Healing for the soul: Richard Smallwood, the vamp, and the gospel imagination
Between the first & last words of a Black gospel song, musical sound acquires spiritual power. During this unfolding, a variety of techniques facilitate musical & physical transformation. The most important of these is a repetitive musical cycle known by names including the run, the drive, t...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Oxford University Press
2021
|
| Schriftenreihe: | AMS studies in music
Oxford scholarship online |
| Schlagworte: | |
| Online-Zugang: | BSB01 Volltext |
| Zusammenfassung: | Between the first & last words of a Black gospel song, musical sound acquires spiritual power. During this unfolding, a variety of techniques facilitate musical & physical transformation. The most important of these is a repetitive musical cycle known by names including the run, the drive, the special, & the vamp. Through its combination of reiteration & intensification, the vamp turns song lyrics into something more potent. While many musical traditions use vamps to fill space, or occupy time in preparation for another, more important event, in gospel, vamps are the main event. Why is the vamp so central to the Black gospel tradition? What work does the gospel vamp do? What does the vamp reveal about the transformative power of Black gospel more broadly? This book explores the vamp's essential place in Black gospel song, arguing that these climactic musical cycles turn worship services into transcendent events |
| Beschreibung: | Also issued in print: 2021. - Includes bibliographical references and index |
| Beschreibung: | 1 Online-Ressource (356 Seiten) Illustrationen |
| ISBN: | 9780197566497 |
| DOI: | 10.1093/oso/9780197566466.001.0001 |
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| spelling | Shelley, Braxton D. (DE-588)1191211169 aut Healing for the soul Richard Smallwood, the vamp, and the gospel imagination Braxton D. Shelley New York, NY Oxford University Press 2021 1 Online-Ressource (356 Seiten) Illustrationen txt rdacontent sti rdacontent c rdamedia cr rdacarrier AMS studies in music Oxford scholarship online Also issued in print: 2021. - Includes bibliographical references and index Between the first & last words of a Black gospel song, musical sound acquires spiritual power. During this unfolding, a variety of techniques facilitate musical & physical transformation. The most important of these is a repetitive musical cycle known by names including the run, the drive, the special, & the vamp. Through its combination of reiteration & intensification, the vamp turns song lyrics into something more potent. While many musical traditions use vamps to fill space, or occupy time in preparation for another, more important event, in gospel, vamps are the main event. Why is the vamp so central to the Black gospel tradition? What work does the gospel vamp do? What does the vamp reveal about the transformative power of Black gospel more broadly? This book explores the vamp's essential place in Black gospel song, arguing that these climactic musical cycles turn worship services into transcendent events Smallwood, Richard Smallwood, Richard 1948- (DE-588)1244391395 gnd rswk-swf Geschichte 1970-2020 gnd rswk-swf Gospel music / History and criticism Church music / African American churches Gospel music / Analysis, appreciation Gospelsong (DE-588)4137312-1 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content USA (DE-588)4078704-7 g Gospelsong (DE-588)4137312-1 s Geschichte 1970-2020 z DE-604 Smallwood, Richard 1948- (DE-588)1244391395 p Erscheint auch als Druck-Ausgabe 978-0-19-756646-6 https://doi.org/10.1093/oso/9780197566466.001.0001 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Shelley, Braxton D. Healing for the soul Richard Smallwood, the vamp, and the gospel imagination Smallwood, Richard Smallwood, Richard 1948- (DE-588)1244391395 gnd Gospel music / History and criticism Church music / African American churches Gospel music / Analysis, appreciation Gospelsong (DE-588)4137312-1 gnd |
| subject_GND | (DE-588)1244391395 (DE-588)4137312-1 (DE-588)4078704-7 (DE-588)4113937-9 |
| title | Healing for the soul Richard Smallwood, the vamp, and the gospel imagination |
| title_auth | Healing for the soul Richard Smallwood, the vamp, and the gospel imagination |
| title_exact_search | Healing for the soul Richard Smallwood, the vamp, and the gospel imagination |
| title_exact_search_txtP | Healing for the soul Richard Smallwood, the vamp, and the gospel imagination |
| title_full | Healing for the soul Richard Smallwood, the vamp, and the gospel imagination Braxton D. Shelley |
| title_fullStr | Healing for the soul Richard Smallwood, the vamp, and the gospel imagination Braxton D. Shelley |
| title_full_unstemmed | Healing for the soul Richard Smallwood, the vamp, and the gospel imagination Braxton D. Shelley |
| title_short | Healing for the soul |
| title_sort | healing for the soul richard smallwood the vamp and the gospel imagination |
| title_sub | Richard Smallwood, the vamp, and the gospel imagination |
| topic | Smallwood, Richard Smallwood, Richard 1948- (DE-588)1244391395 gnd Gospel music / History and criticism Church music / African American churches Gospel music / Analysis, appreciation Gospelsong (DE-588)4137312-1 gnd |
| topic_facet | Smallwood, Richard Smallwood, Richard 1948- Gospel music / History and criticism Church music / African American churches Gospel music / Analysis, appreciation Gospelsong USA Hochschulschrift |
| url | https://doi.org/10.1093/oso/9780197566466.001.0001 |
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