Unbinding gentility: women making music in the nineteenth-century South
"Southern women of all classes, races, and walks of life practiced music during and after the Civil War. Candace Bailey examines the history of southern women through the lens of these musical pursuits, uncovering the ways that music's transmission, education, circulation, and repertory he...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Urbana ; Chicago ; Springfield
University of Illinois Press
[2021]
|
| Schriftenreihe: | Music in American life
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Southern women of all classes, races, and walks of life practiced music during and after the Civil War. Candace Bailey examines the history of southern women through the lens of these musical pursuits, uncovering the ways that music's transmission, education, circulation, and repertory help us understand its meaning in the women's culture of the time. Bailey pays particular attention to the space between music as an ideal accomplishment-part of how people expected women to perform gentility-and a real practice-what women actually did. At the same time, her ethnographic reading of binder's volumes, letters and diaries, and a wealth of other archival material informs new and vital interpretations of women's place in southern culture. A fascinating collective portrait of women's artistic and personal lives, Unbinding Gentility challenges entrenched assumptions about nineteenth century music and the experiences of the southern women who made it"-- |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | xviii, 292 Seiten Illustrationen, Notenbeispiele |
| ISBN: | 9780252085741 9780252043758 |
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| 505 | 8 | |a Introduction. "One would like to know" -- PART 1. SOCIAL DIVERSITY AMONG AMATEUR WOMEN MUSICIANS. "The circle in which you move" : Gentility, Music, and White Women ; "Colored girls under the control of colored teachers" : Gentility, Music, and Women of Color -- PART 2. REPERTORY. "Home! Sweet Home!' with brilliant variations" : Melody ; "I have no time to tell you now half the enjoyment these operas have given us" : Opera as Cultural Capital -- PART 3. SCIENTIFIC MUSIC AND PROFESSIONAL MUSICIANS. "Distinguished success ... in teaching Music as a Science": Genteel Women Scientists ; "Of that ilk": Foreign Music Teachers and Genteel Pupils ; "A remarkable accomplishment for one of the gentle sex" : Other Professionals -- PART 4. THE CIVIL WAR. "The female tribe as 'angels' on earth ... is being ... entirely dissipated" : The Parlor and the Civil War ; "Many shades of caste and kind" : The Civil War and the Public Gaze -- PART 5. WOMEN MUSICIANS IN THE RECONSTRUCTION ERA. "She takes up music as a profession" : Career Women ; "Beethoven wrote it -- that is enough" : Reconstructed Women Reconstructing Repertory -- Conclusion. "This old piece of music keeps her name like a flower pressed in a book" | |
| 520 | 3 | |a "Southern women of all classes, races, and walks of life practiced music during and after the Civil War. Candace Bailey examines the history of southern women through the lens of these musical pursuits, uncovering the ways that music's transmission, education, circulation, and repertory help us understand its meaning in the women's culture of the time. Bailey pays particular attention to the space between music as an ideal accomplishment-part of how people expected women to perform gentility-and a real practice-what women actually did. At the same time, her ethnographic reading of binder's volumes, letters and diaries, and a wealth of other archival material informs new and vital interpretations of women's place in southern culture. A fascinating collective portrait of women's artistic and personal lives, Unbinding Gentility challenges entrenched assumptions about nineteenth century music and the experiences of the southern women who made it"-- | |
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Datensatz im Suchindex
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| adam_text | Contents List of Illustrations ix Acknowledgments xi Abbreviations xv Author’s Note xvii Introduction: One would like to know” і PART 1. SOCIAL DIVERSITY AMONG AMATEUR WOMEN MUSICIANS 1 “The circle in which you move”: Gentility, Music, and White Women 19 2 “Colored girls under the control of colored teachers”: Gentility, Music, and Women of Color 35 PART 2.REPERTORY 3 “‘Home, Sweet Home!’ with brilliant variations”: Melody 4 “I have no time to tell you now half the enjoyment these operas have given us”: Opera as Cultural Capital 53 75 PART 3, SCIENTIFIC MUSIC AND PROFESSIONAL MUSICIANS 5 “Distinguished success ... in teaching Music as a science”: Genteel Women Scientists 95
