Mobility and identity in US genre painting: painting at the threshold
Mobility and containment in Eastman Johnson's genre paintings -- Mapping Enoch Wood Perry's genre scenes -- Crossing thresholds in Thomas Hovenden's Breaking home ties -- Dislocation and connection in John Sloan's scenes of urban transport
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Abschlussarbeit Buch |
| Sprache: | English |
| Veröffentlicht: |
New York ; London
Routledge, Taylor & Francis Group
2021
|
| Schriftenreihe: | Routledge research in art history
|
| Schlagworte: | |
| Zusammenfassung: | Mobility and containment in Eastman Johnson's genre paintings -- Mapping Enoch Wood Perry's genre scenes -- Crossing thresholds in Thomas Hovenden's Breaking home ties -- Dislocation and connection in John Sloan's scenes of urban transport "This book examines the portrayal of themes of boundary crossing, itinerancy, relocation, and displacement in United States genre paintings during the second half of the long nineteenth century (c. 1860-1910). Through four diachronic case studies, the book reveals how the high-stakes politics of mobility and identity during this period informed the production and reception of works of art by Eastman Johnson (1824-1906), Enoch Wood Perry, Jr. (1831-1915), Thomas Hovenden (1840-1895), and John Sloan (1871-1951). It also complicates art history's canonical understandings of genre painting as a category that seeks to reinforce social hierarchies and emphasize more rooted connections to place by instead privileging portrayals of social flux and geographic instability. The book will be of interest to scholars working in art history, literature, American studies, and cultural geography"-- |
| Beschreibung: | xiii, 163 Seiten Illustrationen |
| ISBN: | 9780367409593 |
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| 520 | 3 | |a "This book examines the portrayal of themes of boundary crossing, itinerancy, relocation, and displacement in United States genre paintings during the second half of the long nineteenth century (c. 1860-1910). Through four diachronic case studies, the book reveals how the high-stakes politics of mobility and identity during this period informed the production and reception of works of art by Eastman Johnson (1824-1906), Enoch Wood Perry, Jr. (1831-1915), Thomas Hovenden (1840-1895), and John Sloan (1871-1951). It also complicates art history's canonical understandings of genre painting as a category that seeks to reinforce social hierarchies and emphasize more rooted connections to place by instead privileging portrayals of social flux and geographic instability. The book will be of interest to scholars working in art history, literature, American studies, and cultural geography"-- | |
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Datensatz im Suchindex
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| author | Baradel, Lacey 1982- |
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| dewey-full | 754.0973/09034 |
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| dewey-ones | 754 - Genre paintings |
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| dewey-search | 754.0973/09034 |
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| discipline | Kunstgeschichte |
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| format | Thesis Book |
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| spelling | Baradel, Lacey 1982- Verfasser (DE-588)1231286296 aut Mobility and identity in US genre painting painting at the threshold Lacey Baradel New York ; London Routledge, Taylor & Francis Group 2021 xiii, 163 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Routledge research in art history Dissertation University of Pennsylvania 2014 Mobility and containment in Eastman Johnson's genre paintings -- Mapping Enoch Wood Perry's genre scenes -- Crossing thresholds in Thomas Hovenden's Breaking home ties -- Dislocation and connection in John Sloan's scenes of urban transport "This book examines the portrayal