Composition in Athenian black-figure vase-painting: the 'Chariot in profile' type scene
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Leuven ; Paris ; Bristol, CT
Peeters
2021
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| Schriftenreihe: | Babesch. Supplement
41 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | XII, 316 Seiten Illustrationen, Diagramme |
| ISBN: | 9789042945555 |
Internformat
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| 245 | 1 | 0 | |a Composition in Athenian black-figure vase-painting |b the 'Chariot in profile' type scene |c Geralda Jurriaans-Helle |
| 264 | 1 | |a Leuven ; Paris ; Bristol, CT |b Peeters |c 2021 | |
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Datensatz im Suchindex
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| adam_text | Contents Preface xi Abbreviations of Variant names xii Introduction 0.1 0.2 0.3 Subject, method, sources and restrictions 0.1.1 Pictorial language 0.1.2 Sources and restrictions Outline of the book 0.2.1 Mass-produced vases 0.2.2 Validity of this method of research 0.2.3 Type scenes, subtypes and variants Historical context of the vases 0.3.1 Horses and chariots 0.3.2 Athens in the 6th century BCE 0.3.3 Representations of chariots on Athenian black-figure vases 1 1 2 3 3 3 4 4 4 4 5 1 1.0 1.1 1.2 1.3 1.4 1.5 1.6 1.7 1.8 1.9 1.10 1.11 A BRIEF SURVEY OF METHODOLOGIES FOR THE INTERPRETATION OF PAINTINGS ON ATHENIAN VASES Introduction Art and literature Text and illustration Different ways to depict a narrative The synoptic method The notion of time When is a scene narrative? Making a story recognisable Same vases, different eyes Analysing pictures The image in its context Approach to pictorial language of this study 9 10 10 11 12 13 14 15 16 17 18 19 2 2.0 2.1 A case study: the type scene Fighting men separated Introduction Type scene Fighting men separated 2.1.1 Earlier interpretations Subtypes of the type scene Fighting men separated 2.2.1 Subtype FM I Men fighting with spears separated 2.2.1.1 Description 2.2.1.2 Analysis 2.2.1.3 Shapes, painters, and other images on the same vase 2.2.2 Subtype FM II Men fighting with swords separated 2.2.2.1 Description 2.2.2.2 Analysis 2.2.23 Changing the composition 2.2.2.4 Comparable representations 2.2.2.5 Shapes, painters, and other images on the same vase 2.2.3 Comparison of subtypes FM I and FM II 2.2.4 Change over time of
the type scene Fighting men separated Type scene Herakles and Kyknos 2.3.1 The myth of Kyknos 2.3.2 Subtype HK I Herakles and Kyknos fighting 2.3.2.1 Description 2.3.2.2 Shapes, painters, and other images on the same vase 25 25 26 27 27 27 28 29 30 30 30 31 31 32 32 34 34 34 35 35 35 2.2 2.3
2.3.3 2.4 3 Subtype HK II Herakles and Kyknos separated 2.3.3.1 Description 2.3.3.2 Analysis 2.3.3.3 Shapes, painters, and other images on the same vase 2.3.4 Comparison of subtypes HK I and HK II Comparison of subtypes FM I, FM II, and HKII 2.4.1 Shapes, painters, and other images on the same vase 2.4.2 Iconographical details 2.4.3 Changing the subject of type scenes Subtype Hoplites and other men 3.0 3.1 3.2 3.3 3.4 3.5 3.6 3.7 3.8 3.9 35 3g 37 38 3g 39 39 40 40 leaving Introduction Variant HL l Hoplite leaving home, early depictions 3.1.1 Description 3.1.2 Analysis 3.1.3 Changing the composition 3.1.4 Shapes, painters, and other images on the same vase Variant HL II Charioteer standing in chariot, hoplite mounting 3.2.1 Description 3.2.2 Analysis 3.2.3 Changing the composition 3.2.4 Shapes, painters, and other images on the same vase Variant HL III Charioteer standing