6 “Of that ilk”: Foreign Music Teachers and Genteel Pupils 108 7 “A remarkable accomplishment for one of the gentle sex”: Other Professionals 122 PART 4. THE CIVIL WAR 8 “The female tribe as ‘angels’ on earth ... is being ... entirely dissipated”: The Parlor and the Civil War 139 9 “Many shades of caste and kind”: The Civil War and the Public Gaze 151 PART 5. WOMEN MUSICIANS IN THE RECONSTRUCTION ERA 10 “She takes up music as a profession”: Career Women 11 “Beethoven wrote it—that is enough”: Reconstructed Women Reconstructing Repertory 199 Conclusion: “This old piece of music keeps her name like a flower pressed in a book” 217 Notes 221 Bibliography Index 281 257 171
|
| adam_txt |
Contents List of Illustrations ix Acknowledgments xi Abbreviations xv Author’s Note xvii Introduction: One would like to know” і PART 1. SOCIAL DIVERSITY AMONG AMATEUR WOMEN MUSICIANS 1 “The circle in which you move”: Gentility, Music, and White Women 19 2 “Colored girls under the control of colored teachers”: Gentility, Music, and Women of Color 35 PART 2.REPERTORY 3 “‘Home, Sweet Home!’ with brilliant variations”: Melody 4 “I have no time to tell you now half the enjoyment these operas have given us”: Opera as Cultural Capital 53 75 PART 3, SCIENTIFIC MUSIC AND PROFESSIONAL MUSICIANS 5 “Distinguished success . in teaching Music as a science”: Genteel Women Scientists 95
6 “Of that ilk”: Foreign Music Teachers and Genteel Pupils 108 7 “A remarkable accomplishment for one of the gentle sex”: Other Professionals 122 PART 4. THE CIVIL WAR 8 “The female tribe as ‘angels’ on earth . is being . entirely dissipated”: The Parlor and the Civil War 139 9 “Many shades of caste and kind”: The Civil War and the Public Gaze 151 PART 5. WOMEN MUSICIANS IN THE RECONSTRUCTION ERA 10 “She takes up music as a profession”: Career Women 11 “Beethoven wrote it—that is enough”: Reconstructed Women Reconstructing Repertory 199 Conclusion: “This old piece of music keeps her name like a flower pressed in a book” 217 Notes 221 Bibliography Index 281 257 171 |
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| any_adam_object_boolean | 1 |
| author | Bailey, Candace Lea 1963- |
| author_GND | (DE-588)128516739 |
| author_facet | Bailey, Candace Lea 1963- |
| author_role | aut |
| author_sort | Bailey, Candace Lea 1963- |
| author_variant | c l b cl clb |
| building | Verbundindex |
| bvnumber | BV047295157 |
| contents | Introduction. "One would like to know" -- PART 1. SOCIAL DIVERSITY AMONG AMATEUR WOMEN MUSICIANS. "The circle in which you move" : Gentility, Music, and White Women ; "Colored girls under the control of colored teachers" : Gentility, Music, and Women of Color -- PART 2. REPERTORY. "Home! Sweet Home!' with brilliant variations" : Melody ; "I have no time to tell you now half the enjoyment these operas have given us" : Opera as Cultural Capital -- PART 3. SCIENTIFIC MUSIC AND PROFESSIONAL MUSICIANS. "Distinguished success ... in teaching Music as a Science": Genteel Women Scientists ; "Of that ilk": Foreign Music Teachers and Genteel Pupils ; "A remarkable accomplishment for one of the gentle sex" : Other Professionals -- PART 4. THE CIVIL WAR. "The female tribe as 'angels' on earth ... is being ... entirely dissipated" : The Parlor and the Civil War ; "Many shades of caste and kind" : The Civil War and the Public Gaze -- PART 5. WOMEN MUSICIANS IN THE RECONSTRUCTION ERA. "She takes up music as a profession" : Career Women ; "Beethoven wrote it -- that is enough" : Reconstructed Women Reconstructing Repertory -- Conclusion. "This old piece of music keeps her name like a flower pressed in a book" |
| ctrlnum | (OCoLC)1257253313 (DE-599)BVBBV047295157 |
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| dewey-hundreds | 700 - The arts |
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| era | Geschichte 1800-1899 gnd |
| era_facet | Geschichte 1800-1899 |
| format | Book |
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| spelling | Bailey, Candace Lea 1963- Verfasser (DE-588)128516739 aut Unbinding gentility women making music in the nineteenth-century South Candace Bailey Urbana ; Chicago ; Springfield University of Illinois Press [2021] xviii, 292 Seiten Illustrationen, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Music in American life Includes bibliographical references and index Introduction. "One would like to know" -- PART 1. SOCIAL DIVERSITY AMONG AMATEUR WOMEN MUSICIANS. "The circle in which you move" : Gentility, Music, and White Women ; "Colored girls under the control of colored teachers" : Gentility, Music, and Women of Color -- PART 2. REPERTORY. "Home! Sweet Home!' with brilliant variations" : Melody ; "I have no time to tell you now half the enjoyment these operas have given us" : Opera as Cultural Capital -- PART 3. SCIENTIFIC MUSIC AND PROFESSIONAL MUSICIANS. "Distinguished success ... in teaching Music as a Science": Genteel Women Scientists ; "Of that ilk": Foreign Music Teachers and Genteel Pupils ; "A remarkable accomplishment for one of the gentle sex" : Other Professionals -- PART 