Recording the classical guitar:
"Recording the Classical Guitar explores the ways in which recording technologies and studio production techniques have shaped the performance aesthetics, repertoire, and sound of the classical guitar over the last century. Covering the full context of music theory, this book places the history...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York ; London
Routledge, Taylor & Francis Group
2021
|
| Schriftenreihe: | Perspectives on music production series
|
| Schlagworte: | |
| Zusammenfassung: | "Recording the Classical Guitar explores the ways in which recording technologies and studio production techniques have shaped the performance aesthetics, repertoire, and sound of the classical guitar over the last century. Covering the full context of music theory, this book places the history of classical guitar into a technological context, tracing its evolution from the early days into the digital era. Many of the instrument's key performance personalities are referenced as well as the strategies of leading recording engineers. Recording the Classical Guitar is accompanied by a companion website that offers engaging musical excerpts that will demonstrate concepts in the book and will be an essential resource to professionals and students of the classical guitar alike"-- |
| Beschreibung: | "A Focal Press Book"--from cover |
| Beschreibung: | xii, 432 Seiten |
| ISBN: | 9781138554702 9781138554689 |
Internformat
MARC
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| 005 | 20210906 | ||
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| 020 | |a 9781138554702 |c pbk |9 978-1-138-55470-2 | ||
| 020 | |a 9781138554689 |c hbk |9 978-1-138-55468-9 | ||
| 035 | |a (OCoLC)1261746485 | ||
| 035 | |a (DE-599)BVBBV047314644 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 | ||
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| 100 | 1 | |a Marrington, Mark |d 1971- |e Verfasser |0 (DE-588)1118878892 |4 aut | |
| 245 | 1 | 0 | |a Recording the classical guitar |c Mark Marrington |
| 264 | 1 | |a New York ; London |b Routledge, Taylor & Francis Group |c 2021 | |
| 300 | |a xii, 432 Seiten | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 0 | |a Perspectives on music production series | |
| 500 | |a "A Focal Press Book"--from cover | ||
| 505 | 8 | |a Recordings and the evolving identity of the classical guitar in the twentieth century -- Part 1. The recording model established. The classical guitar in the early period of recording : Spain ; Segovia at HMV (1923-1939) ; The classical guitar in the early period of recording : Latin America -- Part 2. The recording model consolidated. Segovia at American Decca ; The North American backdrop to Segovia ; Developments in Latin America -- Part 3. The recording model interrogated. Nationalism and modernism in the recordings of Julian Bream ; Non-conformity in the recordings of John Williams ; The wider European context -- Part 4. The recording model deconstructed. Post-Segovian narratives of the classical guitar ; Retaining and revitalizing the tradition ; Narrative threads since the 1990s ; Two contemporary "house" guitarists and the future of classical guitar recording practice | |
| 520 | 3 | |a "Recording the Classical Guitar explores the ways in which recording technologies and studio production techniques have shaped the performance aesthetics, repertoire, and sound of the classical guitar over the last century. Covering the full context of music theory, this book places the history of classical guitar into a technological context, tracing its evolution from the early days into the digital era. Many of the instrument's key performance personalities are referenced as well as the strategies of leading recording engineers. Recording the Classical Guitar is accompanied by a companion website that offers engaging musical excerpts that will demonstrate concepts in the book and will be an essential resource to professionals and students of the classical guitar alike"-- | |
| 648 | 7 | |a Geschichte |2 gnd |9 rswk-swf | |
| 650 | 0 | 7 | |a Gitarre |0 (DE-588)4124933-1 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Schallaufzeichnung |0 (DE-588)4052020-1 |2 gnd |9 rswk-swf |
| 653 | 0 | |a Guitar music / History and criticism | |
| 653 | 0 | |a Sound recordings / Production and direction / History / 20th century | |
| 653 | 0 | |a Guitar music | |
| 653 | 0 | |a Sound recordings / Production and direction | |
| 653 | 4 | |a 1900-1999 | |
| 653 | 6 | |a Criticism, interpretation, etc | |
| 653 | 6 | |a History | |
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| 689 | 0 | 1 | |a Schallaufzeichnung |0 (DE-588)4052020-1 |D s |
| 689 | 0 | 2 | |a Geschichte |A z |
| 689 | 0 | |5 DE-604 | |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe, ebk. |z 978-1-315-14913-4 |
| 940 | 1 | |q BSB_NED_20210906 | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-032717501 | ||
| 942 | 1 | 1 | |c 784.19 |e 22/bsb |
Datensatz im Suchindex
| _version_ | 1804182506936729600 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Marrington, Mark 1971- |
| author_GND | (DE-588)1118878892 |
| author_facet | Marrington, Mark 1971- |
| author_role | aut |
| author_sort | Marrington, Mark 1971- |
| author_variant | m m mm |
| building | Verbundindex |
| bvnumber | BV047314644 |
