Filmska muzika Borislava Tamindžića: pitanje zvukovnosti i/ili zvučnosti slika i pokreta u filmovima : Beštije, Jovana Lukina i Čudo neviđeno reditelja Živka Nikolića
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Veröffentlicht: |
Podgorica
Muzički centar Crne Gore
2016
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| Schriftenreihe: | Biblioteka Jubilej
knjiga 1 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Abstract Abstract |
| Beschreibung: | 115 Seiten 1 Portät |
| ISBN: | 9789940538125 |
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Datensatz im Suchindex
| _version_ | 1804182346282303488 |
|---|---|
| adam_text | Sadržaj PREDGOVOR __________________________________________________ 7 UVOD ________________________________________________________ 9 FRAGMENT 0 RAZVOJU MUZIKE U CRNOJ GORI _______________ 13 FILMSKA/PRIMIJENJENA MUZIKA ___________________________ 18 OSNOVNE KARAKTERISTIKE STVARALAŠTVA ŽIVKA NIKOLIČA ____________________________________________ 32 IGRANI FILMOVI: BEŠTIJE, JOVANA LUKINA I ČUDO NEVIĐENO __________________39 KARAKTERISTIKE MUZIKE BORISLAVA TAMINDŽIĆA KOMPONOVANE ZA NIKOLIĆEVE FILMOVE SA POSEBNIM OSVRTOM NA KOMPOZITOROV ODNOS PREMA CRNOGORSKOM FOLKLORU _________________________________ 72 ZAKLJUČAK _________________________________________________ 83 Literatura ____________________________________________________85 Webografija __________________________________________________90 PRILOG _____________________________________________________ 91 PRILOG BR. 1 _____________________________________________ 93 PRILOG BR. 2 ____________________________________________ 108 PRILOG BR. 3 ____________________________________________ 109 REZIME ____________________________________________________ 111 ABSTRACT __________________________________________________ 113 0 AUTORKI _______________________________ :_________________ 115
REZIME Knjiga je posvečena dijelu stvaralaštva crnogorskog kom pozitora Borislava Tamindžića koji se odnosi na njegovu primijenjenu muziku. Pored osvrta na istorijski aspekt razvoja crnogorske muzike, kao i filmske umjetnosti u bivšoj Jugoslaviji posvetila sam se razmatranju fenomena filmske/primijenjene muzike i samim tim pokušala da pozicioniram kompozitora u hijerarhiji umjetnika koji rade na filmskom projektu. U okviru ovog segmenta rada, vodi se rasprava o „autentičnosti“ kompozitorovog prosedea u primijenjenoj muzici, kao i odnosu između kompozitora Borislava Tamindžića i režisera Živka Nikoliča. U poglav lju „Osnovne karakteristike stvaralaštva Živka Nikoliča“ u sklopu razmatranja sva tri filma bavila sam se analizom za jedničkih imenitelja obije umjetnosti (temporalnost, ritam i pokret), paje na taj način paradigmatskim primjerima iz analiziranih filmova pružen uvid u odnose i međusobna prožimanja slika, pokreta, likova sa jedne, i muzičkih ka rakteristika, sa druge strane. Jedan dio ovog razmatranja obuhvatio je i pitanje reference na muziku kao dio filma tj. prisustvo / odsustvo predmeta koji bi asocirali na muziku u svakodnevnom životu, a zastupljeni su u filmu. U završnom poglavlju sagledala sam karakteristike filmske muzike Bo rislava Tamindžića sa posebnim osvrtom na crnogorski fol klor (i samim tim zaključila / ili pokrenula pitanje slobode 111
112 i autentičnosti kompozitorove muzike u filmu). Takođe, je dan dio rada obuhvatila su razmatranja dodate vrijednosti zvuka kojima sam povezala odnos između dokumentarnih i igranih filmova Živka Nikoliča.
ABSTRACT The book is dedicated to that part of creation of Montenegrin composer Borislav Tamindžić, which refers to his applied mu sic. In addition to an overview of the historical aspects of Mon tenegrin music development, as well as film art in former Yu goslavia, I dedicated myself to considering the phenomenon of film/applied music and thus tried to position the composer in the hierarchy of artists who work on a film project. With in this segment of the work, the “authenticity” of composer s creative procedure in applied music is discussed, and the re lationship between the composer Borislav Tamindžić and the director Živko Nikolič. In the chapter “Basic characteristics of the creation of Živko Nikolič” as part of consideration of all three movies I dealt with the analysis of joint denominators of both arts (temporarity, rhythm and movement), so in this manner the paradigms from the analysed films provided an insight into permeation of images, movements, personages on one side with music characteristics on the other and the relationships between them. One part of this consideration in cluded also the issue of reference to music as a part of the film i.e. presence/absence of objects that would remind of music in everyday life, and which are represented in the movie. In the final chapter I considered the characteristics of film mu sic by Borislav Tamindžić, with a special focus on Montene grin folklore (and thus also I concluded/or initiated the issue 113
114 of freedom and authenticity of composers music in a movie). Also, one part of the work included considerations of added value of the sound through which I connected the relationship between documentary and feature movies by Živko Nikolič.
