Underground modernity: urban poetics in East-Central Europe, pre- and post-1989
"The literary scholar Alfrum Kliems explores the aesthetic strategies of Eastern European underground literature, art, film and music in the decades before and after the fall of communism, ranging from the 'father' of Prague Underground, Egon Bondy, to the neo-dada Club of Polish Lose...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Weitere Verfasser: | |
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Budapest ; New York
Central European University Press
[2021]
|
| Schriftenreihe: | Leipzig studies on the history and culture of East Central Europe
volume 6 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "The literary scholar Alfrum Kliems explores the aesthetic strategies of Eastern European underground literature, art, film and music in the decades before and after the fall of communism, ranging from the 'father' of Prague Underground, Egon Bondy, to the neo-dada Club of Polish Losers in Berlin. The works she considers are 'underground' in the sense that they were produced illegally, or were received as subversive after the regimes had fallen. Her study challenges common notions of 'Underground' as an umbrella term for nonconformism. Rather, it depicts it as a sociopoetic reflection of modernity, intimately linked to urban settings, with tropes and aesthetic procedures related to Surrealism, Dadaism, Expressionism, and, above all, pop and counterculture. The author discusses these commonalities and distinctions in Czech, Polish, Slovak, Ukrainian, Russian, and German authors, musicians, and filmmakers. She identifies intertextual relations across languages and generations, and situates her findings in a transatlantic context (including the Beat Generation, Susan Sontag, Neil Young) and the historical framework of Romanticism and modernity (including Baudelaire and Brecht). Despite this wide brief, the book never loses sight of its core message: Underground is no arbitrary expression of discontent, but rather the result of a fundamental conflict at the socio-philosophical roots of modernity"-- |
| Beschreibung: | Translated from the German Literaturverzeichnis Seite 289-315 |
| Beschreibung: | xiii, 325 Seiten Illustrationen 24 cm |
| ISBN: | 9789633863978 963386397X |
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| 500 | |a Literaturverzeichnis Seite 289-315 | ||
| 505 | 8 | |a Part I. Typology -- The Underground and the City, Pre- and Post-1989: An Effort to Interweave Concepts -- Paranoid Schizophrenia: Dissent, the Underground, and Cultural Fissure -- Subverting Official Claims to Centrality: Overcity/Undercity, City/Country, East/West -- Verticality as Metaphor: The Romantic Era and the Underground as a Historical Location -- Part II. Figures, Works, Groups -- Last Exit: Egon Bondy's Anti-flâneurs under the Wheels of Madame Prague -- Urban Disaffiliation: The Swan Songs of Ivan Martin Jirous -- Disgusted in Bratislava: Vladimír Archleb's Lyrically Vulgar Dandyism -- Christ Quieted: Marcin Świetlicki, Kraków, the Underground, and Pop -- The Joy of Failure, or Underground and Generation: Jacek Podsiadło's Road Story en Route to Bratislava -- My City's Me, It's Many: Peter 'Firefly' Wawerzinek, the Palaverer of Prenzlauer Berg -- Anticolonial Myth, Pop, Punk -- and the End of the Underground? The Topol Brothers' Psí vojáci Songs -- Romani and Vietnamese in Prague: Jáchym Topol Bids Farewell to the Tripolis Praga -- A Detour to Moscow: Vladimir Makanin's Underground Fantasies, or the Snare of the Subterranean -- 'Cherboslovats, Romongolians, Sweeks': Yuri Andrukhovych's Moscow as a 'Junkspace' of Cultures -- Planar Cities and Their Urban Devastation: Andrzej Stasiuk's Post-Socialist Warsaw -- Aggressive Localism: Andrzej Stasiuk and Yuri Andrukhovych as Secretaries of the Provincial -- Backstory 'Metropolis, Mass, Meat Factory': Tot Art, the Orange Alternative, and Other Chefs of the 'Semantic Porridge' -- 'It All Started in Gdańsk!': Berlin's Club of Polish Losers -- Conclusion or, Entropy of the Underground | |
