Goddesses of Akragas: a study of terracotta votive figurines from Sicily
Saved in:
| Main Author: | |
|---|---|
| Format: | Thesis Book |
| Language: | English |
| Published: |
Leiden
Sidestone Press
[2021]
|
| Subjects: | |
| Online Access: | Inhaltsverzeichnis |
| Physical Description: | 388 Seiten Illustrationen |
| ISBN: | 9789088909009 9789088909016 |
Staff View
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Record in the Search Index
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| adam_text | Contents List of figures with references 11 I Akragantine figurines and their context 15 1.1 Introduction 15 1.2 State of research 16 1.2.a Identifying the figurine and the dedicants 16 1.2.b Proving literature right by the archaeological material 16 1.2.b.і Cult transfer and a prototype reconstruction 16 1.2.C Athena Lindia? Rhodian and Sicilian figurines compared 17 1.2.d Other views on identification and origin 18 1.2.e Oikist cult and cultural identity formation 19 1.2.f Intermarriage and gender 20 1.3 Aims and research questions 21 1.4 Method and archaeological theory 22 1.5 Research structure 23 1.6 Greek historiography on Sicily - some general remarks 24 1.6.a Mythical past 24 1.6.b Political setting 24 1.6.b.i The perception of ancient authors 25 1.6.b.ii Sicily in the account of Thucydides 25 1.6.b.iii The foundation of Gelas and Akragas 26 1.6.b.iii.1 Gelas 26 1.6.b.iii.2 Herodotus on Gelas 28 1.6.Ь.ІІІ.З Akragas 28 1.6.b.iii.4 Herodotus on Theron of Akragas 29 1.6.C Social and economic setting 29 1.6.c.і Diversity among the inhabitants of Sicily 1.6.С.ІІ Phoenicians 29 30 1.6.c.iii Prosperity of Akragas 31 1.6.d Religious setting 31 1.6.d.і Demeter and Persephone on Sicily 31 1.6.d.¡¡ Temple building and politics 32 1.6.e Conclusions on the ancient literary sources 32
II Iconography of the figurines 33 11.1 Introduction 33 11.2 Aims 33 11.3 Method 33 11.4 The body 34 11.4.a The local tradition 34 1.4.a.і Arms and feet 36 11.4.b Imported and imitated images 36 11.4.c Upright 38 11.4.d From wood to terracotta 39 11.4.e An aniconic tradition 40 11.4.f Gender 41 11.4.g Practical implications of the figurines form 42 Н.4.Һ The form of the figurines and their role as votives 43 11.5 Head and face 11.5.a General shape and expression of the face 44 44 11.5.b A personal expression 45 11.5.c Cultural influences 45 11.5. С.І Noses 45 11.5.С.ІІ Mouth and chin 11.5.c.iii Eyes 46 * 48 11.5.c.iv Ears 48 11.5.C.V Hair 50 11.5.d Gender 52 11.6 Dress and personal adornment 54 11.6.a The apron 55 11.6.b Non-Sicilian garments 56 11.6.b.і The undergarment 56 11.6.C Cultic dress 11.6.d Footwear 57 57 11.6.e Headgear 58 11.6.е.і Veil 58 11.6 e.ii Polos 59 11.6.e.iii The meaning of the polos and veil 61 11.6.е.iii The headdress as an indication of marital status 63 11.6.f Fibulae 63 11.6.f.i Interpretation and comparison with real-life objects 65 11.6.g Pectoral bands and pendants 69 11.6.g.i Akragantine pendants 69 11.6.h.ii Linked to the locals: pectoral bands 72 11.6.h.iii Discs and crescents 74 11.6.h.iv Figurative pendants 75 11.6.h.v Other beads and pendants with their real-life counterparts from other sites 11.6 h.vi Comparison with other cultures 11.6.h.vii Cultural exchange 78 . 79 81
11.6.h.v¡¡¡ Function and meaning 11.6.h Other jewellery 82 83 11.6.h.I Ear studs and earrings 11.6.h.ii Bracelets 83 85 11.6.h.iii Necklaces and hairbands 11.6.h.lv Comparison with korai jewellery 85 86 ІІ.6.І Gender, identity and the display of wealth 87 11.7 Furniture 87 11.7.a From bench to throne 88 11.7.a.і The footstool 88 11.7.b The origin of the represented chair shapes 89 11.7.b.l Greek chairs: thronos and klismos 89 . II.7.b.ii Thrones and lions 90 11.7.b.iii An enthroned couple 91 11.7.c Gender and identity 93 11.8 Conclusions 93 III The technology of Akragantine figurines 97 111.1 Introduction 97 111.2 Aims of technical research 99 111.3 Method: An archaeological experiment with analogue reconstruction 99 111.4 Interpretation and the chaîne opératoire approach 100 111.5 The general production process 100 111.5.a Object categories 100 111.5.b Solid objects and plaques 101 111.5.C Description of the steps in the production process 102 111.6 The coroplastic experiment 104 111.7 Results of the experiment and comparison with features of the original objects 106 111.7.a Step 1 : The clays used in Akragas 106 111.7.b Steps 2 and 3: Choice of patrix and creating the matrix 108 111.7.C Step 4: Aspects of the shaping process and related Items 109 111.7.c.