Why art criticism?: a reader
Dieser Reader leistet Pionierarbeit, indem er unterschiedlichste kunstkritische Stimmen aus der Gegenwart und aus der Geschichte versammelt und kommentiert. Die Vielfalt der Argumente, der Darstellungsweisen und der Kriterien fordert die Diskussion heraus, wie sich Kunstkritik unter Bedingungen von...
Saved in:
| Other Authors: | , |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
Berlin
Hatje Cantz Verlag
2021
|
| Series: | Zeitgenössische Kunst
|
| Subjects: | |
| Online Access: | Inhaltsverzeichnis |
| Summary: | Dieser Reader leistet Pionierarbeit, indem er unterschiedlichste kunstkritische Stimmen aus der Gegenwart und aus der Geschichte versammelt und kommentiert. Die Vielfalt der Argumente, der Darstellungsweisen und der Kriterien fordert die Diskussion heraus, wie sich Kunstkritik unter Bedingungen von Globalität verstehen und schreiben lässt |
| Item Description: | Texte von Ananda Kentish Coomaraswamy, Denis Diderot, Takashi Kashima, Patrick Mudekereza, Bertha Zuckerkandl, Annemarie Sauzeau Boetti, ausgewählt von Juli Carson, Isabelle Graw, Angela Harutyunyan, Monica Juneja, Wolfgang Kemp, Florencia Malbran, Yvette Mutumba, Azu Nwagbogu, Sarah Wilson, Yuriko Furuhata |
| Physical Description: | 471 Seiten Illustrationen |
| ISBN: | 9783775750745 3775750746 |
Staff View
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| 245 | 1 | 0 | |a Why art criticism? |b a reader |c Beate Söntgen and Julia Voss, eds. |
| 264 | 1 | |a Berlin |b Hatje Cantz Verlag |c 2021 | |
| 300 | |a 471 Seiten |b Illustrationen | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 0 | |a Zeitgenössische Kunst | |
| 500 | |a Texte von Ananda Kentish Coomaraswamy, Denis Diderot, Takashi Kashima, Patrick Mudekereza, Bertha Zuckerkandl, Annemarie Sauzeau Boetti, ausgewählt von Juli Carson, Isabelle Graw, Angela Harutyunyan, Monica Juneja, Wolfgang Kemp, Florencia Malbran, Yvette Mutumba, Azu Nwagbogu, Sarah Wilson, Yuriko Furuhata | ||
| 520 | 3 | |a Dieser Reader leistet Pionierarbeit, indem er unterschiedlichste kunstkritische Stimmen aus der Gegenwart und aus der Geschichte versammelt und kommentiert. Die Vielfalt der Argumente, der Darstellungsweisen und der Kriterien fordert die Diskussion heraus, wie sich Kunstkritik unter Bedingungen von Globalität verstehen und schreiben lässt | |
| 650 | 0 | 7 | |a Kunstwissenschaft |0 (DE-588)4120632-0 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Kunstkritik |0 (DE-588)4033659-1 |2 gnd |9 rswk-swf |
| 653 | |a Kunstkritik | ||
| 653 | |a Kunstwissenschaft | ||
| 653 | |a Diskurs | ||
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| 689 | 1 | 0 | |a Kunstkritik |0 (DE-588)4033659-1 |D s |
| 689 | 1 | |5 DE-604 | |
| 700 | 1 | |a Söntgen, Beate |d 1963- |0 (DE-588)114655782 |4 edt | |
| 700 | 1 | |a Voss, Julia |d 1974- |0 (DE-588)133136167 |4 edt | |
| 710 | 2 | |a Hatje-Cantz-Verlag |0 (DE-588)10094104-7 |4 pbl | |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 978-3-7757-5092-9 |w (DE-604)BV048371687 |
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| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-032728314 | |
Record in the Search Index
| _version_ | 1812883314597429248 |
|---|---|
| adam_text |
8
10
24
34
42
46
54
62
72
84
90
97
NO
FOREWORD
WHY
ART
CRITICISM?
