The complete poetry of Percy Bysshe Shelley: Volume 7
"The world will surely one day feel what it has lost," wrote Mary Shelley after Percy Bysshe Shelley's premature death in July 1822. Determined to hasten that day, she recovered his unpublished and uncollected poems and sifted through his surviving notebooks and papers. In Genoa durin...
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| Format: | Book |
| Language: | English |
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Baltimore [u.a.]
Johns Hopkins University Press
[2021]
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| Online Access: | Inhaltsverzeichnis |
| Summary: | "The world will surely one day feel what it has lost," wrote Mary Shelley after Percy Bysshe Shelley's premature death in July 1822. Determined to hasten that day, she recovered his unpublished and uncollected poems and sifted through his surviving notebooks and papers. In Genoa during the winter of 1822–23, she painstakingly transcribed poetry "interlined and broken into fragments, so that the sense could only be deciphered and joined by guesses." Blasphemy and sedition laws prevented her from including her husband's most outspoken radical works, but the resulting volume, Posthumous Poems of Percy Bysshe Shelley (1824), was a magnificent display of Shelley's versatility and craftsmanship between 1816 and 1822. Few such volumes have made more difference to an author's reputation. The seventh volume of the acclaimed Complete Poetry of Percy Bysshe Shelley extracts from Posthumous Poems those original poems and fragments Mary Shelley edited. The collection opens with Shelley's enigmatic dream vision The Triumph of Life, the last major poem he began―and, in the opinion of T. S. Eliot, the finest thing he ever wrote. There follow some of the most famous and beautiful of Shelley's short lyrics, narrative fragments, two unfinished plays, and other previously unreleased pieces. |
| Physical Description: | lxxiv, 931 Seiten Illustrationen |
| ISBN: | 9781421437835 |
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| 520 | 3 | |a "The world will surely one day feel what it has lost," wrote Mary Shelley after Percy Bysshe Shelley's premature death in July 1822. Determined to hasten that day, she recovered his unpublished and uncollected poems and sifted through his surviving notebooks and papers. In Genoa during the winter of 1822–23, she painstakingly transcribed poetry "interlined and broken into fragments, so that the sense could only be deciphered and joined by guesses." Blasphemy and sedition laws prevented her from including her husband's most outspoken radical works, but the resulting volume, Posthumous Poems of Percy Bysshe Shelley (1824), was a magnificent display of Shelley's versatility and craftsmanship between 1816 and 1822. Few such volumes have made more difference to an author's reputation. The seventh volume of the acclaimed Complete Poetry of Percy Bysshe Shelley extracts from Posthumous Poems those original poems and fragments Mary Shelley edited. The collection opens with Shelley's enigmatic dream vision The Triumph of Life, the last major poem he began―and, in the opinion of T. S. Eliot, the finest thing he ever wrote. There follow some of the most famous and beautiful of Shelley's short lyrics, narrative fragments, two unfinished plays, and other previously unreleased pieces. | |
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Contents of Volume Seven List of Illustrations Acknowledgments Editorial Overview (by Nora Crook) Abbreviations xiii xv xix liii TEXTS From the Triumph MS and Posthumous Poems (Opening Section) The Triumph of Life Supplements: Discarded Openings 1. “Out of the eastern shadow of the earth” 2. “Out of the cas I Swift as a Spirit hastening to its task” 3. “Swift as a Spirit hastening to its task” 4. “The Triumph of Life ļ Swift as a Spirit hastening to its task” Supplements: Rejected Passages 5. “That every pigmy lõng who kicked it.— as it lay . . .” 6. “See all the mighty the wise enchained” Lyric Fragments from the Triumph MS “The earthquake is rocking” “Time is flying” “Bright wanderer, fair coquette of Heaven” “An Unfinished Drama” From Posthumous Poems: Miscellaneous Poems “On the Medusa of Leonardo da Vinci” Supplements: 1. “It is a woman’s countenance divine” 2. “It is a trunkless head, and on its feature” “The Fugitives” Supplement: “The stormlit pavilion” “The sun is set, the swallows are asleep” Lyrics for Mary W. Shelley’s Proserpine and Midas 3 5 31 31 31 33 35 38 38 40 42 42 42 43 46 65 69 7° 71 71 73 75 76 vii
