Casting the Parthenon sculptures from the eighteenth century to the digital age:
"Through the 19th century, as archaeology started to emerge as a systematic discipline, plaster casting became a widely-adopted technique, newly applied by archaeologists to document and transmit discoveries from their expeditions. The Parthenon sculptures were some of the first to be cast. In...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Abschlussarbeit Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York ; Oxford ; New Delhi ; Sydney
Bloomsbury Academic
2021
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Through the 19th century, as archaeology started to emerge as a systematic discipline, plaster casting became a widely-adopted technique, newly applied by archaeologists to document and transmit discoveries from their expeditions. The Parthenon sculptures were some of the first to be cast. In the late 18th century and the first years of the 19th century, the French artist Fauvel and Lord Elgin's men conducted campaigns on the Athenian Acropolis. Both created casts of parts of the Parthenon sculptures that they did not remove and these were sent back to France and Britain where they were esteemed and displayed alongside other, original sections. Henceforth, casting was established as an essential archaeological tool and grew exponentially over the course of the century. Such casts are now not only fascinating historical objects but may also be considered time capsules, capturing the details of important ancient works when they were first moulded in centuries past. This book examines the role of 19th century casts as an archaeological resource and explores how their materiality and spread impacted the reception of the Parthenon sculptures and other Greek and Roman works. Investigation of their historical context is combined with analysis of new digital models of the Parthenon sculptures and their casts. Sensitive 3D imaging techniques allow investigation of the surface markings of the objects in exceptionally fine detail and enable quantitative comparative studies comparing the originals and the casts. The 19th century casts are found to be even more accurate, but also complex, than anticipated; through careful study of their multiple layers, we can retrieve surface information now lost from the originals through weathering and vandalism"-- |
| Beschreibung: | Angaben zur zugrundeliegenden Dissertation "Cast from the Antique: Revealing Hidden Archaeology" ermittelt |
| Beschreibung: | xii, 212 Seiten Illustrationen |
| ISBN: | 9781350120341 |
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| 505 | 8 | |a The emergence of Fauvel and his successors -- Plaster casts, Elgin, and the British Museum -- Condition studies and the role of 3D imaging -- 3D imaging and the West Frieze -- 3D imaging and cleaning the Parthenon Sculptures -- An authentic source of evidence? -- Closing remarks | |
| 520 | 3 | |a "Through the 19th century, as archaeology started to emerge as a systematic discipline, plaster casting became a widely-adopted technique, newly applied by archaeologists to document and transmit discoveries from their expeditions. The Parthenon sculptures were some of the first to be cast. In the late 18th century and the first years of the 19th century, the French artist Fauvel and Lord Elgin's men conducted campaigns on the Athenian Acropolis. Both created casts of parts of the Parthenon sculptures that they did not remove and these were sent back to France and Britain where they were esteemed and displayed alongside other, original sections. Henceforth, casting was established as an essential archaeological tool and grew exponentially over the course of the century. Such casts are now not only fascinating historical objects but may also be considered time capsules, capturing the details of important ancient works when they were first moulded in centuries past. This book examines the role of 19th century casts as an archaeological resource and explores how their materiality and spread impacted the reception of the Parthenon sculptures and other Greek and Roman works. Investigation of their historical context is combined with analysis of new digital models of the Parthenon sculptures and their casts. Sensitive 3D imaging techniques allow investigation of the surface markings of the objects in exceptionally fine detail and enable quantitative comparative studies comparing the originals and the casts. The 19th century casts are found to be even more accurate, but also complex, than anticipated; through careful study of their multiple layers, we can retrieve surface information now lost from the originals through weathering and vandalism"-- | |
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Datensatz im Suchindex
| _version_ | 1804182502511738880 |
|---|---|
| adam_text | Contents List of Illustrations vi Acknowledgements xi Introduction 1 1 The Emergence of Fauvel and His Successors 19 2 Plaster Casts, Elgin, and the British Museum 35 3 Condition Studies and the Role of 3D Imaging 57 4 3D Imaging and the West Frieze 83 5 3D Imaging and Cleaning the Parthenon Sculptures 131 6 An Authentic Source of Evidence? 157 Closing Remarks 185 Appendix 191 References 193 Index 209
|
| adam_txt |
Contents List of Illustrations vi Acknowledgements xi Introduction 1 1 The Emergence of Fauvel and His Successors 19 2 Plaster Casts, Elgin, and the British Museum 35 3 Condition Studies and the Role of 3D Imaging 57 4 3D Imaging and the West Frieze 83 5 3D Imaging and Cleaning the Parthenon Sculptures 131 6 An Authentic Source of Evidence? 157 Closing Remarks 185 Appendix 191 References 193 Index 209 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Payne, Emma M. |
| author_GND | (DE-588)1238599656 |
| author_facet | Payne, Emma M. |
| author_role | aut |
| author_sort | Payne, Emma M. |
| author_variant | e m p em emp |
| building | Verbundindex |
| bvnumber | BV047312154 |
| classification_rvk | LF 1800 LF 6300 LG 2430 |
| contents | The emergence of Fauvel and his successors -- Plaster casts, Elgin, and the British Museum -- Condition studies and the role of 3D imaging -- 3D imaging and the West Frieze -- 3D imaging and cleaning the Parthenon Sculptures -- An authentic source of evidence? -- Closing remarks |