|
| adam_txt |
Sadržaj PREDGOVOR _ 7 UVOD _ 9 FRAGMENT 0 RAZVOJU MUZIKE U CRNOJ GORI _ 13 FILMSKA/PRIMIJENJENA MUZIKA _ 18 OSNOVNE KARAKTERISTIKE STVARALAŠTVA ŽIVKA NIKOLIČA _ 32 IGRANI FILMOVI: BEŠTIJE, JOVANA LUKINA I ČUDO NEVIĐENO _39 KARAKTERISTIKE MUZIKE BORISLAVA TAMINDŽIĆA KOMPONOVANE ZA NIKOLIĆEVE FILMOVE SA POSEBNIM OSVRTOM NA KOMPOZITOROV ODNOS PREMA CRNOGORSKOM FOLKLORU _ 72 ZAKLJUČAK _ 83 Literatura _85 Webografija _90 PRILOG _ 91 PRILOG BR. 1 _ 93 PRILOG BR. 2 _ 108 PRILOG BR. 3 _ 109 REZIME _ 111 ABSTRACT _ 113 0 AUTORKI _ :_ 115
REZIME Knjiga je posvečena dijelu stvaralaštva crnogorskog kom pozitora Borislava Tamindžića koji se odnosi na njegovu primijenjenu muziku. Pored osvrta na istorijski aspekt razvoja crnogorske muzike, kao i filmske umjetnosti u bivšoj Jugoslaviji posvetila sam se razmatranju fenomena filmske/primijenjene muzike i samim tim pokušala da pozicioniram kompozitora u hijerarhiji umjetnika koji rade na filmskom projektu. U okviru ovog segmenta rada, vodi se rasprava o „autentičnosti“ kompozitorovog prosedea u primijenjenoj muzici, kao i odnosu između kompozitora Borislava Tamindžića i režisera Živka Nikoliča. U poglav lju „Osnovne karakteristike stvaralaštva Živka Nikoliča“ u sklopu razmatranja sva tri filma bavila sam se analizom za jedničkih imenitelja obije umjetnosti (temporalnost, ritam i pokret), paje na taj način paradigmatskim primjerima iz analiziranih filmova pružen uvid u odnose i međusobna prožimanja slika, pokreta, likova sa jedne, i muzičkih ka rakteristika, sa druge strane. Jedan dio ovog razmatranja obuhvatio je i pitanje reference na muziku kao dio filma tj. prisustvo / odsustvo predmeta koji bi asocirali na muziku u svakodnevnom životu, a zastupljeni su u filmu. U završnom poglavlju sagledala sam karakteristike filmske muzike Bo rislava Tamindžića sa posebnim osvrtom na crnogorski fol klor (i samim tim zaključila / ili pokrenula pitanje slobode 111
112 i autentičnosti kompozitorove muzike u filmu). Takođe, je dan dio rada obuhvatila su razmatranja dodate vrijednosti zvuka kojima sam povezala odnos između dokumentarnih i igranih filmova Živka Nikoliča.