in chariot, hoplite standing nearby 3.3.1 Description 3.3.2 Analysis 3.3.3 Changing the composition 3.3.4 Shapes, painters, and other images on the same vase Variant HL IV Charioteer mounting a chariot, hoplite standing nearby 3.4.1 Description 3.4.2 Analysis 3.4.3 Changing the composition 3.4.4 Shapes, painters, and other images on the same vase Variant HL V Hoplite holding reins, no charioteer 3.5.1 Description 3.5.2 Analysis 3.5.3 Changing the composition 3.5.4 Shapes, painters, and other imageson the same vase Variant CW Charioteer waiting in chariot 3.6.1 Description 3.6.2 Analysis 3.6.3 Changing the composition 3.6.4 Shapes, painters, and other images on the same vase Variant CF
Chariot in frieze 3.7.1 Description 3.7.2 Analysis 3.7.3 Changing the composition 3.7.4 Shapes, painters, and other images on the same vase Variant MC Man in chariot 3.8.1 Description 3.8.2 Analysis 3.8.3 Changing the composition 3.8.4 Shapes, painters, and other images on the same vase Variant CH Charioteer and hoplite in chariot 3.9.1 Description 3.9.2 Analysis 3.9.3 Changing the composition 3.9.4 Shapes, painters, and other images on the same vase 47 48 48 50 50 52 52 52 54 54 55 55 55 58 59 59 59 59 62 63 63 63 63 65 66 66 66 66 68 68 68 68 68 69 70 70 70 70 74 74 75 75 75 77 77 77
3.10 3.11 3.12 4 4.0 4.1 4.2 4.3 4.4 4.5 4.6 5 5.0 5.1 5.2 5.3 Variant CMH Charioteer and man in chariot with hoplites 3.10.1 Description 3.10.2 Analysis 3.10.3 Changing the composition 3.10.4 Shapes, painters, and other images on the same vase Variant CMM Charioteer and man in chariot accompanied by people 3.11.1 Description 3.11.2 Analysis 3.11.3 Changing the composition 3.11.4 Shapes, painters, and other images on the same vase General conclusions 78 78 79 79 79 80 80 82 82 82 82 Subtype Wedding procession Introduction Variant WG Procession of wedding guests 4.1.1 Description 4.1.2 Analysis 4.1.3 Changing the composition 4.1.4 Shapes, painters, and other images on the same vase Variant WP I Wedded couple in chariot, early depictions 4.2.1 Description 4.2.2 Analysis 4.2.3 Changing the composition 4.2.4 Shapes, painters, and other images on the same vase Variant WP II Wedded couple in chariot, no gods present 4.3.1 Description 4.3.2 Analysis 4.3.3 Changing the composition 4.3.4 Shapes, painters, and other images on the same vase Variant WP III Wedded couple in chariot, with typical elements from real life, and gods present 4.4.1 Description 4.4.2 Analysis 4.4.3 Changing the composition 4.4.4 Shapes, painters, and other images on the same vase Variant WP IV Wedded couple in chariot, with gods present 4.5.1 Description 4.5.2 Analysis 4.5.3 Changing the composition 4.5.4 Shapes, painters, and other images on the same vase General conclusions 93 94 94 97 97 97 97 97 101 101 102 103 103 106 107 108 108 108 112 114 114 115 115 118 119 119 119 Subtype Apotheosis
of Herakles and divine departures Introduction Variant AP I Apotheosis of Herakles, early depictions 5.1.1 Description 5.1.2 Analysis 5.1.3 Changing the composition 5.1.4 Shapes, painters, and other images on the same vase Variant AP II Athena and Herakles standing in chariot, Athena holding reins 5.2.1 Description 5.2.2 Analysis 5.2.3 Changing the composition 5.2.4 Shapes, painters, and other images on the same vase Variants AP Па-d Variant AP II with one or two anonymous persons in chariot, woman holding reins 133 134 134 135 136 136 136 136 138 138 139 139