і Making the front of the figurine 109 111.7.С.ІІ Making the back of the figurine 109 111.7.c.iii Making an extra rim 109 111.7.c.iv Drying and deformation 109 111.7.c.v The derivative mould 110 111.7.c.vi Time management and additions 110 111.7.С.ѴІІ Retouching and fools 111.8 The production of other types of objects 111
_ 111.9 Interpretation and discussion 111 112 111.9.a Implications of the introduction of the moulding technique 112 111.10 Identification of coroplastic workshops by different techniques 113 111.10.a The Workshop of the White Clay 114 ІІІ.Ю.Ь The Workshop of the Convex Back 114 111.10.C The Workshop of Straight Reworking 114
111.10.d The Workshop of the Chubby Faces and the One Pendant Necklace 114 111.10.e The skills of the coroplast 116 III.11 The coroplastic exchange between Sicilian towns 116 ПІ.11 .a Terracotta production at the kerameikos of Selinous and workshops in Akragas 118 Ш.12 Conclusions 120 IV Technically and iconographically defined typology 123 Group 1 123 Group 2 127 Group 3 132 Group 4 135 Group 5 136 Group 6 138 Chronological overview of the groups 140 V Conclusion 155 V.1 Concerning literary sources 155 V.2 Concerning iconography 156 V.3 Concerning production techniques 158 V.4 Concerning meaning and use -, 160 Bibliography 163 Catalogue 173 How to use the catalogue 173 Overview of the locations and contexts of findspots for figurines 173 Abbreviations/references for museum collections with figurines from Akragas: 175 Type A: Argive Type (no.1-2) 178 Type B: Face-moulded figurines (no.3-7) 181 Type C: block-like figurines (no.8-64) 188 Type D: Some characteristic faces and standing figurines (65-70) 236 Type E: Imported figurines with rounded shapes, and objects inspired by them (71-76) 240 Type F: Exceptional objects (77-86) 245 Type G: Standing group (87-97) 253 Type H: A variety of pendants (98-106) 264 Type I: The same head, a different body (107-114) 276 Type J: A patterned polos (115-137) 283 Type K: The outlined-throne throne group and some similar figurines (no.138-153) 307 Type L: other polos-wearing heads (154-170) 329 Type M: The chubby face (171-184) · 341
Type N: A new hairstyle and widened polos (185-197) 359 Type 0: Seated on the left shoulder (198-200) 371 Type P: Earrings (201-202) 376 Index 379 Abstracts 381 Curriculum Vitae 385 Acknowledgements 387
|
| adam_txt |
Contents List of figures with references 11 I Akragantine figurines and their context 15 1.1 Introduction 15 1.2 State of research 16 1.2.a Identifying the figurine and the dedicants 16 1.2.b Proving literature right by the archaeological material 16 1.2.b.і Cult transfer and a prototype reconstruction 16 1.2.C Athena Lindia? Rhodian and Sicilian figurines compared 17 1.2.d Other views on identification and origin 18 1.2.e Oikist cult and cultural identity formation 19 1.2.f Intermarriage and gender 20 1.3 Aims and research questions 21 1.4 Method and archaeological theory 22 1.5 Research structure 23 1.6 Greek historiography on Sicily - some general remarks 24 1.6.a Mythical past 24 1.6.b Political setting 24 1.6.b.i The perception of ancient authors 25 1.6.b.ii Sicily in the account of Thucydides 25 1.6.b.iii The foundation of Gelas and Akragas 26 1.6.b.iii.1 Gelas 26 1.6.b.iii.2 Herodotus on Gelas 28 1.6.Ь.ІІІ.З Akragas 28 1.6.b.iii.4 Herodotus on Theron of Akragas 29 1.6.C Social and economic setting 29 1.6.c.і Diversity among the inhabitants of Sicily 1.6.С.ІІ Phoenicians 29 ' 30 1.6.c.iii Prosperity of Akragas 31 1.6.d Religious setting 31 1.6.d.і Demeter and Persephone on Sicily 31 1.6.d.¡¡ Temple building and politics 32 1.6.e Conclusions on the ancient literary sources 32
