Re-thinking character in the theatre of the absurd:
Using the character as a central element, this volume provides insights into the Theatre of the Absurd, highlighting its specific key characteristics. Adopting both semiotic-structuralist and mathematical approaches, its analysis of the absurdist character introduces new models of investigation, inc...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Newcastle upon Tyne, UK
Cambridge Scholars Publishing
2020
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Zusammenfassung: | Using the character as a central element, this volume provides insights into the Theatre of the Absurd, highlighting its specific key characteristics. Adopting both semiotic-structuralist and mathematical approaches, its analysis of the absurdist character introduces new models of investigation, including a possible algebraic model operating on the scenic, dramatic and paradigmatic level of a play, not only exploring the relations, configurations, confrontations, functions and situations but also providing necessary information for a possible geometric model. The book also takes into considera |
| Beschreibung: | 192 Seiten Diagramme 23 cm |
| ISBN: | 9781527598539 9781527557871 1527557871 |
Internformat
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| 520 | 3 | |a Using the character as a central element, this volume provides insights into the Theatre of the Absurd, highlighting its specific key characteristics. Adopting both semiotic-structuralist and mathematical approaches, its analysis of the absurdist character introduces new models of investigation, including a possible algebraic model operating on the scenic, dramatic and paradigmatic level of a play, not only exploring the relations, configurations, confrontations, functions and situations but also providing necessary information for a possible geometric model. The book also takes into considera | |
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Datensatz im Suchindex
| _version_ | 1804182581964439552 |
|---|---|
| adam_text | Table of Contents Chapter One........................................................................................................ 1 Introduction Chapter Two................................................................................................... 9 The Concept of the Absurd Chapter Three................................................................................................. 17 Philosophical Influences on the Absurd Chapter Four................................................................................................... 24 The Literary Background Chapter Five................................................................................................... 40 The Absurd and the Theatre of the Absurd Chapter Six...................................................................................................... 51 Mathematical Approaches to Theatre Theory Chapter Seven................................................................................................. 69 A Possible Algebra of the Theatre of the Absurd Chapter Eight.................................................................................................. 129 A Possible Geometry of the Theatre of the Absurd Chapter Nine................................................................................................... 155 The Change of Pattern Chapter Ten.................................................................................................... 178 Conclusion
Bibliography...................................................................................................186 Webography............................................................................................. 192
Using the character as a central element, this volume provides insights into the Theatre of the Absurd, highlighting its specific key characteristics. Adopting both semiotic-structuralist and mathematical approaches, its analysis of the absurdist character introduces new models of investigation, including a possible algebraic model operating on the scenic, dramatic and paradigmatic level of a play, not only exploring the relations, configurations, confrontations, functions and situations but also providing necessary information for a possible geometric model. The book also takes into consideration the relations established among the most important units of a dramatic work, character, cue, décor and régie, re-configuring the basic pattern. It will be useful for any reader interested in analyzing, staging or writing a play starting from a single character.
|
| adam_txt |
Table of Contents Chapter One. 1 Introduction Chapter Two. 9 The Concept of the Absurd Chapter Three. 17 Philosophical Influences on the Absurd Chapter Four. 24 The Literary Background Chapter Five. 40 The Absurd and the Theatre of the Absurd Chapter Six. 51 Mathematical Approaches to Theatre Theory Chapter Seven. 69 A Possible Algebra of the Theatre of the Absurd Chapter Eight. 129 A Possible Geometry of the Theatre of the Absurd Chapter Nine. 155 The Change of Pattern Chapter Ten. 178 Conclusion
Bibliography.186 Webography. 192
Using the character as a central element, this volume provides insights into the Theatre of the Absurd, highlighting its specific key characteristics. Adopting both semiotic-structuralist and mathematical approaches, its analysis of the absurdist character introduces new models of investigation, including a possible algebraic model operating on the scenic, dramatic and paradigmatic level of a play, not only exploring the relations, configurations, confrontations, functions and situations but also providing necessary information for a possible geometric model. The book also takes into consideration the relations established among the most important units of a dramatic work, character, cue, décor and régie, re-configuring the basic pattern. It will be useful for any reader interested in analyzing, staging or writing a play starting from a single character. |
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| title | Re-thinking character in the theatre of the absurd |
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