5.4 5.5 5.6 5.7 5.8 5.9 5.10 5.11 5.12 5.13 5.3.1 Description 5.3.2 Analysis 5.3.3 Changing the composition 5.3.4 Shapes, painters, and other images on the same vase Variant AP III Athena mounting and holding reins, Herakles standing in chariot 5.4.1 Description 5.4.2 Analysis 5.4.3 Changing the composition 5.4.4 Shapes, painters, and other images on the same vase Variants АР Ша-Ъ Variant АР ПІ with one or two anonymous persons in chariot, woman mounting and holding reins 5.5.1 Description 5.5.2 Analysis 5.5.3 Changing the composition 5.5.4 Shapes, painters, and other images on the same vase Variant АР IV Athena with one foot in chariot and holding reins, Herakles walking with chariot 5.6.1 Description 5.6.2 Analysis 5.6.3 Changing the composition 5.6.4 Shapes, painters, and other images on the same vase Variant АР V Athena with one foot in chariot and holding reins, Herakles walking towards chariot 5.7.1 Description 5.7.2 Analysis 5.7.3 Changing the composition 5.7.4 Shapes, painters, and other images on the same vase Variants AP IVa-b and AP Va-b Variant АР IV and variant АР V with one or two anonymous persons 5.8.1 Description 5.8.2 Analysis 5.8.3 Changing the composition 5.8.4 Shapes, painters, and other images on the same vase Variant АР VI Herakles driving chariot, Athena standing near the horses 5.9.1 Description 5.9.2 Analysis 5.9.3 Changing the composition 5.9.4 Shapes, painters, and other images on the same vase Variant AP Vla-b Variant АР VI with one or two anonymous persons 5.10.1 Description 5.10.2 Analysis 5.10.3 Changing the composition 5.10.4
Shapes, painters, and other images on the same vase Variant АР VII Herakles in chariot with charioteer, Athena standing nearby 5.11.1 Description 5.11.2 Analysis 5.11.3 Changing the composition 5.11.4 Shapes, painters, and other images on the same vase Variant AP Vlla-b ‘Variant АР VII with two men standing in chariot, Athena and other gods standing nearby 5.12.1 Description 5.12.2 Analysis 5.12.3 Changing the composition 5.12.4 Shapes, painters, and other images on the same vase Variant ATH Athena mounting chariot, other gods standing nearby 5.13.1 Description 5.13.2 Analysis 139 142 142 144 144 144 145 146 146 147 147 147 147 147 147 147 148 149 150 150 150 152 152 153 153 153 154 154 154 154 154 156 156 157 157 157 159 159 159 159 159 160 161 161 161 161 162 162 163 164 164 165
5.14 5.15 5.16 5.13.3 Changing the composition 5.13.4 Shapes, painters, and other images on the same vase Variant WOa-c Woman holding reins, other gods standing nearby 5.14.1 Description 5.14.2 Analysis 5.14.3 Changing the composition 5.14.4 Shapes, painters, and other images on the same vase Variants DIO, DIWO and GM Dionysos or other gods holding reins 5.15.1 Description 5.15.2 Analysis 5.15.3 Changing the composition 5.15.4 Shapes, painters, and other images on the same vase General conclusions 6 Type scene Chariot in profile : Concluding remarks 6.0 6.1 Introduction The subtypes of type scene Chariot in profile synchronically compared 6.1.1 Depictions of chariots before 6th-century Athenian black-figurevase-painting 6.1.2 Early chariot scenes in Athenian black-figure vase-painting (ca.580-560 BCE) 6.1.3 Adapting the compositions (ca. 560-550 BCE) 6.1.4 Introduction of elements from daily life (ca. 550-530 BCE) 6.1.5 Gods and heroes reintroduced (ca. 530-500 BCE) 6.1.6 General conclusions on the change over time of the type scene Chariotin profile Comparison of the change over time of the type scene Chariot in profile with that of the type scene Fighting men separated Pictorial language The meaning of the type scene Chariot in profile Historical context The type scene Chariot in profile and the Apaturia 6.2 6.3 6.4 6.5 6.6 Tables Bibliography List of museums and collections with references to vases mentioned in the text Museum index of vases illustrated Index 165 165 165 165 168 169 169 170 170 172 172 173 173 185 185 185 185 186 187 190 193 193 194 194
