Poe and the Visual Arts:
Although Edgar Allan Poe is most often identified with stories of horror and fear, there is an unrecognized and even forgotten side to the writer. He was a self-declared lover of beauty who "from childhood's hour . . . [had] not seen / As others saw." Poe and the Visual Arts is the fi...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
University Park, PA
Penn State University Press
[2021]
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| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | Although Edgar Allan Poe is most often identified with stories of horror and fear, there is an unrecognized and even forgotten side to the writer. He was a self-declared lover of beauty who "from childhood's hour . . . [had] not seen / As others saw." Poe and the Visual Arts is the first comprehensive study of how Poe's work relates to the visual culture of his time. It reveals his "deep worship of all beauty," which resounded in his earliest writing and never entirely faded, despite the demands of his commercial writing career. Barbara Cantalupo examines the ways in which Poe integrated visual art into sketches, tales, and literary criticism, paying close attention to the sculptures and paintings he saw in books, magazines, and museums while living in Philadelphia and New York from 1838 until his death in 1849. She argues that Poe's sensitivity to visual media gave his writing a distinctive "graphicality" and shows how, despite his association with the macabre, his enduring love of beauty and knowledge of the visual arts richly informed his corpus |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Mai 2021) |
| Beschreibung: | 1 Online-Ressource (216 Seiten) 27 color illustrations |
| ISBN: | 9780271064284 |
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| 520 | |a Although Edgar Allan Poe is most often identified with stories of horror and fear, there is an unrecognized and even forgotten side to the writer. He was a self-declared lover of beauty who "from childhood's hour . . . [had] not seen / As others saw." Poe and the Visual Arts is the first comprehensive study of how Poe's work relates to the visual culture of his time. It reveals his "deep worship of all beauty," which resounded in his earliest writing and never entirely faded, despite the demands of his commercial writing career. Barbara Cantalupo examines the ways in which Poe integrated visual art into sketches, tales, and literary criticism, paying close attention to the sculptures and paintings he saw in books, magazines, and museums while living in Philadelphia and New York from 1838 until his death in 1849. She argues that Poe's sensitivity to visual media gave his writing a distinctive "graphicality" and shows how, despite his association with the macabre, his enduring love of beauty and knowledge of the visual arts richly informed his corpus | ||
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| id | DE-604.BV047309247 |
| illustrated | Illustrated |
| index_date | 2024-07-03T17:25:42Z |
| indexdate | 2024-07-10T09:08:28Z |
| institution | BVB |
| isbn | 9780271064284 |
| language | English |
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| physical | 1 Online-Ressource (216 Seiten) 27 color illustrations |
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| publishDate | 2021 |
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| publisher | Penn State University Press |
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| spelling | Cantalupo, Barbara Verfasser aut Poe and the Visual Arts Barbara Cantalupo University Park, PA Penn State University Press [2021] © 2014 1 Online-Ressource (216 Seiten) 27 color illustrations txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Mai 2021) Although Edgar Allan Poe is most often identified with stories of horror and fear, there is an unrecognized and even forgotten side to the writer. He was a self-declared lover of beauty who "from childhood's hour . . . [had] not seen / As others saw." Poe and the Visual Arts is the first comprehensive study of how Poe's work relates to the visual culture of his time. It reveals his "deep worship of all beauty," which resounded in his earliest writing and never entirely faded, despite the demands of his commercial writing career. Barbara Cantalupo examines the ways in which Poe integrated visual art into sketches, tales, and literary criticism, paying close attention to the sculptures and paintings he saw in books, magazines, and museums while living in Philadelphia and New York from 1838 until his death in 1849. She argues that Poe's sensitivity to visual media gave his writing a distinctive "graphicality" and shows how, despite his association with the macabre, his enduring love of beauty and knowledge of the visual arts richly informed his corpus In English LITERARY CRITICISM / American / General bisacsh Art and literature History 19th century United States Art and literature United States History 19th century Art in literature https://www.degruyter.com/isbn/9780271064284 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Cantalupo, Barbara Poe and the Visual Arts LITERARY CRITICISM / American / General bisacsh Art and literature History 19th century United States Art and literature United States History 19th century Art in literature |
| title | Poe and the Visual Arts |
| title_auth | Poe and the Visual Arts |
| title_exact_search | Poe and the Visual Arts |
| title_exact_search_txtP | Poe and the Visual Arts |
| title_full | Poe and the Visual Arts Barbara Cantalupo |
| title_fullStr | Poe and the Visual Arts Barbara Cantalupo |
| title_full_unstemmed | Poe and the Visual Arts Barbara Cantalupo |
| title_short | Poe and the Visual Arts |
| title_sort | poe and the visual arts |
| topic | LITERARY CRITICISM / American / General bisacsh Art and literature History 19th century United States Art and literature United States History 19th century Art in literature |
| topic_facet | LITERARY CRITICISM / American / General Art and literature History 19th century United States Art and literature United States History 19th century Art in literature |
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