AN
INTRODUCTION
COMMENTARY
SOURCE
TEXT
PASSION,
PERFORMANCE
AND
SOBERNESS
BEATE
SONTGEN
DENIS
DIDEROT
ESSAYS
ON
PAINTING
IN
CONVERSATION
CLEMENS
BRENTANO,
ACHIM
VON
ARNIM
JOHANNES
GRAVE
IN
FRONT
OF
A
FRIEDRICH
SEASCAPE
WITH
CAPUCHIN
MONK
HEINRICH
VON
KLEIST
FEELINGS
BEFORE
FRIEDRICH
'
S
SEASCAPE
EMOTIONAL
COLLECTIVITIES
JULIUS
MEIER-GRAEFE
STEPHANIE
MARCHAL
FELLOWS
IN
REALITY
THE
LEAK
BERTA
ZUCKERKANDL
JULIA
VOSS
THE
KLIMT
AFFAIR
KLIMT
'
S
LETTER
TO
THE
EDUCATION
MINISTRY
CRAFTS
AND
THE
SPIRITUAL
MONICA
JUNEJA
ANANDA
K.
COOMARASWAMY
THE
INDIAN
CRAFTSMAN
PRACTICAL
FORMALIST
BEATE
SONTGEN
ROGER
FRY
THE
FUTURISTS
THE
CASE
OF
THE
LATE
SIR
LAWRENCE
ALMA
TADEMA,
O.
M.
INDEPENDENT
GALLERY:
VANESSA
BELL
AND
OTHON
FRIESZ
AGITATION
VALERIJA
KUZEMA
SERGEI
TRETYAKOV
THE
WORK
OF
VIKTOR
PALMOV
PHOTO-NOTES
SNAPSHOT
MARGARETE
VOHRINGER
ALEXANDER
RODCHENKO
AGAINST
THE
SYNTHETIC
PORTRAIT,
FOR
THE
SNAPSHOT
DECOMPOSITION
MALTE
RAUCH
GEORGES
BATAILLE
CRITIQUES
DECOLONIZING
ART
HISTORY
PARUL
DAVE
MUKHERJI
ANANDA
K.
COOMARASWAMY
WHY
EXHIBIT
WORKS
OF
ART?
ADVOCATING
THE
COLLECTIVE
CAMILO
SARMIENTO
JARAMILLO
LUIS
VIDALES
THE
AESTHETIC
OF
OUR
TIME
COLOMBIAN
PAINTING
119
132
144
158
165
176
187
199
210
223
236
243
COMMENTARY
SOURCE
TEXT
MATERIALISM
AND
PROXIMITY
ISABELLE
GRAW
FRANCIS
PONGE
NOTE
ON
THE
HOSTAGES,
PAINTINGS
BY
FAUTRIER
CENSORSHIP
AND
THE
AUTHORIAL
"
I
"
VALERIE
HORTOLANI
AND
LOTHAR
LANG
ANNOTATIONS
ON
PAINTING
IN
LEIPZIG,
VALERIJA
KUZEMA
WITH
AN
UPDATE
ON
TIIBKE
HERMANN
GLDCKNER
THE
HANS
GRUNDIG
EXHIBITION
HARALD
METZKES
AT
THE
NATIONAL
GALLERY
FRAGMENTS
ON
ART
CRITICISM
TRESPASSER
OF
GATEKEEPING
JULI
CARSON
OSCAR
MASOTTA
I
COMMITTED
A
HAPPENING
EMBEDDED
CHRONICLER
MONIQUE
BELLAN
VICTOR
HAKIM
THE
ARTISTIC
AND
LITERARY
LIFE
REVIEWS
FROM
LA
REVUE
DU
LIBAN
ET
DEL
'
ORIENTARABE
UNDISCIPLINED
THORSTEN
SCHNEIDER
PETER
GORSEN
PROLEGOMENA
TO
A
HEDONISTIC
ENLIGHTENMENT
IN
DRAG
ASTRID
MANIA
MARYJOSEPHSON
WARHOL:
THE
MEDIUM
AS
CULTURAL
ARTIFACT
SELF-REFLECTIVE
CONNECTIVITY
BEATRICE
VON
BISMARCK
LAWRENCE
ALLOWAY
NETWORK:
THE
ART
WORLD
DESCRIBED
AS
A
SYSTEM
VULNERABILITY
AND
RESISTANCE
FLORENCIA
MALBRAN
MARTA
TRABA
TWO
DECADES
OF
VULNERABILITY
IN
LATIN
AMERICAN
VISUAL
ARTS
1950/1970
FELLOW-FEELING
SARAH
WILSON
ROLAND
BARTHES
REQUICHOT
AND
HIS
BODY
DOCUMENTATION
AS
DIALOGUE
MICHAEL
F.