| 520 | 3 | |a "The literary scholar Alfrum Kliems explores the aesthetic strategies of Eastern European underground literature, art, film and music in the decades before and after the fall of communism, ranging from the 'father' of Prague Underground, Egon Bondy, to the neo-dada Club of Polish Losers in Berlin. The works she considers are 'underground' in the sense that they were produced illegally, or were received as subversive after the regimes had fallen. Her study challenges common notions of 'Underground' as an umbrella term for nonconformism. Rather, it depicts it as a sociopoetic reflection of modernity, intimately linked to urban settings, with tropes and aesthetic procedures related to Surrealism, Dadaism, Expressionism, and, above all, pop and counterculture. The author discusses these commonalities and distinctions in Czech, Polish, Slovak, Ukrainian, Russian, and German authors, musicians, and filmmakers. She identifies intertextual relations across languages and generations, and situates her findings in a transatlantic context (including the Beat Generation, Susan Sontag, Neil Young) and the historical framework of Romanticism and modernity (including Baudelaire and Brecht). Despite this wide brief, the book never loses sight of its core message: Underground is no arbitrary expression of discontent, but rather the result of a fundamental conflict at the socio-philosophical roots of modernity"-- | |
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Contents Acknowledgements.vii Preface.xi Parti Typology The Underground and the City, Pre- and Post-1989: An Effort to Interweave Concepts. 3 Paranoid Schizophrenia: Dissent, the Underground, and Cultural Fissure.21 Subverting Official Claims to Centrality: Overcity/Undercity, City/Country, East/West. 37 Verticality as Metaphor: The Romantic Era and the Underground as a Historical Location.49 Part II Figures, Works, Groups Last Exit: Egon Bondys Anti-flâneurs under the Wheels of Madame Prague. 61 Urban Disaffiliation: The Swan Songs of Ivan Martin Jirous. 79 Disgusted in Bratislava: Vladimir Archleb’s Lyrically Vulgar Dandyism.101 Christ Quieted: Marcin Swietlicki, Kraków, the Underground, and Pop. 115 The Joy of Failure, or Underground and Generation: Jacek Podsiadłos Road Story en Route to Bratislava. 133
VI Contents My City’s Me, It’s Many: Peter “Firefly” Wawerzinek, the Palaverer of Prenzlauer Berg. 43 Anticolonial Myth, Pop, Punk—and the End of the Underground? The Topol Brothers’ Psí vojáci Songs. l65 Romani and Vietnamese in Prague: Jáchym Topol Bids Farewell to the Tripolis Praga.183 A Detour to Moscow: Vladimir Makanin’s Underground, or the Snare of the Subterranean.45 “Cherboslovats, Romongolians, Sweeks”: Yuri Andrukhovych’s Moscow as a “Junkspace” of Cultures. 209 Planar Cities and Their Urban Devastation: Andrzej Stasiuk’s Post-Socialist Warsaw. 227 Aggressive Localism: Stasiuk and Andrukhovych as Secretaries of the Provincial. 241 Backstory “Metropolis, Mass, Meat Factory”: Tot Art and the Orange Alternative as Chefs of the “Semantic Porridge”.253 “It All Started in Gdańsk!”: Berlin’s Club of Polish Losers. 265 Conclusion or, Entropy of the Underground.281 Bibliography. Index of Illustrations Name Index. 289 •317 •319 |
| adam_txt |