of themes of boundary crossing, itinerancy, relocation, and displacement in United States genre paintings during the second half of the long nineteenth century (c. 1860-1910). Through four diachronic case studies, the book reveals how the high-stakes politics of mobility and identity during this period informed the production and reception of works of art by Eastman Johnson (1824-1906), Enoch Wood Perry, Jr. (1831-1915), Thomas Hovenden (1840-1895), and John Sloan (1871-1951). It also complicates art history's canonical understandings of genre painting as a category that seeks to reinforce social hierarchies and emphasize more rooted connections to place by instead privileging portrayals of social flux and geographic instability. The book will be of interest to scholars working in art history, literature, American studies, and cultural geography"-- Perry, Enoch Wood 1831-1915 (DE-588)122958950 gnd rswk-swf Hovenden, Thomas 1840-1895 (DE-588)13218771X gnd rswk-swf Johnson, Eastman 1824-1906 (DE-588)119175975 gnd rswk-swf Sloan, John 1871-1951 (DE-588)11879762X gnd rswk-swf Geschichte 1860-1910 gnd rswk-swf Migration (DE-588)4120730-0 gnd rswk-swf Genremalerei (DE-588)4020173-9 gnd rswk-swf Gesellschaft (DE-588)4020588-5 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf Genre painting, American / 19th century Genre painting, American / 20th century Migration, Internal, in art Art and society / United States / History / 19th century Art and society / United States / History / 20th century (DE-588)4113937-9 Hochschulschrift gnd-content Johnson, Eastman 1824-1906 (DE-588)119175975 p Perry, Enoch Wood 1831-1915 (DE-588)122958950 p Hovenden, Thomas 1840-1895 (DE-588)13218771X p Sloan, John 1871-1951 (DE-588)11879762X p USA (DE-588)4078704-7 g Genremalerei (DE-588)4020173-9 s Gesellschaft (DE-588)4020588-5 s Migration (DE-588)4120730-0 s Geschichte 1860-1910 z DE-604 Philadelphia, Pa (DE-588)4103331-0 gnd uvp Erscheint auch als Online-Ausgabe 978-0-367-81012-2 |
| spellingShingle | Baradel, Lacey 1982- Mobility and identity in US genre painting painting at the threshold Perry, Enoch Wood 1831-1915 (DE-588)122958950 gnd Hovenden, Thomas 1840-1895 (DE-588)13218771X gnd Johnson, Eastman 1824-1906 (DE-588)119175975 gnd Sloan, John 1871-1951 (DE-588)11879762X gnd Migration (DE-588)4120730-0 gnd Genremalerei (DE-588)4020173-9 gnd Gesellschaft (DE-588)4020588-5 gnd |
| subject_GND | (DE-588)122958950 (DE-588)13218771X (DE-588)119175975 (DE-588)11879762X (DE-588)4120730-0 (DE-588)4020173-9 (DE-588)4020588-5 (DE-588)4078704-7 (DE-588)4113937-9 |
| title | Mobility and identity in US genre painting painting at the threshold |
| title_auth | Mobility and identity in US genre painting painting at the threshold |
| title_exact_search | Mobility and identity in US genre painting painting at the threshold |
| title_exact_search_txtP | Mobility and identity in US genre painting painting at the threshold |
| title_full | Mobility and identity in US genre painting painting at the threshold Lacey Baradel |
| title_fullStr | Mobility and identity in US genre painting painting at the threshold Lacey Baradel |
| title_full_unstemmed | Mobility and identity in US genre painting painting at the threshold Lacey Baradel |
| title_short | Mobility and identity in US genre painting |
| title_sort | mobility and identity in us genre painting painting at the threshold |
| title_sub | painting at the threshold |
| topic | Perry, Enoch Wood 1831-1915 (DE-588)122958950 gnd Hovenden, Thomas 1840-1895 (DE-588)13218771X gnd Johnson, Eastman 1824-1906 (DE-588)119175975 gnd Sloan, John 1871-1951 (DE-588)11879762X gnd Migration (DE-588)4120730-0 gnd Genremalerei (DE-588)4020173-9 gnd Gesellschaft (DE-588)4020588-5 gnd |
| topic_facet | Perry, Enoch Wood 1831-1915 Hovenden, Thomas 1840-1895 Johnson, Eastman 1824-1906 Sloan, John 1871-1951 Migration Genremalerei Gesellschaft USA Hochschulschrift |
| work_keys_str_mv | AT baradellacey mobilityandidentityinusgenrepaintingpaintingatthethreshold |