The Royal Tour:
Despite finding their bearings amidst the pillars of colonialism, power and First Nations identity, Vincent Namatjira's paintings are almost impossibly light and personal in their candour. Wranglings with race, politics and the empire coalesce with humour, humility and personal history. We grin...
Gespeichert in:
| Weitere Verfasser: | , , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Melbourne, Australia
Perimeter Editions
[2020]
© 2020 |
| Ausgabe: | First edition |
| Schriftenreihe: | Perimeter editions
058 |
| Schlagworte: | |
| Zusammenfassung: | Despite finding their bearings amidst the pillars of colonialism, power and First Nations identity, Vincent Namatjira's paintings are almost impossibly light and personal in their candour. Wranglings with race, politics and the empire coalesce with humour, humility and personal history. We grin as much as we grimace Made while in lockdown on the APY Lands in remote Central Australia during the COVID-19 pandemic, the works that populate Namatjira's debut artist book The Royal Tour are as intimate as they are interventionist. Painting directly onto the pages of commemorative royal photo-books that he had stumbled across at op-shops in Alice Springs, Namatjira - whose famed great grandfather Albert Namatjira won the Queen Elizabeth II Coronation Medal in 1953 for his services to art and went on to meet the monarch in 1954 - places himself front-and-centre amidst the pageantry of various historical royal occasions, engagements and tours. Here, he rides shotgun in the Gold State Coach with the Queen, waving the Aboriginal flag out the window; gives a grinning thumbs-up from the Buckingham Palace balcony; and leads Charles and Diana on an outback tour But for Namatjira - who, in 2020 alone, became the first Indigenous Australian artist to win the Archibald Prize and was awarded an Order of Australia Medal - the devil is in the detail. As he offers in fellow Indigenous artist Tony Albert's essay for the book: 'Whenever I paint powerful figures like the Royals, I'm trying to take away some of their colonial power and ownership. I use a mischievous self-portrait and a bit of cheeky humour as a kind of equaliser, a way of putting everyone on the same level ... When I place an Aboriginal person front-and-centre or use the Aboriginal flag in a painting, it is as a symbol of our strength and resilience.' |
| Beschreibung: | Edition of 1000 |
| Beschreibung: | 41 Seiten, davon 1 Faltblatt 33 cm |
| ISBN: | 0648680185 9780648680185 |
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| 520 | 3 | |a Despite finding their bearings amidst the pillars of colonialism, power and First Nations identity, Vincent Namatjira's paintings are almost impossibly light and personal in their candour. Wranglings with race, politics and the empire coalesce with humour, humility and personal history. We grin as much as we grimace | |
| 520 | 3 | |a Made while in lockdown on the APY Lands in remote Central Australia during the COVID-19 pandemic, the works that populate Namatjira's debut artist book The Royal Tour are as intimate as they are interventionist. Painting directly onto the pages of commemorative royal photo-books that he had stumbled across at op-shops in Alice Springs, Namatjira - whose famed great grandfather Albert Namatjira won the Queen Elizabeth II Coronation Medal in 1953 for his services to art and went on to meet the monarch in 1954 - places himself front-and-centre amidst the pageantry of various historical royal occasions, engagements and tours. Here, he rides shotgun in the Gold State Coach with the Queen, waving the Aboriginal flag out the window; gives a grinning thumbs-up from the Buckingham Palace balcony; and leads Charles and Diana on an outback tour | |
| 520 | 3 | |a But for Namatjira - who, in 2020 alone, became the first Indigenous Australian artist to win the Archibald Prize and was awarded an Order of Australia Medal - the devil is in the detail. As he offers in fellow Indigenous artist Tony Albert's essay for the book: 'Whenever I paint powerful figures like the Royals, I'm trying to take away some of their colonial power and ownership. I use a mischievous self-portrait and a bit of cheeky humour as a kind of equaliser, a way of putting everyone on the same level ... When I place an Aboriginal person front-and-centre or use the Aboriginal flag in a painting, it is as a symbol of our strength and resilience.' | |