Contents Acknowledgements.vii Preface.xi Parti Typology The Underground and the City, Pre- and Post-1989: An Effort to Interweave Concepts. 3 Paranoid Schizophrenia: Dissent, the Underground, and Cultural Fissure.21 Subverting Official Claims to Centrality: Overcity/Undercity, City/Country, East/West. 37 Verticality as Metaphor: The Romantic Era and the Underground as a Historical Location.49 Part II Figures, Works, Groups Last Exit: Egon Bondys Anti-flâneurs under the Wheels of Madame Prague. 61 Urban Disaffiliation: The Swan Songs of Ivan Martin Jirous. 79 Disgusted in Bratislava: Vladimir Archleb’s Lyrically Vulgar Dandyism.101 Christ Quieted: Marcin Swietlicki, Kraków, the Underground, and Pop. 115 The Joy of Failure, or Underground and Generation: Jacek Podsiadłos Road Story en Route to Bratislava. 133
VI Contents My City’s Me, It’s Many: Peter “Firefly” Wawerzinek, the Palaverer of Prenzlauer Berg. 43 Anticolonial Myth, Pop, Punk—and the End of the Underground? The Topol Brothers’ Psí vojáci Songs. l65 Romani and Vietnamese in Prague: Jáchym Topol Bids Farewell to the Tripolis Praga.183 A Detour to Moscow: Vladimir Makanin’s Underground, or the Snare of the Subterranean.45 “Cherboslovats, Romongolians, Sweeks”: Yuri Andrukhovych’s Moscow as a “Junkspace” of Cultures. 209 Planar Cities and Their Urban Devastation: Andrzej Stasiuk’s Post-Socialist Warsaw. 227 Aggressive Localism: Stasiuk and Andrukhovych as Secretaries of the Provincial. 241 Backstory “Metropolis, Mass, Meat Factory”: Tot Art and the Orange Alternative as Chefs of the “Semantic Porridge”.253 “It All Started in Gdańsk!”: Berlin’s Club of Polish Losers. 265 Conclusion or, Entropy of the Underground.281 Bibliography. Index of Illustrations Name Index. 289 •317 •319 |
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| contents | Part I. Typology -- The Underground and the City, Pre- and Post-1989: An Effort to Interweave Concepts -- Paranoid Schizophrenia: Dissent, the Underground, and Cultural Fissure -- Subverting Official Claims to Centrality: Overcity/Undercity, City/Country, East/West -- Verticality as Metaphor: The Romantic Era and the Underground as a Historical Location -- Part II. Figures, Works, Groups -- Last Exit: Egon Bondy's Anti-flâneurs under the Wheels of Madame Prague -- Urban Disaffiliation: The Swan Songs of Ivan Martin Jirous -- Disgusted in Bratislava: Vladimír Archleb's Lyrically Vulgar Dandyism -- Christ Quieted: Marcin Świetlicki, Kraków, the Underground, and Pop -- The Joy of Failure, or Underground and Generation: Jacek Podsiadło's Road Story en Route to Bratislava -- My City's Me, It's Many: Peter 'Firefly' Wawerzinek, the Palaverer of Prenzlauer Berg -- Anticolonial Myth, Pop, Punk -- and the End of the Underground? The Topol Brothers' Psí vojáci Songs -- Romani and Vietnamese in Prague: Jáchym Topol Bids Farewell to the Tripolis Praga -- A Detour to Moscow: Vladimir Makanin's Underground Fantasies, or the Snare of the Subterranean -- 'Cherboslovats, Romongolians, Sweeks': Yuri Andrukhovych's Moscow as a 'Junkspace' of Cultures -- Planar Cities and Their Urban Devastation: Andrzej Stasiuk's Post-Socialist Warsaw -- Aggressive Localism: Andrzej Stasiuk and Yuri Andrukhovych as Secretaries of the Provincial -- Backstory 'Metropolis, Mass, Meat Factory': Tot Art, the Orange Alternative, and Other Chefs of the 'Semantic Porridge' -- 'It All Started in Gdańsk!': Berlin's Club of Polish Losers -- Conclusion or, Entropy of the Underground |
