New queer horror film and television:
This anthology of essays studies the form, aesthetics and representations of LGBTQ+ identities in a new subgenre of film and television we call 'New Queer Horror'
Saved in:
| Other Authors: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
Cardiff
University of Wales Press
2020
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| Series: | Horror studies
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| Subjects: | |
| Online Access: | Inhaltsverzeichnis Klappentext |
| Summary: | This anthology of essays studies the form, aesthetics and representations of LGBTQ+ identities in a new subgenre of film and television we call 'New Queer Horror' |
| Physical Description: | xii, 241 Seiten Illustrationen 22 cm |
| ISBN: | 9781786836267 1786836262 |
Staff View
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Record in the Search Index
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| adam_text | Contents List of Illustrations vii Notes on Contributors ix Introduction 1 Part One: Transforming, Re-Reading and Re-Making Queer Horror 1. 2. 3. 4. ‘My Brothers Creeper’: Towards a Queer (Re-)Reading of Victor Salva’s Jeepers Creepers (2001) John Edgar Browning 15 Queer Cult Performance: Recreating Rocky Horror in the Twenty-First Century John Lynskey 31 Castrating the Queer Vampire in Let the Right One In (2008) and Let Me In (2010) Darren Elliott-Smith 45 ‘Becoming Hannibal’: Identification and Transformation in Queer Horror Television Ben Tyrer 65 Part Two: Queer Playgrounds and Adolescent Horrors 5. 13 ‘What Happened to My Sweet Girl?’: Paranoid and Reparative Readings of Queer Subjectivity in Bbck Swan (2010) and Jack and Diane (2012) Robyn Ollett 87 89
6. 7. 8. Ά Dream Within a Dream’: Childrens ‘Horror Television and Lesbianism in the World of Marceline the Vampire Queen Simon Bacon Abjection, Queer Bodies and Grotesque Doppelgängers in Jack and Diane and The Nature ofNicholas Fernando Gabriel Pagnoni Berns and Mariana Zárate 121 At the Edges of (Queer) Time and Space: Atemporality, Adolescence and Abjection in Final Destination Christopher W Clark 137 Part Three: Badass Witches and Queer Wolves 9. 105 Tf You Look in the Face of Evil, Evils Gonna Look Right Back at You’: Anthologising Supernatural Sexualities on American Horror Story: Coven Andrew J. Owens 10. Like and Lycanthropy: The New Pack Werewolf According to Tyler, Tyler and Taylor Tim Stafford 11. ‘Unspeakable Acts’: Coming Out as Werewolf Lisa Metherell 12. ‘Sisters United’: Feminist Nostalgia, Queer Spectatorship and the Radical Witch Politics of Rob Zombie’s Ђ)е Lords ofSalem Ben Raphael Sher 153 155 169 189 205 Select Bibliography 225 Index 233
HORROR STUDIES Illis anthology comprises essays that study the form, aesthetics and representations of LGBTQ+ identities in an emerging sub-genre of film and television termed ’New Queer Horror, Ibis sub-genre designates horror crafted by directors/producers who identify as gay, bí, queer or transgendered, or works like jeepen Creepers (2001), Let the Right One In (2008), Hannibal (2013—15), or American Horror Story; Coven (2013-14), which feature homoerotic or explicitly homosexual narratives with ‘out’ LGBTQ+ characters. Unlike other studies, this anthology argues that New Queer Horror projects contemporary anxieties within LGBTQ+ subcultures onto its characters and into its narratives, building upon the previously figurative role of Queer monstrosity in the moving image. New Queer Horror thus highlights the limits of a metaphorical understanding of queemess in the horror film, in an age where its presence has become unambiguous. Ultimately, this anthology aims to show that in recent years New Queer Horror has turned the focus of fear on itself, on its own communities and subcultures. Dänen i-î-inn-Sioiïh is Senior Lecturer in Film and Gender at the University of Stirling, Scotland, and is known online as www.queerhorrordoctor.com. iui« įremt; иооаиы is Professor of Liberal Arts at the Savannah College of Art and Design (SCAD), Georgia USA. Uhls new collection of essays contributes to the ever-expanding field of queer horror scholarship. Vampires, witches, werewolves, serial killers and more are examined within this relatively “out” era of LGBTQ+ representation, once