4. THE CIVIL WAR. "The female tribe as 'angels' on earth ... is being ... entirely dissipated" : The Parlor and the Civil War ; "Many shades of caste and kind" : The Civil War and the Public Gaze -- PART 5. WOMEN MUSICIANS IN THE RECONSTRUCTION ERA. "She takes up music as a profession" : Career Women ; "Beethoven wrote it -- that is enough" : Reconstructed Women Reconstructing Repertory -- Conclusion. "This old piece of music keeps her name like a flower pressed in a book" "Southern women of all classes, races, and walks of life practiced music during and after the Civil War. Candace Bailey examines the history of southern women through the lens of these musical pursuits, uncovering the ways that music's transmission, education, circulation, and repertory help us understand its meaning in the women's culture of the time. Bailey pays particular attention to the space between music as an ideal accomplishment-part of how people expected women to perform gentility-and a real practice-what women actually did. At the same time, her ethnographic reading of binder's volumes, letters and diaries, and a wealth of other archival material informs new and vital interpretations of women's place in southern culture. A fascinating collective portrait of women's artistic and personal lives, Unbinding Gentility challenges entrenched assumptions about nineteenth century music and the experiences of the southern women who made it"-- Geschichte 1800-1899 gnd rswk-swf Musikerin (DE-588)4170818-0 gnd rswk-swf USA Südstaaten (DE-588)4078674-2 gnd rswk-swf Women musicians / Southern States / History / 19th century Musicians / Southern States / History / 19th century Women / Southern States / History / 19th century Women / Southern States / Social conditions / 19th century Music / Social aspects / Southern States / History / 19th century Music and race / Southern States / History / 19th century Binder's volumes (Music) / Southern States / History / 19th century Music and race Music / Social aspects Musicians Women Women musicians Women / Social conditions Southern States 1800-1899 History USA Südstaaten (DE-588)4078674-2 g Musikerin (DE-588)4170818-0 s Geschichte 1800-1899 z DE-604 Erscheint auch als Online-Ausgabe, ebk 978-0-252-05265-1 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032698425&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Bailey, Candace Lea 1963- Unbinding gentility women making music in the nineteenth-century South Introduction. "One would like to know" -- PART 1. SOCIAL DIVERSITY AMONG AMATEUR WOMEN MUSICIANS. "The circle in which you move" : Gentility, Music, and White Women ; "Colored girls under the control of colored teachers" : Gentility, Music, and Women of Color -- PART 2. REPERTORY. "Home! Sweet Home!' with brilliant variations" : Melody ; "I have no time to tell you now half the enjoyment these operas have given us" : Opera as Cultural Capital -- PART 3. SCIENTIFIC MUSIC AND PROFESSIONAL MUSICIANS. "Distinguished success ... in teaching Music as a Science": Genteel Women Scientists ; "Of that ilk": Foreign Music Teachers and Genteel Pupils ; "A remarkable accomplishment for one of the gentle sex" : Other Professionals -- PART 4. THE CIVIL WAR. "The female tribe as 'angels' on earth ... is being ... entirely dissipated" : The Parlor and the Civil War ; "Many shades of caste and kind" : The Civil War and the Public Gaze -- PART 5. WOMEN MUSICIANS IN THE RECONSTRUCTION ERA. "She takes up music as a profession" : Career Women ; "Beethoven wrote it -- that is enough" : Reconstructed Women Reconstructing Repertory -- Conclusion. "This old piece of music keeps her name like a flower pressed in a book" Musikerin (DE-588)4170818-0 gnd |
| subject_GND | (DE-588)4170818-0 (DE-588)4078674-2 |
| title | Unbinding gentility women making music in the nineteenth-century South |
| title_auth | Unbinding gentility women making music in the nineteenth-century South |
| title_exact_search | Unbinding gentility women making music in the nineteenth-century South |
| title_exact_search_txtP | Unbinding gentility women making music in the nineteenth-century South |
| title_full | Unbinding gentility women making music in the nineteenth-century South Candace Bailey |
| title_fullStr | Unbinding gentility women making music in the nineteenth-century South Candace Bailey |
| title_full_unstemmed | Unbinding gentility women making music in the nineteenth-century South Candace Bailey |
| title_short | Unbinding gentility |
| title_sort | unbinding gentility women making music in the nineteenth century south |
| title_sub | women making music in the nineteenth-century South |
| topic | Musikerin (DE-588)4170818-0 gnd |
| topic_facet | Musikerin USA Südstaaten |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032698425&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT baileycandacelea unbindinggentilitywomenmakingmusicinthenineteenthcenturysouth |