“Arethusa” Supplement: “Arethusa was a maiden” “Sacred Goddess, Mother Earth” “Song of Apollo” “Song of Pan” Autumn I A Dirge Supplements: 1. “The hoar frost is creeping” » 2. “The new grass is springing „ “Our boat is asleep in Serchio s stream The Zucca The good die first— I The Two Spirits. An Allegory “Tomorrow” “They die—the dead return not” “O World, О Life, О Time” Supplement: “Ah time, oh night, oh day” “Madonna, wherefore hast thou sent to me” “I fear thy kisses, gentle maiden—” Supplement: “To -------” “My lost William, thou in whom” “A Portal as of shadowy adamant” “The flower that smiles today” From the Arabic—imitation Supplement: “The flowers have spread” “One word is too often profaned” “Music” “Death is here, and death is there” “When passion’s trance is overpast” “Listen, listen, Mary mine—” “O Mary dear, that you were here” “Wilt thou forget the happy hours” “The fier)' mountains answer each other” “Mine eyes were dim with tears unshed” “There was a little lawny islet” “Rose leaves, when the rose is dead” Supplement: “To------ ” (“Music, when soft voices die”) “Unfathomable Sea! whose waves are years” Supplements: 1. “A star has fallen upon the Earth.—a torch” 2. “A spark of Heaven has fallen to the abyss.—” “Tell me, Star, whose wings of light” “Rough wind that moanest loud” Supplement: “Ah me, my heart is bare” “Far, far away, O ye” TO Jan. 1. 1821 viii Contents of Volume Seven ' 79 80 ^1 82 85 8f՝) OC oc 93 97 100 101 102 103 104 105 1Q6 107 108 tog 110 111 111 112 114 114 115 116 117 118 1 ig χ2χ 122 122 12g x 2g x 26 12q յ շ? 12η 0 128 129
From Posthumous Poems: Fragments \ 33 “Ginevra” Supplements: 1. “With agony with sorrow, with pride” 2. “Said . . . friend my faith is sacred as of yore” 3. “I do not wish to live: another cried” The Historical Tragedy of Charles the First Scene 1 Scene 2 Scene 3 Scene 4 Supplement: Unplaced Lyric 1. “A widowed bird sate mourning for her love” Supplements: Fragments 2. “As wouldst thou judge a Mother who should say” 3· “Hisses sc om , even as my master did” 4- “April is not a rebel to rude March” Supplements: Possibly Connected Fragments 5. “The spring rebels not against winter” 6. “Alas if I could feign” 7. “When wilt thou come—” “Mazenghi” Supplement: “Wealth dominion fade into the mass” “The Woodman and the Nightingale” “Art thou pale for weariness” “I loved—alas, our life is love” “And like a dying lady lean and pale” “These are two friends whose lives were undivided” Supplement: “It is a sweet thing Friendship” j 9)Г) 144 145 146 146 ւ 46 157 183 188 1ց1 ւցշ ւցշ ւց4 ig4 1 g4 ig5 ig6 205 205 210 210 212 213 213 COMMENTARIES From the Triumph MS and Posthumous Poems (Opening Section) The Triumph of Life (and Supplements) Lyric Fragments from the Triumph MS “The earthquake is rocking” “Time is flying” “Bright wanderer, fair coquette of Heaven” “An Unfinished Drama” 217 217 332 333 333 337 345 From Posthumous Poems: Miscellaneous Poems 383 “On the Medusa of Leonardo da Vinci” (and Supplements) “The Fugitives” (and Supplement) Contents of Volume Seven 383 395 ix
“The sun is set, the swallows are asleep” Lyrics for Mary W. Shelley’s Proserpine and Midas “Arethusa” (and Supplement) “Sacred Goddess, Mother Earth” “Song of Apollo” “Song of Pan” Autumn I A Dirge (and Supplements) “Our boat is asleep in Serchio’s stream” The Zucca The good die first— I The Two Spirits. An Allegory “Tomorrow” “They die—the dead return not” “O World, О Life, О Time” (and Supplement) “Madonna, wherefore hast thou sent to me” “I fear thy kisses, gentle maiden—” (and Supplement) “My lost William, thou in whom” “A Portal as of shadowy adamant” “The flower that smiles today” From the Arabic—imitation (and Supplement) “One word is too often profaned” “Music” “Death is here, and death is there” “When passion’s trance is overpast” “Listen, listen, Mary mine” Ό Maty' dear, that you were here” “Wilt thou forget the happy hours” “The fiery mountains answer each other” “Mine eyes were dim with tears unshed” “There was a little lawny islet” “Rose leaves, when the rose is dead” (and Supplement) “Unfathomable Sea! whose waves are years” (and Supplements) “Tell me, Star, whose wings of light” “Rough wand that moanest loud” (and Supplement) “Far, far away, O ye” Jan. 1. 1821 From Posthumous Poems: Fragments “Ginevra” (and Supplements) The Historical Tragedy of Charles the First (and Supplements) “Mazenghi” (and Supplement) The Woodman and the Nightingale” “Art thou pale for weariness” “1 loved—alas, our life is love” “And like a dring lady lean and pale” These are two friends whose lives were undivided” (and Supplement) x Contents of Volume Seven 4° 411 4*9 425 4շ6 4շ8 433