ZIMMERMANN
ALLAN
SEKULA
ON
THE
INVENTION
OF
PHOTOGRAPHIC
MEANING
INTRODUCTION
DECULTURIZATION
SABETH
BUCHMANN
ANNEMARIE
SAUZEAU-BOETTI
NEGATIVE
CAPABILITY
AS
PRACTICE
IN
WOMEN
'
S
ART
COMING
TOGETHER:
BOB
BENNETT
DEMAS
NWOKO
AND
NEW
CULTURE
AZU
NWAGBOGU
ARCHITECTURE
AND
ENVIRONMENTAL
DESIGNS
COMMENTARY
SOURCE
TEXT
IF
YOU
DON
'
T
HAVE
BREAD,
EAT
ART!:
CONTEMPORARY
ART
AND
DERIVATIVE
FASCISMS
249
GATHERING
VOICES,
FEELING
RELATIONS
OONA
LOCHNER
ARLENE
RAVEN
TWO
LINES
OF
SIGHT
AND
AN
UNEXPECTED
CONNECTION:
HELEN
MAYER
HARRISON
AND
NEWTON
HARRISON
266
DRAWING
ANOTHER
LINE
MAJAAND
REUBEN
FOWKES
JESA
DENEGRI
A
NEW
TURNAROUND
276
CHRONOPOLITICAL
INTERVENTION
ANA
TEIXEIRA
PINTO
MARK
SINKER
LOVING
THE
ALIEN
IN
ADVANCE
OF
THE
LANDING
284
A
DRIFTING
MIND
ISABEL
MEHL
LYNNE
TILLMAN
MADAME
REALISM
'
S
DIARY:
THE
MATISSE
PAGES
291
CRITERIA
AGAINST
ALL
ODDS
PETER
GEIMER
STEFAN
GERMER
HOW
DO
I
FIND
MY
WAY
OUT
OF
THIS
LABYRINTH?
ON
THE
NECESSITY
AND
IMPOSSIBILITY
OF
CRITERIA
FORJUDGING
CONTEMPORARY
ART
302
DECENTERING
MAJA
AND
REUBEN
FOWKES
IGOR
ZABEL
THE
SOIL
IN
WHICH
ART
GROWS
GREETINGS
FROM
THE
PROVINCES
309
TACTICS
OF
ALIENATION
GHALYA
SAADAWI
WALID
SADEK
FROM
EXCAVATION
TO
DISPERSION:
CONFIGURATIONS
OF
INSTALLATION
ART
IN
POST-WAR
LEBANON
324
ART
HISTORIOGRAPHY
ANGELA
HARUTYUNYAN
VARDAN
AZATYAN
TOWARD
A
DILEMMATIC
ARCHIVE:
HISTORICIZING
CONTEMPORARY
ART
IN
ARMENIA
338
HATCHET
JOB
WOLFGANG
KEMP
JULIA
VOSS
WHAT
WORLD
DOES
THIS
PRINCE
WANT
TO
RULE?
