Painting, science, and the perception of coloured shadows: "the most beautiful blue"
"Many artists and scientists - including Buffon, Goethe, and Philipp Otto Runge - who observed the vivid coloured shadows that appear outdoors around dawn and dusk, or indoors when a candle burns under waning daylight, chose to describe their colours as 'beautiful'. Paul Smith explain...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York ; London
Routledge, Taylor & Francis Group
2021
|
| Schriftenreihe: | Science and the arts since 1750
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Many artists and scientists - including Buffon, Goethe, and Philipp Otto Runge - who observed the vivid coloured shadows that appear outdoors around dawn and dusk, or indoors when a candle burns under waning daylight, chose to describe their colours as 'beautiful'. Paul Smith explains what makes these ephemeral effects worthy of such appreciation - or how depictions of coloured shadows have genuine aesthetic and epistemological significance. This multi-disciplinary book synthesises methodologies drawn from art history (close pictorial analysis), psychology and neuroscience (theories of colour constancy), history of science (the changing paradigms used to explain coloured shadows), and philosophy (theories of perception and aesthetic value drawn from Wittgenstein and Merleau-Ponty). This title will be of interest to scholars in art history, art theory, and the history of science and technology" |
| Beschreibung: | xiv, 176 Seiten Illustrationen 26 cm |
| ISBN: | 9781138488090 |
Internformat
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| 505 | 8 | |a The science -- Light and dark -- Physics -- Contrast -- Constancy -- The criterion -- Aesthetic value | |
| 520 | 3 | |a "Many artists and scientists - including Buffon, Goethe, and Philipp Otto Runge - who observed the vivid coloured shadows that appear outdoors around dawn and dusk, or indoors when a candle burns under waning daylight, chose to describe their colours as 'beautiful'. Paul Smith explains what makes these ephemeral effects worthy of such appreciation - or how depictions of coloured shadows have genuine aesthetic and epistemological significance. This multi-disciplinary book synthesises methodologies drawn from art history (close pictorial analysis), psychology and neuroscience (theories of colour constancy), history of science (the changing paradigms used to explain coloured shadows), and philosophy (theories of perception and aesthetic value drawn from Wittgenstein and Merleau-Ponty). This title will be of interest to scholars in art history, art theory, and the history of science and technology" | |
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Datensatz im Suchindex
| _version_ | 1804182491639054336 |
|---|---|
| adam_text | Contents List of Illustrations Acknowledgements ix xiii Introduction 1 1 The Science 7 2 Light and Dark 12 3 Physics 29 4 Contrast 69 5 Constancy 109 6 The Criterion 128 7 Aesthetic Value 144 8 Conclusion 148 Select Bibliography Index 151 169
|
| adam_txt |
Contents List of Illustrations Acknowledgements ix xiii Introduction 1 1 The Science 7 2 Light and Dark 12 3 Physics 29 4 Contrast 69 5 Constancy 109 6 The Criterion 128 7 Aesthetic Value 144 8 Conclusion 148 Select Bibliography Index 151 169 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Smith, Paul 1956- |
| author_GND | (DE-588)14193686X |
| author_facet | Smith, Paul 1956- |
| author_role | aut |
| author_sort | Smith, Paul 1956- |
| author_variant | p s ps |
| building | Verbundindex |
| bvnumber | BV047306710 |
| classification_rvk | LH 70080 |
| contents | The science -- Light and dark -- Physics -- Contrast -- Constancy -- The criterion -- Aesthetic value |
| ctrlnum | (OCoLC)1260846045 (DE-599)BVBBV047306710 |
| discipline | Kunstgeschichte |
| discipline_str_mv | Kunstgeschichte |
| format | Book |
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| illustrated | Illustrated |
| index_date | 2024-07-03T17:25:01Z |
| indexdate | 2024-07-10T09:08:24Z |
| institution | BVB |
| isbn | 9781138488090 |
| language | English |
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| physical | xiv, 176 Seiten Illustrationen 26 cm |
| psigel | BSB_NED_20210728 |
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| series2 | Science and the arts since 1750 |
| spelling | Smith, Paul 1956- Verfasser (DE-588)14193686X aut Painting, science, and the perception of coloured shadows "the most beautiful blue" Paul Smith New York ; London Routledge, Taylor & Francis Group 2021 xiv, 176 Seiten Illustrationen 26 cm txt rdacontent n rdamedia nc rdacarrier Science and the arts since 1750 The science -- Light and dark -- Physics -- Contrast -- Constancy -- The criterion -- Aesthetic value "Many artists and scientists - including Buffon, Goethe, and Philipp Otto Runge - who observed the vivid coloured shadows that appear outdoors around dawn and dusk, or indoors when a candle burns under waning daylight, chose to describe their colours as 'beautiful'. Paul Smith explains what makes these ephemeral effects worthy of such appreciation - or how depictions of coloured shadows have genuine aesthetic and epistemological significance. This multi-disciplinary book synthesises methodologies drawn from art history (close pictorial analysis), psychology and neuroscience (theories of colour constancy), history of science (the changing paradigms used to explain coloured shadows), and philosophy (theories of perception and aesthetic value drawn from Wittgenstein and Merleau-Ponty). This title will be of interest to scholars in art history, art theory, and the history of science and technology" Ästhetik (DE-588)4000626-8 gnd rswk-swf Schatten (DE-588)4052097-3 gnd rswk-swf Malerei (DE-588)4037220-0 gnd rswk-swf Farbe (DE-588)4016443-3 gnd rswk-swf Color (Philosophy) Shades and shadows Painting / Philosophy Shades and shadows in art Malerei (DE-588)4037220-0 s Farbe (DE-588)4016443-3 s Schatten (DE-588)4052097-3 s Ästhetik (DE-588)4000626-8 s DE-604 Erscheint auch als Online-Ausgabe 978-1-351-04202-4 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032709738&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Smith, Paul 1956- Painting, science, and the perception of coloured shadows "the most beautiful blue" The science -- Light and dark -- Physics -- Contrast -- Constancy -- The criterion -- Aesthetic value Ästhetik (DE-588)4000626-8 gnd Schatten (DE-588)4052097-3 gnd Malerei (DE-588)4037220-0 gnd Farbe (DE-588)4016443-3 gnd |
| subject_GND | (DE-588)4000626-8 (DE-588)4052097-3 (DE-588)4037220-0 (DE-588)4016443-3 |
| title | Painting, science, and the perception of coloured shadows "the most beautiful blue" |
| title_auth | Painting, science, and the perception of coloured shadows "the most beautiful blue" |
| title_exact_search | Painting, science, and the perception of coloured shadows "the most beautiful blue" |
| title_exact_search_txtP | Painting, science, and the perception of coloured shadows "the most beautiful blue" |
| title_full | Painting, science, and the perception of coloured shadows "the most beautiful blue" Paul Smith |
| title_fullStr | Painting, science, and the perception of coloured shadows "the most beautiful blue" Paul Smith |
| title_full_unstemmed | Painting, science, and the perception of coloured shadows "the most beautiful blue" Paul Smith |
| title_short | Painting, science, and the perception of coloured shadows |
| title_sort | painting science and the perception of coloured shadows the most beautiful blue |
| title_sub | "the most beautiful blue" |
| topic | Ästhetik (DE-588)4000626-8 gnd Schatten (DE-588)4052097-3 gnd Malerei (DE-588)4037220-0 gnd Farbe (DE-588)4016443-3 gnd |
| topic_facet | Ästhetik Schatten Malerei Farbe |
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