195 196 203 293 299 313 315
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| adam_txt |
Contents Preface xi Abbreviations of Variant names xii Introduction 0.1 0.2 0.3 Subject, method, sources and restrictions 0.1.1 Pictorial language 0.1.2 Sources and restrictions Outline of the book 0.2.1 Mass-produced vases 0.2.2 Validity of this method of research 0.2.3 Type scenes, subtypes and variants Historical context of the vases 0.3.1 Horses and chariots 0.3.2 Athens in the 6th century BCE 0.3.3 Representations of chariots on Athenian black-figure vases 1 1 2 3 3 3 4 4 4 4 5 1 1.0 1.1 1.2 1.3 1.4 1.5 1.6 1.7 1.8 1.9 1.10 1.11 A BRIEF SURVEY OF METHODOLOGIES FOR THE INTERPRETATION OF PAINTINGS ON ATHENIAN VASES Introduction Art and literature Text and illustration Different ways to depict a narrative The synoptic method The notion of time When is a scene narrative? Making a story recognisable Same vases, different eyes Analysing pictures The image in its context Approach to pictorial language of this study 9 10 10 11 12 13 14 15 16 17 18 19 2 2.0 2.1 A case study: the type scene 'Fighting men separated' Introduction Type scene 'Fighting men separated' 2.1.1 Earlier interpretations Subtypes of the type scene 'Fighting men separated' 2.2.1 Subtype FM I 'Men fighting with spears separated' 2.2.1.1 Description 2.2.1.2 Analysis 2.2.1.3 Shapes, painters, and other images on the same vase 2.2.2 Subtype FM II 'Men fighting with swords separated' 2.2.2.1 Description 2.2.2.2 Analysis 2.2.23 Changing the composition 2.2.2.4 Comparable representations 2.2.2.5 Shapes, painters, and other images on the same vase 2.2.3 Comparison of subtypes FM I and FM II 2.2.4 Change over time of
the type scene 'Fighting men separated' Type scene 'Herakles and Kyknos' 2.3.1 The myth of Kyknos 2.3.2 Subtype HK I 'Herakles and Kyknos fighting' 2.3.2.1 Description 2.3.2.2 Shapes, painters, and other images on the same vase 25 25 26 27 27 27 28 29 30 30 30 31 31 32 32 34 34 34 35 35 35 2.2 2.3
2.3.3 2.4 3 Subtype HK II 'Herakles and Kyknos separated' 2.3.3.1 Description 2.3.3.2 Analysis 2.3.3.3 Shapes, painters, and other images on the same vase 2.3.4 Comparison of subtypes HK I and HK II Comparison of subtypes FM I, FM II, and HKII 2.4.1 Shapes, painters, and other images on the same vase 2.4.2 Iconographical details 2.4.3 Changing the subject of type scenes Subtype 'Hoplites and other men 3.0 3.1 3.2 3.3 3.4 3.5 3.6 3.7 3.8 3.9 35 3g 37 38 3g 39 39 40 40 leaving' Introduction Variant HL l'Hoplite leaving home, early depictions' 3.1.1 Description 3.1.2 Analysis 3.1.3 Changing the composition 3.1.4 Shapes, painters, and other images on the same vase Variant HL II 'Charioteer standing in chariot, hoplite mounting' 3.2.1 Description 3.2.2 Analysis 3.2.3 Changing the composition 3.2.4 Shapes, painters, and other images on the same vase Variant HL III 'Charioteer standing in chariot, hoplite standing nearby' 3.3.1 Description 3.3.2 Analysis 3.3.3 Changing the composition 3.3.4 Shapes, painters, and other images on the same vase Variant HL IV 'Charioteer mounting a chariot, hoplite standing nearby' 3.4.1 Description 3.4.2 Analysis 3.4.3 Changing the composition 3.4.4 Shapes, painters, and other images on the same vase Variant HL V 'Hoplite holding reins, no charioteer' 3.5.1 Description 3.5.2 Analysis 3.5.3 Changing the composition 3.5.4 Shapes, painters, and other imageson the same vase Variant CW 'Charioteer waiting in chariot' 3.6.1 Description 3.6.2 Analysis 3.6.3 Changing the composition 3.6.4 Shapes, painters, and other images on the same vase Variant CF