344
BRIDGING
BORDERS
ANITA
HOSSEINI
HELIA
DARABI
FOUND
IN
TRANSLATION:
EXILE
AS
A
PRODUCTIVE
EXPERIENCE
IN
THE
WORK
OF
IRANIAN
ARTISTS
DISPATCH:
TEHRAN
357
THROUGH
THE
DIGITAL
LOOKING
GLASS
YING
SZE
PEK
HITO
STEYERL
POLITICS
OF
ART:
CONTEMPORARY
ART
AND
THE
TRANSITION
TO
POST-DEMOCRACY
3^5
377
386
398
405
415
418
438
444
455
458
460
464
472
COMMENTARY
SOURCE
TEXT
THE
CULTURAL
LOGIC
OF
FINANCIALIZATION
HOLGER
KUHN
MELANIE
GILLIGAN
THE
BEGGAR'S
PANTOMINE:
PERFORMANCE
AND
ITS
APPROPRIATIONS
CAMP
AND
CREDIT
CARDS
YURIKO
FURUHATA
TAKASHI
KASHIMA
THIS
EXCESS
CALLED
LASSEN:
WHAT
IS
IT
THAT
ART
HISTORY
CANNOT
WRITE'
NEARLY
UNBIASED
JULIA
GROSSE
PATRICK
MUDEKEREZA
HOMAGE:
DJILATENDO
REMIXING
AFRICA,
AGAIN
WOLFGANG
TILLMANS
AT
THE
ECHANGEUR
RETROACTIVITY
ANDREAS
BEYER
PETER
RICHTER
MALE
MORALS
TROLL:
ANONYMOUS
MIRIAM
RASCH
READER
LAUREATE
THROUGH
MY
READING
GLASSES
QUEERING
REBECCA
JOHN
ADWAIT
SINGH
STAYING
WITH
THE
SIRENS
ON
THE
RESILIENCE
OF
THE
PAST
CRACKS
IN
THE
WALL
INTO
THE
LIGHT
CULTURE
AND
CAPITAL
ANNA
KIPKE
CLAIRE
BISHOP
PALACE
IN
PLUNDERLAND:
CLAIRE
BISHOP
ON
THE
SHED
MERGING
YVETTE
MUTUMBA
ENOS
NYAMOR
IN
A
HYPERMEDIATIZED
WORLD.
VISIONS
OF
CULTURAL
JOURNALISM
FOLLOW
THE
MONEY
DAVID
MIELECKE
ARUNA
D
'
SOUZA
REVIEWS
FROM
4COLUMNS
THE
SERIES
JULIA
VOSS
JENNIFER
HIGGIE
INSTAGRAM,
MARCH
12,
2021
BIOGRAPHIES
BIBLIOGRAPHY
INDEX
OF
NAMES
COLOPHON
AND
CREDITS |
| adam_txt |
8
10
24
34
42
46
54
62
72
84
90
97
NO
FOREWORD
WHY
ART
CRITICISM?
AN
INTRODUCTION
COMMENTARY
SOURCE
TEXT
PASSION,
PERFORMANCE
AND
SOBERNESS
BEATE
SONTGEN
DENIS
DIDEROT
ESSAYS
ON
PAINTING
IN
CONVERSATION
CLEMENS
BRENTANO,
ACHIM
VON
ARNIM
JOHANNES
GRAVE
IN
FRONT
OF
A
FRIEDRICH
SEASCAPE
WITH
CAPUCHIN
MONK
HEINRICH
VON
KLEIST
FEELINGS
BEFORE
FRIEDRICH
'
S
SEASCAPE
EMOTIONAL
COLLECTIVITIES
JULIUS
MEIER-GRAEFE
STEPHANIE
MARCHAL
FELLOWS
IN
REALITY
THE
LEAK
BERTA
ZUCKERKANDL
JULIA
VOSS
THE
KLIMT
AFFAIR
KLIMT
'
S
LETTER
TO
THE
EDUCATION
MINISTRY
CRAFTS
AND
THE
SPIRITUAL
MONICA
JUNEJA
ANANDA
K.
COOMARASWAMY
THE
INDIAN
CRAFTSMAN
PRACTICAL
FORMALIST
BEATE
SONTGEN
ROGER
FRY
THE
FUTURISTS
THE
CASE
OF
THE
LATE
SIR
LAWRENCE
ALMA
TADEMA,
O.
M.
INDEPENDENT
GALLERY:
VANESSA
BELL
AND
OTHON
FRIESZ
AGITATION
VALERIJA
KUZEMA
SERGEI
TRETYAKOV
THE
WORK
OF
VIKTOR
PALMOV
PHOTO-NOTES
SNAPSHOT
MARGARETE
VOHRINGER
ALEXANDER
RODCHENKO
AGAINST
THE
SYNTHETIC
PORTRAIT,
FOR
THE
SNAPSHOT
DECOMPOSITION
MALTE
RAUCH
GEORGES
BATAILLE
CRITIQUES
DECOLONIZING
ART
HISTORY
PARUL
DAVE
MUKHERJI
ANANDA
K.