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| illustrated | Not Illustrated |
| index_date | 2024-07-03T17:29:42Z |
| indexdate | 2024-07-10T09:08:52Z |
| institution | BVB |
| isbn | 0648680185 9780648680185 |
| language | English |
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| spelling | Namatjira, Vincent 1983- (DE-588)1202557805 art The Royal Tour Vincent Namatjira ; editors: Heath Aarons, Justine Ellis and Dan Rule First edition Melbourne, Australia Perimeter Editions [2020] © 2020 Netherlands Wilco Art Books 41 Seiten, davon 1 Faltblatt 33 cm sti rdacontent txt rdacontent n rdamedia nc rdacarrier Perimeter editions 058 Edition of 1000 Despite finding their bearings amidst the pillars of colonialism, power and First Nations identity, Vincent Namatjira's paintings are almost impossibly light and personal in their candour. Wranglings with race, politics and the empire coalesce with humour, humility and personal history. We grin as much as we grimace Made while in lockdown on the APY Lands in remote Central Australia during the COVID-19 pandemic, the works that populate Namatjira's debut artist book The Royal Tour are as intimate as they are interventionist. Painting directly onto the pages of commemorative royal photo-books that he had stumbled across at op-shops in Alice Springs, Namatjira - whose famed great grandfather Albert Namatjira won the Queen Elizabeth II Coronation Medal in 1953 for his services to art and went on to meet the monarch in 1954 - places himself front-and-centre amidst the pageantry of various historical royal occasions, engagements and tours. Here, he rides shotgun in the Gold State Coach with the Queen, waving the Aboriginal flag out the window; gives a grinning thumbs-up from the Buckingham Palace balcony; and leads Charles and Diana on an outback tour But for Namatjira - who, in 2020 alone, became the first Indigenous Australian artist to win the Archibald Prize and was awarded an Order of Australia Medal - the devil is in the detail. As he offers in fellow Indigenous artist Tony Albert's essay for the book: 'Whenever I paint powerful figures like the Royals, I'm trying to take away some of their colonial power and ownership. I use a mischievous self-portrait and a bit of cheeky humour as a kind of equaliser, a way of putting everyone on the same level ... When I place an Aboriginal person front-and-centre or use the Aboriginal flag in a painting, it is as a symbol of our strength and resilience.' Namatjira, Vincent 1983- (DE-588)1202557805 gnd rswk-swf Namatjira, Vincent / 1983- Artists, Aboriginal Australian / 21st century Painting, Aboriginal Australian / 21st century Royal visitors / Australia / Pictorial works Visits of state / Australia / Pictorial works Artists, Aboriginal Australian Painting, Aboriginal Australian Royal visitors Visits of state Australia 2000-2099 Pictorial works (DE-588)4145395-5 Bildband gnd-content Namatjira, Vincent 1983- (DE-588)1202557805 p DE-604 Aarons, Heath edt Ellis, Justine edt Rule, Dan edt Perimeter editions 058 (DE-604)BV044039710 58 |
| spellingShingle | The Royal Tour Perimeter editions Namatjira, Vincent 1983- (DE-588)1202557805 gnd |
| subject_GND | (DE-588)1202557805 (DE-588)4145395-5 |
| title | The Royal Tour |
| title_auth | The Royal Tour |
| title_exact_search | The Royal Tour |
| title_exact_search_txtP | The Royal Tour |
| title_full | The Royal Tour Vincent Namatjira ; editors: Heath Aarons, Justine Ellis and Dan Rule |
| title_fullStr | The Royal Tour Vincent Namatjira ; editors: Heath Aarons, Justine Ellis and Dan Rule |
| title_full_unstemmed | The Royal Tour Vincent Namatjira ; editors: Heath Aarons, Justine Ellis and Dan Rule |
| title_short | The Royal Tour |
| title_sort | the royal tour |
| topic | Namatjira, Vincent 1983- (DE-588)1202557805 gnd |
| topic_facet | Namatjira, Vincent 1983- Bildband |
| volume_link | (DE-604)BV044039710 |
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