again demonstrating how this protean genre continues to speak in fascinating ways to issues of gender and sexuality.’ Professer Horry M. Bemhtfj University ofNorth hexes ‘As everyday life begins to resemble a horror movie for more and more people, so horror genres have had to shift and change to keep pace with the grotesqueries of the quotidian. In this exciting new volume edited and curated in imaginative ways, queer horror takes centre stage. While LGBTQ+ people have long played the monster in the horror genre, we can now look at horror from the perspective of those relegated to the monstrous margins. Ranging between new queer readings of old texts and analyses of aesthetic ruptures, this anthology can claim to offer a definitive look at a genre that has neatly taken aim at normal life.’ ProfessorJack Halbemam, Columbia University (. over image; iravfy hdiiganu Call mu by your nightmare (2019), digital illuMT.mun U die artist, IB irav Anwoiks.
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| adam_txt |
Contents List of Illustrations vii Notes on Contributors ix Introduction 1 Part One: Transforming, Re-Reading and Re-Making Queer Horror 1. 2. 3. 4. ‘My Brothers Creeper’: Towards a Queer (Re-)Reading of Victor Salva’s Jeepers Creepers (2001) John Edgar Browning 15 Queer Cult Performance: Recreating Rocky Horror in the Twenty-First Century John Lynskey 31 Castrating the Queer Vampire in Let the Right One In (2008) and Let Me In (2010) Darren Elliott-Smith 45 ‘Becoming Hannibal’: Identification and Transformation in Queer Horror Television Ben Tyrer 65 Part Two: Queer Playgrounds and Adolescent Horrors 5. 13 ‘What Happened to My Sweet Girl?’: Paranoid and Reparative Readings of Queer Subjectivity in Bbck Swan (2010) and Jack and Diane (2012) Robyn Ollett 87 89
6. 7. 8. Ά Dream Within a Dream’: Childrens ‘Horror Television and Lesbianism in the World of Marceline the Vampire Queen Simon Bacon Abjection, Queer Bodies and Grotesque Doppelgängers in Jack and Diane and The Nature ofNicholas Fernando Gabriel Pagnoni Berns and Mariana Zárate 121 At the Edges of (Queer) Time and Space: Atemporality, Adolescence and Abjection in Final Destination Christopher W Clark 137 Part Three: Badass Witches and Queer Wolves 9. 105 Tf You Look in the Face of Evil, Evils Gonna Look Right Back at You’: Anthologising Supernatural Sexualities on American Horror Story: Coven Andrew J. Owens 10. Like and Lycanthropy: The New Pack Werewolf According to Tyler, Tyler and Taylor Tim Stafford 11. ‘Unspeakable Acts’: Coming Out as Werewolf Lisa Metherell 12. ‘Sisters United’: Feminist Nostalgia, Queer Spectatorship and the Radical Witch Politics of Rob Zombie’s Ђ)е Lords ofSalem Ben Raphael Sher 153 155 169 189 205 Select Bibliography 225 Index 233
HORROR STUDIES Illis anthology comprises essays that study the form, aesthetics and representations of LGBTQ+ identities in an emerging sub-genre of film and television termed ’New Queer Horror, Ibis sub-genre designates horror crafted by directors/producers who identify as gay, bí, queer or transgendered, or works like jeepen Creepers (2001), Let the Right One In (2008), Hannibal (2013—15), or American Horror Story; Coven (2013-14), which feature homoerotic or explicitly homosexual narratives with ‘out’ LGBTQ+ characters. Unlike other studies, this anthology argues that New Queer Horror projects contemporary anxieties within LGBTQ+ subcultures onto its characters and into its narratives, building upon the previously figurative role of Queer monstrosity in the moving image. New Queer Horror thus highlights the limits of a metaphorical