Casting a giant shadow: the transnational shaping of Israeli cinema
"Film came to the territory that eventually became Israel not long after the medium was born. Casting a Giant Shadow is a collection of articles that embraces the notion of transnationalism to consider the limits of what is "Israeli" within Israeli cinema. As the State of Israel devel...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Bloomington, Indiana
Indiana University Press
[2021]
|
| Schriftenreihe: | New directions in national cinemas
|
| Schlagworte: | |
| Zusammenfassung: | "Film came to the territory that eventually became Israel not long after the medium was born. Casting a Giant Shadow is a collection of articles that embraces the notion of transnationalism to consider the limits of what is "Israeli" within Israeli cinema. As the State of Israel developed, so did its film industries. Moving beyond the early films of the Yishuv, which focused on the creation of national identity, the industry and its transnational ties became more important as filmmakers and film stars migrated out and foreign films, filmmakers, and actors came to Israel to take advantage of high-quality production values and talent. This volume, edited by Rachel Harris and Dan Chyutin, uses the idea of transnationalism to challenge the concept of a singular definition of Israeli cinema. Casting a Giant Shadow offers a new understanding of how cinema has operated artistically and structurally in terms of funding, distribution, and reception. The result is a thorough investigation of the complex structure of the transnational and its impact on national specificity when considered on the global stage"-- |
| Beschreibung: | xi, 428 Seiten Illustrationen 24 cm |
| ISBN: | 9780253056399 9780253056382 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV047355701 | ||
| 003 | DE-604 | ||
| 005 | 20210817 | ||
| 007 | t | ||
| 008 | 210704s2021 a||| b||| 00||| eng d | ||
| 020 | |a 9780253056399 |c (pbk.) |9 978-0-253-05639-9 | ||
| 020 | |a 9780253056382 |c (hbk.) |9 978-0-253-05638-2 | ||
| 035 | |a (OCoLC)1263271910 | ||
| 035 | |a (DE-599)BVBBV047355701 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 |a DE-Po75 | ||
| 245 | 1 | 0 | |a Casting a giant shadow |b the transnational shaping of Israeli cinema |c edited by Rachel S. Harris and Dan Chyutin |
| 264 | 1 | |a Bloomington, Indiana |b Indiana University Press |c [2021] | |
| 300 | |a xi, 428 Seiten |b Illustrationen |c 24 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 0 | |a New directions in national cinemas | |
| 505 | 8 | |a Israeli Cinema Beyond the National : An Introduction / Rachel S. Harris and Dan Chyutin -- I Have a Great Passion for Americans : The Juggler and the Question of National Cinema / Dan Chyutin -- Longing for Hollywood : Israeli Beauties on International Film Stages in the 1950s and 1960s / Julie Grimmeisen -- New Frontiers : Creating a Nation through the Israeli Western / Rachel S. Harris -- The Rust of Time : The Apparition of Memory in David Greenberg's Sha'ar Ha'guy (1965) and Much'shar Bli Rosh (1963) / Shmulik Duvdevani and Anat Dan -- Transnational Imaginings in Salt of This Sea (2008) and Villa Touma (2015) / Ariel M. Sheetrit -- Here and There, Now and Then : Nations and Their Relations in Recent Palestinian Cinema / Mary N. Layoun -- Five Broken Cameras and the Metonymic Sixth Camera : Time, Narrative, and Subjectivities in Emad Burnat and Guy Davidi's 5 Broken Cameras / Yaron Shemer -- Moments of Innocence and Fracture : Fantasy and Reality in Two Documentary Visits to Israel / Ohad Landesman -- Two Israelis in the "Mecca of Motion Pictures" : Golan, Globus, and Cannon Film's Transnational Enterprise / Zachary Ingle -- A Chance to Hear Some Hebrew : American Jewish Film Festivals and the Transnational Flow of Israeli Film / Josh Beaty -- Perpetuating Victimhood as a Jewish Identity? : The Case of Popular Israeli Cinema Today / Yaron Peleg -- Of National Homes and Despotic Symbols : Network Narrative Films, Global Cities, and Local Crossings of Paths / Nava Dushi -- Fantasies of Other Desires : Homonationalism and Self-Othering in Contemporary Israeli Queer Cinema / Raz Yosef and Boaz Hagin -- Hagar Ben Asher's The Slut as the First Israeli Transnational Feminist Film Text / Yael Munk -- Encounters and Interspaces : The Place of Germany and Germans in Israeli Cinema / Tobias Ebbrecht-Hartmann -- Blood, Sweat, and Tears: The Rise of Israel's New Extremism / Neta Alexander -- The Exchange : Reinventing Israeliness through Koreanness / Pablo Utin | |