| contents | Recordings and the evolving identity of the classical guitar in the twentieth century -- Part 1. The recording model established. The classical guitar in the early period of recording : Spain ; Segovia at HMV (1923-1939) ; The classical guitar in the early period of recording : Latin America -- Part 2. The recording model consolidated. Segovia at American Decca ; The North American backdrop to Segovia ; Developments in Latin America -- Part 3. The recording model interrogated. Nationalism and modernism in the recordings of Julian Bream ; Non-conformity in the recordings of John Williams ; The wider European context -- Part 4. The recording model deconstructed. Post-Segovian narratives of the classical guitar ; Retaining and revitalizing the tradition ; Narrative threads since the 1990s ; Two contemporary "house" guitarists and the future of classical guitar recording practice |
| ctrlnum | (OCoLC)1261746485 (DE-599)BVBBV047314644 |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Book |
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| id | DE-604.BV047314644 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T17:27:07Z |
| indexdate | 2024-07-10T09:08:38Z |
| institution | BVB |
| isbn | 9781138554702 9781138554689 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032717501 |
| oclc_num | 1261746485 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | xii, 432 Seiten |
| psigel | BSB_NED_20210906 |
| publishDate | 2021 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | Routledge, Taylor & Francis Group |
| record_format | marc |
| series2 | Perspectives on music production series |
| spelling | Marrington, Mark 1971- Verfasser (DE-588)1118878892 aut Recording the classical guitar Mark Marrington New York ; London Routledge, Taylor & Francis Group 2021 xii, 432 Seiten txt rdacontent n rdamedia nc rdacarrier Perspectives on music production series "A Focal Press Book"--from cover Recordings and the evolving identity of the classical guitar in the twentieth century -- Part 1. The recording model established. The classical guitar in the early period of recording : Spain ; Segovia at HMV (1923-1939) ; The classical guitar in the early period of recording : Latin America -- Part 2. The recording model consolidated. Segovia at American Decca ; The North American backdrop to Segovia ; Developments in Latin America -- Part 3. The recording model interrogated. Nationalism and modernism in the recordings of Julian Bream ; Non-conformity in the recordings of John Williams ; The wider European context -- Part 4. The recording model deconstructed. Post-Segovian narratives of the classical guitar ; Retaining and revitalizing the tradition ; Narrative threads since the 1990s ; Two contemporary "house" guitarists and the future of classical guitar recording practice "Recording the Classical Guitar explores the ways in which recording technologies and studio production techniques have shaped the performance aesthetics, repertoire, and sound of the classical guitar over the last century. Covering the full context of music theory, this book places the history of classical guitar into a technological context, tracing its evolution from the early days into the digital era. Many of the instrument's key performance personalities are referenced as well as the strategies of leading recording engineers. Recording the Classical Guitar is accompanied by a companion website that offers engaging musical excerpts that will demonstrate concepts in the book and will be an essential resource to professionals and students of the classical guitar alike"-- Geschichte gnd rswk-swf Gitarre (DE-588)4124933-1 gnd rswk-swf Schallaufzeichnung (DE-588)4052020-1 gnd rswk-swf Guitar music / History and criticism Sound recordings / Production and direction / History / 20th century Guitar music Sound recordings / Production and direction 1900-1999 Criticism, interpretation, etc History Gitarre (DE-588)4124933-1 s Schallaufzeichnung (DE-588)4052020-1 s Geschichte z DE-604 Erscheint auch als Online-Ausgabe, ebk. 978-1-315-14913-4 |
| spellingShingle | Marrington, Mark 1971- Recording the classical guitar Recordings and the evolving identity of the classical guitar in the twentieth century -- Part 1. The recording model established. The classical guitar in the early period of recording : Spain ; Segovia at HMV (1923-1939) ; The classical guitar in the early period of recording : Latin America -- Part 2. The recording model consolidated. Segovia at American Decca ; The North American backdrop to Segovia ; Developments in Latin America -- Part 3. The recording model interrogated. Nationalism and modernism in the recordings of Julian Bream ; Non-conformity in the recordings of John Williams ; The wider European context -- Part 4. The recording model deconstructed. Post-Segovian narratives of the classical guitar ; Retaining and revitalizing the tradition ; Narrative threads since the 1990s ; Two contemporary "house" guitarists and the future of classical guitar recording practice Gitarre (DE-588)4124933-1 gnd Schallaufzeichnung (DE-588)4052020-1 gnd |
| subject_GND | (DE-588)4124933-1 (DE-588)4052020-1 |
| title | Recording the classical guitar |
| title_auth | Recording the classical guitar |
| title_exact_search | Recording the classical guitar |
| title_exact_search_txtP | Recording the classical guitar |
| title_full | Recording the classical guitar Mark Marrington |
| title_fullStr | Recording the classical guitar Mark Marrington |
| title_full_unstemmed | Recording the classical guitar Mark Marrington |
| title_short | Recording the classical guitar |
| title_sort | recording the classical guitar |
| topic | Gitarre (DE-588)4124933-1 gnd Schallaufzeichnung (DE-588)4052020-1 gnd |
| topic_facet | Gitarre Schallaufzeichnung |
| work_keys_str_mv | AT marringtonmark recordingtheclassicalguitar |