'Chariot in frieze' 3.7.1 Description 3.7.2 Analysis 3.7.3 Changing the composition 3.7.4 Shapes, painters, and other images on the same vase Variant MC 'Man in chariot' 3.8.1 Description 3.8.2 Analysis 3.8.3 Changing the composition 3.8.4 Shapes, painters, and other images on the same vase Variant CH 'Charioteer and hoplite in chariot' 3.9.1 Description 3.9.2 Analysis 3.9.3 Changing the composition 3.9.4 Shapes, painters, and other images on the same vase 47 48 48 50 50 52 52 52 54 54 55 55 55 58 59 59 59 59 62 63 63 63 63 65 66 66 66 66 68 68 68 68 68 69 70 70 70 70 74 74 75 75 75 77 77 77
3.10 3.11 3.12 4 4.0 4.1 4.2 4.3 4.4 4.5 4.6 5 5.0 5.1 5.2 5.3 Variant CMH 'Charioteer and man in chariot with hoplites' 3.10.1 Description 3.10.2 Analysis 3.10.3 Changing the composition 3.10.4 Shapes, painters, and other images on the same vase Variant CMM 'Charioteer and man in chariot accompanied by people' 3.11.1 Description 3.11.2 Analysis 3.11.3 Changing the composition 3.11.4 Shapes, painters, and other images on the same vase General conclusions 78 78 79 79 79 80 80 82 82 82 82 Subtype 'Wedding procession' Introduction Variant WG 'Procession of wedding guests' 4.1.1 Description 4.1.2 Analysis 4.1.3 Changing the composition 4.1.4 Shapes, painters, and other images on the same vase Variant WP I 'Wedded couple in chariot, early depictions' 4.2.1 Description 4.2.2 Analysis 4.2.3 Changing the composition 4.2.4 Shapes, painters, and other images on the same vase Variant WP II 'Wedded couple in chariot, no gods present' 4.3.1 Description 4.3.2 Analysis 4.3.3 Changing the composition 4.3.4 Shapes, painters, and other images on the same vase Variant WP III 'Wedded couple in chariot, with typical elements from real life, and gods present' 4.4.1 Description 4.4.2 Analysis 4.4.3 Changing the composition 4.4.4 Shapes, painters, and other images on the same vase Variant WP IV 'Wedded couple in chariot, with gods present' 4.5.1 Description 4.5.2 Analysis 4.5.3 Changing the composition 4.5.4 Shapes, painters, and other images on the same vase General conclusions 93 94 94 97 97 97 97 97 101 101 102 103 103 106 107 108 108 108 112 114 114 115 115 118 119 119 119 Subtype 'Apotheosis
of Herakles and divine departures' Introduction Variant AP I 'Apotheosis of Herakles, early depictions' 5.1.1 Description 5.1.2 Analysis 5.1.3 Changing the composition 5.1.4 Shapes, painters, and other images on the same vase Variant AP II 'Athena and Herakles standing in chariot, Athena holding reins' 5.2.1 Description 5.2.2 Analysis 5.2.3 Changing the composition 5.2.4 Shapes, painters, and other images on the same vase Variants AP Па-d 'Variant AP II with one or two anonymous persons in chariot, woman holding reins' 133 134 134 135 136 136 136 136 138 138 139 139
5.4 5.5 5.6 5.7 5.8 5.9 5.10 5.11 5.12 5.13 5.3.1 Description 5.3.2 Analysis 5.3.3 Changing the composition 5.3.4 Shapes, painters, and other images on the same vase Variant AP III 'Athena mounting and holding reins, Herakles standing in chariot' 5.4.1 Description 5.4.2 Analysis 5.4.3 Changing the composition 5.4.4 Shapes, painters, and other images on the same vase Variants АР Ша-Ъ 'Variant АР ПІ with one or two anonymous persons in chariot, woman mounting and holding reins' 5.5.1 Description 5.5.2 Analysis 5.5.3 Changing the composition 5.5.4 Shapes, painters, and other images on the