| 520 | 3 | |a "Film came to the territory that eventually became Israel not long after the medium was born. Casting a Giant Shadow is a collection of articles that embraces the notion of transnationalism to consider the limits of what is "Israeli" within Israeli cinema. As the State of Israel developed, so did its film industries. Moving beyond the early films of the Yishuv, which focused on the creation of national identity, the industry and its transnational ties became more important as filmmakers and film stars migrated out and foreign films, filmmakers, and actors came to Israel to take advantage of high-quality production values and talent. This volume, edited by Rachel Harris and Dan Chyutin, uses the idea of transnationalism to challenge the concept of a singular definition of Israeli cinema. Casting a Giant Shadow offers a new understanding of how cinema has operated artistically and structurally in terms of funding, distribution, and reception. The result is a thorough investigation of the complex structure of the transnational and its impact on national specificity when considered on the global stage"-- | |
| 650 | 0 | 7 | |a Filmwirtschaft |0 (DE-588)4154384-1 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Film |0 (DE-588)4017102-4 |2 gnd |9 rswk-swf |
| 651 | 7 | |a Israel |0 (DE-588)4027808-6 |2 gnd |9 rswk-swf | |
| 653 | 0 | |a Motion pictures / Israel | |
| 653 | 0 | |a Motion picture industry / Israel | |
| 653 | 0 | |a Motion pictures and transnationalism / Israel | |
| 653 | 0 | |a Nationalism in motion pictures | |
| 653 | 0 | |a Motion picture industry | |
| 653 | 0 | |a Motion pictures | |
| 653 | 0 | |a Motion pictures and transnationalism | |
| 653 | 0 | |a Nationalism in motion pictures | |
| 653 | 2 | |a Israel | |
| 655 | 7 | |0 (DE-588)4143413-4 |a Aufsatzsammlung |2 gnd-content | |
| 689 | 0 | 0 | |a Israel |0 (DE-588)4027808-6 |D g |
| 689 | 0 | 1 | |a Film |0 (DE-588)4017102-4 |D s |
| 689 | 0 | 2 | |a Filmwirtschaft |0 (DE-588)4154384-1 |D s |
| 689 | 0 | |5 DE-604 | |
| 700 | 1 | |a Harris, Rachel S. |d 1977- |0 (DE-588)1036673693 |4 edt | |
| 700 | 1 | |a Chyutin, Dan |4 edt | |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 978-0-253-05640-5 |
| 940 | 1 | |q BSB_NED_20210817 | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-032757811 | ||
| 942 | 1 | 1 | |c 791.409 |e 22/bsb |f 0904 |g 5694 |
Datensatz im Suchindex
| _version_ | 1804182582717317120 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author2 | Harris, Rachel S. 1977- Chyutin, Dan |
| author2_role | edt edt |
| author2_variant | r s h rs rsh d c dc |
| author_GND | (DE-588)1036673693 |
| author_facet | Harris, Rachel S. 1977- Chyutin, Dan |
| building | Verbundindex |
| bvnumber | BV047355701 |
| contents | Israeli Cinema Beyond the National : An Introduction / Rachel S. Harris and Dan Chyutin -- I Have a Great Passion for Americans : The Juggler and the Question of National Cinema / Dan Chyutin -- Longing for Hollywood : Israeli Beauties on International Film Stages in the 1950s and 1960s / Julie Grimmeisen -- New Frontiers : Creating a Nation through the Israeli Western / Rachel S. Harris -- The Rust of Time : The Apparition of Memory in David Greenberg's Sha'ar Ha'guy (1965) and Much'shar Bli Rosh (1963) / Shmulik Duvdevani and Anat Dan -- Transnational Imaginings in Salt of This Sea (2008) and Villa Touma (2015) / Ariel M. Sheetrit -- Here and There, Now and Then : Nations and Their Relations in Recent Palestinian Cinema / Mary N. Layoun -- Five Broken Cameras and the Metonymic Sixth Camera : Time, Narrative, and Subjectivities in Emad Burnat and Guy Davidi's 5 Broken Cameras / Yaron Shemer -- Moments of Innocence and Fracture : Fantasy and Reality in Two Documentary Visits to Israel / Ohad Landesman -- Two Israelis in the "Mecca of Motion Pictures" : Golan, Globus, and Cannon Film's Transnational Enterprise / Zachary Ingle -- A Chance to Hear Some Hebrew : American Jewish Film Festivals and the Transnational Flow of Israeli Film / Josh Beaty -- Perpetuating Victimhood as a Jewish Identity? : The Case of Popular Israeli Cinema Today / Yaron Peleg -- Of National Homes and Despotic Symbols : Network Narrative Films, Global Cities, and Local Crossings of Paths / Nava Dushi -- Fantasies of Other Desires : Homonationalism and Self-Othering in Contemporary Israeli Queer Cinema / Raz Yosef and Boaz Hagin -- Hagar Ben Asher's The Slut as the First Israeli Transnational Feminist Film Text / Yael Munk -- Encounters and Interspaces : The Place of Germany and Germans in Israeli Cinema / Tobias Ebbrecht-Hartmann -- Blood, Sweat, and Tears: The Rise of Israel's New Extremism / Neta Alexander -- The Exchange : Reinventing Israeliness through Koreanness / Pablo Utin |
| ctrlnum | (OCoLC)1263271910 (DE-599)BVBBV047355701 |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>05066nam a2200553 c 4500</leader><controlfield tag="001">BV047355701</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20210817 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">210704s2021 a||| b||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780253056399</subfield><subfield code="c">(pbk.)</subfield><subfield code="9">978-0-253-05639-9</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780253056382</subfield><subfield code="c">(hbk.)</subfield><subfield code="9">978-0-253-05638-2</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1263271910</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV047355701</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-Po75</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Casting a giant shadow</subfield><subfield code="b">the transnational shaping of Israeli cinema</subfield><subfield code="c">edited by Rachel S. Harris and Dan Chyutin</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Bloomington, Indiana</subfield><subfield code="b">Indiana University Press</subfield><subfield code="c">[2021]</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xi, 428 Seiten</subfield><subfield code="b">Illustrationen</subfield><subfield code="c">24 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">New directions in national cinemas</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Israeli Cinema Beyond the National : An Introduction / Rachel S. Harris and Dan Chyutin -- I Have a Great Passion for Americans : The Juggler and the Question of National Cinema / Dan Chyutin -- Longing for Hollywood : Israeli Beauties on International Film Stages in the 1950s and 1960s / Julie Grimmeisen -- New Frontiers : Creating a Nation through the Israeli Western / Rachel S. Harris -- The Rust of Time : The Apparition of Memory in David Greenberg's Sha'ar Ha'guy (1965) and Much'shar Bli Rosh (1963) / Shmulik Duvdevani and Anat Dan -- Transnational Imaginings in Salt of This Sea (2008) and Villa Touma (2015) / Ariel M. Sheetrit -- Here and There, Now and Then : Nations and Their Relations in Recent Palestinian Cinema / Mary N. Layoun -- Five Broken Cameras and the Metonymic Sixth Camera : Time, Narrative, and Subjectivities in Emad Burnat and Guy Davidi's 5 Broken Cameras / Yaron Shemer -- Moments of Innocence and Fracture : Fantasy and Reality in Two Documentary Visits to Israel / Ohad Landesman -- Two Israelis in the "Mecca of Motion Pictures" : Golan, Globus, and Cannon Film's Transnational Enterprise / Zachary Ingle -- A Chance to Hear Some Hebrew : American Jewish Film Festivals and the Transnational Flow of Israeli Film / Josh Beaty -- Perpetuating Victimhood as a Jewish Identity? : The Case of Popular Israeli Cinema Today / Yaron Peleg -- Of National Homes and Despotic Symbols : Network Narrative Films, Global Cities, and Local Crossings of Paths / Nava Dushi -- Fantasies of Other Desires : Homonationalism and Self-Othering in Contemporary Israeli Queer Cinema / Raz Yosef and Boaz Hagin -- Hagar Ben Asher's The Slut as the First Israeli Transnational Feminist Film Text / Yael Munk -- Encounters and Interspaces : The Place of Germany and Germans in Israeli Cinema / Tobias Ebbrecht-Hartmann -- Blood, Sweat, and Tears: The Rise of Israel's New Extremism / Neta Alexander -- The Exchange : Reinventing Israeliness through Koreanness / Pablo Utin</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"Film came to the territory that eventually became Israel not long after the medium was born. Casting a Giant Shadow is a collection of articles that embraces the notion of transnationalism to consider the limits of what is "Israeli" within Israeli cinema. As the State of Israel developed, so did its film industries. Moving beyond the early films of the Yishuv, which focused on the creation of national identity, the industry and its transnational ties became more important as filmmakers and film stars migrated out and foreign films, filmmakers, and actors came to Israel to take advantage of high-quality production values and talent. This volume, edited by Rachel Harris and Dan Chyutin, uses the idea of transnationalism to challenge the concept of a singular definition of Israeli cinema. Casting a Giant Shadow offers a new understanding of how cinema has operated artistically and structurally in terms of funding, distribution, and reception. The result is a thorough investigation of the complex structure of the transnational and its impact on national specificity when considered on the global stage"--</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Filmwirtschaft</subfield><subfield code="0">(DE-588)4154384-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Film</subfield><subfield code="0">(DE-588)4017102-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Israel</subfield><subfield code="0">(DE-588)4027808-6</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Motion pictures / Israel</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Motion picture industry / Israel</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Motion pictures and transnationalism / Israel</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Nationalism in motion pictures</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Motion picture industry</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Motion pictures</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Motion pictures and transnationalism</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Nationalism in motion pictures</subfield></datafield><datafield tag="653" ind1=" " ind2="2"><subfield code="a">Israel</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4143413-4</subfield><subfield code="a">Aufsatzsammlung</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Israel</subfield><subfield code="0">(DE-588)4027808-6</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Film</subfield><subfield code="0">(DE-588)4017102-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Filmwirtschaft</subfield><subfield code="0">(DE-588)4154384-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Harris, Rachel S.</subfield><subfield code="d">1977-</subfield><subfield code="0">(DE-588)1036673693</subfield><subfield code="4">edt</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Chyutin, Dan</subfield><subfield code="4">edt</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe</subfield><subfield code="z">978-0-253-05640-5</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">BSB_NED_20210817</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032757811</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">791.409</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield><subfield code="g">5694</subfield></datafield></record></collection> |
| genre | (DE-588)4143413-4 Aufsatzsammlung gnd-content |
| genre_facet | Aufsatzsammlung |
