'No hits, no runs, just terrors': exhibition, cultural distinctions and cult audiences at the Rialto cinema in the 1930s and 1940s
Saved in:
| Main Authors: | , |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
2011
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| Item Description: | Part 3. Venues and their publics |
| ISBN: | 978-1-405-19949-0 |
Staff View
MARC
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| 245 | 1 | 0 | |a 'No hits, no runs, just terrors' |b exhibition, cultural distinctions and cult audiences at the Rialto cinema in the 1930s and 1940s |c Tim Snelson and Mark Jancovich |
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| 941 | |s 199-211 | ||
Record in the Search Index
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| illustrated | Not Illustrated |
| index_date | 2024-07-03T17:16:11Z |
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| institution | BVB |
| isbn | 978-1-405-19949-0 |
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| spelling | Snelson, Tim 1973- (DE-588)1083291750 aut 'No hits, no runs, just terrors' exhibition, cultural distinctions and cult audiences at the Rialto cinema in the 1930s and 1940s Tim Snelson and Mark Jancovich 2011 txt rdacontent n rdamedia nc rdacarrier Part 3. Venues and their publics Jancovich, Mark (DE-588)188373039 aut pages:199-211 Explorations in new cinema history / ed. by Richard Maltby ... 1. publ. Chichester [u.a.], 2011 Seite 199-211 (DE-604)BV039166774 978-1-405-19949-0 |
| spellingShingle | Snelson, Tim 1973- Jancovich, Mark 'No hits, no runs, just terrors' exhibition, cultural distinctions and cult audiences at the Rialto cinema in the 1930s and 1940s |
| title | 'No hits, no runs, just terrors' exhibition, cultural distinctions and cult audiences at the Rialto cinema in the 1930s and 1940s |
| title_auth | 'No hits, no runs, just terrors' exhibition, cultural distinctions and cult audiences at the Rialto cinema in the 1930s and 1940s |
| title_exact_search | 'No hits, no runs, just terrors' exhibition, cultural distinctions and cult audiences at the Rialto cinema in the 1930s and 1940s |
| title_exact_search_txtP | 'No hits, no runs, just terrors' exhibition, cultural distinctions and cult audiences at the Rialto cinema in the 1930s and 1940s |
| title_full | 'No hits, no runs, just terrors' exhibition, cultural distinctions and cult audiences at the Rialto cinema in the 1930s and 1940s Tim Snelson and Mark Jancovich |
| title_fullStr | 'No hits, no runs, just terrors' exhibition, cultural distinctions and cult audiences at the Rialto cinema in the 1930s and 1940s Tim Snelson and Mark Jancovich |
| title_full_unstemmed | 'No hits, no runs, just terrors' exhibition, cultural distinctions and cult audiences at the Rialto cinema in the 1930s and 1940s Tim Snelson and Mark Jancovich |
| title_short | 'No hits, no runs, just terrors' |
| title_sort | no hits no runs just terrors exhibition cultural distinctions and cult audiences at the rialto cinema in the 1930s and 1940s |
| title_sub | exhibition, cultural distinctions and cult audiences at the Rialto cinema in the 1930s and 1940s |
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