COOMARASWAMY
WHY
EXHIBIT
WORKS
OF
ART?
ADVOCATING
THE
COLLECTIVE
CAMILO
SARMIENTO
JARAMILLO
LUIS
VIDALES
THE
AESTHETIC
OF
OUR
TIME
COLOMBIAN
PAINTING
119
132
144
158
165
176
187
199
210
223
236
243
COMMENTARY
SOURCE
TEXT
MATERIALISM
AND
PROXIMITY
ISABELLE
GRAW
FRANCIS
PONGE
NOTE
ON
THE
HOSTAGES,
PAINTINGS
BY
FAUTRIER
CENSORSHIP
AND
THE
AUTHORIAL
"
I
"
VALERIE
HORTOLANI
AND
LOTHAR
LANG
ANNOTATIONS
ON
PAINTING
IN
LEIPZIG,
VALERIJA
KUZEMA
WITH
AN
UPDATE
ON
TIIBKE
HERMANN
GLDCKNER
THE
HANS
GRUNDIG
EXHIBITION
HARALD
METZKES
AT
THE
NATIONAL
GALLERY
FRAGMENTS
ON
ART
CRITICISM
TRESPASSER
OF
GATEKEEPING
JULI
CARSON
OSCAR
MASOTTA
I
COMMITTED
A
HAPPENING
EMBEDDED
CHRONICLER
MONIQUE
BELLAN
VICTOR
HAKIM
THE
ARTISTIC
AND
LITERARY
LIFE
REVIEWS
FROM
LA
REVUE
DU
LIBAN
ET
DEL
'
ORIENTARABE
UNDISCIPLINED
THORSTEN
SCHNEIDER
PETER
GORSEN
PROLEGOMENA
TO
A
HEDONISTIC
ENLIGHTENMENT
IN
DRAG
ASTRID
MANIA
MARYJOSEPHSON
WARHOL:
THE
MEDIUM
AS
CULTURAL
ARTIFACT
SELF-REFLECTIVE
CONNECTIVITY
BEATRICE
VON
BISMARCK
LAWRENCE
ALLOWAY
NETWORK:
THE
ART
WORLD
DESCRIBED
AS
A
SYSTEM
VULNERABILITY
AND
RESISTANCE
FLORENCIA
MALBRAN
MARTA
TRABA
TWO
DECADES
OF
VULNERABILITY
IN
LATIN
AMERICAN
VISUAL
ARTS
1950/1970
FELLOW-FEELING
SARAH
WILSON
ROLAND
BARTHES
REQUICHOT
AND
HIS
BODY
DOCUMENTATION
AS
DIALOGUE
MICHAEL
F.
ZIMMERMANN
ALLAN
SEKULA
ON
THE
INVENTION
OF
PHOTOGRAPHIC
MEANING
INTRODUCTION
DECULTURIZATION
SABETH
BUCHMANN
ANNEMARIE
SAUZEAU-BOETTI
NEGATIVE
CAPABILITY
AS
PRACTICE
IN
WOMEN
'
S
ART
COMING
TOGETHER:
BOB
BENNETT
DEMAS
NWOKO
AND
NEW
CULTURE
AZU
NWAGBOGU
ARCHITECTURE
AND
ENVIRONMENTAL
DESIGNS
COMMENTARY
SOURCE
TEXT
IF
YOU
DON
'
T
HAVE
BREAD,
EAT
ART!:
CONTEMPORARY
ART
AND
DERIVATIVE
FASCISMS
249
GATHERING
VOICES,
FEELING
RELATIONS
OONA
LOCHNER
ARLENE
RAVEN
TWO
LINES
OF
SIGHT
AND
AN
UNEXPECTED
CONNECTION:
HELEN
MAYER
HARRISON
AND
NEWTON
HARRISON
266
DRAWING
ANOTHER
LINE
MAJAAND
REUBEN
FOWKES
JESA
DENEGRI
A
NEW
TURNAROUND
276
CHRONOPOLITICAL
INTERVENTION
ANA
TEIXEIRA
PINTO
MARK
SINKER
LOVING
THE
ALIEN
IN
ADVANCE
OF
THE
LANDING
284
A
DRIFTING
MIND
ISABEL
MEHL
LYNNE
TILLMAN
MADAME
REALISM
'
S
DIARY:
THE
MATISSE
PAGES
291
CRITERIA
AGAINST
ALL
ODDS
PETER
GEIMER
STEFAN
GERMER
HOW
DO
I
FIND
MY
WAY
OUT
OF
THIS
LABYRINTH?
