Expanded painting: ontological aesthetics and the essence of colour
The relevance of painting has been questioned many times over the last century, by the arrival of photography, installation art and digital technologies. But rather than accept the death of painting, Mark Titmarsh traces a paradoxical interface between this art form and its opposing forces to define...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
London
Bloomsbury Academic
2017
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| Schlagworte: | |
| Zusammenfassung: | The relevance of painting has been questioned many times over the last century, by the arrival of photography, installation art and digital technologies. But rather than accept the death of painting, Mark Titmarsh traces a paradoxical interface between this art form and its opposing forces to define a new practice known as 'expanded painting' giving the term historical context, theoretical structure and an important place in contemporary practice. As the formal boundaries tumble, the being of painting expands to become a kind of total art incorporating all other media including sculpture, video and performance. Painting is considered from three different perspectives: ethnology, art theory and ontology. From an ethnological point of view, painting is one of any number of activities that takes place within a culture. In art theory terms, painting is understood to produce objects of interest for humanities disciplines. Yet painting as a medium often challenges both its object and image status, 'expanding' and creating hybrid works between painting, objects, screen media and text. Ontologically, painting is understood as an object of aesthetic discourse that in turn reflects historical states of being. Thus, Expanded Painting delivers a new kind of saying, a post-aesthetic discourse that is attuned to an uncanny tension between the presence and absence of painting |
| Beschreibung: | 1 Online-Ressource (x, 224 Seiten) Illustrationen |
| ISBN: | 9781350004191 9781350004160 |
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| isbn | 9781350004191 9781350004160 |
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| spelling | Titmarsh, Mark Verfasser (DE-588)1140787497 aut Expanded painting ontological aesthetics and the essence of colour Mark Titmarsh London Bloomsbury Academic 2017 1 Online-Ressource (x, 224 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier The relevance of painting has been questioned many times over the last century, by the arrival of photography, installation art and digital technologies. But rather than accept the death of painting, Mark Titmarsh traces a paradoxical interface between this art form and its opposing forces to define a new practice known as 'expanded painting' giving the term historical context, theoretical structure and an important place in contemporary practice. As the formal boundaries tumble, the being of painting expands to become a kind of total art incorporating all other media including sculpture, video and performance. Painting is considered from three different perspectives: ethnology, art theory and ontology. From an ethnological point of view, painting is one of any number of activities that takes place within a culture. In art theory terms, painting is understood to produce objects of interest for humanities disciplines. Yet painting as a medium often challenges both its object and image status, 'expanding' and creating hybrid works between painting, objects, screen media and text. Ontologically, painting is understood as an object of aesthetic discourse that in turn reflects historical states of being. Thus, Expanded Painting delivers a new kind of saying, a post-aesthetic discourse that is attuned to an uncanny tension between the presence and absence of painting Geschichte 1945-2017 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Malerei (DE-588)4037220-0 gnd rswk-swf Painting / 21st century Art and philosopy Malerei (DE-588)4037220-0 s Ästhetik (DE-588)4000626-8 s Geschichte 1945-2017 z DE-604 Erscheint auch als Druck-Ausgabe 978-1-3500-0417-7 (DE-604)BV044490982 |
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| title | Expanded painting ontological aesthetics and the essence of colour |
| title_auth | Expanded painting ontological aesthetics and the essence of colour |
| title_exact_search | Expanded painting ontological aesthetics and the essence of colour |
| title_exact_search_txtP | Expanded painting ontological aesthetics and the essence of colour |
| title_full | Expanded painting ontological aesthetics and the essence of colour Mark Titmarsh |
| title_fullStr | Expanded painting ontological aesthetics and the essence of colour Mark Titmarsh |
| title_full_unstemmed | Expanded painting ontological aesthetics and the essence of colour Mark Titmarsh |
| title_short | Expanded painting |
| title_sort | expanded painting ontological aesthetics and the essence of colour |
| title_sub | ontological aesthetics and the essence of colour |
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