Beethoven's string quartet in C-sharp minor, op. 131:
"Beethoven's String Quartet in C-sharp minor, Op. 131 (1826) is firmly a part of the modern-day canon, and also makes its presence felt in popular culture, notably in film (for example, A Late Quartet, 2012). Yet in recent times, the terms in which the work is discussed and presented tend...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Oxford University Press
[2021]
|
| Schriftenreihe: | Oxford keynotes
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Beethoven's String Quartet in C-sharp minor, Op. 131 (1826) is firmly a part of the modern-day canon, and also makes its presence felt in popular culture, notably in film (for example, A Late Quartet, 2012). Yet in recent times, the terms in which the work is discussed and presented tend to undermine the work's power. Although it is held up as a masterpiece, Op. 131 has often been understood in monochrome terms, as a work portraying tragedy, struggle, loss, and lack. This book takes the modern-day listener well beyond these categories of adversity or deficit. It goes back to early reception documents, including Beethoven's own writings about the work, to help the listener reinterpret the work and re-hear it. Analyses are geared towards allowing the reader to access earlier modes of listening and interpretation, those of listeners who celebrated the work precisely for its plenitude, its richness of invention or fantasy (in Beethoven's own words). As connoisseur listeners of Beethoven's day implied, Op. 131 is filled with diverse musical ideas (just like a fantasia), and with a new kind of string quartet writing that is calculated to promote sustained, engaged listening. Placing this work in the context of an emerging ideology of silent or 'serious' listening, in Beethoven's Europe, I consider how this particular 'late' quartet could speak with special eloquence to a highly select but passionately enthusiastic audience. I also examine how and why the reception of Op. 131 has changed so profoundly from Beethoven's time to our own"-- |
| Beschreibung: | VI, 142 Seiten Illustrationen, Notenbeispiele (schwarz-weiß) |
| ISBN: | 9780190059217 9780190059200 |
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| 505 | 8 | |a Re-hearing Op. 131 -- Popular and early reception -- "A new kind of part writing" -- "Like an overly large fantasy" -- Op. 131 and the Rise of Attentive Listening | |
| 520 | 3 | |a "Beethoven's String Quartet in C-sharp minor, Op. 131 (1826) is firmly a part of the modern-day canon, and also makes its presence felt in popular culture, notably in film (for example, A Late Quartet, 2012). Yet in recent times, the terms in which the work is discussed and presented tend to undermine the work's power. Although it is held up as a masterpiece, Op. 131 has often been understood in monochrome terms, as a work portraying tragedy, struggle, loss, and lack. This book takes the modern-day listener well beyond these categories of adversity or deficit. It goes back to early reception documents, including Beethoven's own writings about the work, to help the listener reinterpret the work and re-hear it. Analyses are geared towards allowing the reader to access earlier modes of listening and interpretation, those of listeners who celebrated the work precisely for its plenitude, its richness of invention or fantasy (in Beethoven's own words). As connoisseur listeners of Beethoven's day implied, Op. 131 is filled with diverse musical ideas (just like a fantasia), and with a new kind of string quartet writing that is calculated to promote sustained, engaged listening. Placing this work in the context of an emerging ideology of silent or 'serious' listening, in Beethoven's Europe, I consider how this particular 'late' quartet could speak with special eloquence to a highly select but passionately enthusiastic audience. I also examine how and why the reception of Op. 131 has changed so profoundly from Beethoven's time to our own"-- | |
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Datensatz im Suchindex
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|---|---|
| adam_text | CONTENTS ACKNOWLEDGMENTS Introduction ІХ 1 1 Re-hearing Op. 131 2 Popular and Early Reception 25 3 “A new kind of part writing” 49 4 “Like an overly large fantasy” 73 5 Op. 131 and the Rise of Attentive Listening Epilogue 121 notes 123 INDEX 137 5 103
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| adam_txt |
CONTENTS ACKNOWLEDGMENTS Introduction ІХ 1 1 Re-hearing Op. 131 2 Popular and Early Reception 25 3 “A new kind of part writing” 49 4 “Like an overly large fantasy” 73 5 Op. 131 and the Rise of Attentive Listening Epilogue 121 notes 123 INDEX 137 5 103 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | November, Nancy ca. 20./21. Jh |
| author_GND | (DE-588)1062825268 |