II Iconography of the figurines 33 11.1 Introduction 33 11.2 Aims 33 11.3 Method 33 11.4 The body 34 11.4.a The local tradition 34 1.4.a.і Arms and feet 36 11.4.b Imported and imitated images 36 11.4.c Upright 38 11.4.d From wood to terracotta 39 11.4.e An aniconic tradition 40 11.4.f Gender 41 11.4.g Practical implications of the figurines' form 42 Н.4.Һ The form of the figurines and their role as votives 43 11.5 Head and face 11.5.a General shape and expression of the face 44 44 11.5.b A personal expression 45 11.5.c Cultural influences 45 11.5. С.І Noses 45 11.5.С.ІІ Mouth and chin 11.5.c.iii Eyes 46 * 48 11.5.c.iv Ears 48 11.5.C.V Hair 50 11.5.d Gender 52 11.6 Dress and personal adornment 54 11.6.a The apron 55 11.6.b Non-Sicilian garments 56 11.6.b.і The undergarment 56 11.6.C Cultic dress 11.6.d Footwear 57 57 11.6.e Headgear 58 11.6.е.і Veil 58 11.6 e.ii Polos 59 11.6.e.iii The meaning of the polos and veil 61 11.6.е.iii The headdress as an indication of marital status 63 11.6.f Fibulae 63 11.6.f.i Interpretation and comparison with real-life objects 65 11.6.g Pectoral bands and pendants 69 11.6.g.i Akragantine pendants 69 11.6.h.ii Linked to the locals: pectoral bands 72 11.6.h.iii Discs and crescents 74 11.6.h.iv Figurative pendants 75 11.6.h.v Other beads and pendants with their real-life counterparts from other sites 11.6 h.vi Comparison with other cultures 11.6.h.vii Cultural exchange 78 . 79 81
11.6.h.v¡¡¡ Function and meaning 11.6.h Other jewellery 82 83 11.6.h.I Ear studs and earrings 11.6.h.ii Bracelets 83 85 11.6.h.iii Necklaces and hairbands 11.6.h.lv Comparison with korai jewellery 85 86 ІІ.6.І Gender, identity and the display of wealth 87 11.7 Furniture 87 11.7.a From bench to throne 88 11.7.a.і The footstool 88 11.7.b The origin of the represented chair shapes 89 11.7.b.l Greek chairs: thronos and klismos 89 . II.7.b.ii Thrones and lions 90 11.7.b.iii An enthroned couple 91 11.7.c Gender and identity 93 11.8 Conclusions 93 III The technology of Akragantine figurines 97 111.1 Introduction 97 111.2 Aims of technical research 99 111.3 Method: An archaeological experiment with analogue reconstruction 99 111.4 Interpretation and the chaîne opératoire approach 100 111.5 The general production process 100 111.5.a Object categories 100 111.5.b Solid objects and plaques 101 111.5.C Description of the steps in the production process 102 111.6 The coroplastic experiment 104 111.7 Results of the experiment and comparison with features of the original objects 106 111.7.a Step 1 : The clays used in Akragas 106 111.7.b Steps 2 and 3: Choice of patrix and creating the matrix 108 111.7.C Step 4: Aspects of the shaping process and related Items 109 111.7.c.і Making the front of the figurine 109 111.7.С.ІІ Making the back of the figurine 109 111.7.c.iii Making an extra rim 109 111.7.c.iv Drying and deformation 109 111.7.c.v The derivative mould 110 111.7.c.vi Time management and additions 110 111.7.С.ѴІІ Retouching and fools 111.8 The production of other types of objects 111
_ 111.9 Interpretation and discussion 111 112 111.9.a Implications of the introduction of the moulding technique 112 111.10 Identification of coroplastic workshops by different techniques 113 111.10.a The Workshop of the White Clay 114 ІІІ.Ю.Ь The Workshop of the Convex Back 114 111.10.C The Workshop of Straight Reworking '114
111.10.d The Workshop of the Chubby Faces and the One Pendant Necklace 114 111.10.e The skills of the coroplast 116 III.11 The coroplastic exchange between Sicilian towns 116 ПІ.11 .a Terracotta production at the kerameikos of Selinous and workshops in Akragas 118 Ш.12 Conclusions 120 IV Technically and iconographically defined typology 123 Group 1 123 Group 2 127 Group 3 132 Group 4 135 Group 5 136 Group 6 138 Chronological overview of the groups 140 V Conclusion 155 V.1 Concerning literary sources 155 V.2 Concerning iconography 156 V.3 Concerning production techniques 158 V.4 Concerning meaning and use -, 160 Bibliography 163 Catalogue 173 How to use the catalogue 173 Overview of the locations and contexts of findspots for