ON
THE
NECESSITY
AND
IMPOSSIBILITY
OF
CRITERIA
FORJUDGING
CONTEMPORARY
ART
302
DECENTERING
MAJA
AND
REUBEN
FOWKES
IGOR
ZABEL
THE
SOIL
IN
WHICH
ART
GROWS
GREETINGS
FROM
THE
PROVINCES
309
TACTICS
OF
ALIENATION
GHALYA
SAADAWI
WALID
SADEK
FROM
EXCAVATION
TO
DISPERSION:
CONFIGURATIONS
OF
INSTALLATION
ART
IN
POST-WAR
LEBANON
324
ART
HISTORIOGRAPHY
ANGELA
HARUTYUNYAN
VARDAN
AZATYAN
TOWARD
A
DILEMMATIC
ARCHIVE:
HISTORICIZING
CONTEMPORARY
ART
IN
ARMENIA
338
HATCHET
JOB
WOLFGANG
KEMP
JULIA
VOSS
WHAT
WORLD
DOES
THIS
PRINCE
WANT
TO
RULE?
344
BRIDGING
BORDERS
ANITA
HOSSEINI
HELIA
DARABI
FOUND
IN
TRANSLATION:
EXILE
AS
A
PRODUCTIVE
EXPERIENCE
IN
THE
WORK
OF
IRANIAN
ARTISTS
DISPATCH:
TEHRAN
357
THROUGH
THE
DIGITAL
LOOKING
GLASS
YING
SZE
PEK
HITO
STEYERL
POLITICS
OF
ART:
CONTEMPORARY
ART
AND
THE
TRANSITION
TO
POST-DEMOCRACY
3^5
377
386
398
405
415
418
438
444
455
458
460
464
472
COMMENTARY
SOURCE
TEXT
THE
CULTURAL
LOGIC
OF
FINANCIALIZATION
HOLGER
KUHN
MELANIE
GILLIGAN
THE
BEGGAR'S
PANTOMINE:
PERFORMANCE
AND
ITS
APPROPRIATIONS
CAMP
AND
CREDIT
CARDS
YURIKO
FURUHATA
TAKASHI
KASHIMA
THIS
EXCESS
CALLED
LASSEN:
WHAT
IS
IT
THAT
ART
HISTORY
CANNOT
WRITE'
NEARLY
UNBIASED
JULIA
GROSSE
PATRICK
MUDEKEREZA
HOMAGE:
DJILATENDO
REMIXING
AFRICA,
AGAIN
WOLFGANG
TILLMANS
AT
THE
ECHANGEUR
RETROACTIVITY
ANDREAS
BEYER
PETER
RICHTER
MALE
MORALS
TROLL:
ANONYMOUS
MIRIAM
RASCH
READER
LAUREATE
THROUGH
MY
READING
GLASSES
QUEERING
REBECCA
JOHN
ADWAIT
SINGH
STAYING
WITH
THE
SIRENS
ON
THE
RESILIENCE
OF
THE
PAST
CRACKS
IN
THE
WALL
INTO
THE
LIGHT
CULTURE
AND
CAPITAL
ANNA
KIPKE
CLAIRE
BISHOP
PALACE
IN
PLUNDERLAND:
CLAIRE
BISHOP
ON
THE
SHED
MERGING
YVETTE
MUTUMBA
ENOS
NYAMOR
IN
A
HYPERMEDIATIZED
WORLD.