| geographic | Israel (DE-588)4027808-6 gnd |
| geographic_facet | Israel |
| id | DE-604.BV047355701 |
| illustrated | Illustrated |
| index_date | 2024-07-03T17:39:35Z |
| indexdate | 2024-07-10T09:09:51Z |
| institution | BVB |
| isbn | 9780253056399 9780253056382 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032757811 |
| oclc_num | 1263271910 |
| open_access_boolean | |
| owner | DE-12 DE-Po75 |
| owner_facet | DE-12 DE-Po75 |
| physical | xi, 428 Seiten Illustrationen 24 cm |
| psigel | BSB_NED_20210817 |
| publishDate | 2021 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | Indiana University Press |
| record_format | marc |
| series2 | New directions in national cinemas |
| spelling | Casting a giant shadow the transnational shaping of Israeli cinema edited by Rachel S. Harris and Dan Chyutin Bloomington, Indiana Indiana University Press [2021] xi, 428 Seiten Illustrationen 24 cm txt rdacontent n rdamedia nc rdacarrier New directions in national cinemas Israeli Cinema Beyond the National : An Introduction / Rachel S. Harris and Dan Chyutin -- I Have a Great Passion for Americans : The Juggler and the Question of National Cinema / Dan Chyutin -- Longing for Hollywood : Israeli Beauties on International Film Stages in the 1950s and 1960s / Julie Grimmeisen -- New Frontiers : Creating a Nation through the Israeli Western / Rachel S. Harris -- The Rust of Time : The Apparition of Memory in David Greenberg's Sha'ar Ha'guy (1965) and Much'shar Bli Rosh (1963) / Shmulik Duvdevani and Anat Dan -- Transnational Imaginings in Salt of This Sea (2008) and Villa Touma (2015) / Ariel M. Sheetrit -- Here and There, Now and Then : Nations and Their Relations in Recent Palestinian Cinema / Mary N. Layoun -- Five Broken Cameras and the Metonymic Sixth Camera : Time, Narrative, and Subjectivities in Emad Burnat and Guy Davidi's 5 Broken Cameras / Yaron Shemer -- Moments of Innocence and Fracture : Fantasy and Reality in Two Documentary Visits to Israel / Ohad Landesman -- Two Israelis in the "Mecca of Motion Pictures" : Golan, Globus, and Cannon Film's Transnational Enterprise / Zachary Ingle -- A Chance to Hear Some Hebrew : American Jewish Film Festivals and the Transnational Flow of Israeli Film / Josh Beaty -- Perpetuating Victimhood as a Jewish Identity? : The Case of Popular Israeli Cinema Today / Yaron Peleg -- Of National Homes and Despotic Symbols : Network Narrative Films, Global Cities, and Local Crossings of Paths / Nava Dushi -- Fantasies of Other Desires : Homonationalism and Self-Othering in Contemporary Israeli Queer Cinema / Raz Yosef and Boaz Hagin -- Hagar Ben Asher's The Slut as the First Israeli Transnational Feminist Film Text / Yael Munk -- Encounters and Interspaces : The Place of Germany and Germans in Israeli Cinema / Tobias Ebbrecht-Hartmann -- Blood, Sweat, and Tears: The Rise of Israel's New Extremism / Neta Alexander -- The Exchange : Reinventing Israeliness through Koreanness / Pablo Utin "Film came to the territory that eventually became Israel not long after the medium was born. Casting a Giant Shadow is a collection of articles that embraces the notion of transnationalism to consider the limits of what is "Israeli" within Israeli cinema. As the State of Israel developed, so did its film industries. Moving beyond the early films of the Yishuv, which focused on the creation of national identity, the industry and its transnational ties became more important as filmmakers and film stars migrated out and foreign films, filmmakers, and actors came to Israel to take advantage of high-quality production values and talent. This volume, edited by Rachel Harris and Dan Chyutin, uses the idea of transnationalism to challenge the concept of a singular definition of Israeli cinema. Casting a Giant Shadow offers a new understanding of how cinema has operated artistically and structurally in terms of funding, distribution, and reception. The result is a thorough investigation of the complex structure of the transnational and its impact on national specificity when considered on the global