same vase Variant АР IV 'Athena with one foot in chariot and holding reins, Herakles walking with chariot' 5.6.1 Description 5.6.2 Analysis 5.6.3 Changing the composition 5.6.4 Shapes, painters, and other images on the same vase Variant АР V 'Athena with one foot in chariot and holding reins, Herakles walking towards chariot' 5.7.1 Description 5.7.2 Analysis 5.7.3 Changing the composition 5.7.4 Shapes, painters, and other images on the same vase Variants AP IVa-b and AP Va-b 'Variant АР IV and variant АР V with one or two anonymous persons' 5.8.1 Description 5.8.2 Analysis 5.8.3 Changing the composition 5.8.4 Shapes, painters, and other images on the same vase Variant АР VI 'Herakles driving chariot, Athena standing near the horses' 5.9.1 Description 5.9.2 Analysis 5.9.3 Changing the composition 5.9.4 Shapes, painters, and other images on the same vase Variant AP Vla-b 'Variant АР VI with one or two anonymous persons' 5.10.1 Description 5.10.2 Analysis 5.10.3 Changing the composition 5.10.4
Shapes, painters, and other images on the same vase Variant АР VII 'Herakles in chariot with charioteer, Athena standing nearby' 5.11.1 Description 5.11.2 Analysis 5.11.3 Changing the composition 5.11.4 Shapes, painters, and other images on the same vase Variant AP Vlla-b ‘Variant АР VII with two men standing in chariot, Athena and other gods standing nearby' 5.12.1 Description 5.12.2 Analysis 5.12.3 Changing the composition 5.12.4 Shapes, painters, and other images on the same vase Variant ATH 'Athena mounting chariot, other gods standing nearby' 5.13.1 Description 5.13.2 Analysis 139 142 142 144 144 144 145 146 146 147 147 147 147 147 147 147 148 149 150 150 150 152 152 153 153 153 154 154 154 154 154 156 156 157 157 157 159 159 159 159 159 160 161 161 161 161 162 162 163 164 164 165
5.14 5.15 5.16 5.13.3 Changing the composition 5.13.4 Shapes, painters, and other images on the same vase Variant WOa-c 'Woman holding reins, other gods standing nearby' 5.14.1 Description 5.14.2 Analysis 5.14.3 Changing the composition 5.14.4 Shapes, painters, and other images on the same vase Variants DIO, DIWO and GM 'Dionysos or other gods holding reins' 5.15.1 Description 5.15.2 Analysis 5.15.3 Changing the composition 5.15.4 Shapes, painters, and other images on the same vase General conclusions 6 Type scene 'Chariot in profile': Concluding remarks 6.0 6.1 Introduction The subtypes of type scene 'Chariot in profile' synchronically compared 6.1.1 Depictions of chariots before 6th-century Athenian black-figurevase-painting 6.1.2 Early chariot scenes in Athenian black-figure vase-painting (ca.580-560 BCE) 6.1.3 Adapting the compositions (ca. 560-550 BCE) 6.1.4 Introduction of elements from daily life (ca. 550-530 BCE) 6.1.5 Gods and heroes reintroduced (ca. 530-500 BCE) 6.1.6 General conclusions on the change over time of the type scene 'Chariotin profile' Comparison of the change over time of the type scene 'Chariot in profile' with that of the type scene 'Fighting men separated' Pictorial language The meaning of the type scene 'Chariot in profile' Historical context The type scene 'Chariot in profile' and the Apaturia 6.2 6.3 6.4 6.5 6.6 Tables Bibliography List of museums and collections with references to vases mentioned in the text Museum index of vases illustrated Index 165 165 165 165 168 169 169 170 170 172 172 173 173 185 185 185 185 186 187 190 193 193 194 194
195 196 203 293 299 313 315 |
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| discipline_str_mv | Klassische Archäologie |
| format | Book |