ABSTRACT The book is dedicated to that part of creation of Montenegrin composer Borislav Tamindžić, which refers to his applied mu sic. In addition to an overview of the historical aspects of Mon tenegrin music development, as well as film art in former Yu goslavia, I dedicated myself to considering the phenomenon of film/applied music and thus tried to position the composer in the hierarchy of artists who work on a film project. With in this segment of the work, the “authenticity” of composer s creative procedure in applied music is discussed, and the re lationship between the composer Borislav Tamindžić and the director Živko Nikolič. In the chapter “Basic characteristics of the creation of Živko Nikolič” as part of consideration of all three movies I dealt with the analysis of joint denominators of both arts (temporarity, rhythm and movement), so in this manner the paradigms from the analysed films provided an insight into permeation of images, movements, personages on one side with music characteristics on the other and the relationships between them. One part of this consideration in cluded also the issue of reference to music as a part of the film i.e. presence/absence of objects that would remind of music in everyday life, and which are represented in the movie. In the final chapter I considered the characteristics of film mu sic by Borislav Tamindžić, with a special focus on Montene grin folklore (and thus also I concluded/or initiated the issue 113
114 of freedom and authenticity of composers music in a movie). Also, one part of the work included considerations of added value of the sound through which I connected the relationship between documentary and feature movies by Živko Nikolič. |
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| illustrated | Illustrated |
| index_date | 2024-07-03T16:58:14Z |
| indexdate | 2024-07-10T09:06:05Z |
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| spelling | Jovanović-Nikolić, Jelena 1987- Verfasser (DE-588)1235919269 aut Filmska muzika Borislava Tamindžića pitanje zvukovnosti i/ili zvučnosti slika i pokreta u filmovima : Beštije, Jovana Lukina i Čudo neviđeno reditelja Živka Nikolića Jelena Jovanović-Nikolić Podgorica Muzički centar Crne Gore 2016 115 Seiten 1 Portät txt rdacontent n rdamedia nc rdacarrier Biblioteka Jubilej knjiga 1 Zusammenfassung in englischer Sprache Tamindžić, Borislav 1932-1992 (DE-588)101396067X gnd rswk-swf Filmmusik (DE-588)4017129-2 gnd rswk-swf Jugoslawien (DE-588)4028966-7 gnd rswk-swf Montenegro (DE-588)4040163-7 gnd rswk-swf Tamindžić, Borislav 1932-1992 (DE-588)101396067X p Jugoslawien (DE-588)4028966-7 g Montenegro (DE-588)4040163-7 g Filmmusik (DE-588)4017129-2 s DE-604 Biblioteka Jubilej knjiga 1 (DE-604)BV047342638 1 Digitalisierung BSB München 19 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032627751&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB München 19 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032627751&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Abstract Digitalisierung BSB München 19 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032627751&sequence=000005&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA Abstract |
| spellingShingle | Jovanović-Nikolić, Jelena 1987- Filmska muzika Borislava Tamindžića pitanje zvukovnosti i/ili zvučnosti slika i pokreta u filmovima : Beštije, Jovana Lukina i Čudo neviđeno reditelja Živka Nikolića Biblioteka Jubilej Tamindžić, Borislav 1932-1992 (DE-588)101396067X gnd Filmmusik (DE-588)4017129-2 gnd |
| subject_GND | (DE-588)101396067X (DE-588)4017129-2 (DE-588)4028966-7 (DE-588)4040163-7 |
| title | Filmska muzika Borislava Tamindžića pitanje zvukovnosti i/ili zvučnosti slika i pokreta u filmovima : Beštije, Jovana Lukina i Čudo neviđeno reditelja Živka Nikolića |
| title_auth | Filmska muzika Borislava Tamindžića pitanje zvukovnosti i/ili zvučnosti slika i pokreta u filmovima : Beštije, Jovana Lukina i Čudo neviđeno reditelja Živka Nikolića |
| title_exact_search | Filmska muzika Borislava Tamindžića pitanje zvukovnosti i/ili zvučnosti slika i pokreta u filmovima : Beštije, Jovana Lukina i Čudo neviđeno reditelja Živka Nikolića |
| title_exact_search_txtP | Filmska muzika Borislava Tamindžića pitanje zvukovnosti i/ili zvučnosti slika i pokreta u filmovima : Beštije, Jovana Lukina i Čudo neviđeno reditelja Živka Nikolića |
| title_full | Filmska muzika Borislava Tamindžića pitanje zvukovnosti i/ili zvučnosti slika i pokreta u filmovima : Beštije, Jovana Lukina i Čudo neviđeno reditelja Živka Nikolića Jelena Jovanović-Nikolić |
| title_fullStr | Filmska muzika Borislava Tamindžića pitanje zvukovnosti i/ili zvučnosti slika i pokreta u filmovima : Beštije, Jovana Lukina i Čudo neviđeno reditelja Živka Nikolića Jelena Jovanović-Nikolić |
| title_full_unstemmed | Filmska muzika Borislava Tamindžića pitanje zvukovnosti i/ili zvučnosti slika i pokreta u filmovima : Beštije, Jovana Lukina i Čudo neviđeno reditelja Živka Nikolića Jelena Jovanović-Nikolić |
| title_short | Filmska muzika Borislava Tamindžića |
| title_sort | filmska muzika borislava tamindzica pitanje zvukovnosti i ili zvucnosti slika i pokreta u filmovima bestije jovana lukina i cudo nevideno reditelja zivka nikolica |
| title_sub | pitanje zvukovnosti i/ili zvučnosti slika i pokreta u filmovima : Beštije, Jovana Lukina i Čudo neviđeno reditelja Živka Nikolića |
| topic | Tamindžić, Borislav 1932-1992 (DE-588)101396067X gnd Filmmusik (DE-588)4017129-2 gnd |
| topic_facet | Tamindžić, Borislav 1932-1992 Filmmusik Jugoslawien Montenegro |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032627751&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032627751&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032627751&sequence=000005&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV047342638 |
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