| author_facet | November, Nancy ca. 20./21. Jh |
| author_role | aut |
| author_sort | November, Nancy ca. 20./21. Jh |
| author_variant | n n nn |
| building | Verbundindex |
| bvnumber | BV047350917 |
| classification_rvk | LP 63210 |
| contents | Re-hearing Op. 131 -- Popular and early reception -- "A new kind of part writing" -- "Like an overly large fantasy" -- Op. 131 and the Rise of Attentive Listening |
| ctrlnum | (OCoLC)1256623487 (DE-599)BVBBV047350917 |
| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| format | Book |
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| illustrated | Illustrated |
| index_date | 2024-07-03T17:37:49Z |
| indexdate | 2024-07-10T09:09:43Z |
| institution | BVB |
| isbn | 9780190059217 9780190059200 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032753115 |
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| physical | VI, 142 Seiten Illustrationen, Notenbeispiele (schwarz-weiß) |
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| spelling | November, Nancy ca. 20./21. Jh. Verfasser (DE-588)1062825268 aut Beethoven's string quartet in C-sharp minor, op. 131 Nancy November New York, NY Oxford University Press [2021] © 2021 VI, 142 Seiten Illustrationen, Notenbeispiele (schwarz-weiß) txt rdacontent n rdamedia nc rdacarrier Oxford keynotes Re-hearing Op. 131 -- Popular and early reception -- "A new kind of part writing" -- "Like an overly large fantasy" -- Op. 131 and the Rise of Attentive Listening "Beethoven's String Quartet in C-sharp minor, Op. 131 (1826) is firmly a part of the modern-day canon, and also makes its presence felt in popular culture, notably in film (for example, A Late Quartet, 2012). Yet in recent times, the terms in which the work is discussed and presented tend to undermine the work's power. Although it is held up as a masterpiece, Op. 131 has often been understood in monochrome terms, as a work portraying tragedy, struggle, loss, and lack. This book takes the modern-day listener well beyond these categories of adversity or deficit. It goes back to early reception documents, including Beethoven's own writings about the work, to help the listener reinterpret the work and re-hear it. Analyses are geared towards allowing the reader to access earlier modes of listening and interpretation, those of listeners who celebrated the work precisely for its plenitude, its richness of invention or fantasy (in Beethoven's own words). As connoisseur listeners of Beethoven's day implied, Op. 131 is filled with diverse musical ideas (just like a fantasia), and with a new kind of string quartet writing that is calculated to promote sustained, engaged listening. Placing this work in the context of an emerging ideology of silent or 'serious' listening, in Beethoven's Europe, I consider how this particular 'late' quartet could speak with special eloquence to a highly select but passionately enthusiastic audience. I also examine how and why the reception of Op. 131 has changed so profoundly from Beethoven's time to our own"-- Beethoven, Ludwig van 1770-1827 Quartette op. 131 (DE-588)300016034 gnd rswk-swf Beethoven, Ludwig van / 1770-1827 / Quartets / violins (2), viola, cello / no. 14, op. 131 / C♯ minor Quartets (Beethoven, Ludwig van) Beethoven, Ludwig van 1770-1827 Quartette op. 131 (DE-588)300016034 u DE-604 Online version November, Nancy Beethoven's String quartet in C-sharp minor, op. 131 9780190059231 New York : Oxford University Press, 2021 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032753115&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | November, Nancy ca. 20./21. Jh Beethoven's string quartet in C-sharp minor, op. 131 Re-hearing Op. 131 -- Popular and early reception -- "A new kind of part writing" -- "Like an overly large fantasy" -- Op. 131 and the Rise of Attentive Listening Beethoven, Ludwig van 1770-1827 Quartette op. 131 (DE-588)300016034 gnd |
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| title | Beethoven's string quartet in C-sharp minor, op. 131 |
| title_auth | Beethoven's string quartet in C-sharp minor, op. 131 |
| title_exact_search | Beethoven's string quartet in C-sharp minor, op. 131 |
| title_exact_search_txtP | Beethoven's string quartet in C-sharp minor, op. 131 |
| title_full | Beethoven's string quartet in C-sharp minor, op. 131 Nancy November |
| title_fullStr | Beethoven's string quartet in C-sharp minor, op. 131 Nancy November |
| title_full_unstemmed | Beethoven's string quartet in C-sharp minor, op. 131 Nancy November |
| title_short | Beethoven's string quartet in C-sharp minor, op. 131 |
| title_sort | beethoven s string quartet in c sharp minor op 131 |
| topic | Beethoven, Ludwig van 1770-1827 Quartette op. 131 (DE-588)300016034 gnd |
| topic_facet | Beethoven, Ludwig van 1770-1827 Quartette op. 131 |
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