| ctrlnum | (OCoLC)1256990144 (DE-599)BVBBV047312154 |
| discipline | Klassische Archäologie |
| discipline_str_mv | Klassische Archäologie |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Thesis Book |
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| index_date | 2024-07-03T17:26:20Z |
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| isbn | 9781350120341 |
| language | English |
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| publisher | Bloomsbury Academic |
| record_format | marc |
| spelling | Payne, Emma M. Verfasser (DE-588)1238599656 aut Cast from the Antique Casting the Parthenon sculptures from the eighteenth century to the digital age Emma M. Payne London ; New York ; Oxford ; New Delhi ; Sydney Bloomsbury Academic 2021 xii, 212 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Angaben zur zugrundeliegenden Dissertation "Cast from the Antique: Revealing Hidden Archaeology" ermittelt Dissertation University College London 2017 überarbeitete Fassung The emergence of Fauvel and his successors -- Plaster casts, Elgin, and the British Museum -- Condition studies and the role of 3D imaging -- 3D imaging and the West Frieze -- 3D imaging and cleaning the Parthenon Sculptures -- An authentic source of evidence? -- Closing remarks "Through the 19th century, as archaeology started to emerge as a systematic discipline, plaster casting became a widely-adopted technique, newly applied by archaeologists to document and transmit discoveries from their expeditions. The Parthenon sculptures were some of the first to be cast. In the late 18th century and the first years of the 19th century, the French artist Fauvel and Lord Elgin's men conducted campaigns on the Athenian Acropolis. Both created casts of parts of the Parthenon sculptures that they did not remove and these were sent back to France and Britain where they were esteemed and displayed alongside other, original sections. Henceforth, casting was established as an essential archaeological tool and grew exponentially over the course of the century. Such casts are now not only fascinating historical objects but may also be considered time capsules, capturing the details of important ancient works when they were first moulded in centuries past. This book examines the role of 19th century casts as an archaeological resource and explores how their materiality and spread impacted the reception of the Parthenon sculptures and other Greek and Roman works. Investigation of their historical context is combined with analysis of new digital models of the Parthenon sculptures and their casts. Sensitive 3D imaging techniques allow investigation of the surface markings of the objects in exceptionally fine detail and enable quantitative comparative studies comparing the originals and the casts. The 19th century casts are found to be even more accurate, but also complex, than anticipated; through careful study of their multiple layers, we can retrieve surface information now lost from the originals through weathering and vandalism"-- Elgin Marbles (DE-588)4191603-7 gnd rswk-swf Geschichte gnd rswk-swf Dreidimensionales Modell (DE-588)4475269-6 gnd rswk-swf Datentechnik (DE-588)4148885-4 gnd rswk-swf Gipsabguss (DE-588)4130014-2 gnd rswk-swf Classical antiquities / Expertising Archaeology / Methodology Plaster casts Greece / Antiquities Friezes / Greece / Athens Parthenon (Athens, Greece) Antiquities Friezes Greece Greece / Athens (DE-588)4113937-9 Hochschulschrift gnd-content Plastik des 5. Jahrhunderts (DE-2581)TH000008309 gbd England, Rezeption (DE-2581)TH000005509 gbd Rezeption & Wirkungsgeschichte (DE-2581)TH000005250 gbd Parthenon (Athen) (DE-2581)TH000009583 gbd Elgin Marbles (DE-588)4191603-7 u Gipsabguss (DE-588)4130014-2 s Geschichte z DE-604 Datentechnik (DE-588)4148885-4 s Dreidimensionales Modell (DE-588)4475269-6 s Erscheint auch als Online-Ausgabe, PDF 978-1-3501-2035-8 Erscheint auch als Online-Ausgabe 978-1-3501-2036-5 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032715065&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Payne, Emma M. Casting the Parthenon sculptures from the eighteenth century to the digital age The emergence of Fauvel and his successors -- Plaster casts, Elgin, and the British Museum -- Condition studies and the role of 3D imaging -- 3D imaging and the West Frieze -- 3D imaging and cleaning the Parthenon Sculptures -- An authentic source of evidence? -- Closing remarks Elgin Marbles (DE-588)4191603-7 gnd Dreidimensionales Modell (DE-588)4475269-6 gnd Datentechnik (DE-588)4148885-4 gnd Gipsabguss (DE-588)4130014-2 gnd |
| subject_GND | (DE-588)4191603-7 (DE-588)4475269-6 (DE-588)4148885-4 (DE-588)4130014-2 (DE-588)4113937-9 |
| title | Casting the Parthenon sculptures from the eighteenth century to the digital age |
| title_alt | Cast from the Antique |
| title_auth | Casting the Parthenon sculptures from the eighteenth century to the digital age |
| title_exact_search | Casting the Parthenon sculptures from the eighteenth century to the digital age |
| title_exact_search_txtP | Casting the Parthenon sculptures from the eighteenth century to the digital age |
| title_full | Casting the Parthenon sculptures from the eighteenth century to the digital age Emma M. Payne |
| title_fullStr | Casting the Parthenon sculptures from the eighteenth century to the digital age Emma M. Payne |
| title_full_unstemmed | Casting the Parthenon sculptures from the eighteenth century to the digital age Emma M. Payne |
| title_short | Casting the Parthenon sculptures from the eighteenth century to the digital age |
| title_sort | casting the parthenon sculptures from the eighteenth century to the digital age |
| topic | Elgin Marbles (DE-588)4191603-7 gnd Dreidimensionales Modell (DE-588)4475269-6 gnd Datentechnik (DE-588)4148885-4 gnd Gipsabguss (DE-588)4130014-2 gnd |
| topic_facet | Elgin Marbles Dreidimensionales Modell Datentechnik Gipsabguss Hochschulschrift |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032715065&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT payneemmam castfromtheantique AT payneemmam castingtheparthenonsculpturesfromtheeighteenthcenturytothedigitalage |