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The Topol Brothers' Psí vojáci Songs -- Romani and Vietnamese in Prague: Jáchym Topol Bids Farewell to the Tripolis Praga -- A Detour to Moscow: Vladimir Makanin's Underground Fantasies, or the Snare of the Subterranean -- 'Cherboslovats, Romongolians, Sweeks': Yuri Andrukhovych's Moscow as a 'Junkspace' of Cultures -- Planar Cities and Their Urban Devastation: Andrzej Stasiuk's Post-Socialist Warsaw -- Aggressive Localism: Andrzej Stasiuk and Yuri Andrukhovych as Secretaries of the Provincial -- Backstory 'Metropolis, Mass, Meat Factory': Tot Art, the Orange Alternative, and Other Chefs of the 'Semantic Porridge' -- 'It All Started in Gdańsk!': Berlin's Club of Polish Losers -- Conclusion or, Entropy of the Underground</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"The literary scholar Alfrum Kliems explores the aesthetic strategies of Eastern European underground literature, art, film and music in the decades before and after the fall of communism, ranging from the 'father' of Prague Underground, Egon Bondy, to the neo-dada Club of Polish Losers in Berlin. The works she considers are 'underground' in the sense that they were produced illegally, or were received as subversive after the regimes had fallen. Her study challenges common notions of 'Underground' as an umbrella term for nonconformism. Rather, it depicts it as a sociopoetic reflection of modernity, intimately linked to urban settings, with tropes and aesthetic procedures related to Surrealism, Dadaism, Expressionism, and, above all, pop and counterculture. The author discusses these commonalities and distinctions in Czech, Polish, Slovak, Ukrainian, Russian, and German authors, musicians, and filmmakers. She identifies intertextual relations across languages and generations, and situates her findings in a transatlantic context (including the Beat Generation, Susan Sontag, Neil Young) and the historical framework of Romanticism and modernity (including Baudelaire and Brecht). 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| geographic | Ostmitteleuropa (DE-588)4075753-5 gnd |
| geographic_facet | Ostmitteleuropa |
| id | DE-604.BV047243212 |
| illustrated | Illustrated |
| index_date | 2024-07-03T17:05:08Z |
| indexdate | 2024-09-10T00:17:17Z |
| institution | BVB |
| isbn | 9789633863978 963386397X |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032647436 |
| oclc_num | 1256818651 |
| open_access_boolean | |
| owner | DE-473 DE-BY-UBG DE-11 DE-355 DE-BY-UBR DE-M457 |
| owner_facet | DE-473 DE-BY-UBG DE-11 DE-355 DE-BY-UBR DE-M457 |
| physical | xiii, 325 Seiten Illustrationen 24 cm |
| publishDate | 2021 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | Central European University Press |
| record_format | marc |
| series | Leipzig studies on the history and culture of East Central Europe |
| series2 | Leipzig studies on the history and culture of East Central Europe |
| spelling | Kliems, Alfrun 1969- (DE-588)124532896 aut Der Underground, die Wende und die Stadt Underground modernity urban poetics in East-Central Europe, pre- and post-1989 Alfrun Kliems ; translated by Jake Schneider Budapest ; New York Central European University Press [2021] xiii, 325 Seiten Illustrationen 24 cm txt rdacontent n rdamedia nc rdacarrier Leipzig studies on the history and culture of East Central Europe volume 6 Translated from the German Literaturverzeichnis Seite 289-315 Part I. Typology -- The Underground and the City, Pre- and Post-1989: An Effort to Interweave Concepts -- Paranoid Schizophrenia: Dissent, the Underground, and Cultural Fissure -- Subverting Official Claims to Centrality: Overcity/Undercity, City/Country, East/West -- Verticality as Metaphor: The Romantic Era and the Underground as a Historical Location -- Part II. Figures, Works, Groups -- Last Exit: Egon Bondy's Anti-flâneurs under the Wheels of Madame Prague -- Urban Disaffiliation: The Swan Songs of Ivan Martin Jirous -- Disgusted in