understanding of queemess in the horror film, in an age where its presence has become unambiguous. Ultimately, this anthology aims to show that in recent years New Queer Horror has turned the focus of fear on itself, on its own communities and subcultures. Dänen i-î-inn-Sioiïh is Senior Lecturer in Film and Gender at the University of Stirling, Scotland, and is known online as www.queerhorrordoctor.com. iui« įremt; иооаиы' is Professor of Liberal Arts at the Savannah College of Art and Design (SCAD), Georgia USA. Uhls new collection of essays contributes to the ever-expanding field of queer horror scholarship. Vampires, witches, werewolves, serial killers and more are examined within this relatively “out” era of LGBTQ+ representation, once
again demonstrating how this protean genre continues to speak in fascinating ways to issues of gender and sexuality.’ Professer Horry M. Bemhtfj\ University ofNorth hexes' ‘As everyday life begins to resemble a horror movie for more and more people, so horror genres have had to shift and change to keep pace with the grotesqueries of the quotidian. In this exciting new volume edited and curated in imaginative ways, queer horror takes centre stage. While LGBTQ+ people have long played the monster in the horror genre, we can now look at horror from the perspective of those relegated to the monstrous margins. Ranging between new queer readings of old texts and analyses of aesthetic ruptures, this anthology can claim to offer a definitive look at a genre that has neatly taken aim at normal life.’ ProfessorJack Halbemam, Columbia University (.'over image; iravfy hdiiganu 'Call mu by your nightmare (2019), digital illuMT.mun U die artist, IB irav Anwoiks. |
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| spelling | New queer horror film and television edited by Darren Elliott-Smith and John Edgar Browning Cardiff University of Wales Press 2020 xii, 241 Seiten Illustrationen 22 cm txt rdacontent n rdamedia nc rdacarrier Horror studies This anthology of essays studies the form, aesthetics and representations of LGBTQ+ identities in a new subgenre of film and television we call 'New Queer Horror' Horrorfilm (DE-588)4127415-5 gnd rswk-swf LGBT Motiv (DE-588)1058351885 gnd rswk-swf Queer-Theorie (DE-588)7628620-4 gnd rswk-swf Horror films / History and criticism Gays in motion pictures Queer theory Horror films Criticism, interpretation, etc (DE-588)4143413-4 Aufsatzsammlung gnd-content Horrorfilm (DE-588)4127415-5 s Queer-Theorie (DE-588)7628620-4 s LGBT Motiv (DE-588)1058351885 s DE-604 Elliott-Smith, Darren 19XX- Sonstige (DE-588)123696909X oth Browning, John Edgar 1980- (DE-588)1030233551 edt Erscheint auch als Online-Ausgabe 978-1-78683-627-4 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032679617&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032679617&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | New queer horror film and television Horrorfilm (DE-588)4127415-5 gnd LGBT Motiv (DE-588)1058351885 gnd Queer-Theorie (DE-588)7628620-4 gnd |
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| title | New queer horror film and television |
| title_auth | New queer horror film and television |
| title_exact_search | New queer horror film and television |
| title_exact_search_txtP | New queer horror film and television |
| title_full | New queer horror film and television edited by Darren Elliott-Smith and John Edgar Browning |
| title_fullStr | New queer horror film and television edited by Darren Elliott-Smith and John Edgar Browning |
| title_full_unstemmed | New queer horror film and television edited by Darren Elliott-Smith and John Edgar Browning |
| title_short | New queer horror film and television |
| title_sort | new queer horror film and television |
| topic | Horrorfilm (DE-588)4127415-5 gnd LGBT Motiv (DE-588)1058351885 gnd Queer-Theorie (DE-588)7628620-4 gnd |
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