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| geographic | Griechenland Altertum (DE-588)4093976-5 gnd |
| geographic_facet | Griechenland Altertum |
| id | DE-604.BV047318509 |
| illustrated | Illustrated |
| index_date | 2024-07-03T17:28:15Z |
| indexdate | 2024-07-10T09:08:45Z |
| institution | BVB |
| isbn | 9789042945555 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032721304 |
| oclc_num | 1256439175 |
| open_access_boolean | |
| owner | DE-29 DE-20 DE-12 DE-19 DE-BY-UBM DE-355 DE-BY-UBR |
| owner_facet | DE-29 DE-20 DE-12 DE-19 DE-BY-UBM DE-355 DE-BY-UBR |
| physical | XII, 316 Seiten Illustrationen, Diagramme |
| psigel | gbd_4_2107 BSB_NED_20210720 |
| publishDate | 2021 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | Peeters |
| record_format | marc |
| series | Babesch. Supplement |
| series2 | Babesch. Supplement |
| spelling | Jurriaans-Helle, Geralda 1955- Verfasser (DE-588)1059798336 aut Composition in Athenian black-figure vase-painting the 'Chariot in profile' type scene Geralda Jurriaans-Helle Leuven ; Paris ; Bristol, CT Peeters 2021 XII, 316 Seiten Illustrationen, Diagramme txt rdacontent n rdamedia nc rdacarrier Babesch. Supplement 41 Streitwagen Motiv (DE-588)4183650-9 gnd rswk-swf Schwarzfigurige Vasenmalerei (DE-588)4124160-5 gnd rswk-swf Griechenland Altertum (DE-588)4093976-5 gnd rswk-swf Keramik & Vasenmalerei (DE-2581)TH000008253 gbd Schwarzfigurige Vasenmalerei (DE-2581)TH000008267 gbd Griechenland Altertum (DE-588)4093976-5 g Schwarzfigurige Vasenmalerei (DE-588)4124160-5 s Streitwagen Motiv (DE-588)4183650-9 s DE-604 Erscheint auch als Online-Ausgabe 978-90-429-4556-2 (DE-604)BV047612160 Babesch. Supplement 41 (DE-604)BV006665586 41 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032721304&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Jurriaans-Helle, Geralda 1955- Composition in Athenian black-figure vase-painting the 'Chariot in profile' type scene Babesch. Supplement Streitwagen Motiv (DE-588)4183650-9 gnd Schwarzfigurige Vasenmalerei (DE-588)4124160-5 gnd |
| subject_GND | (DE-588)4183650-9 (DE-588)4124160-5 (DE-588)4093976-5 |
| title | Composition in Athenian black-figure vase-painting the 'Chariot in profile' type scene |
| title_auth | Composition in Athenian black-figure vase-painting the 'Chariot in profile' type scene |
| title_exact_search | Composition in Athenian black-figure vase-painting the 'Chariot in profile' type scene |
| title_exact_search_txtP | Composition in Athenian black-figure vase-painting the 'Chariot in profile' type scene |
| title_full | Composition in Athenian black-figure vase-painting the 'Chariot in profile' type scene Geralda Jurriaans-Helle |
| title_fullStr | Composition in Athenian black-figure vase-painting the 'Chariot in profile' type scene Geralda Jurriaans-Helle |
| title_full_unstemmed | Composition in Athenian black-figure vase-painting the 'Chariot in profile' type scene Geralda Jurriaans-Helle |
| title_short | Composition in Athenian black-figure vase-painting |
| title_sort | composition in athenian black figure vase painting the chariot in profile type scene |
| title_sub | the 'Chariot in profile' type scene |
| topic | Streitwagen Motiv (DE-588)4183650-9 gnd Schwarzfigurige Vasenmalerei (DE-588)4124160-5 gnd |
| topic_facet | Streitwagen Motiv Schwarzfigurige Vasenmalerei Griechenland Altertum |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032721304&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV006665586 |
| work_keys_str_mv | AT jurriaanshellegeralda compositioninathenianblackfigurevasepaintingthechariotinprofiletypescene |