Bratislava: Vladimír Archleb's Lyrically Vulgar Dandyism -- Christ Quieted: Marcin Świetlicki, Kraków, the Underground, and Pop -- The Joy of Failure, or Underground and Generation: Jacek Podsiadło's Road Story en Route to Bratislava -- My City's Me, It's Many: Peter 'Firefly' Wawerzinek, the Palaverer of Prenzlauer Berg -- Anticolonial Myth, Pop, Punk -- and the End of the Underground? The Topol Brothers' Psí vojáci Songs -- Romani and Vietnamese in Prague: Jáchym Topol Bids Farewell to the Tripolis Praga -- A Detour to Moscow: Vladimir Makanin's Underground Fantasies, or the Snare of the Subterranean -- 'Cherboslovats, Romongolians, Sweeks': Yuri Andrukhovych's Moscow as a 'Junkspace' of Cultures -- Planar Cities and Their Urban Devastation: Andrzej Stasiuk's Post-Socialist Warsaw -- Aggressive Localism: Andrzej Stasiuk and Yuri Andrukhovych as Secretaries of the Provincial -- Backstory 'Metropolis, Mass, Meat Factory': Tot Art, the Orange Alternative, and Other Chefs of the 'Semantic Porridge' -- 'It All Started in Gdańsk!': Berlin's Club of Polish Losers -- Conclusion or, Entropy of the Underground "The literary scholar Alfrum Kliems explores the aesthetic strategies of Eastern European underground literature, art, film and music in the decades before and after the fall of communism, ranging from the 'father' of Prague Underground, Egon Bondy, to the neo-dada Club of Polish Losers in Berlin. The works she considers are 'underground' in the sense that they were produced illegally, or were received as subversive after the regimes had fallen. Her study challenges common notions of 'Underground' as an umbrella term for nonconformism. Rather, it depicts it as a sociopoetic reflection of modernity, intimately linked to urban settings, with tropes and aesthetic procedures related to Surrealism, Dadaism, Expressionism, and, above all, pop and counterculture. The author discusses these commonalities and distinctions in Czech, Polish, Slovak, Ukrainian, Russian, and German authors, musicians, and filmmakers. She identifies intertextual relations across languages and generations, and situates her findings in a transatlantic context (including the Beat Generation, Susan Sontag, Neil Young) and the historical framework of Romanticism and modernity (including Baudelaire and Brecht). Despite this wide brief, the book never loses sight of its core message: Underground is no arbitrary expression of discontent, but rather the result of a fundamental conflict at the socio-philosophical roots of modernity"-- Geschichte 1980-2010 gnd rswk-swf Untergrundliteratur (DE-588)4204547-2 gnd rswk-swf Urbanität Motiv (DE-588)4384034-6 gnd rswk-swf Stadt Motiv (DE-588)4126697-3 gnd rswk-swf Ostmitteleuropa (DE-588)4075753-5 gnd rswk-swf Underground literature / Europe, Eastern / History and criticism Literature, Experimental / Europe, Eastern / History and criticism Counterculture / Europe, Eastern / History / 20th century Performing arts and literature / Europe, Eastern / History / 20th century Performing arts and literature / Europe, Eastern / History / 21st century Cities and towns in literature Urbanization in literature Counterculture Literature, Experimental Performing arts and literature Underground literature Eastern Europe 1900-2099 Criticism, interpretation, etc History Ostmitteleuropa (DE-588)4075753-5 g Untergrundliteratur (DE-588)4204547-2 s Stadt Motiv (DE-588)4126697-3 s Urbanität Motiv (DE-588)4384034-6 s Geschichte 1980-2010 z DE-604 Schneider, Jake 1988- (DE-588)1186176407 trl Online version Kliems, Alfrun, 1969- Underground modernity 978-963-386-398-5 Budapest ; New York : Central European University Press, 2021 Leipzig studies on the history and culture of