' acquisitions and exhibitions.00Rafal Niemojewski, Director of the Biennial Foundation, deftly unpicks the critical discussion and controversy surrounding contemporary biennials. Branded by some critics as showcases of neo-liberalism run amok, in which culture has become synonymous with the dollar-generating leisure industry, biennials have also been associated with the production of monumental artworks which are both highly consumable and photogenic (Instagrammable). The exhibitions we love to hate? This engaging publication makes an essential contribution to a fascinating cultural debate Geschichte 1985-2020 gnd rswk-swf Kunsthandel (DE-588)4033647-5 gnd rswk-swf Biennale (DE-588)4634328-3 gnd rswk-swf Ausstellung (DE-588)4129601-1 gnd rswk-swf Preisentwicklung (DE-588)4125931-2 gnd rswk-swf Kunstmarkt (DE-588)4120630-7 gnd rswk-swf Biennials (Art fairs) Art and society Ausstellung (DE-588)4129601-1 s Biennale (DE-588)4634328-3 s Kunstmarkt (DE-588)4120630-7 s Kunsthandel (DE-588)4033647-5 s Preisentwicklung (DE-588)4125931-2 s Geschichte 1985-2020 z DE-604 Erscheint auch als Online-Ausgabe, MOBI 978-1-84822-390-5 Erscheint auch als Online-Ausgabe, EPUB 978-1-84822-392-9 Erscheint auch als Online-Ausgabe, PDF 978-1-84822-393-6 V:DE-576;B:DE-14 application/pdf http://swbplus.bsz-bw.de/bsz1753978386inh.htm 20210421193320 Inhaltsverzeichnis |
| spellingShingle | Niemojewski, Rafal Biennials the exhibitions we love to hate Kunsthandel (DE-588)4033647-5 gnd Biennale (DE-588)4634328-3 gnd Ausstellung (DE-588)4129601-1 gnd Preisentwicklung (DE-588)4125931-2 gnd Kunstmarkt (DE-588)4120630-7 gnd |
| subject_GND | (DE-588)4033647-5 (DE-588)4634328-3 (DE-588)4129601-1 (DE-588)4125931-2 (DE-588)4120630-7 |
| title | Biennials the exhibitions we love to hate |
| title_auth | Biennials the exhibitions we love to hate |
| title_exact_search | Biennials the exhibitions we love to hate |
| title_exact_search_txtP | Biennials the exhibitions we love to hate |
| title_full | Biennials the exhibitions we love to hate Rafal Niemojewski |
| title_fullStr | Biennials the exhibitions we love to hate Rafal Niemojewski |
| title_full_unstemmed | Biennials the exhibitions we love to hate Rafal Niemojewski |
| title_short | Biennials |
| title_sort | biennials the exhibitions we love to hate |
| title_sub | the exhibitions we love to hate |
| topic | Kunsthandel (DE-588)4033647-5 gnd Biennale (DE-588)4634328-3 gnd Ausstellung (DE-588)4129601-1 gnd Preisentwicklung (DE-588)4125931-2 gnd Kunstmarkt (DE-588)4120630-7 gnd |
| topic_facet | Kunsthandel Biennale Ausstellung Preisentwicklung Kunstmarkt |
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