VISIONS
OF
CULTURAL
JOURNALISM
FOLLOW
THE
MONEY
DAVID
MIELECKE
ARUNA
D
'
SOUZA
REVIEWS
FROM
4COLUMNS
THE
SERIES
JULIA
VOSS
JENNIFER
HIGGIE
INSTAGRAM,
MARCH
12,
2021
BIOGRAPHIES
BIBLIOGRAPHY
INDEX
OF
NAMES
COLOPHON
AND
CREDITS |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author2 | Söntgen, Beate 1963- Voss, Julia 1974- |
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| author_facet | Söntgen, Beate 1963- Voss, Julia 1974- |
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| bvnumber | BV047325673 |
| classification_rvk | LH 61060 LH 61020 |
| ctrlnum | (OCoLC)1367855783 (DE-599)DNB1227628544 |
| discipline | Kunstgeschichte |
| discipline_str_mv | Kunstgeschichte |
| format | Book |
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| genre_facet | Aufsatzsammlung |
| id | DE-604.BV047325673 |
| illustrated | Illustrated |
| index_date | 2024-07-03T17:30:55Z |
| indexdate | 2024-10-14T10:04:14Z |
| institution | BVB |
| institution_GND | (DE-588)10094104-7 |
| isbn | 9783775750745 3775750746 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032728314 |
| oclc_num | 1367855783 |
| open_access_boolean | |
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| physical | 471 Seiten Illustrationen |
| publishDate | 2021 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | Hatje Cantz Verlag |
| record_format | marc |
| series2 | Zeitgenössische Kunst |
| spelling | Why art criticism? a reader Beate Söntgen and Julia Voss, eds. Berlin Hatje Cantz Verlag 2021 471 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Zeitgenössische Kunst Texte von Ananda Kentish Coomaraswamy, Denis Diderot, Takashi Kashima, Patrick Mudekereza, Bertha Zuckerkandl, Annemarie Sauzeau Boetti, ausgewählt von Juli Carson, Isabelle Graw, Angela Harutyunyan, Monica Juneja, Wolfgang Kemp, Florencia Malbran, Yvette Mutumba, Azu Nwagbogu, Sarah Wilson, Yuriko Furuhata Dieser Reader leistet Pionierarbeit, indem er unterschiedlichste kunstkritische Stimmen aus der Gegenwart und aus der Geschichte versammelt und kommentiert. Die Vielfalt der Argumente, der Darstellungsweisen und der Kriterien fordert die Diskussion heraus, wie sich Kunstkritik unter Bedingungen von Globalität verstehen und schreiben lässt Kunstwissenschaft (DE-588)4120632-0 gnd rswk-swf Kunstkritik (DE-588)4033659-1 gnd rswk-swf Kunstkritik Kunstwissenschaft Diskurs (DE-588)4143413-4 Aufsatzsammlung gnd-content Kunstkritik (DE-588)4033659-1 s Kunstwissenschaft (DE-588)4120632-0 s DE-604 Söntgen, Beate 1963- (DE-588)114655782 edt Voss, Julia 1974- (DE-588)133136167 edt Hatje-Cantz-Verlag (DE-588)10094104-7 pbl Erscheint auch als Online-Ausgabe 978-3-7757-5092-9 (DE-604)BV048371687 DNB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032728314&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Why art criticism? a reader Kunstwissenschaft (DE-588)4120632-0 gnd Kunstkritik (DE-588)4033659-1 gnd |
| subject_GND | (DE-588)4120632-0 (DE-588)4033659-1 (DE-588)4143413-4 |
| title | Why art criticism? a reader |
| title_auth | Why art criticism? a reader |
| title_exact_search | Why art criticism? a reader |
| title_exact_search_txtP | Why art criticism? a reader |
| title_full | Why art criticism? a reader Beate Söntgen and Julia Voss, eds. |
| title_fullStr | Why art criticism? a reader Beate Söntgen and Julia Voss, eds. |
| title_full_unstemmed | Why art criticism? a reader Beate Söntgen and Julia Voss, eds. |
| title_short | Why art criticism? |
| title_sort | why art criticism a reader |
| title_sub | a reader |
| topic | Kunstwissenschaft (DE-588)4120632-0 gnd Kunstkritik (DE-588)4033659-1 gnd |
| topic_facet | Kunstwissenschaft Kunstkritik Aufsatzsammlung |
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