East Central Europe volume 6 (DE-604)BV042282422 6 Digitalisierung UB Bamberg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032647436&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Kliems, Alfrun 1969- Underground modernity urban poetics in East-Central Europe, pre- and post-1989 Leipzig studies on the history and culture of East Central Europe Part I. Typology -- The Underground and the City, Pre- and Post-1989: An Effort to Interweave Concepts -- Paranoid Schizophrenia: Dissent, the Underground, and Cultural Fissure -- Subverting Official Claims to Centrality: Overcity/Undercity, City/Country, East/West -- Verticality as Metaphor: The Romantic Era and the Underground as a Historical Location -- Part II. Figures, Works, Groups -- Last Exit: Egon Bondy's Anti-flâneurs under the Wheels of Madame Prague -- Urban Disaffiliation: The Swan Songs of Ivan Martin Jirous -- Disgusted in Bratislava: Vladimír Archleb's Lyrically Vulgar Dandyism -- Christ Quieted: Marcin Świetlicki, Kraków, the Underground, and Pop -- The Joy of Failure, or Underground and Generation: Jacek Podsiadło's Road Story en Route to Bratislava -- My City's Me, It's Many: Peter 'Firefly' Wawerzinek, the Palaverer of Prenzlauer Berg -- Anticolonial Myth, Pop, Punk -- and the End of the Underground? The Topol Brothers' Psí vojáci Songs -- Romani and Vietnamese in Prague: Jáchym Topol Bids Farewell to the Tripolis Praga -- A Detour to Moscow: Vladimir Makanin's Underground Fantasies, or the Snare of the Subterranean -- 'Cherboslovats, Romongolians, Sweeks': Yuri Andrukhovych's Moscow as a 'Junkspace' of Cultures -- Planar Cities and Their Urban Devastation: Andrzej Stasiuk's Post-Socialist Warsaw -- Aggressive Localism: Andrzej Stasiuk and Yuri Andrukhovych as Secretaries of the Provincial -- Backstory 'Metropolis, Mass, Meat Factory': Tot Art, the Orange Alternative, and Other Chefs of the 'Semantic Porridge' -- 'It All Started in Gdańsk!': Berlin's Club of Polish Losers -- Conclusion or, Entropy of the Underground Untergrundliteratur (DE-588)4204547-2 gnd Urbanität Motiv (DE-588)4384034-6 gnd Stadt Motiv (DE-588)4126697-3 gnd |
| subject_GND | (DE-588)4204547-2 (DE-588)4384034-6 (DE-588)4126697-3 (DE-588)4075753-5 |
| title | Underground modernity urban poetics in East-Central Europe, pre- and post-1989 |
| title_alt | Der Underground, die Wende und die Stadt |
| title_auth | Underground modernity urban poetics in East-Central Europe, pre- and post-1989 |
| title_exact_search | Underground modernity urban poetics in East-Central Europe, pre- and post-1989 |
| title_exact_search_txtP | Underground modernity urban poetics in East-Central Europe, pre- and post-1989 |
| title_full | Underground modernity urban poetics in East-Central Europe, pre- and post-1989 Alfrun Kliems ; translated by Jake Schneider |
| title_fullStr | Underground modernity urban poetics in East-Central Europe, pre- and post-1989 Alfrun Kliems ; translated by Jake Schneider |
| title_full_unstemmed | Underground modernity urban poetics in East-Central Europe, pre- and post-1989 Alfrun Kliems ; translated by Jake Schneider |
| title_short | Underground modernity |
| title_sort | underground modernity urban poetics in east central europe pre and post 1989 |
| title_sub | urban poetics in East-Central Europe, pre- and post-1989 |
| topic | Untergrundliteratur (DE-588)4204547-2 gnd Urbanität Motiv (DE-588)4384034-6 gnd Stadt Motiv (DE-588)4126697-3 gnd |
| topic_facet | Untergrundliteratur Urbanität Motiv Stadt Motiv Ostmitteleuropa |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032647436&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV042282422 |
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