The fetters of rhyme: liberty and poetic form in early modern England
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Princeton ; Oxford
Princeton University Press
[2021]
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | x, 284 Seiten Illustrationen |
| ISBN: | 9780691212555 |
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Datensatz im Suchindex
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| adam_text | CONTENTS Acknowledgments · vii Abbreviations · ix Introduction CHAPTER CHAPTER 1 2 CHAPTER 3 CHAPTER 4 CHAPTER 5 1 Sweet Be the Bands: Spenser and the Sonnet of Association 24 Licentious Rhymers: Donne and the Late Elizabethan Couplet Revival 57 An Even and Unaltered Gait: Jonson and the Poetics of Character 83 Rhyme Oft Times Overreaches Reason: Measure and Passion after the Civil War 119 Milton and the Known Rules ofAncient Liberty 160 Notes · 201 Bibliography Index · 241 · 271
How rhyme became entangled with debates about the nature of liberty in sixteenth- and seventeenthcentury English poetry In his 1668 preface to Paradise Խտէ, John Milton rejected the use of rhyme, por traying himself as a revolutionary freeing English verse from “the troublesome and modem bondage of Riming.” Despite his claim to be a pioneer, Milton was not ini tiating a new line of thought—English poets had been debating about rhyme and its connections to liberty, freedom, and constraint since Queen Elizabeth’s reign. The Fetters of Rhyme traces this dynamic history of rhyme from the 1590s through the 1670s. Rebecca Rush uncovers the surprising associations early modem readers attached to rhyming forms like couplets and sonnets, and she shows how reading poetic form from a historical per spective yields fresh insights into verse’s complexities. Rush explores how early modem poets imagined rhyme as a band or fetter, com paring it to the bonds linking individuals to political, social, and religious commu nities. She considers how Edmund Spen ser’s sonnet rhymes stood as emblems of voluntary confinement, how John Donne’s revival of the Chaucerian couplet signaled sexual and political radicalism, and how Ben Jonson’s verse charted a middle way between licentious Elizabethan couplet poets and slavish sonneteers. Rush then looks at why the royalist poets embraced the prerational charms of rhyme, and how Milton spent his career reckoning with rhyme’s allures. Examining a poetic feature that sits be tween sound and sense, liberty and mea sure, The Fetters ofRhyme elucidates
early modem efforts to negotiate these forces in verse making and reading.
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| adam_txt |
CONTENTS Acknowledgments · vii Abbreviations · ix Introduction CHAPTER CHAPTER 1 2 CHAPTER 3 CHAPTER 4 CHAPTER 5 1 Sweet Be the Bands: Spenser and the Sonnet of Association 24 Licentious Rhymers: Donne and the Late Elizabethan Couplet Revival 57 An Even and Unaltered Gait: Jonson and the Poetics of Character 83 Rhyme Oft Times Overreaches Reason: Measure and Passion after the Civil War 119 Milton and the Known Rules ofAncient Liberty 160 Notes · 201 Bibliography Index · 241 · 271
How rhyme became entangled with debates about the nature of liberty in sixteenth- and seventeenthcentury English poetry In his 1668 preface to Paradise Խտէ, John Milton rejected the use of rhyme, por traying himself as a revolutionary freeing English verse from “the troublesome and modem bondage of Riming.” Despite his claim to be a pioneer, Milton was not ini tiating a new line of thought—English poets had been debating about rhyme and its connections to liberty, freedom, and constraint since Queen Elizabeth’s reign. The Fetters of Rhyme traces this dynamic history of rhyme from the 1590s through the 1670s. Rebecca Rush uncovers the surprising associations early modem readers attached to rhyming forms like couplets and sonnets, and she shows how reading poetic form from a historical per spective yields fresh insights into verse’s complexities. Rush explores how early modem poets imagined rhyme as a band or fetter, com paring it to the bonds linking individuals to political, social, and religious commu nities. She considers how Edmund Spen ser’s sonnet rhymes stood as emblems of voluntary confinement, how John Donne’s revival of the Chaucerian couplet signaled sexual and political radicalism, and how Ben Jonson’s verse charted a middle way between licentious Elizabethan couplet poets and slavish sonneteers. Rush then looks at why the royalist poets embraced the prerational charms of rhyme, and how Milton spent his career reckoning with rhyme’s allures. Examining a poetic feature that sits be tween sound and sense, liberty and mea sure, The Fetters ofRhyme elucidates
early modem efforts to negotiate these forces in verse making and reading. |
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| author | Rush, Rebecca M. 1987- |
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| discipline | Anglistik / Amerikanistik |
| discipline_str_mv | Anglistik / Amerikanistik |
| era | Geschichte 1590-1680 gnd |
| era_facet | Geschichte 1590-1680 |
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| spelling | Rush, Rebecca M. 1987- Verfasser (DE-588)1236651545 aut The fetters of rhyme liberty and poetic form in early modern England Rebecca M. Rush Princeton ; Oxford Princeton University Press [2021] © 2021 x, 284 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Geschichte 1590-1680 gnd rswk-swf Englisch (DE-588)4014777-0 gnd rswk-swf Reim (DE-588)4130015-4 gnd rswk-swf Lyrik (DE-588)4036774-5 gnd rswk-swf Englisch (DE-588)4014777-0 s Lyrik (DE-588)4036774-5 s Reim (DE-588)4130015-4 s Geschichte 1590-1680 z DE-604 Erscheint auch als Online-Ausgabe, ebook 978-0-691-21568-6 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032679944&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032679944&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Rush, Rebecca M. 1987- The fetters of rhyme liberty and poetic form in early modern England Englisch (DE-588)4014777-0 gnd Reim (DE-588)4130015-4 gnd Lyrik (DE-588)4036774-5 gnd |
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| title | The fetters of rhyme liberty and poetic form in early modern England |
| title_auth | The fetters of rhyme liberty and poetic form in early modern England |
| title_exact_search | The fetters of rhyme liberty and poetic form in early modern England |
| title_exact_search_txtP | The fetters of rhyme liberty and poetic form in early modern England |
| title_full | The fetters of rhyme liberty and poetic form in early modern England Rebecca M. Rush |
| title_fullStr | The fetters of rhyme liberty and poetic form in early modern England Rebecca M. Rush |
| title_full_unstemmed | The fetters of rhyme liberty and poetic form in early modern England Rebecca M. Rush |
| title_short | The fetters of rhyme |
| title_sort | the fetters of rhyme liberty and poetic form in early modern england |
| title_sub | liberty and poetic form in early modern England |
| topic | Englisch (DE-588)4014777-0 gnd Reim (DE-588)4130015-4 gnd Lyrik (DE-588)4036774-5 gnd |
| topic_facet | Englisch Reim Lyrik |
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