438 461 469 479 483 486 493 500 5°4 5°9 513 517 522 524 529 531 535 537 541 544 549 557 560 564 575 578 g8l 583 588 ggg 616 ηφ ^g0 g00 802
HISTORICAL COLLATIONS From the Triumph MS and Posthumous Poems (Opening Section) From Posthumous Poems: Miscellaneous Poems From Posthumous Poems: Fragments 815 839 866 APPENDIXES A. Contents of Posthumous Poems of Percy Bysshe Shelley (1824), Together with a List of Manuscript Sources of Items in This Volume 901 B. Mary W. Shelley’s Preface to Posthumous Poems of Percy Bysshe Shelley (1824) 908 C. Source for “Ginevra”: Marco Lastri, L’osservatorefiorentino 911 D. Charles the First: Ancillary Material 9іЗ I. PBS’s Reading Notes IL Sketch of Acts I and II III. Jottings (Preliminary) 915 9а 1 9a3 Index of Tides Index of First Lines 9a5 9a9 Contents of Volume Seven xi |
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| spelling | Shelley, Percy Bysshe 1792-1822 Verfasser (DE-588)118613774 aut The complete poetry of Percy Bysshe Shelley Volume 7 ed. by Donald H. Reiman, Neil Fraistat, and Nora Crook ; volume editor: Nora Crook [2021] Baltimore [u.a.] Johns Hopkins University Press lxxiv, 931 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier "The world will surely one day feel what it has lost," wrote Mary Shelley after Percy Bysshe Shelley's premature death in July 1822. Determined to hasten that day, she recovered his unpublished and uncollected poems and sifted through his surviving notebooks and papers. In Genoa during the winter of 1822–23, she painstakingly transcribed poetry "interlined and broken into fragments, so that the sense could only be deciphered and joined by guesses." Blasphemy and sedition laws prevented her from including her husband's most outspoken radical works, but the resulting volume, Posthumous Poems of Percy Bysshe Shelley (1824), was a magnificent display of Shelley's versatility and craftsmanship between 1816 and 1822. Few such volumes have made more difference to an author's reputation. The seventh volume of the acclaimed Complete Poetry of Percy Bysshe Shelley extracts from Posthumous Poems those original poems and fragments Mary Shelley edited. The collection opens with Shelley's enigmatic dream vision The Triumph of Life, the last major poem he began―and, in the opinion of T. S. Eliot, the finest thing he ever wrote. There follow some of the most famous and beautiful of Shelley's short lyrics, narrative fragments, two unfinished plays, and other previously unreleased pieces. Crook, Nora 1940- (DE-588)1148116354 edt Reiman, Donald H. 1934-2019 (DE-588)1031652965 edt Fraistat, Neil 1952- (DE-588)1089850387 edt (DE-604)BV012855265 7 Digitalisierung UB Bamberg - ADAM Catalogue Enrichment https://bvbr.bib-bvb.de:443/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032702690&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Shelley, Percy Bysshe 1792-1822 The complete poetry of Percy Bysshe Shelley |
| title | The complete poetry of Percy Bysshe Shelley |
| title_auth | The complete poetry of Percy Bysshe Shelley |
| title_exact_search | The complete poetry of Percy Bysshe Shelley |
| title_exact_search_txtP | The complete poetry of Percy Bysshe Shelley |
| title_full | The complete poetry of Percy Bysshe Shelley Volume 7 ed. by Donald H. Reiman, Neil Fraistat, and Nora Crook ; volume editor: Nora Crook |
| title_fullStr | The complete poetry of Percy Bysshe Shelley Volume 7 ed. by Donald H. Reiman, Neil Fraistat, and Nora Crook ; volume editor: Nora Crook |
| title_full_unstemmed | The complete poetry of Percy Bysshe Shelley Volume 7 ed. by Donald H. Reiman, Neil Fraistat, and Nora Crook ; volume editor: Nora Crook |
| title_short | The complete poetry of Percy Bysshe Shelley |
| title_sort | the complete poetry of percy bysshe shelley |
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