stage"-- Filmwirtschaft (DE-588)4154384-1 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Israel (DE-588)4027808-6 gnd rswk-swf Motion pictures / Israel Motion picture industry / Israel Motion pictures and transnationalism / Israel Nationalism in motion pictures Motion picture industry Motion pictures Motion pictures and transnationalism Israel (DE-588)4143413-4 Aufsatzsammlung gnd-content Israel (DE-588)4027808-6 g Film (DE-588)4017102-4 s Filmwirtschaft (DE-588)4154384-1 s DE-604 Harris, Rachel S. 1977- (DE-588)1036673693 edt Chyutin, Dan edt Erscheint auch als Online-Ausgabe 978-0-253-05640-5 |
| spellingShingle | Casting a giant shadow the transnational shaping of Israeli cinema Israeli Cinema Beyond the National : An Introduction / Rachel S. Harris and Dan Chyutin -- I Have a Great Passion for Americans : The Juggler and the Question of National Cinema / Dan Chyutin -- Longing for Hollywood : Israeli Beauties on International Film Stages in the 1950s and 1960s / Julie Grimmeisen -- New Frontiers : Creating a Nation through the Israeli Western / Rachel S. Harris -- The Rust of Time : The Apparition of Memory in David Greenberg's Sha'ar Ha'guy (1965) and Much'shar Bli Rosh (1963) / Shmulik Duvdevani and Anat Dan -- Transnational Imaginings in Salt of This Sea (2008) and Villa Touma (2015) / Ariel M. Sheetrit -- Here and There, Now and Then : Nations and Their Relations in Recent Palestinian Cinema / Mary N. Layoun -- Five Broken Cameras and the Metonymic Sixth Camera : Time, Narrative, and Subjectivities in Emad Burnat and Guy Davidi's 5 Broken Cameras / Yaron Shemer -- Moments of Innocence and Fracture : Fantasy and Reality in Two Documentary Visits to Israel / Ohad Landesman -- Two Israelis in the "Mecca of Motion Pictures" : Golan, Globus, and Cannon Film's Transnational Enterprise / Zachary Ingle -- A Chance to Hear Some Hebrew : American Jewish Film Festivals and the Transnational Flow of Israeli Film / Josh Beaty -- Perpetuating Victimhood as a Jewish Identity? : The Case of Popular Israeli Cinema Today / Yaron Peleg -- Of National Homes and Despotic Symbols : Network Narrative Films, Global Cities, and Local Crossings of Paths / Nava Dushi -- Fantasies of Other Desires : Homonationalism and Self-Othering in Contemporary Israeli Queer Cinema / Raz Yosef and Boaz Hagin -- Hagar Ben Asher's The Slut as the First Israeli Transnational Feminist Film Text / Yael Munk -- Encounters and Interspaces : The Place of Germany and Germans in Israeli Cinema / Tobias Ebbrecht-Hartmann -- Blood, Sweat, and Tears: The Rise of Israel's New Extremism / Neta Alexander -- The Exchange : Reinventing Israeliness through Koreanness / Pablo Utin Filmwirtschaft (DE-588)4154384-1 gnd Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)4154384-1 (DE-588)4017102-4 (DE-588)4027808-6 (DE-588)4143413-4 |
| title | Casting a giant shadow the transnational shaping of Israeli cinema |
| title_auth | Casting a giant shadow the transnational shaping of Israeli cinema |
| title_exact_search | Casting a giant shadow the transnational shaping of Israeli cinema |
| title_exact_search_txtP | Casting a giant shadow the transnational shaping of Israeli cinema |
| title_full | Casting a giant shadow the transnational shaping of Israeli cinema edited by Rachel S. Harris and Dan Chyutin |
| title_fullStr | Casting a giant shadow the transnational shaping of Israeli cinema edited by Rachel S. Harris and Dan Chyutin |
| title_full_unstemmed | Casting a giant shadow the transnational shaping of Israeli cinema edited by Rachel S. Harris and Dan Chyutin |
| title_short | Casting a giant shadow |
| title_sort | casting a giant shadow the transnational shaping of israeli cinema |
| title_sub | the transnational shaping of Israeli cinema |
| topic | Filmwirtschaft (DE-588)4154384-1 gnd Film (DE-588)4017102-4 gnd |
| topic_facet | Filmwirtschaft Film Israel Aufsatzsammlung |
| work_keys_str_mv | AT harrisrachels castingagiantshadowthetransnationalshapingofisraelicinema AT chyutindan castingagiantshadowthetransnationalshapingofisraelicinema |