figurines 173 Abbreviations/references for museum collections with figurines from Akragas: 175 Type A: Argive Type (no.1-2) 178 Type B: Face-moulded figurines (no.3-7) 181 Type C: block-like figurines (no.8-64) 188 Type D: Some characteristic faces and standing figurines (65-70) 236 Type E: Imported figurines with rounded shapes, and objects inspired by them (71-76) 240 Type F: Exceptional objects (77-86) 245 Type G: Standing group (87-97) 253 Type H: A variety of pendants (98-106) 264 Type I: The same head, a different body (107-114) 276 Type J: A patterned polos (115-137) 283 Type K: The outlined-throne throne group and some similar figurines (no.138-153) 307 Type L: other polos-wearing heads (154-170) 329 Type M: The chubby face (171-184) · 341
Type N: A new hairstyle and widened polos (185-197) 359 Type 0: Seated on the left shoulder (198-200) 371 Type P: Earrings (201-202) 376 Index 379 Abstracts 381 Curriculum Vitae 385 Acknowledgements 387 |
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| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032692867 |
| oclc_num | 1245257236 |
| open_access_boolean | |
| owner | DE-355 DE-BY-UBR DE-12 DE-11 DE-19 DE-BY-UBM |
| owner_facet | DE-355 DE-BY-UBR DE-12 DE-11 DE-19 DE-BY-UBM |
| physical | 388 Seiten Illustrationen |
| psigel | gbd_4_2106 BSB_NED_20210817 |
| publishDate | 2021 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | Sidestone Press |
| record_format | marc |
| spelling | Rooijen, Gerrie van 1985- Verfasser (DE-588)1230506349 aut Goddesses of Akragas a study of terracotta votive figurines from Sicily Gerrie van Rooijen Leiden Sidestone Press [2021] 388 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Dissertation University Leiden 2019 Terrakotta (DE-588)4184790-8 gnd rswk-swf Antike (DE-588)4068754-5 gnd rswk-swf Votivfigur (DE-588)4332792-8 gnd rswk-swf Gott Motiv (DE-588)4157941-0 gnd rswk-swf Agrigent (DE-588)4068475-1 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Akragas (Sizilien) [47 D4] (DE-2581)TH000011939 gbd Weihgaben & Votive, griechisch (DE-2581)TH000006548 gbd Agrigent (DE-588)4068475-1 g Terrakotta (DE-588)4184790-8 s Gott Motiv (DE-588)4157941-0 s Votivfigur (DE-588)4332792-8 s Antike (DE-588)4068754-5 s DE-604 Erscheint auch als Online-Ausgabe, PDF 978-90-8890-902-3 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032692867&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Rooijen, Gerrie van 1985- Goddesses of Akragas a study of terracotta votive figurines from Sicily Terrakotta (DE-588)4184790-8 gnd Antike (DE-588)4068754-5 gnd Votivfigur (DE-588)4332792-8 gnd Gott Motiv (DE-588)4157941-0 gnd |
| subject_GND | (DE-588)4184790-8 (DE-588)4068754-5 (DE-588)4332792-8 (DE-588)4157941-0 (DE-588)4068475-1 (DE-588)4113937-9 |
| title | Goddesses of Akragas a study of terracotta votive figurines from Sicily |
| title_auth | Goddesses of Akragas a study of terracotta votive figurines from Sicily |
| title_exact_search | Goddesses of Akragas a study of terracotta votive figurines from Sicily |
| title_exact_search_txtP | Goddesses of Akragas a study of terracotta votive figurines from Sicily |
| title_full | Goddesses of Akragas a study of terracotta votive figurines from Sicily Gerrie van Rooijen |
| title_fullStr | Goddesses of Akragas a study of terracotta votive figurines from Sicily Gerrie van Rooijen |
| title_full_unstemmed | Goddesses of Akragas a study of terracotta votive figurines from Sicily Gerrie van Rooijen |
| title_short | Goddesses of Akragas |
| title_sort | goddesses of akragas a study of terracotta votive figurines from sicily |
| title_sub | a study of terracotta votive figurines from Sicily |
| topic | Terrakotta (DE-588)4184790-8 gnd Antike (DE-588)4068754-5 gnd Votivfigur (DE-588)4332792-8 gnd Gott Motiv (DE-588)4157941-0 gnd |
| topic_facet | Terrakotta Antike Votivfigur Gott Motiv Agrigent Hochschulschrift |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032692867&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT rooijengerrievan goddessesofakragasastudyofterracottavotivefigurinesfromsicily |